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315264 Los(e)/Seite
Los 203
A rare Liverpool-printed creamware Bidston Hill jug, circa 1789Of ovoid shape with a plain strap handle, printed in black with 'An East View of Liverpool Light House & Signals, on Bidston Hill, 1789', the tower surrounded by 47 numbered flags, above a list with the names of the corresponding ship owners, the reverse with a three-masted ship in full sail, 19cm highFootnotes:The lighthouse at Bidston Hill, one of the highest points on the Wirral, guided ships into the Mersey and the signals alerted those at the docks to which particular merchant's ship was approaching. Slight variations of this print dated 1788 and 1789 were exhibited by the Northern Ceramics Society, Made in Liverpool (1993), pp.120-1, nos.181 and 183. The 1788 example lists 44 flag combinations and the 1789 example 51 combinations. The present example which lists 47, presumably dates from the months in between. A mug in the Harris Museum and Art Gallery is also dated 1789 and signed in the print 'Printed by Joseph Johnson Liverpool'.For further information on this lot please visit Bonhams.com
Los 242
A Battersea enamel plaque, circa 1751Of upright rectangular form, printed in puce with 'Britannia Encouraging the Irish Linen Industry' engraved by Ravenet after a design by James Gwin, the industry represented by Hibernia seated at a loom, in gilt metal frame, 7.8cm x 11.2cm including frameFootnotes:ProvenanceWith Simon Spero, October 1981E and J Handley Collection, illustrated 18th Century English Transfer-Printed Porcelain and Enamels (1991), p.259With Simon Spero, 2000 exhibition, no.43Bunny and Paul Davies CollectionExamples of Battersea enamels bearing this print may have been commissioned by the Duke of Dorset during his second term of office as Viceroy to Ireland in 1750-53. The industry suffered from the imposition of a tax on importations of Irish sail cloth into England in March 1750.For further information on this lot please visit Bonhams.com
Los 250
A Battersea enamel box, circa 1753-56Of rectangular form with gilt metal mounts, the interior of the cover printed in black with a profile portrait of William Augustus, Duke of Cumberland, engraved by Ravenet, the exterior with 'La Promenade', engraved by Robert Hancock, the sides and base with rococo panels, 5.6cm wideFootnotes:ProvenanceBunny and Paul Davies CollectionA very similar box is illustrated by Cyril Cook, The Life and Work of Robert Hancock (1948), item 87. Another example of the rare Duke of Cumberland print is illustrated by Therle and Bernard Hughes, English Painted Enamels (1951), p.18, fig.2 and another in the Schreiber Collection by Egan Mew, Battersea Enamels (1926), fig.3. The companion print depicts Frederick, Prince of Wales.For further information on this lot please visit Bonhams.com
Los 253
A Battersea enamel box, circa 1751-53Of rectangular form with gilt metal mounts, the hinged cover printed in red on the exterior with 'Britannia surrounded by the Arts and Sciences', the interior with a portrait of George II, the base with a lion and cherubs, panels of children representing the arts to the sides, engraved by Ravenet, 6.8cm wideFootnotes:ProvenanceBunny and Paul Davies CollectionA box with the same print on the exterior is illustrated by Egan Mew, Battersea Enamels (1926), fig.25 (left) and two of the prints on the sides are shown at fig.35.For further information on this lot please visit Bonhams.com
Los 256
A rare Liverpool enamel plaque, circa 1780Of upright oval form, printed in dark brown with a portrait of Captain Farmer, probably by Guy Green, titled on a banner below, with original metal frame and hanging loop, 7.2cm high including frameFootnotes:ProvenanceBunny and Paul Davies CollectionCaptain George Farmer was a much admired naval hero killed in battle against the French on 6 October 1779. He went down with his ship HMS Quebec and was so highly praised that a baronetcy was conferred on his eldest son at the request of the Admiralty. The source of the image is a print by John Murphy published by Boydell in 1780 after a painting by Charles Grignion.For further information on this lot please visit Bonhams.com
Los 268
A rare Battersea enamel bottle ticket, circa 1753-56Engraved by Ravenet after a design by James Gwin, printed in puce and lightly overpainted in colours with Venus sleeping, Cupid to one side pulling back the background drapery, titled 'BURGUNDY', 7.3cm wideFootnotes:ProvenanceMort and Moira Lesser Collection, Bonhams, 19 October 2011, lot 13Peter Lole Collection, Bonhams, 5 June 2019, lot 128Bunny and Paul Davies CollectionA similar ticket was sold by Bonhams on 8 June 2005, lot 74 and another is illustrated by Egan Mew, Battersea Enamels (1926), fig 21. A ticket with the same print but titled 'MADEIRA' was in the Mullens Collection. The same design was also used for 'BURGOYNE', 'MULSEAU' and 'W WINE'.For further information on this lot please visit Bonhams.com
Los 274
A South Staffordshire enamel snuff box, an egg-shaped bonbonniere and three patch boxes, later 18th centuryThe rectangular snuff box with a coloured print of figures by ruins, 7cm wide, the egg with flower panels on a turquoise-green ground, 5.3cm, one patch box with a putto representing Music, 5.2cm, and two others with mottos on blue grounds, 4cm, together with a Samson yellow-ground patch box, 4.6cm (6)For further information on this lot please visit Bonhams.com
Los 427
A Chelsea 'Hans Sloane' dish, circa 1755-58Of lobed circular form, painted in characteristic style with a tied bunch of ombrierte asparagus, two further crossed asparagus spears, and a spray of green leaves, with four scattered insects including a moth, caterpillar and two beetles, with a brown line rim, 20.2cm diam, red anchor markFootnotes:ProvenanceBonhams, 20 November 2019, lot 224Robyn Robb CollectionAlthough no source print is known for the asparagus painted on Chelsea wares, tureens in the shape of ties asparagus were also made at the factory and probably copied the same source. A similar dish was sold by Christie's on 31 May 2012, lot 537. Another comparable dish is illustrated by Sally Kevill-Davies, Sir Hans Sloane's Plants on Chelsea Porcelain (2015), pp.134-5, no.36.For further information on this lot please visit Bonhams.com
Los 447
A rare Bow teapot and cover, circa 1756-60The small, globular vessel printed in dark purple with the 'Piper and Woman on Horseback', the same scene repeated on the reverse, the cover printed with two birds in flight, the rims edged in chocolate brown, 9.3cm high (2)Footnotes:ProvenanceAubrey J Toppin CollectionBrenda Dunning CollectionThis very rare print is taken from an engraving by J Aliamet after Nicholas Berghem. This teapot, together with its source print is illustrated by Bernard Watney, Notes on Bow Transfer Printing, ECC Trans, Vol.8, Pt.2 (1972), pl.168, and by Gordon and Sue Guy-Jones, Bow Porcelain, On-glaze Prints and their Sources (2013), p.66.For further information on this lot please visit Bonhams.com
Los 461
A Worcester teabowl and saucer, circa 1755Decorated with the 'Two Geese' pattern, transfer printed in outline and filled in with famille rose enamels, the birds standing beside flowering peonies, saucer 11.8cm diam (2)Footnotes:ProvenanceBrenda Dunning CollectionThe pattern appears to have been copied from a Chinese export design from the Yongzheng period. Worcester used a 'Smokey primitive' print as an outline, in the same manner as the more-popular 'Red Bull' pattern.For further information on this lot please visit Bonhams.com
Los 537
A Flight, Barr and Barr, Worcester cabinet cup and saucer by Thomas Baxter, circa 1815With twin handles and a band of white 'jewels' applied below the everted rim, painted with 'The Bard from Gray', the reverse with a floral panel, the oval panels edged with multi-coloured 'jewels', the blue ground gilt with classical scrollwork, stand 13.8cm diam, printed and script marks referring to Coventry Street address (2)Footnotes:The Bard from Gray is also recorded on a Swansea plate painted by Thomas Baxter and on other pieces of Flight, Barr and Barr. The source appears to be a print 'Relicks of the Welsh Bards' by Edward Jones, published in 1784 and reissued in 1802 and 1808, after a painting by de Loutherbourg.For further information on this lot please visit Bonhams.com
Los 38
An Edwardian 1/12th scale model of the 10-ton Bristol Channel One Design class 'Coquette': standing rigged with furled sails over simulated planked deck with fixtures and fittings, the hull painted black to the waterline and copper coloured beneath, raised on a wooden stand, 122 x 107cm in a glazed display case on stand with brass plaque ' Coquette'. 10 tons. 1900-1906. Designed, built and owned by Harold Clayton .L.O.A 35'-0'', L.W.L 26'-0'', Beam 8'-9''. Draft 6'-0''. Disptnt 8.5 tons. Sail Area 834''. 10 Firsts 3 Seconds in 13 starts & in cruising about 12,000 miles', the case 148 x 128.5 x 40 cm, raised on an associated table , overall height 224.5cm, also a lithograph print of the hull design mounted on card and inscribed as per title and signed 'H Clayton' 27.5 x 20cm
Los 39
A fine builder's R.N.L.I presentation scale model of the Hydraulic Steam Lifeboat 'City of Glasgow , 1894': gilt brass funnel, capstan, anchor, binnacle and fittings with side grab ropes, the hull painted in RNLI blue red and coral pink, polished brass rudder, raised on turned brass support within an ebonised glazed case, presentation plaque inscribed 'Hydraulic Steam Lifeboat City of Glasgow' Built For The Royal National Lifeboat Institution, by R & H Green, Blackwall Yard, London , 1894', model length 100 cm , the case 40 x 124 x 47.5, raised on a turned leg presentation table, 131cm overall height. Together with a facsimile blue print 'Proposed Hydraulic Life-boat for the service of the Royal National Lifeboat Institution' , 61 x 104cm, two copies of 'The Life-Boat and its Work' by Sir John Cameron Lamb, one with personalised dedication to Sir Fitzroy Clayton, four black and white photographs of the Filey pulling lifeboat 'Hollon The Third' (in use 1907-1937) being hauled ashore and related ephemera.*Notes- At the end of the 19th century the RNLI began considering the use of stem powered lifeboats due to the number of times that the pulling of sailing boats towed to rescue was undertaken by steam powered tugs. In June 1888 a design by R & H Green of Blackwall, London was selected and the first hydraulic steam lifeboat 'Duke of Northumberland' was ordered and completed in 1889. During summer trials in 1890 the Duke of Northumberland impressed the Harwich committee and in 1894 the RNLI's second steam lifeboat 'City of Glasgow' arrived at Harwich on the 7th November, 1894. Funded through the Glasgow Lifeboat Saturday Fund and designed by RNLI architect George Lennox Watson, she was built by R& H Green at a cost of £2,639 10s 0d. The City of Glasgow was beset by many problems during her service when in March 1895 on returning to the station her condenser tubes started leaking. Later on in the same year alterations were needed to improve her trim and whilst returning from service in October the exhaust pipe cracked and needed repairs. In 1897 the port inlet joint started leaking so much that she needed to be returned London for repairs. On the journey the problem became such an issue that she needed to be grounded on a mudbank near Sherness and subsequently towed to R&H Green's yard. Despite her issues, 'City Of Glasgow' undertook a number of services during the period 1894 to 1897 and after repairs 1898 to 1901, rescuing thirty -two lives. Technical issues were to lead to her replacement in 1901 when she was withdrawn from service and eventually sold for £100. The facsimile blue print is signed and dated 'HDC 27.6.88' indicating that Harold Clayton had put forward his own design to the RNLI for the proposed steam lifeboat.*Provenance- Clayton family descent* A similar model can be seen in the Science Museum (Object number 1912-130) which has a white painted hull below the water line rather than the coral pink of the model here.
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315264 Los(e)/Seite