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315264 Los(e)/Seite
Los 1048
Two Signed David Shepherd Limited Edition Prints, "653 Squadron Beaver Taking Off Dhala Airstrip, The Radfan 1964", 194/850, 41 x 52cm and "656 Squadron Auster Mark IX in North Malaya 1962", 43 x 53cm. Exchange Brewery Print, other prints including Lowry; hickory shafted golf club, copper jug, etc.
Los 1465
Oriental. Pair of Japanese Watercolours, Bird on Tree Branch and Foliage, each with red stamp, 27 x 37.5cm; two figural sketches; Martin Rowson, 'Michael Foot's 90th Birthday', featuring Michael and Tony Blair, limited edition colour print of 250, 28 x 20cm; Lowry and Winnie the Pooh prints; Simon Clements Concert Sketch, Tim Horton at St Marks, watercolour, 9.5 x 13cm, signed, titled and dated '07; John Pemberton, Donkey montage, pen and ink sketch, signed and dated '92, 25 x 35cm.
Los 48
CHARITY LOT - ASSORTED WATERCOLOURS & PRINTS, ROB HAMES pencil and bodycolour - Laid Up Lizzie, TWO GENT'S HATS, comprising Dunn & Co 'Lightweight' black bowler, size 7, and Christy 'Imperial' grey trilby, size 6 7/8, ASSORTED ECCLESIASTICAL FURNITURE, including oak table with X-frame base 84h x 81w x 65cm d, 2 oak chairs, 2 prieu dieu 64cm w, contemporary steel lectern 116cm h (6) together with 18TH CENTURY OAK AND MAHOGANY CROSSBANDED HANGING CORNER CUPBOARD, 105h x 85w x 45cm d, EMMA MACCALLUM charcoal - 'Head 4', entitled verso on Attic Gallery label, FRANK WATKINS (b.1951) mixed media - abstract, MAQBOOL FIDA HUSAIN limited edition screensprints (2), CHLOE CHEESE limited edition print - Glace Fruit
Los 165
Horseracing interest: An 18th century style overpainted print depicting a horse race with four horses galloping towards the finishing flag, oil on paper laid on board, unframed, 76 by 51cms.Condition ReportIt is difficult to gauge the age of this painting, it has been painted on paper laid on board and has quite severe craquelure to the varnish although the varnish is not flaky, it is also quite grubby and there is a spot in the middle of the painting which has been rubbed, no visible signature, date or clues to age, otherwise it is in good overall condition.
Los 329
Gucci, a small Supreme Blooms Embroidered Dionysus handbag, crafted from the maker's GG coated canvas exterior, overlayed with a blue floral print and bee embroidery, with brown suede trim, silver-tone hardware, chain-link shoulder strap, top flap closure with tiger's head buckle fastening, and brown suede interior lining, measuring 8 by 18 by 27.5cm- Overall very good condition - Very minor discoloration to the suede trim and flap underside - Without maker's dust bag - Condition reports are a guide only and clients are advised to view items before bidding - For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
Los 1045
After A. W. Callcott, R.A (1779-1844)Rural landscape with peasants and cattleColour print; together with a prospect of Whixley in ye West Riding of Yorkshire, the seate of Christopher Tancred Esq., engraved by Kip, with Baynton-Williams label verso, and a colour print After G. Brown of the racehorse "Formosa" (3)
Los 163
Corinna Button In a Dream, 2023 Collage, acrylic, graphite and oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About After completing a BA honours degree in painting, I pursued a printmaking postgraduate degree in the UK, where I am from. It was during this time that I was impacted by the German Expressionists, whose works, particularly in printmaking, left an indelible impression on me. I dedicated many subsequent years to developing my work in etching and other forms of printmaking. Today, printmaking continues to be a medium that intrigues me and is hugely influential in the way I approach my painting and sculpture. People are the subjects of my work and I am intrigued by moments that, despite initially appearing quite commonplace, are (for me) charged with great significance and meaning. My inspiration is drawn from experiences or predicaments I encounter in daily life, such as social gatherings, images from social media and words from a song or a poem. All these generate ideas for themes that I can build upon, "dress-up" and weave into my work. I compose figures either in groupings or as a single figure or just a face. My aim is not to create exact likenesses, but rather to create prototypical or archetypal figures whose personality or identity is both partly exposed and partly hidden beneath the surface. Everything about the way I work (both technique and subject) is motivated by the desire to reveal or "bring something to light." Thus, my process involves layering then scraping back, building then excavating; otherwise, peeling back layers to "carve out" and reveal something hidden beneath the surface. Select Exhibitions/Awards Selected Solo Shows 2020 Caught in a Fast Lane - Cupola Gallery, Sheffield UK 2017 Interfaces' - Hyde Park Arts Centre, Chicago (Featuring sculpture, printmaking and painting) Media made Great, Chicago 'Caught in an act II '(Featuring sculpture, printmaking and painting) 2016 Caught in the Act Cupola Gallery, Sheffield UK Watching you, watching me Sculpture and painting. Pistachio, Chicago 2014 Moments of Being, Gallery C, Dubuque, IA, USA University of Illinois, ULC Health in the Arts clinic, Chicago USA Specially Selected Exhibitions 2023 & 2020 Royal Academy Summer Show, London 2020 & 2019 ING Discerning Eye, Mall Galleries, London 2020 In Print; 20/20 Vision: Watts Contemporary, Watts Gallery Artists' Village, Surrey 2019 The Prince's Trust Auction, Highgrove House, Doughton, Gloucestershire. 2019 'Not Just Another Pretty Face', Hyde Park Art Center, Chicago. USA 2019 International Open Juried exhibition of Original Prints, 'NOPE' Bankside Gallery, London. 2017 Shakespeare: A celebration, Kwan Fong Gallery of Art and Culture, California, USA 2015 Chicago Invasion, Blue Rider Gallery, Taipei, - Taiwan 2015 Artress, Research House for Asian Art, Chicago, USA 2015 Elmhurst Museum; Artists Interpret Shakespeare, USA Collections The Victoria and Albert Museum, London Jiangsu Art Museum, China Ashmolean Museum Oxford BBC Sheffield Castle Lesley, Ireland University of Aberystwyth, Wales You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 265
Natasha Michaels Replacement I, 2023 Monotype Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Natasha Michaels was born in 1969 in London. She studied communication design at St Martins College of Art and at the Royal College of Art in London where she specialised in Printmaking. Her work is in the collections of private individuals and museum collections Over the years, her illustration has been commissioned by the likes of Penguin Books, Vintage, Random House, The Guardian, and Blue Source. She lives and works in London. Education Royal College of Art 1994-1996 St Martins School of Art 1989-1992. Select Exhibitions/Awards 2021 Woolwich Contemporary Print Fair Royal Academy Summer Exhibition Everywoman Biennial Acedia at Purslane Art An Intimate Distance - Eileen Cooper RA, Craigie Aitchison RA, Natasha Micheals and Jo Taylor, Rabley Gallery. 2020
 Rabley Gallery Summer Exhibition
 LOPF September - Feature Artist with Rabley Gallery You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 116
Simon Laurie Gin and Limes, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Simon Laurie is a contemporary Scottish landscape and still life artist, whose paintings are characterised by references to Scottish life and society, incorporating fish, boats, religious symbols and everyday items. These objects are arranged upon a rich textural ground created by the application of multiple layers of acrylic paint. He has worked with acrylic paint for almost 30 years, developing his own individual style and fundamental visual language. Simon was born in Glasgow and studied at Glasgow School of Art from 1982 to 1988. He was elected a member of the Royal Scottish Society of Painters in Watercolours (RSW) in 1991 and the Royal Glasgow Institute (RGI) in 2000, where he served as convener for six years. He has had many solo shows, both in the UK and abroad, and has won many prestigious and major awards. His work is held in many public, private and corporate collections. Education Glasgow School of Art Select Exhibitions/Awards Selected Solo Exhibitions 2020 Scottish Arts Club, Edinburgh 2017 Veneer Gallery, Glasgow 2017 Artists' Open House, Dulwich 2016 Open Eye Gallery, Edinburgh Leiper Fine Art, Glasgow 2014 Fidra Fine Art, North Berwick 2013 Panter and Hall Gallery, London 2013 Open Eye Gallery, Edinburgh 2013 Artists' Open House, Dulwich 2010 Open Eye Gallery, Edinburgh 2009 John Davies Gallery, Moreton on Marsh Scottish Arts Club, Edinburgh Panter and Hall Gallery, London 2008 Open Eye Gallery, Edinburgh 2007 Panter and Hall Gallery, London 2006 Gatehouse Gallery, Glasgow 2005 The Open Eye Gallery Panter and Hall Gallery, London 2004 Roger Billcliffe Gallery, Glasgow 2003 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2001 Open Eye Gallery, Edinburgh Panter and Hall Gallery, London 2000 Roger Billcliffe Gallery, Glasgow 1999 Open Eye Gallery, Edinburgh 1998 Glasgow Print Studio 1996 Scottish Arts Club, Edinburgh 1995 Mercury Gallery, London 1993 Mercury Gallery, London Elektra Fine Art, Toronto 1991 Mercury Gallery, London Kelly Gallery, Glasgow Gallery Representation Panter and Hall, Morningside Gallery Edinburgh, Lemond gallery Glasgow Statement about AOAP Submitted Artwork The paintings are fairly representative of my work but obviously on a much smaller scale. Simple objects on strong colour. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 136
Irvine Peacock Ouch!, 2023 Archival ink digital print, acrylic paint and stamp on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Irvine Peacock makes highly detailed oil paintings often combined with sign writing, construction and assemblage exploring the playoff between words and images. His subject matter is typically based on ephemera and popular culture. An established visual artist, originally trained in Fine Art, he has worked extensively in illustration, advertising and Higher Education. He lives and works in Shrewsbury. Education Sheffield College of Art Hornsey School of Art Gallery Representation Represented by The Portal Gallery since 1978 and Portal Painters since 2016 You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 20
Helen Fay Trees, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 244
Kit Boyd The Coast Pt 1, 2023 Linocut with hand-colour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kit Boyd follows in the British romantic tradition, in the footsteps of Samuel Palmer and the Neoromantics, finding escape from the frantic modern world in rural idylls. Education Visual Art BA University of Wales, Aberystwyth 1991 Select Exhibitions/Awards 2022 - 6 Railway Posters for the Darent Valley in Kent from Sevenoaks to Swanley 2020 & 2022 - Royal Academy Summer Exhibition 2021 - Queer as Folklore, Gallery 46, Whitechapel with DuoVision Arts 2018 - Rural Surrealism - Twenty Twenty Gallery, Ludlow 2017 In Print - British Landscape, Watts Contemporary, Guildford 2013 - World in My Eyes - solo show at the Barbican Level 2 Gallery 2012 - The Etchings of Samuel Palmer, his Peers & Followers, Chipping Campden 2010 - Figures in the Landscape - Brixton Village Gallery Gallery Representation Pallant House Gallery, Elizabeth Harvey-Lee, Greenwich Printmakers Gallery, Roe and Moore, Prints at galleries across the UK Statement about AOAP Submitted Artwork The Ink and Gum Arabic picture is one of the Man on a Laptop series, where a figure is surrounded by glowing nature using modern technology. The linocuts are just made - hand coloured artists proofs before the editions are printed. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 188
Hannah Forward Denmark, 2023 Acrylic on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I'm a painter and printmaker based in Brighton & Hove. Education Graphic Design BA at Brighton University (2003-2006) Select Exhibitions/Awards I've been selected twice for the Royal Academy Summer Exhibition (2018 and 2019) with my linocut print work. I had a solo exhibition of my paintings entitled 'Other Roads' at Don't Walk Walk Gallery in Deal in 2020. Gallery Representation Lara Bowen Contemporary, Hove. Don't Walk Walk Gallery, Deal. Atelier Beside the Sea, Brighton. Statement about AOAP Submitted Artwork I continue to have a fascination for painting road scenes, growing up in suburban London a large part of my childhood felt like it was spent in the back seat of cars listening to tapes on my beloved walkman. I try to capture a dreamy, nostalgic feeling for these times, family holidays, driving for what felt like days, a warm feeling tinged with an uneasiness for the unexplored world that existed outside the safety of the car. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 230
Ines Fernandez De Cordova Trickle B, 2023 Screenprint on Silver Leaf Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ines Fernandez de Cordova (b. 1992) was born in Santa Cruz de la Sierra, Bolivia. Since 2011, she lives and works in London, UK. She currently works as a printer for Jealous Print Studios and artist Anita Klein to support her practice. Education MA Visual Arts: Printmaking 2015-2017. Camberwell College of Arts BA Hons Illustration 2012-2015. Camberwell College of Arts Foundation Diploma in Art and Design 2011-2012. CCW University of the Arts London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 375
Claire Kerr Lake, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Claire Kerr is a painter based in Dublin; she also uses drawing, print, objects and text. Modest in scale, her work invites intimacy with a viewer but leaves open the question of meaning and interpretation. Often concerned with the fundamental properties of an image - surface, depth, context - her work seeks out the idiosyncratic or peculiar, trains of thought at a tangent, an unobtrusive weirdness. Education Wimbledon School of art and IADT, Dun Laoghaire Select Exhibitions/Awards Selected one-person exhibitions One Thing Turns into Another: New Work, BravinLee Programs, New York, opening 24 October, 2019 What else do I believe in?, Purdy Hicks Gallery, London, 5 May - 5 June, 2017 Madrid Paintings, New Work, espacio artkunstarte, Madrid, 26 February - 31 July, 2016 Should we have stayed at home and thought of here? Galerie Stefan Röpke, Cologne (Düsseldorf-Cologne Open Galleries), 05 September - 11 October, 2014 Selected group exhibitions Summer Show 2022, Graphic Studio Dublin, 30 July - 3 September, 2022 The Golden Fleece Award: 21 Years, Solstice Arts Centre, Navan, Co. Meath, 23 April - 4 June, 2022 Eye on Nature, Purdy Hicks Gallery, London, 27 January - 28 February, 2022 Paint on a Photo of a Painting Based on a Photograph, espacio artkunstarte, Madrid, 10 September - 23 December, 2020 Selected Awards 2021 Print Residency, Graphic Studio Dublin (DLR) 2021 Arts Council of Ireland, Visual Arts Bursary (an Chomhairle Ealaíon) 2016 Residency, r/e projects, Madrid 2013 Culture Ireland/Cultúr Éireann 2012 Golden Fleece Award 2009 Thomas Dammann Jr Memorial Trust Award 2002 Fergus O'Ryan Memorial Award Gallery Representation Purdy Hicks Gallery, London Statement about AOAP Submitted Artwork The lake in this drawing is the mysterious Loe Pool in Cornwall, one of the locations associated with Excalibur and the Lady of the Lake. I visited the lake last spring and with no-one else around, it seemed timeless in the sunny afternoon. The ripples on the surface of the water and the rushes by the water's edge were exactly as I had imagined from reading about Sir Bedevere in Tennyson's Idylls of the King, when, instead of throwing the sword into the depths of the lake as he had promised, he at first hides it at the water's edge, replying to Arthur's question as to what had happened, ''I heard the water lapping on the crag/ And the long ripple washing in the reeds'', giving himself away by his answer. I drew the lake as if through a monocular or lens, or perhaps as if at the end of an old film, wanting to give a sense of both nearness and distance in time and space. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 229
Ines Fernandez De Cordova Trickle A, 2023 Screenprint Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ines Fernandez de Cordova (b. 1992) was born in Santa Cruz de la Sierra, Bolivia. Since 2011, she lives and works in London, UK. She currently works as a printer for Jealous Print Studios and artist Anita Klein to support her practice. Education MA Visual Arts: Printmaking 2015-2017. Camberwell College of Arts BA Hons Illustration 2012-2015. Camberwell College of Arts Foundation Diploma in Art and Design 2011-2012. CCW University of the Arts London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 11
Paul Hawdon Floating Drawing, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education 1978 - 82, Saint Martin's School of Art, London 1982 - 85, Royal Academy Schools of Art, London 1985 - 86, Italian Government Scholarship 1987 - 88, Artist-in-Residence, Radley College, Oxford 1988 - 89, Prix de Rome in Printmaking, Rome Select Exhibitions/Awards 2016 'Alternative Realities', East Wing Biennial, The Courtauld Institute of Art, Somerset House, London 2015 Royal Academy Summer Exhibition, London, Wildlife Artist of the Year, Mall Galleries, London, London Original Print Fair, Royal Academy of Arts, London, 'Hive', National Open Art Competition, Harrogate, The Original Print Show curated by Norman Ackroyd, Zillah Bell Gallery, Thirsk 2014 Royal Academy Summer Exhibition, International Print Exhibit 2014, National Taiwan Museum of Fine Arts, ROC, National Open Art Competition, Somerset House, London (and Chichester), London Original Print Fair, Royal Academy of Arts, London, '49 Regards', Trelase, France, Royal West of England Academy, Bristol, Society of Wildlife Artists, Mall Galleries, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 10
Paul Hawdon Conversation Piece, 2023 Pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) Education 1978 - 82, Saint Martin's School of Art, London 1982 - 85, Royal Academy Schools of Art, London 1985 - 86, Italian Government Scholarship 1987 - 88, Artist-in-Residence, Radley College, Oxford 1988 - 89, Prix de Rome in Printmaking, Rome Select Exhibitions/Awards 2016 'Alternative Realities', East Wing Biennial, The Courtauld Institute of Art, Somerset House, London 2015 Royal Academy Summer Exhibition, London, Wildlife Artist of the Year, Mall Galleries, London, London Original Print Fair, Royal Academy of Arts, London, 'Hive', National Open Art Competition, Harrogate, The Original Print Show curated by Norman Ackroyd, Zillah Bell Gallery, Thirsk 2014 Royal Academy Summer Exhibition, International Print Exhibit 2014, National Taiwan Museum of Fine Arts, ROC, National Open Art Competition, Somerset House, London (and Chichester), London Original Print Fair, Royal Academy of Arts, London, '49 Regards', Trelase, France, Royal West of England Academy, Bristol, Society of Wildlife Artists, Mall Galleries, London You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 253
Sinéad Rice Geometric Study In Black + Blue II (1), 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born Ireland, 1975. Now lives and works in Dublin. Exhibits mainly in London. Mainly a painter, the artist uses a variety of mediums including painting, drawing, sculpture, ceramics and most recently photography has become important in her work. She is interested in nature, meditation and the sea, and loves to travel the world with her camera, scuba diving whenever possible. Education B.A. ARTS ENGLISH AND PHILOSOPHY (HONOURS) NATIONAL UNIVERSITY OF IRELAND, GALWAY 2001 NATIONAL DIPLOMA IN FINE ART (WITH DISTINCTION) CRAWFORD COLLEGE OF ART AND DESIGN 2002 B.A. FINE ART PAINTING (FIRST CLASS HONOURS) CRAWFORD COLLEGE OF ART AND DESIGN 2007 M.A. ARTS - CERAMIC DESIGN NATIONAL COLLEGE OF ART AND DESIGN Select Exhibitions/Awards 2004 - Impressions - National Open Print Exhibition - Galway Arts Centre. 2005 - Studio Artists Exhibition - Customs House Gallery. 2007 - 40 Year Retrospective Exhibition - Lavit Gallery. 2008 - Winter Exhibition - Lemonstreet Gallery. 2010 - Backwater Twenty 10 - Crawford Art Gallery. Curated by Stephen Brandes and Vera Ryan. 2010 - Impressions, National Open Print Exhibition - Galway Arts Centre. Curated by Chris Orr R.A. 2011 - Summer Exhibition - Leitrim Sculpture Centre. 2013 - Small is Beautiful, Who's afraid of Red Yellow and Blue - Flowers East Gallery, Kingsland Road, London. 2014 - 184th Royal Hibernian Academy Annual Exhibition, Royal Hibernian Academy Dublin. 2015 - AIB Eigse - Visual Centre For Contemporary Art, Carlow. Curated by Lewis Biggs. 2016 - DRAW 2016 - Backwater Artists Studio's, Cork 2017 - Small is Beautiful XXXV - Flowers Central Gallery, Cork Street, London 2018 - Small is Beautiful XXXVI - Flowers Central Gallery, Cork Street, London. 2019 - Small is Beautiful XXXVII - Flowers Central Gallery, Cork Street, London. 2020 - Small is Beautiful XXXVIII - Flowers Gallery, London. 2021 - Small is Beautiful XXXIX - Flowers Gallery, Cork Street, London. 2022 - In and of Itself, Abstraction in the Age of Images - RHA Gallery, Dublin. 2022 - Small is Beautiful XL - Flowers Gallery, Cork Street, London. Statement about AOAP Submitted Artwork These minimal, geometric paintings are non representational, concerned with reductive colour and are a series. The surfaces are built up through intense layering over time to achieve physical depth in the paintings. The layers relate to the way in which layers are built up and worn down through the natural processes of time in nature. This process also helps to create a sense of "Yugen" an Asian concept which means inexpressible depth or invisible beauty. This idea arises from the Japanese aesthetic of Wabi - Sabi which describes the inexpressible beauty which things especially natural objects attain with the passage of time. It incorporates the idea of the beauty of imperfection and irregularity or roughness and avoids ornamentation in structure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 200
Alasdair Wallace Blue Green Unicorn, 2023 Acrylic on card Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Painter and sometimes printmaker. Lives and works in Glasgow. Education Glasgow School of Art 1987-91 Select Exhibitions/Awards SOLO EXHIBITIONS 2020 Settlements - Linlithgow Burgh Halls 2019 Orbiteering - Tatha Gallery, Newport on Tay 2019 Oscillate Vacillate Orbit & Revolve - Glasgow Print Studio 2018 Incidences - Open Eye Gallery, Edinburgh SELECTED GROUP EXHIBITIONS 2021 'Curle', The Revelator, Glasgow 2021 LOWLANDS, Lowlands Artists Collective, Oxford House, Glasgow 2020 Society Of Scottish Artists, Edinburgh 2019 Royal Academy Summer Show, London 2018 Littlejohn Award Exhibit - Royal Scottish Academy, Edinburgh AWARDS John Gray Award - RSW Edinburgh 2018 W Gordon Smith Award - SSA Edinburgh 2018 William Littlejohn Award - Royal Scottish Academy 2017 City Of Glasgow College Award - RGI Glasgow 2016 The Walter Scott Award - RSW Edinburgh 2015 Armour Award - Royal Glasgow Institute 2005 Noble Grossart Painting Prize 2001 Guthrie Medal, Royal Scottish Academy 1999 COLLECTIONS Glasgow Museums & Galleries Collection, Walter Scott And Partners, City Of Glasgow College, Fleming-Wyfold Art Foundation, Cromarty Arts Trust, The Royal Scottish Academy, North Lanarkshire Council, Grampian Hospitals Art Trust Statement about AOAP Submitted Artwork I sometimes like to make images which are humorous or whimsical and which usually feel emblematic but are always ambiguous. A chubby cart horse/unicorn chasing an unattainable carrot seems like a metaphor. For what? I'll leave it up to the viewer to decide. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do
Los 22
Helen Fay Moon, 2023 Etching Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About For many years my work has been about the beauty, dignity and character of animals. The poise and movement of animals, their behaviour and nature are an area I find endlessly fascinating. I like to think of them observing the world as I am observing them and then try to deduce what it is that they rely on to navigate their way through life. Whether it is the curiosity of a primate or the heightened senses of a hound, each and every creature has unique adaptations and behaviours, skills and strengths and these are what I try to convey in my work. Education 1990-1992 Royal College of Art, London. M.A. (R.C.A) Natural History Illustration. 1987-1990 Sunderland University. B.A. Hons. Fine Art Printmaking. 1986-1987 Newcastle College of Art and Design. Foundation studies in Art and Design Select Exhibitions/Awards 2017 Featured artist show at Glasgow Print Studio. 2016 Exhibition at Fotheringham Gallery, Bridge of Allan 2016 Group show at Fisherton Mill 2016 Group show at Moy McKay Gallery, Peebles. 2016 Mixed show at Framed Gallery, Perth. 2015 Selected from the Royal Academy exhibition, Zillah Bell Gallery, Thirsk. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 266
Natasha Michaels Replacement II, 2023 Monotype Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Natasha Michaels was born in 1969 in London. She studied communication design at St Martins College of Art and at the Royal College of Art in London where she specialised in Printmaking. Her work is in the collections of private individuals and museum collections Over the years, her illustration has been commissioned by the likes of Penguin Books, Vintage, Random House, The Guardian, and Blue Source. She lives and works in London. Education Royal College of Art 1994-1996 St Martins School of Art 1989-1992. Select Exhibitions/Awards 2021 Woolwich Contemporary Print Fair Royal Academy Summer Exhibition Everywoman Biennial Acedia at Purslane Art An Intimate Distance - Eileen Cooper RA, Craigie Aitchison RA, Natasha Micheals and Jo Taylor, Rabley Gallery. 2020
 Rabley Gallery Summer Exhibition
 LOPF September - Feature Artist with Rabley Gallery You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 41
Hannah Gilson Ziggy Says (use your imagination), 2023 Fine art print/mixed media collage Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Hannah Gilson is a London based illustrator and educator whose mixed media practice combines painting, screen printing and drawing. Evolving from a predominately fine arts background, her work has naturally settled with hand drawn and digital illustration, where she engages with popular culture and aesthetics. Education BA Fine Art, Winchester School of Art Select Exhibitions/Awards Winner of the Boodle Hatfield Printmaking Prize, 2022. Gallery Representation Air Contemporary, Aunt Joy Statement about AOAP Submitted Artwork I discovered art and visual pop culture during long hours spent in record shops as a child (my dad was a collector). I passed the time by looking at the album covers and this sparked an interest in the relationship between art and music which would develop more specifically into looking at the role of the artist in creating and sustaining an icon. Both 'Debs' and 'Ziggy says..' link back to these early visual influences, whilst 'Dry your eyes mate' is a more playful take on Michelangelo's David and his masculinity. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Los 247
Kit Boyd Nest Builders, 2023 Linocut with hand-colour on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Kit Boyd follows in the British romantic tradition, in the footsteps of Samuel Palmer and the Neoromantics, finding escape from the frantic modern world in rural idylls. Education Visual Art BA University of Wales, Aberystwyth 1991 Select Exhibitions/Awards 2022 - 6 Railway Posters for the Darent Valley in Kent from Sevenoaks to Swanley 2020 & 2022 - Royal Academy Summer Exhibition 2021 - Queer as Folklore, Gallery 46, Whitechapel with DuoVision Arts 2018 - Rural Surrealism - Twenty Twenty Gallery, Ludlow 2017 In Print - British Landscape, Watts Contemporary, Guildford 2013 - World in My Eyes - solo show at the Barbican Level 2 Gallery 2012 - The Etchings of Samuel Palmer, his Peers & Followers, Chipping Campden 2010 - Figures in the Landscape - Brixton Village Gallery Gallery Representation Pallant House Gallery, Elizabeth Harvey-Lee, Greenwich Printmakers Gallery, Roe and Moore, Prints at galleries across the UK Statement about AOAP Submitted Artwork The Ink and Gum Arabic picture is one of the Man on a Laptop series, where a figure is surrounded by glowing nature using modern technology. The linocuts are just made - hand coloured artists proofs before the editions are printed. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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Sinéad Rice Geometric Study In Black + Blue II (2), 2023 Oil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Born Ireland, 1975. Now lives and works in Dublin. Exhibits mainly in London. Mainly a painter, the artist uses a variety of mediums including painting, drawing, sculpture, ceramics and most recently photography has become important in her work. She is interested in nature, meditation and the sea, and loves to travel the world with her camera, scuba diving whenever possible. Education B.A. ARTS ENGLISH AND PHILOSOPHY (HONOURS) NATIONAL UNIVERSITY OF IRELAND, GALWAY 2001 NATIONAL DIPLOMA IN FINE ART (WITH DISTINCTION) CRAWFORD COLLEGE OF ART AND DESIGN 2002 B.A. FINE ART PAINTING (FIRST CLASS HONOURS) CRAWFORD COLLEGE OF ART AND DESIGN 2007 M.A. ARTS - CERAMIC DESIGN NATIONAL COLLEGE OF ART AND DESIGN Select Exhibitions/Awards 2004 - Impressions - National Open Print Exhibition - Galway Arts Centre. 2005 - Studio Artists Exhibition - Customs House Gallery. 2007 - 40 Year Retrospective Exhibition - Lavit Gallery. 2008 - Winter Exhibition - Lemonstreet Gallery. 2010 - Backwater Twenty 10 - Crawford Art Gallery. Curated by Stephen Brandes and Vera Ryan. 2010 - Impressions, National Open Print Exhibition - Galway Arts Centre. Curated by Chris Orr R.A. 2011 - Summer Exhibition - Leitrim Sculpture Centre. 2013 - Small is Beautiful, Who's afraid of Red Yellow and Blue - Flowers East Gallery, Kingsland Road, London. 2014 - 184th Royal Hibernian Academy Annual Exhibition, Royal Hibernian Academy Dublin. 2015 - AIB Eigse - Visual Centre For Contemporary Art, Carlow. Curated by Lewis Biggs. 2016 - DRAW 2016 - Backwater Artists Studio's, Cork 2017 - Small is Beautiful XXXV - Flowers Central Gallery, Cork Street, London 2018 - Small is Beautiful XXXVI - Flowers Central Gallery, Cork Street, London. 2019 - Small is Beautiful XXXVII - Flowers Central Gallery, Cork Street, London. 2020 - Small is Beautiful XXXVIII - Flowers Gallery, London. 2021 - Small is Beautiful XXXIX - Flowers Gallery, Cork Street, London. 2022 - In and of Itself, Abstraction in the Age of Images - RHA Gallery, Dublin. 2022 - Small is Beautiful XL - Flowers Gallery, Cork Street, London. Statement about AOAP Submitted Artwork These minimal, geometric paintings are non representational, concerned with reductive colour and are a series. The surfaces are built up through intense layering over time to achieve physical depth in the paintings. The layers relate to the way in which layers are built up and worn down through the natural processes of time in nature. This process also helps to create a sense of "Yugen" an Asian concept which means inexpressible depth or invisible beauty. This idea arises from the Japanese aesthetic of Wabi - Sabi which describes the inexpressible beauty which things especially natural objects attain with the passage of time. It incorporates the idea of the beauty of imperfection and irregularity or roughness and avoids ornamentation in structure. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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Irvine Peacock The Strongest Woman in the Whole Wide World, 2023 Archival ink digital print and acrylic paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Irvine Peacock makes highly detailed oil paintings often combined with sign writing, construction and assemblage exploring the playoff between words and images. His subject matter is typically based on ephemera and popular culture. An established visual artist, originally trained in Fine Art, he has worked extensively in illustration, advertising and Higher Education. He lives and works in Shrewsbury. Education Sheffield College of Art Hornsey School of Art Gallery Representation Represented by The Portal Gallery since 1978 and Portal Painters since 2016 You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
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