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315251 Los(e)/Seite
After Montague Dawson- 'The Windsor Castle', publ. 1974 by Venture Prints Ltd.; reproduction printed in colours, signed by Mountbatten of Burma, numbered 0, A/F in pencil, 65.3x78.2cm: together with one other example of the same print, similarly signed and numbered 1/200, both bearing labels Frost & Reed Ltd., (2).
After Salvador Dali- Portrait of Pablo Picasso; lithograph with gold, bears signature and numbered 90/250 in pencil, 66.5x50cm: together with a print of a circus scene signed in pencil by Marcel Marceau, a poster advertising wine dedicated to Roger Moore, a gouache by Martin Law and coloured crayon study by an unknown hand, (5), (unframed).
Ponting (Herbert G.). A gelatin silver contact print of the "Southern Party", 1911, from Captain Scott's ill-fated British Antarctic Expedition, 1910-13, fine image of the Southern Party with Capt. Scott and other members of the group assembled with loaded sledges and also with dog team in the background, blind embossed "H.G. Ponting, Copyright" to lower right margin of image, printed paper label to verso, some small worm holes and light spotting to image, approx. 320 x 440mm, in contemp. parlty broken and wormed frame.
*Prints. Sherwin (Frank, b.1896) "Porlock Weir" and "The Harbour - Early morning", a pair of mid-20th c. col. prints, signed and titled by the artist in pencil to lower margin, image size approx. 100 x 140 mm, together with an Edwardian period chromo. after H. Cassiers, showing a group of Dutch girls walking beside a canal, an original Vanity Fair cartoon of the jockey, Fred Archer, a coloured print after Cecil Aldin entitled "The V. W. H. (Cricklade) into the Vale from Blunsden" and three other decorative prints, all framed and glazed (8)
Beaton (Cecil). Francis Bacon [1960], later printing, seated in cluttered studio by a window with paint-covered walls and curtains, silver print, faint crease to top right corner, identified and coded in Beaton's hand(?) on verso, no. 554/69, photographer's and Sunday Telegraph (22/8/76) stamps, 188 x 190mm (7.4 x 7.5in.) (1)
Beaton (Cecil). Still Life, c. 1960s, single white rose in a slim glass vase with sunlit silhouette, silver print, photographer's stamp, no. B688/48 and traces of old glue marks to verso, 188 x 242mm (7.4 x 9.5in.), together with another still life of a wicker basket of roses, c. 1960s, silver print, photographer's stamp and other marks to verso, 240 x 188mm (9.4 x 7.4in.) (2)
Beaton (Cecil). Evelyn Waugh, [1955], later printing, full face and half-length, smoking a large cigar and leaning on a wooden fence with the sign 'Entree Interdite aux Promeneurs', silver print, faint crease to lower left corner, photographer's stamp to verso, 190 x 190mm (7.5 x 7.5in.), together with a vintage print of the same image, slightly damaged at all four corners, 200 x 192mm (7.8 x 7.6in.) (2)
Beaton (Cecil). Eve Curie, [1936], head and shoulders portrait with arms bent and hands raised, gazing through a torn hole in a large sheet of paper, bromide print, corners a little creased, minor touching up by Beaton to right-hand cheek which he notes for publishing and signs on reverse, other ink and glue marks, 250 x 200mm (9.7 x 8in.) (1)
Beaton (Cecil). Queen Elizabeth II, c. 1945, later printing, three-quarter length, seated in an embroidered gown with pearl necklace, Rococo backdrop, sm. brown chemical mark to right hand edge, silver print, photographer's stamp to verso, no. B.536.28, old glue marks, 254 x 212mm (10 x 8in.) (1)
Beaton (Cecil). Loelia, Duchess of Westminster, c. 1930s, half-length, wearing an evening dress and tiara, sunlit backdrop with a large bouquet of lilies, silver print, (touching up marks to neck and body outline, three pinholes), photographer's stamp to verso, old adhesion and other marks, 246 x 198mm (9.8 x 7.8in.), together with a later print from the same photo, silver print, photographer's stamp to verso, slightly smaller (2)
Beaton (Cecil). Cecil Beaton, c. 1950s, full-length in profile, wearing cap and tweed suit, holding an aphid spray pump, seated on garden patio, silver print, photographer's stamp to verso, no. 317/11, old glue marks, 188 x 158mm (7.4 x 6.2in.), together with another self-portrait, standing and smiling with arms akimbo in corner of patio with climbing plants, c. 1960s, silver print, no stamp, 242 x 195mm (9.5 x 7.6in.) (2)
Beaton (Cecil). Stephen Tennant with two women and a dog, c. 1930, later printing, in the grounds of Wilsford Manor(?), silver print, photographer's stamp to verso, 196 x 243mm (7.7 x 9.6in.), together with 'Wandering Years', Stephen Tennant's House Party, showing a group of four men and five women posing in front of Tennant's house, c. 1930s, later printing, silver print [by Cecil Beaton], adhesion marks, 142 x 213mm (5.6 x 8in.) (2)
Beaton (Cecil). Palace of Queluz, Portugal, 1942, showing ornamental pond and statuary with Palace in the background, silver print, sm. crease to lower right corner, photographer's stamp to verso, printed paper label 'British Official Photograph', numbered CBM.2564, publisher's marks, 250 x 24omm (9.9 x 9.5in.) (1)

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315251 Los(e)/Seite