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  • 315251 Los(e)
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Los 1

ROSEMARY L. HORNE: Wild Orchids of Hampshire, a limited edition print, with key, and four other floral prints. (6)

Los 1

GILLRAY: A cartoon Fat Cattle, published 1802, and a print The horned heifer. (2)

Los 1

Six coloured engravings and two watercolours, various birds and a modern colour print, Lady Amherst Pheasant 55/260. (9)

Los 1

BRIGITTE BARDOT: A full length self portrait sketch with faded inscription 'Pour ma Papa Jimmy ...' (James Robertson Justice), ball point pen, 25.5 x 17.25in (65 x 44cm) together with a contemporary print, Europa and the Bull given by Brigitte Bardot to James Robertson Justice. (2)

Los 1

AFTER VAN BRUSSEL: A colour print of flowers and a bird's nest on a ledge, 25.5 x 18.75in (65 x 47.5cm).

Los 1

An 18th century reverse glass hunting print, and another damaged, 10in (25cm) x 14in (35.5cm). (2)

Los 1

After Jan Luyken: Walrus hunting, copper plate engraving and another print. (2)

Los 1

Winter and Autumn', a Japanese print of a mallard and two other prints., (5)

Los 1

Greenwich on the Thames, a lithograph in a maplewood frame, an Italian gouache, 'Grotto' and another print. (3)

Los 1

A 19th century silkwork picture of Nelson's funeral carriage, and another sequinned print. (2)

Los 1

W. H.Walker, publ. Nov 11 1801- 'Duck Shooting'; reverse print on glass, 25x35.7cm.

Los 1

After Montague Dawson- 'The Windsor Castle', publ. 1974 by Venture Prints Ltd.; reproduction printed in colours, signed by Mountbatten of Burma, numbered 0, A/F in pencil, 65.3x78.2cm: together with one other example of the same print, similarly signed and numbered 1/200, both bearing labels Frost & Reed Ltd., (2).

Los 1

Mizeille Kramer- Women with dachshunds, birds and rabbits; hand-coloured aquatint, signed titled and numbered 29/125 in pencil, 35.5x24.5cm: Wood- Portrait of three girls; coloured ink, signed: together with a reproduction print after Piranesi, (3) .

Los 1

After Salvador Dali- Portrait of Pablo Picasso; lithograph with gold, bears signature and numbered 90/250 in pencil, 66.5x50cm: together with a print of a circus scene signed in pencil by Marcel Marceau, a poster advertising wine dedicated to Roger Moore, a gouache by Martin Law and coloured crayon study by an unknown hand, (5), (unframed).

Los 1

A large Japanese silver on copper antimony box & cover. Inside with fitted wooden tray. Also a Japanese woodblock print of two ladies and further misc items. 31cms width.

Los 1

William Giles (1872-?): 'The Ponte Vecchio', Limited Edition colour print No. 26, signed in pencil, titled verso, 34cm x 40cm

Los 1

A framed print 'We Three Kings' Arkle, Red Rum and Desert Orchid

Los 1

An impressionist style oil on board of figures alighting from a print onto a tree lined river bank

Los 1

Oak Framed Monotone Print 'The Cast Shoe', Oak Framed 'Norwich Cathedral' Print, Oak Framed Print 'Companions In Misfortune' And Oak Framed Print 'Angelus'

Los 1

Old Colour Print H.M.S.Royal Sovereign From A Painting By D.Moxey

Los 1

A good quality Baxter print 'The Lovers Letterbox'. Hand coloured lithograph. 15 x 10" .

Los 1

AN OVAL SUCRIER and cover, pattern 462 with black bat print of a landscape design with gold border and ring handles, 6 1/2" .

Los 1

A FRAMED OVAL MINIATURE OF PRINT of lady in ebonised frame and one other.

Los 1

Ponting (Herbert G.). A gelatin silver contact print of the "Southern Party", 1911, from Captain Scott's ill-fated British Antarctic Expedition, 1910-13, fine image of the Southern Party with Capt. Scott and other members of the group assembled with loaded sledges and also with dog team in the background, blind embossed "H.G. Ponting, Copyright" to lower right margin of image, printed paper label to verso, some small worm holes and light spotting to image, approx. 320 x 440mm, in contemp. parlty broken and wormed frame.

Los 1

*Prints. Sherwin (Frank, b.1896) "Porlock Weir" and "The Harbour - Early morning", a pair of mid-20th c. col. prints, signed and titled by the artist in pencil to lower margin, image size approx. 100 x 140 mm, together with an Edwardian period chromo. after H. Cassiers, showing a group of Dutch girls walking beside a canal, an original Vanity Fair cartoon of the jockey, Fred Archer, a coloured print after Cecil Aldin entitled "The V. W. H. (Cricklade) into the Vale from Blunsden" and three other decorative prints, all framed and glazed (8)

Los 1

Beaton (Cecil). Pablo Picasso, [1965], half-length, leaning forward on a radiator with crossed arms and a lit cigarette, silver print, photographer's stamp to verso, pencilling and old glue marks, 195 x 164mm (7.6 x 6.5in.) (1)

Los 1

Beaton (Cecil). Francis Bacon [1960], later printing, seated in cluttered studio by a window with paint-covered walls and curtains, silver print, faint crease to top right corner, identified and coded in Beaton's hand(?) on verso, no. 554/69, photographer's and Sunday Telegraph (22/8/76) stamps, 188 x 190mm (7.4 x 7.5in.) (1)

Los 1

Beaton (Cecil). Elizabeth Taylor, [1954], later printing, head and shoulders profile in an off-the-shoulder dress, silver print, photographer's stamp to verso, no. B680/97, pencilling and old glue marks, 208 x 186mm (8.2 x 7.3in.) (1)

Los 1

Beaton (Cecil). Noel Coward, c. 1940s, later printing, silhouetted in profile, seated in a wicker-backed rocking chair with cigarette held high, silver print, photographer's stamp and trace of glue mark to verso, 245 x 192mm (9.6 x 7.5in.) (1)

Los 1

Beaton (Cecil). Augustus John and his wife Dorelia, c. 1960, seated at the tea table with a cat in Dorelia's arms, silver print, right edge slightly uneven, identified in Beaton's hand(?) to verso with photographer's stamp and no. 340/4 , 213 x 190mm (8 x 7.5in.) (1)

Los 1

Beaton (Cecil). John Gielgud as Romeo, c. 1930s, full-length in theatrical pose against a lit backdrop, silver print, photographer's stamp and studio label no. 12/79 to verso, old pencilling, glue marks, etc., 217 x 172mm (8.5 x 6.7in.) (1)

Los 1

Beaton (Cecil). Still Life, c. 1960s, single white rose in a slim glass vase with sunlit silhouette, silver print, photographer's stamp, no. B688/48 and traces of old glue marks to verso, 188 x 242mm (7.4 x 9.5in.), together with another still life of a wicker basket of roses, c. 1960s, silver print, photographer's stamp and other marks to verso, 240 x 188mm (9.4 x 7.4in.) (2)

Los 1

Beaton (Cecil). Jean Cocteau, [1933], later printing, peering in through a large leaded arched church or warehouse window with broken panes, silver print, photographer's stamp to verso, 232 x 190mm (9.2 x 7.5in.) (1)

Los 1

Beaton (Cecil). Michael Redgrave, [1953], half-length portrait, partly recumbent in theatrical robes with medallion hanging on his partially bared chest, silver print, pinhole to each upper outer corner, photographer's stamp to verso, a few glue and other marks, 253 x 219mm (9.9 x 8.6in.) (1)

Los 1

Beaton (Cecil). 'Arakan Front: Bringing in the Wounded', 1944, showing head and shoulders profile shot of a Burmese man carrying another wounded, silver print, photographer's stamp to verso, plus Ministry of Information printed slip and other marks, 213 x 194mm (8 x 7.6in.) (1)

Los 1

Beaton (Cecil). Evelyn Waugh, [1955], later printing, full face and half-length, smoking a large cigar and leaning on a wooden fence with the sign 'Entree Interdite aux Promeneurs', silver print, faint crease to lower left corner, photographer's stamp to verso, 190 x 190mm (7.5 x 7.5in.), together with a vintage print of the same image, slightly damaged at all four corners, 200 x 192mm (7.8 x 7.6in.) (2)

Los 1

Beaton (Cecil). Edith Sitwell, [1927], later printing, three-quarter-length portrait, seated in a long floral-print dress with a modern painting of branches and leaves as a backdrop, silver print, photographer's stamp and trace of glue mark to verso, 239 x 139mm (9.4 x 5.4in.) (1)

Los 1

Beaton (Cecil). Greta Garbo, [1946], later printing, head shot in profile, wearing a white turtleneck sweater, silver print, a few faint surface marks and minor crease to lower right corner, photographer's stamp and adhesion marks to verso, 239 x 188mm (9.4 x 7.4in.) (1)

Los 1

Beaton (Cecil). Greta Garbo, [1946], head and shoulders portrait in profile, facing upwards with eyes closed and hair falling back, silver print, a few faint surface marks and corners sl. bruised, photographer's stamp and adhesion marks to verso, 243 x 292mm (9.6 x 11.5in.) (1)

Los 1

Beaton (Cecil). Winston Churchill, c. 1940, later printing, seated behind a large ministerial desk, silver print, photographer's stamp to verso, 243 x 240mm (9.6 x 9.5in.) (1)

Los 1

Beaton (Cecil). Rudolf Nureyev, [1956?], half-length, reclining and looking upwards, silver print, identified and coded in Beaton's hand(?) on verso with photographer's stamp, no. 683/56 and remains of glue marks, 244 x 244mm (9.6 x 9.6in.) (1)

Los 1

Beaton (Cecil). Eve Curie, [1936], head and shoulders portrait with arms bent and hands raised, gazing through a torn hole in a large sheet of paper, bromide print, corners a little creased, minor touching up by Beaton to right-hand cheek which he notes for publishing and signs on reverse, other ink and glue marks, 250 x 200mm (9.7 x 8in.) (1)

Los 1

Beaton (Cecil). Truman Capote, c. 1950, later printing, head and shoulders portrait, wearing white tee shirt and standing in mottled sunlight from an apple tree, silver print, photographer's stamp to verso, remains of adhesion mark, 260 x 244mm (10.2 x 9.6in.) (1)

Los 1

Beaton (Cecil). Cecil Beaton, c. 1960s, seated on a garden balustrade wearing a straw hat, cross-legged and holding a pug dog, silver print, photographer's stamp to verso, no. 526/18, 242 x 244mm (9.5 x 9.6in.) (1)

Los 1

Beaton (Cecil). Queen Elizabeth II, c. 1945, later printing, three-quarter length, seated in an embroidered gown with pearl necklace, Rococo backdrop, sm. brown chemical mark to right hand edge, silver print, photographer's stamp to verso, no. B.536.28, old glue marks, 254 x 212mm (10 x 8in.) (1)

Los 1

Beaton (Cecil). Loelia, Duchess of Westminster, c. 1930s, half-length, wearing an evening dress and tiara, sunlit backdrop with a large bouquet of lilies, silver print, (touching up marks to neck and body outline, three pinholes), photographer's stamp to verso, old adhesion and other marks, 246 x 198mm (9.8 x 7.8in.), together with a later print from the same photo, silver print, photographer's stamp to verso, slightly smaller (2)

Los 1

Beaton (Cecil). Mick Jagger, c. late 1960s, head and shoulders, pouting, 'ostrich-feather' hairstyle, curtain backdrop, silver print, lower corners sl. creased, two minor surface marks, photographer's stamp to verso, no. 981/167, 238 x 192mm (9.4 x 7.5in.) (1)

Los 1

Beaton (Cecil). Cristobal Balenciaga, c. 1960s, head and shoulders, left hand to face with a lit cigarette, sunlit window backdrop, silver print, 'From the Beaton Studio, Sotheby Parke Bernet, 1/1' stamp to verso, 191 x 191mm (7.5 x 7.5in.) (1)

Los 1

Beaton (Cecil). Cecil Beaton, c. 1950s, full-length in profile, wearing cap and tweed suit, holding an aphid spray pump, seated on garden patio, silver print, photographer's stamp to verso, no. 317/11, old glue marks, 188 x 158mm (7.4 x 6.2in.), together with another self-portrait, standing and smiling with arms akimbo in corner of patio with climbing plants, c. 1960s, silver print, no stamp, 242 x 195mm (9.5 x 7.6in.) (2)

Los 1

Beaton (Cecil). Rex Whistler, c. 1930, later printing, full-length, reclining with guitar in classical pose on leafy ground at the foot of a tree, silver print, photographer's stamp (twice) to verso, possibly identified in Beaton's hand, minor adhesion marks, 142 x 239mm (5.6 x 9.4in.) (1)

Los 1

Beaton (Cecil). R.A.F. Fighter Pilots, February 1941, chatting and reading newspapers in a hut, silver print, photographer's stamp and other marks to verso, 215 x 202mm (8.5 x 8in.) (1)

Los 1

Beaton (Cecil). Coco Chanel, [1965?], full-length, one arm akimbo, standing in a gallery with marble torsos and other statuary, silver print, photographer's stamp to verso, label of Pix Incorporated, no. 775-11, 288 x 145mm (11.3 x 5.7in.) (1)

Los 1

Beaton (Cecil). Stephen Tennant with two women and a dog, c. 1930, later printing, in the grounds of Wilsford Manor(?), silver print, photographer's stamp to verso, 196 x 243mm (7.7 x 9.6in.), together with 'Wandering Years', Stephen Tennant's House Party, showing a group of four men and five women posing in front of Tennant's house, c. 1930s, later printing, silver print [by Cecil Beaton], adhesion marks, 142 x 213mm (5.6 x 8in.) (2)

Los 1

Beaton (Cecil). Palace of Queluz, Portugal, 1942, showing ornamental pond and statuary with Palace in the background, silver print, sm. crease to lower right corner, photographer's stamp to verso, printed paper label 'British Official Photograph', numbered CBM.2564, publisher's marks, 250 x 24omm (9.9 x 9.5in.) (1)

Los 1

Beaton (Cecil). Unidentified woman [Diana Vreeland?], c. 1960s, writing a letter at her desk, wearing fur hat and pearl necklace, silver print, a little creased at lower right corner, photographer's stamp and old adhesion marks to verso, no. 674/62, 242 x 240mm (9.5 x 9.5in.) (1)

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  • 315251 Los(e)
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