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* Lake District. 'Scafell Pike from Great Gable', by Richard Fisher, colour print, signed in image, and additionally signed in pencil to mount, approx. 445 x 555 mm (17.5 x 22 ins), framed and glazed, together with a b&w print of Wasdale, from Great Gable, by Alfred Wainwright, signed in ink, approx. 200 x 250 mm, framed and glazed (2)
* Shepherd (David, 1931-). Indian Rhino, colour reproduction print, signed in pencil to lower margin, Fine Art Trade Guild blindstamp to lower left corner, image size approx. 220 x 320 mm, gilt frame, glazed, together with other miscellaneous coloured prints, including a 19th c. hand-coloured lithograph entitled May Day, an original Indian miniature of a group of ladies being rescued in a flood by a man with an elephant, gouache on paper, approx. 265 x 180 mm, framed and glazed, two reproduction photographs of early polar scenes, two modern colour facsimiles of a 1928 & 1931 Russian propaganda poster, etc., all framed and glazed (10)
* Laurel (Stan & Hardy, Oliver). Signed large vintage sepia gelatin silver print photo of the comedy duo in their famous Double Derby pose by Stax, c. 1930s, boldly signed in ink by both vertically in left margin blank area with additional message in block capitals by Laruel, 'Best always Doris!', 6 cm vertical closed tear to centre of upper margin affecting blank image area only, sm. diagonal crease to lower left corner just affecting image, image size 25 x 32.5 cm (10" x 12.75"), framed and glazed, together with a first edition orig. cloth biography of the comedy duo by John McCabe, 1961, with pencil ownership signature of the art critic David Sylvester (2)
Raffald (Elizabeth). The Experienced English Housekeeper, for the Use and Ease of Ladies, Housekeepers, Cooks, &c. Wrote Purely from Practice, and Dedicated to the Hon. Lady Elizabeth Warburton, Whom the Author Lately Served as House-Keeper: Consisting of Near Eight Hundred Original Receipts, Most of Which Never Appeared in Print..., 2nd ed., 1771, signed by the author on p.1, title-page re-margined at gutter, three folding eng. plts., incl. one of a stove, and two of table settings (one with closed tear repaired to verso), final index leaf and ad. leaf at rear (with tear repaired to verso) both re-margined at gutter, recent calf, matching morocco labels to spine, 8vo. Maclean, p.121. One of the scarcer editions, and seemingly one of the few not to have a frontispiece portrait of the author. (1)
Mackenzie (Ian). British Prints. A Dictionary and Price Guide, pub. Antiques Collectors' Club, revised, 1998, num. col. and b & w illusts., orig. cloth in d.j., together with How to Distinguish Prints, Written and Illustrated by Members of the Print Society, ed. Hesketh Hubbard, 1926, col. and b & w illusts., some tipped-in, orig. linen-backed cloth, darkened on spine, both 4to, plus Snyder (George Sergeant), Maps of the Heavens, 1st ed., 1984, num. col. and b & w illusts., orig. cloth in d.j., large 4to, and others (a carton)
Patrick Procktor RWS RE RA 1936-2003- Figures in the park; aquatint printed in colours, signed and numbered 35/50 in pencil, bears blind stamps, 39x30cm: European School mid 20th century- Still life of fruit; oil on board, signed and dated 1930: together with six other 19/20th century watercolour and print studies by and after various hands to include examples by J W Oddie, Edward Emerson, M E Barnard, S Walton and others, (8)
Sam Morse-Brown ARWA PS 1903-2001- 'Digging for Victory'; oil on board, signed and dated 1939, bears inscription on the reverse, 34x40cm: together with three reproduction prints of paintings after Sam Morse-Brown, including 'The Lord Mayor of London, Sir John Laurie', 'Her Majesty The Queen', and 'Japonica' and one further colour reproduction print of flowers after Arnold Blooemers, (5)
Sir David Wilkie RA 1785-1841- 'The Sedan Chair', etching, 13x8.5cm: together with two further etching by the same hand, in a common mount: Note: bears label for The Scottish Fine Arts And Print Club, Loan Exhibition, Royal Scottish Academy Galleries, Edinburgh, 1937 verso: Victoria Goaman b.1951- 'Rosaceae'; watercolour, signed and titled in pencil: together with one other 19th century hand-coloured etching depicting part of the Forum, (NOTE:3 NOT4)
British School 18/19th Century- 'A View Near Peckham and A View Near Nunn head', published by Bowles & Carver, Map & Printsellers, No 69, In St Paul's Church Yard, London; hand-coloured engravings, a pair, 19x29cm., ea: together with other 19/20th century oil and print studies by and after various hands, (a lot)
Fred Tucker (1860-1935). Applethwaite, Keswick. Watercolour. Rigned and inscribed lower right 24.5cm x 34cm. Together with. E. E. Turner. Cottage scene. Watercolour. Rigned;. K. Whitney. Views of Swanage. Two watercolours. Both signed with initials;. F. Walters. Babbacombe. Watercolour. Rigned and inscribed; . Martin Gallard Jacobs. Two harbour scenes and a beached boat, . Watercolours. All signed; . A map of the Isle of Wight and another of Wiltshire and a print of a Coaching scene in Ludgate. (11). (see illustration on our website)
Two photographic prints after De Stael, Figures at the Seaside, s. 59.5cm x 82.5cm, and Flowers in a Pot, s. 78.5cm x 64cm, a photographic print after Calder, s. 50cm x 70cm, a photographic print after Victor Pasmore, s. 105cm x 135.5cm and two others (6). (see illustration on our website). Best Bid
John Brunsden (b. 1923). View across the Gower Peninsula. Aquatint. Rigned in pencil within the margin lower right. Inscribed with title lower left and 'Trial Print 4' lower centre. P. 45cm x 60cm. (see illustration on our website). Please note - this lot may be subject to Droit de Suite. Best Bid
Southern Railway Carriage Print advertising their Hotel & Restaurant Services. Sunshine lettering heading in green, the left side advertises the hotels of London, Charing Cross, Grosvenor and Craven. The right hand side advertises hotels in the Provinces, South Western, London & Paris, Lord warden and Imperial. The centre section shows the Tariff for Breakfast Luncheon and Dinner. Good overall condition with some wrinkling. Framed and glazed in an original type frame.
Cuneo Limited Edition Print 'The Running Sheds Of The Great Caerphilly And Vole-Tail Central Railway'. This print from the original 1973 painting is the comical representation of the locomotive Earl De Catnip and staff at the railway. Beautifully framed the print id numbered 66 of 850 and bears the original signature of the Master himself. Measures 33½" x 25¼" in the frame and is in superb condition.
Cuneo Limited Edition Print 'The Running Sheds Of The Great Caerphilly And Vole-Tail Central Railway'. This print from the original 1973 painting is the comical representation of the locomotive Earl De Catnip and staff at the railway. Beautifully framed the print is numbered 90 of 850 and bears the original signature of the Master himself. Measures 33½" x 25¼" in frame.
An original artwork portraying Blackpool's Stanley Matthews and Stanley Mortensen for the book Stanley Matthews' Football Album published by Marks & Spencer in 1949, an exquisitely hand coloured photographic print, reproduced opposite p.1 in the 1949 book and captioned 'The Two Stanleys', mounted, unframed, the image 32.5 by 24.5cm., 12 3/4 by 9 3/4in.; sold with a copy of the aforementioned Stanley Matthews book (2)
An original artwork portraying Wolverhampton Wanderers' Billy Wright for the book Stanley Matthews' Football Album published by Marks & Spencer in 1949, an exquisitely hand coloured photographic print, reproduced opposite p.17 in the 1949 book, mounted, unframed, the image 32.5 by 24.5cm., 12 3/4 by 9 3/4in.
An original artwork portraying Arsenal's Laurie Scott for the book Stanley Matthews' Football Album published by Marks & Spencer in 1949, an exquisitely hand coloured photographic print, reproduced opposite p.33 in the 1949 book and to illustrate and article titled 'Laurie Scott calls his famous club "Lucky" Arsenal', mounted, unframed, the image 32.5 by 24.5cm., 12 3/4 by 9 3/4in.
An original artwork portraying Derby County's Billy Steel for the book Stanley Matthews' Football Album published by Marks & Spencer in 1949, an exquisitely hand coloured photographic print, reproduced opposite p.48 in the 1949 book, mounted, unframed, the image 32.5 by 24.5cm., 12 3/4 by 9 3/4in.

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