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Gijin Okuyama (Japanese, b. 1934), Corridor of Hasedera Temple, woodblock print, 23 x 11.5 cm; Inikumo (Japanese, 20th Century), Sanjusangendo Temple, Kyoto, woodblock print, signed lower right 'Inikumo 1959' and with stamps, 33 x 54 cm; Japanese landscape, watercolour and ink, signed indistinctly lower left, 20.5 x 16 cm; a Japanese colour print of a lady; and a ink drawing of a seated man in glasses, signed indistinctly lower left 'Cuevan '54', 59 x 45 cm (5)
δ Gilbert & George (b.1943 & 1942)Street PartyDigital pigment print in colours, 2008, signed by each artist in black ink, the edition was 200, on wove paper, with full margins, sheet 318 x 482mm (12 1/2 x 19in) (framed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
δ Peter Blake (b.1932)The Museum of Everything 3Digital print in colours, 2010, signed and numbered from the edition of 100 in pencil, on wove paper, the full sheet 320 x 262mm (12 1/2 x 10 1/4in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Rembrandt van Rijn (1606-1669) The artist's mother: head only, full faceEtching, circa 1628, a good impression of this rare little print, New Hollstein's second state (of two) with completed hood, on laid paper without a watermark, sheet 43 x 54 mm. (1 1/4 x 2 1/8 in), trimmed within the left edge and the blank space above, with thread margin below, minor surface dirt, unframed.Literature:Hind 2; New Hollstein 6 ii/ii
A Worcester Milkmaid pattern tea bowl and saucer, printed in black after Robert Sayer, engraved by Robert Hancock, the saucer a farmyard scene, with a milkmaid carrying a pail on her head and another being relieved of her pail by a man, before a hay barn, the cup conforming, minus hay-barn, the verso with a herder and his cows, the interior with swan, the saucer 13cm diam, c.1768/70 (amended date) Condition Report: Wear to print, particularly the tea bowl. Otherwise good condition.
A Worcester Milkmaids pattern teacup and saucer, printed in puce after Robert Sayer, engraved by Robert Hancock, the saucer a farmyard scene, with a milkmaid carrying a pail on her head and another being relieved of her pail by a man, before a hay barn, the cup with similar print, the verso with herder and his cows, gilded rims, the saucer 13cm diam, . crossed swords and 9 in underglaze blue, c.1770Vendor's Note: Robert Sayer was a printer who lived very close to Fleet Street, London. Condition Report: Good condition, with signs of light wear.
A Worcester Red Bull pattern coffee cup and saucer, coloured and outlined in black with bull, figures, tree and large rock and red sun, ribbed handle, red and black line borders, c.1756Vendor's Note. An early Worcester pattern first used in 1754, the origin is an uncommon Chinese famille rose pattern from the Yongzheng period faithfully reproduced in a coloured-in black print first used in 1754. Similar tea-bowl and saucer in the Sir Jeremy Lever Collection, Part II, p.63 Condition Report: Both thinly potted and a green translucency. Good condition with slight wear.
A Worcester shaped hexagonal teapot stand, printed in rare sepia with a version of Robert Hancock's Ruins, with a gentleman fishing by a tree by a monument being overrun by foliage, 14.2cm wide, The Perry Collection and Ridley-Day Collection label, Steppes Farm Antiques label , c.1760. Condition Report: Light surface wear to print. The edge with blemishes from firing.
A Worcester shaped lobed and fluted circular plate, printed in monochrome in black after an engraving by Robert Hancock, with an idealised Italianate landscape,with an old man in flowing robes, examining and pointing towards an urn in front of a ruined temple, the rim with trailing flower sprays, gilt line rim, 22.8cm diam, c.1765Provenance. Sir Jeremy Lever Collection, Bonhams, P.68 Vendor's Note: This print is one of a series based on engravings after Pannini. For more information about this see Handley's Book (1991) chapter 5. Condition Report: Wear to print and gilding. Stained hairline - recto and verso.
A Worcester The Anchorage pattern bowl, printed with three engravings after Robert Hancock, in purple with a nautical scene with a sailing ship moored against a towered building, the other prints with landscape with classical ruins, the interior with black line rim, 14.3cm diam, c.1758 Condition Report: Wear and rubbing to line rim. Wear to interior print - age & use related.
A Worcester The Foxhunt pattern punch bowl, after a painting by James Seymour, engraved by Robert Hancock with a continuous print, `In Full Chase' with a continuous scene with mounted huntsmen galloping to hounds, being watched by farm folk, the fox disappearing, the interior with hounds, gilt dentil rim and formal florets around the inside, 29cm diam, 1765-68Provenance: The D.V. Pares Wilson Collection. Vendor's Note: As far as I can find out. Miss D, V. Pares Wilson is a race horse owner. She owned a number of Worcester Early Pieces all to do with horses. Note: Similar larger Punch Bowl in the Sir Jeremy Lever Collection, Bonhams, Part I, Lot 233 Condition Report: Internal print with some wear, fading and scratching. Rubbing to dentil rim. Stable firing crack to footrim.
A Worcester The King of Prussia' No.3 small teapot and cover, printed in monochrome with an engraving after Robert Hancock, with half-length portrait of the King of Prussia, a single Cupid with laurel wreath, the verso with Fame, blowing two trumpets, the handle and spout with stylised foliage, the cover with flower bud finial and printed with cannon and barrels with cannonballs, black line borders, 11.3cm high, c.1757Vendor's Note - This is the rarest of the three engravings of The King of Prussia that Robert Hancock produced for porcelain decoration. The print is signed RH (for Robert Hancock) Worcester and an anchor (the rebus of Richard Holdship, who seems to have been responsible for transfer-printing at the Worcester factory). In addition, half hidden in the scroll, R Hancock fecit Worcester is inscribedNote: This is such a rare piece, I can find none of the well-known catalogues with this design on a teapot in any description, so I cannot give a reference to it. Condition Report: Restored teapot. Nibbles to finial.
A Worcester 'The Milking Scene' No. 1 trumpet shaped vase, printed in monochrome with an engraving after Robert Hancock, with a boy leaning on a tree talking to a girl milking a cow, the base with standing and reclining cow, the ground with scattered birds in flight, 15cm high, c.1765Provenance. R. H. Marshall Collection. The Gladys L. Robertson Collection. Galt. Ontario. Joseph Handley Collection.Vendor's Note: This engraving by Hancock is copied from an engraving by Luke Sullivan, published in 1759 of a view of Woodbourne in Surrey. A print of the engraving is in the Schreiber Collection. Of Gladys L. Robertson the only reference to this lady are two items of porcelain from her collection one in the British Museum and another with her collection label both quoting labels from Albert Amor. Condition Report: Good condition. Spitting & manufacturing blemishes throughout.
A Worcester 'The Tea-Party' No. 3 pattern saucer, printed in monochrome after an engraving by Robert Hancock, third version, with lady and gentleman seated having tea around a tripod table, a dog at their feet, by a sparsely decorated tree and ornamental fountain, black line rim, 12.3cm diam, c.1756-60.Provenance. Anton Gabszcwicz. 2008. Note. This is a somewhat rare print. Not easily found. Condition Report: Good condition. Light firing blemishes.
A Worcester 'The Bird-Coop' saucer, printed after an engraving by Robert Hancock, with a girl on a ladder closing the door of a large bird-coop, another figure leaning on a footbridge, 11.5cm diam, c.1765Vendor's Note: this print has been recorded on a cup and saucer formerly in the Hadley Collection. It is also shown on two mugs in the Schreiber Collection. Condition Report: Good condition.

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315251 Los(e)/Seite