315264 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen
315264 Lose gefunden, die zu Ihrer Suche passen. Abonnieren Sie die Preisdatenbank, um sofortigen Zugriff auf alle Dienstleistungen der Preisdatenbank zu haben.
Preisdatenbank abonnieren- Liste
- Galerie
-
315264 Los(e)/Seite
Los 7
Sir Antony Gormley O.B.E., R.A. (British 1950-) "Sublimate" 2008, signed, titled, dated and numbered from the edition of 60 in pencil on verso, on BFK Rives wove paper, printed by Thumbprint Editions, London, with full margins.plate size 34.5 x 49.5cm, sheet size 57 x 76cm (framed 64.5 x 83cm)Wilson55 can help with delivery! Click the shipping tab for more details.Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two faint marks in the margins. The print is ornately framed and glazed.
Los 41
John Hoyland R.A. (British 1934-2011) "Fly Away" 1981, signed and marked P/P (Printer's Proof) in pencil in the margin, printed at Kelpra Studio, published by Leslie Waddington, etching and carborundum on wove paper with full margins.sheet size 68.5 x 91.5cm (framed 75 x 98cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There is some minor time staining and creasing around the edges of the sheet. The print is ornately reframed and glazed.
Los 31
Mary Campbell (British 20th/21st century) "Jadrolinija" Signed, titled and numbered 2/7 in pencil in the margin, collograph.24.5 x 38cm (framed 39.5 x 51.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
Los 8
David Nash R.A. (British 1945-) "Charred Cross Egg" Signed, titled and dated 2011, numbered 25/50, stencil print in colours, together with David Nash: Red, Black, Other, published to accompany the exhibition at Oriel Mostyn Gallery, 24th September-13th November 2011 (2).31.5 x 22cm (framed 46.5 x 37cm)Qty: 2Wilson55 can help with delivery! Click the shipping tab for more details.Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 68
David Nash R.A. (British 1945-) "Ash Dome - Summer" Signed, titled and dated 2021, marked T.P. (Trial Proof), stencil print in colours.55 x 73.5cm (framed 69 x 87cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately reframed and glazed.
Los 6
Sir Antony Gormley O.B.E., R.A. (British 1950-) "Domain" Signed and dated '00 in pencil in the margin, marked Studio Proof, published by the Clore Duffield Foundation for their Artworks Awards programme, on BFK Rives Natural 280 gsm paper, etching and aquatint.plate size 75.5 x 60.5cm, sheet size 91 x 77cm (framed 100.5 x 85.5cm)Wilson55 can help with delivery! Click the shipping tab for more details.Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two faint marks and spots of foxing in the margins. There is a minor crease to the paper in the centre of the lower margin. The print is ornately framed and glazed.
Los 61
Sir Antony Gormley O.B.E., R.A. (British 1950-) "Feeling Material" 2006, signed, titled and marked BAT (Final Proof) in pencil in the margin, on wove paper, published by Sadler's Wells, London, etching, with margins.plate size 49.5 x 35cm, sheet size 61 x 45cm (framed 69.5 x 53cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two faint marks and spots of foxing in the margins. The print is ornately framed and glazed.
Los 34
Merlyn Evans (British 1910-1973) "Standing Figure" Signed, titled and dated '57 in pencil in the margin, numbered 9/50, etching.101 x 69cm (framed 105 x 73cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some faint marks and spots of foxing in the margins. The print is ornately framed but not glazed.
Los 29
Gio Pomodoro (Italian 1930-2002) "Quattro Alberi" 1976, signed and numbered 1/99 in pencil, titled and dated, limited edition hand-embellished intaglio print on paper.33 x 40cm (framed 34.5 x 41.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.
Los 401
To be sold without reserve. Property of a Gentleman. Percy Roberts, George Riley (pub.) Admiral Lord Nelson K.B. and the Victory of the Nile. Published 25 March 1799 Stipple engraving with etching on wove paper. Dimensions: (Print) 16.75 in. (H) x 11 in. (W) (Frame) 22 in. (H) x 15.5 in. (W)
Los 242
Property of a Gentleman. Stanley William Hayter (1901 - 1988) Cinq Personnages Labelled in margin, '4th State colour trial Cinq Personnages S W Hayter 46' Simultaneous intaglio print on paper. Stanley William Hayter established the renowned Atelier 17 (originally conceived in Paris in 1933) in New York in the early 1940s to continue the radical innovation in engraving and print making for which the Atelier was famous. During this period, Hayter developed a method of producing the first simultaneous intaglio and surface colour print, which he debuted with Cinq Personnages in 1946. Inscribed 'Fourth State Colour Trial', the present work is one of four or more trial proofs aside from the 50 editions, many of which are held in museums or public collections including The Metropolitan Museum of Art, The Victoria and Albert Museum, and the Smithsonian. Dimensions: (Paper) 15.75 in. (H) x 24.5 in. (W) (Frame) 26 in. (H) x 34 in. (W)
Los 126
Harold Riley (British 1934-2023) "Jack Nicklaus - St. Andrews" Signed by both the artist and Jack Nicklaus, hand embellished print.49.5 x 32cm (framed 71.5 x 54cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in good, original condition. There are some minor surface marks and creases across the paper together with one or two flecks of paint loss. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.
Los 57
Harold Riley (British 1934-2023) "Stenungsund - Sweden" Signed, titled and dated '70 in pencil in the margin, hand embellished print.44 x 33cm (framed 61.5 x 52.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The paper has yellowed across the sheet and there are some spots of foxing. There are some minor creases across the paper. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 173
Geoffrey Key (British 1941-) "Woman with Bird" Signed and dated 11.7.80 in pencil in the margin, woodcut.17.5 x 12.5cm (framed 31 x 22.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There are one or two minor marks and small areas of browning in the margins. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 190
Harold Riley (British 1934-2023) "Hillgate, Stockport" Signed, titled and dated '73 in pencil in the margin, numbered 1/10, lithograph.44.5 x 39.5cm (framed 61 x 55cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The metal frame has some minor scuffs and scratches commensurate with age.
Los 175
Geoffrey Key (British 1941-) "Head" Signed and dated 11.7.80 in pencil in the margin, titled on artist's label verso, monoprint.20 x 15cm (framed 50 x 44.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
Los 174
Charles Frederick Tunnicliffe (British 1901-1979) "The Stallion" 1928, signed in pencil in the margin, etching.18.5 x 23.5cm (framed 36.5 x 41.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The paper has browned universally across the sheet and there is some browning around the edges of the print near the mount board. There are some spots of browning across the sheet. The print is ornately reframed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 228
Geoffrey Key (British 1941-) "Stretching Figure" Signed and numbered 4/20, woodcut.16 x 11cm (framed 36.5 x 31.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The ink used in the text has slightly faded and there are some areas of browning and foxing across the paper, together with some light surface marks and scuffs. The print is ornately framed and glazed.
Los 189
Harold Riley (British 1934-2023) "Sun Street, Salford" Signed, titled and dated '79 in pencil in the margin, numbered 4/75, lithograph.52.5 x 43.5cm (framed 66 x 57cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are some minor spots of foxing in the margins. The print is framed and glazed. There is some staining along the upper edge of the mount board. The original metal frame has some minor scratches and knocks commensurate with age.
Los 94
L.S. Lowry R.A. (British 1887-1976) "The Family" Signed in pen in the margin, from the edition of 850, with the Fine Art Trade Guild blind stamp, published by Adam Collection Ltd, printed by Chorley & Pickersgill Ltd, limited edition colour print.29.5 x 22cm (framed 61 x 46cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with strong colours and no obvious faults to report. The print is framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.
Los 230
L.S. Lowry R.A. (British 1887-1976) Preliminary sketch for 'Woman with a Beard' Unsigned, with the Fine Art Trade Guild blind stamp, from the edition of 750, published by Adam Collection Ltd, printed by Chorley & Pickersgill Ltd, limited edition print.sheet size 28 x 17cm (framed 49 x 37cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There are some minor surface dents and creases across the paper. The print is ornately framed and glazed.
Los 253
Tadeusz Was (Polish 1912-2005) "Church" Signed and titled in pencil in the margin, soot cut.19.5 x 15cm (framed 35 x 30cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately reframed and glazed. The frame has a small scratch.
Los 245
Harold Riley (British 1934-2023) "St. Peter, Prestbury" Signed, dated '83 and numbered 11/250 in pencil in the margin, limited edition colour print.31 x 38cm (framed 49 x 55.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 237
Tom McGuiness (1926-2006) "Fillers" Signed, titled and dated '77 in pencil in the margin, numbered 12/30, etching with aquatint.plate size 7 x 10.5cm (framed 34 x 39.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two minor spots of foxing and some light creases in the margins. The print is ornately framed and glazed.
Los 243
Harold Riley (British 1934-2023) "Pope John Paul II" Signed by both the artist and Pope John Paul II in the margin, artist's proof, with the artist's blind stamp, colour lithograph.20.5 x 16.5cm (framed 35.5 x 32cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 38
L.S. Lowry R.A. (British 1887-1976) "Crowd Around a Cricket Sight Board" Numbered 345/850 in pencil in the margin, with Fine Art Trade Guild blind stamp, limited edition colour print.30.5 x 78cm (framed 51.5 x 99cm)The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
Los 146
Harold Riley (British 1934-2023) "Lowry in his Studio" With printed signature, title and date 1971, hand embellished print.24 x 24cm (framed 42 x 39cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed and glazed.
Los 229
L.S. Lowry R.A. (British 1887-1976) "Sketches", figure with a pram, boy on a trolley, and a larger study of a figure with a pram, three prints Published by Adam Collection Ltd, with Fine Art Trade Guild blind stamp, from an edition of 850, the original drawings in the collection of Mr and Mrs Andras Kalman, London, printed by Chorley & Pickersgill Ltd., Leeds, limited edition prints.each approximately 9.5cm x 12cm (3.75in x 4.75in)Qty: 3* This print is usually sold with "Group of Children".The prints are all in very good, original condition with no obvious faults to report. The prints are all framed together and glazed. The original frame has some minor knocks and losses.
Los 235
Reg Gardner (British 1948-) "Night Bus" Signed, titled and dated 1980 in pencil in the margin, numbered 12/26, lithograph.27 x 19.5cm (framed 42 x 33.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There is mould across the mountboard and along the lower margin. The print is framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.
Los 244
Harold Riley (British 1934-2023) "Waiting for the Parade" Signed by both the artist and H.R.H. Princess Alice Duchess of Gloucester in the margin, dated '80 and numbered 66/75, colour print.39.5 x 30.5cm (framed 49.5 x 45.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. There are some spots of browning and other minor surface marks and scuffs in the margins. The print is ornately framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 225
Trevor Grimshaw (British 1947-2001) "Reflected Fence" Signed and numbered 104/150 in pencil in the margin, published by Christie's Contemporary Art, with their blind stamp, silkscreen on BFK Rives paper.50 x 36cm (framed 58.5 x 44.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There are one or two spots of foxing in the margins. The print is ornately reframed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 236
Keith Proctor (British 1961-) "Peek-A-Boo" Signed and numbered 143/195, dated 2010 and with an original pen drawing by the artist on verso, with certificate of authenticity, limited edition giclee canvas on board.60 x 42cm (framed 79.5 x 62cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition with no obvious faults to report. The print is ornately framed but not glazed.
Los 55
Harold Riley (British 1934-2023) "Billy Boston - Wigan" Signed and dedicated in ink in the margin, colour print.29 x 20cm (framed 41 x 32.5cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The colours have faded across the print and ink used for the signature. There are some minor creases across the paper. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 58
Trevor Grimshaw (British 1947-2001) "Monoliths" Signed and numbered 142/150 in pencil in the margin, published by Christie's Contemporary Art, with their blind stamp, silkscreen on BFK Rives paper.55 x 40cm (framed 75 x 59cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in very good, original condition. There is a faint mark in the upper right-hand corner of the sheet. The print is ornately reframed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 227
Geoffrey Key (British 1941-) "Central Library, Manchester" Signed and dated '79 in the margin, colour print.35.5 x 43.5cm (framed 62 x 70cm)This print was originally produced for a calendar.Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The colours have faded across both the print and the signature and date below. There are some minor creases across the paper and a small tear in the upper left-hand corner of the sheet. The print is ornately framed and glazed.
Los 104
L.S. Lowry R.A. (British 1887-1976) "The Notice Board" Signed in pencil in the margin, from the edition of 500, with the Fine Art Trade Guild blind stamp, published by Adam Collection Ltd in 1975, printed by Chorley & Pickersgill Ltd, limited edition colour print.43 x 52cm (framed 59 x 68cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The print is in good, original condition. The colours have faded across the print and there is some very light time staining and browning around the edges of the paper near the mount board. The print is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.
Los 226
Harold Riley (British 1934-2023) "Lady and Child Reading" Signed, titled and numbered 8/25 in pencil, lithograph. 60.5 x 48cm (framed 81 x 66cm) Artists’ Resale Right (“droit de suite”) may apply to this lot. The print is in good, original condition. The paper has browned in areas and there are some undulations across the sheet. The print is ornately framed and glazed. The original frame has some minor scuffs and knocks commensurate with age.
Los 39
L.S. Lowry R.A. (British 1887-1976) "The Tramp" From the Mottram Memorial Exhibition June 1977, numbered 198/249 in pencil in the margin, limited edition print.41.5 x 30.5cm (framed 64 x 52.5cm)The print is in very good, original condition. There is some very light time staining and yellowing around the edges of the print near the mount board. The print is ornately reframed and glazed.
Los 267
Mining.- Chipman, M.D. (M.M.) Report of the committee made to the Medical Society of the State of California...Subject Mining debris deposits, off-print, very short split to lower margins, original printed wrappers, lightly spotted and soiled, San Francisco, W.M. Hinton & Co., 1881 § Rocha (José) Estudios sobre la estadistica minera de Guanajuato, first edition, signed presentation copy from the author, inscription little trimmed at outer margin, pp.8, 9 and 70 with a few juvenile colour pencil markings / scribbles, occasional spotting, lightly browned, modern dark blue half calf, gilt spine in compartments, Leon, Jesus Villalpando, 1884; and 3 others, early 20th century Mexican mining, 8vo (5)
Los 274
Hawking (Stephen) A Brief History of Time: From the Big Bang to Black Holes, reprint, inscribed to Frank Williams on title, with Stephen Hawking's thumb print and Jane Hawking's signature, four photographic prints of Hawking and Williams together loosely inserted, original cloth, fractional bumping to spine head, dust-jacket, 2 short tears to bottom edge, slight creasing to edges, 8vo, 1991.⁂ A charming association copy of this important work. Stephen Hawking was a fan and supporter of the Williams Formula One team, and visited both the Williams team factory as well as watching races from the Williams pit on several occasions.Three of the photographic prints included show Stephen Hawking visiting the Williams factory in 2018, alongside his son Tim and Paddy Lowe, Chief Technical Officer of Williams at the time.
Los 304
Smith (Percy John Delf) Sixteen Drypoints and Etchings: A Record of the Great War, one of 22 special copies with an original signed etching as frontispiece, 16 collotype plates with captioned tissue-guards, the artist's own copy with his pencil note on front free endpaper "Please return to..." with address and telephone number, original buckram, gilt, covers stained, Soncino Press, 1930; and 4 others by or relating to Percy Smith and his print-making, including another copy of the mentioned, this unnumbered, without the signed frontispiece but also with pencil note "To be returned to Percy Smith...", 4to and 8vo (5)⁂ The signed etching is captioned "Thiepval Wood. "Bare ruin'd choirs where late the sweet birds sang."
Los 14
Bible, Greek.- Kainê Diathêkê. Novum Testamentum, edited by Henri Estienne, 2 parts in 1, collation: *-⁂8 a-z A-F8 : Aa-Xx8, woodcut printer's device to title, woodcut head- and tail-pieces and initials, lacking blanks F7&8 (at end of part 1) and final blank Xx8, trimmed at head, affecting headlines, some light water-staining / staining, occasional spotting, lightly browned, 19th century mottled calf, gilt, spine worn, corners little worn, rubbed, [Adams B1674; D&M 4639; Renouard, Estienne, 143:1], 16mo (115 x 65mm.), [Geneva], Henri Estienne, 1576.⁂ 'Cette édition, fort bien imprimée, se distingue par une savante préface de 36 pages' (Renouard). It is dedicated (in print) by Estienne to his friend Sir Philip Sidney, who in 1572-1575 had travelled on the continent. Provenance: Collection of Lord Bishop of Durham (19th century ink inscriptions to title).
Los 355
Daniel Press.- Keats (John) Odes Sonnets & Lyrics, one of 250 copies, mounted photogravure portrait frontispiece, a little spotting, mostly to endpapers, original grey printed wrappers bound in (tip of lower corner of front wrapper missing), contemporary citron morocco, gilt, by J. Larkins, t.e.g., 8vo, Oxford, Daniel Press, 1895.⁂ C.H. St. John Hornby's copy with his bookplate and a 4pp. A.L.s. from the printer tipped in regarding a planned edition of Sir Thomas Browne. Daniel encourages him to go for Fell ("I am pleased to hear that you have fallen in love with Fell" and "I am at one with you in preferring Caslon to the modern founders"), recommends Rives paper ("I am glad you intend to discard the Japanese paper. It does not take the ink well, but smudges") and suggests it should be damp ("I lay a wet sheet of thin waste paper between each 8 or 9, and press in an ordinary press for 12 hours"). He ends: "Your Sir Thos. Browne will be a lovely book. I am ashamed to say that I am too lazy to print in two colours, or do anything but plain work". Hornby's planned edition of Browne was never printed.
Los 270
Darwin (Charles) On the Origin of Species by Means of Natural Selection, second edition, second issue with "fifth thousand" on title, half-title, folding lithograph diagram, 32pp. publisher's catalogue dated January 1860 at end, hinges broken, original blind-stamped cloth, spine gilt, overall a sharp, near-fine copy, preserved in modern cloth drop-back box, [Freeman 376], 8vo, 1860.⁂ The first edition had a print run of only 1250 copies and was sold out in a day. The book was republished in a printing of only 3000 copies literally within days of the first issuance. Darwin himself considered this edition "little more than a reprint of the first edition".A very nice and completely unsophisticated copy of "the most influential scientific work of the nineteenth century" and "the most important biological work ever written" (Horblit, Freeman).
Los 146
Gillray (James) John Bull taking a Luncheon: -or- British Cooks, cramming Old Grumble-Gizzard, with Bonne-Chére, etching with original hand-colouring, on cream wove paper without watermark, sheet 262 x 382 mm (10 1/4 x 15 in), trimmed within the platemark, minor surface dirt, unframed, [BM Satires 9257], Hannah Humphrey, 1798⁂ Excellent impression of Gillray's satirical print illustrating the celebration following Nelson's victory. John Bull, gross and obese, seated at a table covered with the emblems of naval victory, looks towards British admirals, including Nelson, in profile to the left, his face bearing scars.
Los 185
Crimean War.- Fenton (Roger) 57th Foot on Parade, above Sebastopol, Spring, salt print, image 230 x 155mm., framed and glazed, [c.1855].⁂ Roger Fenton (1819-1869) is considered to be one of the first war photographers. As the Crimean War started to grab the attention of the public he was urged to go to record events by The Duke of Newcastle, Secretary of State for War, amongst others. His commercial sponsor was the print publisher Thomas Agnew & Sons.
Los 76
John Locke's first appearance in print.- Musarum Oxoniensium elaiophoria. Sive, Ob fædera, auspiciis serenissimi Oliveri Reipub. Ang· Scot. & Hiber. Domini Protectoris, title within woodcut typographical border, woodcut head-pieces and decorative initials, lacking final f. (not affecting contributions by Locke), title with marginal chipping and small repairs, I4 lower blank corner repaired, spotting and staining, lightly browned, disbound, [Madan III, 2243; Wing 0902; Yolton 251], small 4to, Oxford, Leonard Lichfield, 1654.⁂ Rare in commerce. A collection of verse by Oxford students and graduates addressed to Oliver Cromwell to celebrate the conclusion of peace with Holland. It includes two pieces by John Locke, one in Latin (p.45) and one in English (pp.94-95), both signed in print, which constitute his first appearance in print.
Los 170
Ziegler (J.C.), Circle of. A Visitor to John Bull for the Year 1799, or, The Assess'd Taxes taking their leave!!, an original watercolour, possibly the preliminary design, inscribed and initialled 'TR', and a good impression of the original print presently attributed to Ziegler, etching with hand-colouring, each sheet approx. 265 x 365 mm (10 3/4 x 14 3/8 in), both laid onto card supports, associated spotting, surface dirt, and pale discolouration to the watercolour, both unframed, the print published by William Holland, [BM Satires 9280], 1799; together with an impression of Willian Holland's 'The Bedfordshire Hannibal taking the oath of eternal enmity!!!', which appears to be to be in same hand, etching with hand-colouring, 300 x 390 mm (11 3/4 x 15 1/4 in), unframed, [BM 9191], 1798 (3)⁂ The original watercolour has signs of pencil under-drawing, and notable differences to the published print, suggesting it is possibly a preliminary study for the print, rather than a copy after. Andrew Edmunds had suggested a possible attribution to the author of the etching being Ziegler, however it is not known whether Andrew had seen the present watercolour bearing the initials 'TR'.
Los 8
AFTER LAURENCE STEPHEN LOWRY RBA RA (BRITISH 1887 - 1976), STEPS AT WICK limited edition gouttelette print on paper, numbered 2/95 on certificate of authenticitymounted, framed and under glassimage size 61cm x 76cm, overall size 99cm x 112cm Note: this lot includes a framed certificate of authenticity and another (2)
Los 73
* TOM MACKENZIE (SCOTTISH 1947 - 2018), WINTER GLEN limited edition artist's proof print on paper, signed, titled and numbered A/P II - ED 75mounted, framed and under glassimage size 20cm x 28cm, overall size 40cm x 47cmNote: Tom MacKenzie was educated at Portree High School and at 17 left home to enrol at Duncan of Jordanstone School of Art in Dundee. This did not work out and after a year he went to London. His pursuit of art continued at evening classes in life drawing while working in a variety of jobs by day. In 1976 he moved back to Scotland, joining a team of many talents at the Glasgow Print Studio. John Taylor, a colleague and long-time friend, says: "Tom MacKenzie’s art was made from the Isle of Skye’s unique cornucopia of visual riches: the huge, notched and jagged coastline; sea lochs with many rocky islands; the Cuillins, the most awesome mountains in Britain." Living and working on the lovely Isle of Skye, Tom MacKenzie was renowned for his wonderful colour etchings of the island and the West Coast of Scotland. These large and very stylish etchings are appreciated and collected worldwide. Working from his studio and workshop in Portree, the island’s capital, Mackenzie used three steel plates to produce his etchings and limited the editions to 75 or less, printed on 300gm, Arches waterleaf paper. He was a very popular figure in Portree where he lived and worked and a much-respected artist throughout Scotland and far beyond. In The Scottish Contemporary Art Auction of 12th September 2021, three colour etchings by Tom Mackenzie sold for hammer prices of £300, £320 and £340.
Loading...-
315264 Los(e)/Seite