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Los 504

Dorothy Margaret Alderson, Kingfisher, watercolour; two late 18th Century oval stipple engravings, Alderson sisters print, portrait mezzotint, etc (8)

Los 508

David Shepherd, In The Thick Stuff, print, FATG blindstamp, pub. Solomon & Whitehead, 1979

Los 341

Japanese School, Crab fishing, colour print, 24 x 18cms, mounted, unframed and two other Japanese prints, (3).

Los 352

After Graham Rust, "Narcissi", signed limited edition colour print, 61 x 46cms and another similar, (2).

Los 356

After Thomas Kinkade, "The Good Life", signed, limited edition colour print, 75 x 60cms.

Los 359

After Felix Kelly, "Thames Embankment", colour print, 32 x 50cms and three other prints, (4).

Los 361

Sidney E. Wilson, After Sir Joshua Reynolds, "Lady Smyth and Children", colour mezzotint, 34 x 28cms and a Victorian chromolithograph - girl gathering daisies,together with After Helen Allingham, "In the Farm House Garden", colour print, 14 x 10cms.(3)

Los 394

Set of seven Hepplewhite mahogany dining chairs, including two elbow chairs, shield-shape backs, with pierced vase splats, drop-in seats upholstered in cotton print, square moulded legs, the elbow chairs width 59cms.

Los 118

Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE I, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 25.25in., 85 by 63.125cm. P Taylor Gallery, Belfast Sheet size, 39.75 by 30in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Los 119

Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE II, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 25.25in., 85 by 63.125cm. P Taylor Gallery, Belfast Sheet size, 39.75 by 30.25in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Los 120

Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE III, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 25in., 85 by 62.5cm. P Taylor Gallery, Belfast Sheet size, 40 by 30in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Los 122

Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE VIII, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 23.75in., 85 by 59.375cm. P Taylor Gallery, Belfast Sheet size, 40 by 28.75in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Los 123

Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE IX, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 23.75in., 85 by 59.375cm. P Taylor Gallery, Belfast Sheet size, 40 by 28.5in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Los 124

Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE X, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 25.75in., 85 by 64.375cm. P Taylor Gallery, Belfast Sheet size, 40 by 30.5in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Los 125

Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE XI, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 25in., 85 by 62.5cm. P Taylor Gallery, Belfast Sheet size, 39.75 by 30in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Los 126

Louis le Brocquy HRHA (1916-2012) HUMAN IMAGE XII, 2005 silkscreen print; (no. 35 from an edition of 75) signed and numbered in pencil in the margin lower right 34 by 23.75in., 85 by 59.375cm. P Taylor Gallery, Belfast Sheet size, 40 by 28.5in.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Los 156

Andy Warhol (USA, 1928-1987) MAO INVITATION, 1972 colour print invitation signed on right; verso exposed 6.75 by 13.75in., 16.875 by 34.375cm. L Eyestorm Online Art Gallery, Londonwith Taylor Gallery, Belfast Verso reads: Mao Tse-tun by Andy Warhol, Published by Multiples, Inc. and Castelli Graphics. Printed at Styria Studio, A Portfolio of 10 silkscreens each signed and numbered by the artist, 36 by 36 inches. A limited edition of 250.Lots (116-170) are from the collection of The Taylor Gallery (in administration), Belfast. The Taylor Gallery was one of the leading art galleries in Northern Ireland and had established a reputation, not just for Irish paintings and sculpture, but also for works by international artists such as Andy Warhol, Damien Hirst, Joan Miró, and, more recently, in street artists such as Banksy.

Los 130

'The Bridesmaid' Victorian Baxter print, set of three other Baxter prints in ebonised frames, 'The Terrace Scarborough' early 19th Century engraving and two other prints

Los 327

Botanical studies of flowers, set of three colour prints and a limited edition colour print of a viaduct No.85/90 signed and dated (19)'89

Los 206

Girl on a Beach, circular Edwardian monochrome print

Los 271

'The Duke and Duchess', large colour print after Montague Dawson

Los 272

'Racing Home - The Cutty Sark', large colour print after Montague Dawson

Los 285

Edwardian 'East Anglia' blue and white print ware, toilet jug and bowl, other similar ware and a plate hand painted with a cock pheasant signed M Holloway

Los 317

'World Champion', Alan Fearnley limited edition colour print signed by Niki Lauda and two other members of the Mclaren team signed by the artist No.498/850

Los 318

'True Brit', Alan Fearnley limited edition colour print signed by Nigel Mansell and the artist No.498/850

Los 319

'Mclaren's Supremacy', Alan Fearnley limited edition colour print signed by the artist No.498/850

Los 320

'Sunset at Le Mans', Alan Fearnley limited edition colour print signed and numbered by the artist No.498/850

Los 321

'Spitfire Dawn', limited edition signed colour print No.8/50

Los 150

David De Costa, limited edition print 84/120, depicting Peruvian musicians

Los 180

Assorted pictures, prints and photographs to include a 'Spy' print, oils etc (1 box)

Los 363

Assorted oils, prints and pictures including a hand-coloured print of a dog and a rabbit

Los 396

A collection of five framed and glazed prints, one coloured hunting print, pair of Highland scenes featuring deer, together with a pair of prints of Japanese ladies beside water.

Los 414

A late 19th century sporting print, from the original by Thomas Blinks, inscribed in margin first pull from Arthur Tooth & Sons to Thomas Blinks, depicting horses and hounds chasing a fox, 45 x 53cm glazed in a wood and gilt frame, together with another print, published May 2nd 1892 by Arthur Tooth & Sons of Haymarket, London, hunters at a gallop, signed in pencil to the margin by Thomas Blinks, 44 x 52cm in a glazed wood and gilt frame.

Los 420

A print after Fred Roe (1864 - 1947), published by Rafael Tuck & Sons, London. Three gentlemen seated enjoying a drink, one of them reading a book, signed in pencil in the margin by the artist, 41 x 51cm glazed wood and gilt frame.

Los 427

A late 19th century print, the original by Thomas Blinks (1860 - 1912), huntsman on horseback jumping over a hedge with other riders in the background. Inscribed in the margin Thomas Blinks to Mr Shuffrey Esq., together with another similar print, depicting a hunt, inscribed to the margin in pencil, 'To my friend Mr Shuffrey, Thomas Blinks ', both 30 x 21cm in glazed wooden ebonised framed.

Los 429

A late 19th century unsigned print, of two Naval officers on horseback beside water, 25 x 30cm in a gilt glazed frame.

Los 431

A late 19th century print, from the original by George Goodwin Kilburne. A lady and gentleman seated playing chess, inscribed in pencil to the margin T Blinks Esq., with the publisher's compliment, January 1891, 38 x 48cm glazed in a wood and gilt frame.

Los 433

After Thomas Blinks (1860 - 1912). A print of three sporting dogs in the bracken, inscribed to the margin in pencil,' first pull from A Tooth & Sons' to the artist, 55 x 82cm in a glazed wood gilt frame.

Los 435

A late 19th/early 20th century print, Art Nouveau depictions of the four seasons, each 15 x 40cm in a single glazed gilt frame.

Los 438

A late 19th century print, three huntsmen taking refreshments, pencil signed to the margin W Dendy Sadler, 45 x 52cm in glazed wooden gilt frame.

Los 441

A late Victorian print, the original by Thomas Blinks. Hunting hounds surrounding a cornered stag, the margin signed in pencil Thomas Blinks, 52 x 70cm, in a glazed wooden gilt frame.

Los 442

A late 19th century print after Thomas Blinks. Huntsman jumping a fence with other huntsmen in the background, inscribed in the margin first pull from A Tooth & Sons to the artist, 66 x 44cm in a glazed wooden gilt frame.

Los 444

A late Victorian print after Thomas Blinks. Huntsman on horseback mopping his brow as the hunt proceeds ahead. Inscribed in the margin 'first pull from A Tooth & Sons' to the artist, 66 x 44cm in a glazed gilt oak frame.

Los 445

A late Victorian print after Thomas Blinks, titled Unity, of three hunting dogs in a field. Photo engraving printed to the margin by J Ross & Sons. 83 x 60cm glazed in a gilt oak frame.

Los 446

A print after Thomas Blinks. A trio of dogs seeking quarry, signed in pencil to the margin Thomas Blinks, 60 x 82cm, in a glazed gilt oak frame.

Los 447

A late 19th century print after Thomas Blinks. A pack of hounds leading the hunt, signed in pencil to the margin Thomas Blinks, 62 x 82cm glazed in an oak gilt frame.

Los 448

A late Victorian print after Thomas Blinks. A large group of hounds emerging through a gateway, inscribed in pencil to the margin, 'first pull from A Tooth & Sons to T Blinks', 75 x 60cm glazed in an oak gilt frame.

Los 449

A late Victorian print after Thomas Blinks. Three dogs stalking prey, signed in the margin Thomas Blinks, 60 x 82cm glazed in a oak gilt frame.

Los 450

A 19th century print titled English Merry Making in the Olden Time. A large group scene, 52 x 86cm glazed in a maple gilt frame.

Los 453

An unsigned watercolour Blacksmiths Forge, with two men working. 51 x 70cm glazed in a oak gilt frame, together with a framed and glazed Bubbles print.

Los 460

A late 19th century print, a lady in a Pre-Raphaelite-style pose beside a column, 77 x 35cm, glazed in a wooden frame. Together with four other prints of young ladies, two signed in the margin William Henderson, various sizes in glazed frames.

Los 462

A large portfolio of art school sketches, paintings and print, all completed by L Moodie, granddaughter of Thomas Blinks.

Los 469

A late Victorian over painted print of a seated soldier in uniform, 16 x 12cm, glazed in a gilt frame.

Los 480

A Victorian print after Thomas Blinks. Four hunting dogs at rest in undergrowth, signed to the margin Thomas Blinks, 58 x 82cm glazed in wooden gilt frame.

Los 481

A late Victorian print after Thomas Blinks. Three plough horses, signed to the margin Thomas Blinks, 24 x 34cm glazed in an ebonised frame.

Los 482

A late Victorian print after Thomas Blinks. Three plough horses, signed to the margin Thomas Blinks, 24 x 34cm glazed in an oak frame.

Los 483

A Victorian print after Thomas Blinks. Two hunting dogs stalking, signed to the margin Thomas Blinks, 49 x 66cm glazed in an oak gilt frame.

Los 484

A Victorian print after Thomas Blinks. A group of hounds chasing a stag out to sea, signed in the margin Thomas Blinks, 43 x 62cm glazed in an oak gilt frame.

Los 485

A print after Thomas Blinks, a trio of Jack Russell, signed to the margin Thomas Blinks, 24 x 70cm glazed in an oak gilt frame.

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