315264 Preisdatenbank Los(e) gefunden, die Ihrer Suche entsprechen

Verfeinern Sie Ihre Suche

Jahr

Sortieren nach Preisklasse
  • Liste
  • Galerie
  • 315264 Los(e)
    /Seite

Los 118

Fabio Failla (1917-1987) - Italian Artist - an original signed print depicting an Italian interior, with figures to centre. Signed and titled to the margin by the artist, and dated 1957. Framed and glazed to a total size of; 69cm x 47cm. From the estate of Peter Wyngarde.

Los 123

JulesmannArt - 2013 - an original limited edition Jazz screen print ' Ron Carter Is On The Bass '. Limited edition No. 2 / 22. Signed to the corner by the artist. Framed. Total size approx; 53cm x 42cm. From the estate of Peter Wyngarde.

Los 108

An early to mid-20th century fine Japanese silk panel print of storks / crane birds in a mountain setting. The silk divided into six equal panels, signed to corner. Framed in a period matching frame. Measures approx; 28cm x 48cm. From the estate of Peter Wyngarde.

Los 234

Demons Of The Flesh - The Complete Guide To Left Hand Path Sex Magic - Nikolas Schreck & Zeena Schreck (2002) - a rare out of print book, detailing the erotic 'black magic' sex practises of the world. Complete, softcover. Published by Creation Books. Rare book. From the estate of Peter Wyngarde. 

Los 154

NO RESERVE Mezzotint engraving.- Evelyn (John) Sculptura; or, the History and Art of Chalcography, and Engraving in Copper, second edition, engraved portrait frontispiece, plate and folding mezzotint plate by Prince Rupert of the Rhine, after Ribera, oval bookplate of T.Beale, contemporary calf, gilt, a little rubbed, 8vo, for J. Payne, 1755.⁂ Originally published in 1662 this was the first book in English to describe the process of mezzotint engraving and to include a mezzotint print, 'The Executioner' by Prince Rupert of the Rhine after Ribera. Mezzotint was invented by Ludwig von Siegen in the 1640s and the process was developed and brought to England by Prince Rupert, whom Evelyn credited with the invention. This edition includes 'The Little Executioner', a greatly reduced copy of Rupert's version.

Los 156

NO RESERVE Exposition Rétrospective de Limoges 1886, 50 albumen print photographic plates, original half vellum, browned, spine worn at head, upper joint splitting, [1886] § De Linas (Charles) Emaux Champlevés De L'école Lotharingienne, 2 lithographed and 3 chromolithographed plates, contemporary half morocco, original wrappers bound in, Paris, 1866 § Burlington Fine Arts Club. Catalogue of a Collection of European Enamels, folding colour frontispiece and 71 plates, some in colour, original cloth, spine faded, wear to spine ends, 1897; and 27 others, enamels, v.s. (30)

Los 202

Sale and collection catalogues.- Hamilton (Duke of) [Hamilton Palace collection, Sale catalogue] Catalogue of the Collection of Pictures, Works of Art, and Decorative Objects, 5 parts in 1, carbon print photographic plates by James Annan (son of Thomas Annan), a few prices in pencil, upper hinge weak, original cloth, head of spine chipped, Christie, Manson & Woods, 1882 § Denison (Christopher Beckett) [Sale catalogue] Catalogue of the Valuable Collection of Pictures, Works of Art, and Decorative Objects, 2 parts in 1, photographic plates, ruled in red and with prices throughout and most buyers' names, contemporary half morocco, Christie, Manson & Woods, 1885 § Forster (Henry Rumsey) The Stowe Catalogue Priced and Annotated, title in red and black with wood-engraved vignette, later half morocco, 1848 § Walpole (Horace) [Sale Catalogue] A Catalogue of the Classic Contents of Strawberry Hill, additional wood-engraved title, lithograph portrait frontispiece, contemporary cloth, George Robins, 1842; and 31 others, auction and collection catalogues including The Palace Collections of Egypt (lacking Stamps), 4to and 8vo (35)

Los 10

Chris Levine (British 1960-), ‘Marks The Spot (5)’, 2018, one colour screen print with glitter overlay on 410 gsm Somerset Satin paper, singed and dated in pencil, from an unnumbered edition of 25, published by Jealous Gallery; sheet: 30 x 30cm (Framed) ARR

Los 101

Banksy (British 1974-), 'GDP Rat', 2019, screen print on 50gsm paper; sheet: 38.5 x 50.5cm (Framed) ARR

Los 109

BAST (American), 'Revolucion de Papel', 2003, screen print on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cm (Framed)

Los 11

Chris Levine (British 1960-), ‘Marks The Spot (Pink On Pink)’, 2018, one colour screen print with glitter overlay on 410 gsm Somerset Satin paper, singed and dated in pencil, published by Jealous Gallery; sheet: 30 x 30cm (Framed) ARR

Los 110

BAST (American), 'Thug', 2003, screen print in colours on wove paper, numbered from an edition of 600 in pencil, published by Pictures On Walls; sheet: 70 x 50cm (Framed)

Los 116

Cosmo Sarson (British), ‘Breakdancing Jesus – The Salute - (Small)’, 2019, archival inkjet print with hand applied gold leaf on paper, signed and numbered from an edition of 50 in pencil, stamped in red ink; sheet: 42 x 29.5cm ARR 

Los 118

Cranio (Brazilian 1982-), 'Untitled', 2013, unique, heavily hand embellished screen print on stock paper, signed and dated in spray paint, signed, dated and numbered 1/1 in pencil; sheet: 75.5 x 111cm

Los 119

D*Face (British 1978-), 'United State Of America', 2007, screen print in colours on wove paper, signed and numbered from an edition of 200 in pencil, published by Black Rat Press; sheet: 42 x 98cm (Framed) ARR

Los 120

D*Face (British 1978-), 'Kiss Of Death (Steel)', 2011, screen print in colours on 410gsm Somerset Satin paper, signed and numbered from an edition of 25 in pencil, published by Stolen Space; sheet: 65 x 65cm ARR

Los 121

D*Face (British 1978-), 'No More Heroes (Blue)', 2010, screen print in colours on wove paper, signed and numbered from an edition of 150 in pencil, published by Black Rat Press; sheet: 58 x 95cm (Framed) ARR

Los 126

Dot Dot Dot (Norwegian), 'Napoleon (Lilac)', 2013, screen print in colours on 300gsm Somerset paper, signed and inscribed PP in pencil, outside of the main edition of 25, published by Graffiti Prints; sheet: 65 x 65cm ARR

Los 129

Dran (French b.1979), 'Pluie de Couleurs', 2018, hand embellished screen print in colours on paper, signed and numbered from an edition of 99 unique works; sheet: 42 x 30cm ARR

Los 131

Eelus (British b.1979), 'Conjuring (Hand Finished Edition)', 2014, hand embellished screen print in colours on Naturalis Absolute White Matt 330 gsm paper, signed and numbered from an edition of 20 in pencil; sheet: 70 x 50cm ARR

Los 14

Connor Brothers (British 1968-), ‘Two Of A Kind', 2017, giclee print on archival Canson Mi-Teintes paper, numbered from an edition of 250 in pencil; sheet: 48 x 33cm ARR

Los 144

Faith47 & Rowan Pybus (Collaboration), 'The People Shall Share In The Country's Wealth', archival diasec mounted print, signed and numbered from an edition of 9 verso; 44.5 x 104cm inc frame

Los 145

Fanakapan (British), 'Hope', 2018, screen print in colours on 300gsm Somerset Satin paper, signed and numbered from an edition of 125 in pencil, published by Graffiti Prints; sheet: 68 x 88cm

Los 147

Jamie Hewlett (British 1968-), 'Murdoc', 2004, screen print in colours on artstock paper, numbered from an edition of 350 in pencil, published by Pictures on Walls; sheet: 70 x 50cm

Los 148

Jamie Hewlett (British 1968-), 'Kid', 2003, screen print in colours on wove paper, numbered from an edition of 500 in pencil, published by Pictures On Walls; sheet: 51 x 71cm ARR

Los 15

Connor Brothers (British 1968-), 'I Can Resist Everything Except Temptation', 2016, giclee print on archival paper, signed, dated and numbered from an edition of 250 in pencil; sheet: 37 x 26.5cm ARR

Los 150

Josh Tsombikos aka BORF (American 1967-), ' Rothko’s Modern Life (Eleven)', 2013, giclee print with silkscreen gloss on 330gsm Somerset Satin paper, signed, dated and numbered from an edition of 75 in pencil, published by Lazarides; sheet: 100 x 80cm

Los 151

Josh Tsombikos aka BORF (American 1967-), ' Rothko’s Modern Life (Nine)', 2013, giclee print with silkscreen gloss on 330gsm Somerset Satin paper, signed, dated and inscribed AP in pencil outside of the main edition of 75, published by Lazarides; sheet: 100 x 80cm

Los 171

Martin Whatson (Norwegian 1984-), 'Son Of Man', 2017, screen print in colours on wove paper, numbered from an edition of 100 in pencil, bearing Martin Whatson blind stamp; sheet: 30.5 x 30.5cm ARR

Los 173

Martin Whatson (Norwegian 1984-), 'Figure At The Window', 2018, screen print and archival pigment print on 300gsm Somerset Satin paper, signed, dated and numbered from an edition of 150 in pen, published by Graffiti Prints; sheet: 60 x 100cm ARR

Los 176

Mr Brainwash (French 1966-), 'Liberty', 2010, hand embellished screen print in colours on archival art paper, signed and numbered from an edition of 20 APs, outside of the main edition of 300; 80 x 60cm inc frame ARR

Los 177

Mr Brainwash (French 1966-), 'Bombshells - Brigitte Bardot', 2019, two colour screen print on archival art paper, signed and numbered from an edition of 50 in silver pen front, dated and bearing the Artists' Thumb Print verso; sheet: 76.5 x 57cm ARR

Los 178

Mr Brainwash (French b.1966), 'Beatles Bandidos', 2012, screen print in colours on archival paper, signed and numbered from an edition of 100 in pencil front, dated in pencil verso, bearing the Artist's thumb print ID verso; 79 x 127cm inc frame ARR

Los 179

Nick Walker (British b.1969), 'The Morning After: Hollywood', 2008, screen print in colours on Somerset paper, singed and numbered from an edition of 150 in pencil, published by Black Rat Press; sheet: 91.5 x 97.5cm inc frame ARR

Los 181

Paul Insect (British b.1971), 'In A Dreamland', 2019, screen print in colours on wove paper, signed, dated, inscribed 'Margate' and numbered from an edition of 50 in pencil, published by Coriander Studio; sheet: 30.5 x 38cm ARR

Los 183

Paul Insect (British 1970-), 'In A Dreamland (Silver)', 2019, screen print in colours metallic ink and applied glitter on wove paper, signed, dated, inscribed 'Margate' and numbered from an edition of 8 in pencil, published by Coriander Studio; sheet: 30.5 x 38cm ARR

Los 191

Pez (French) 'Alter Ego', 2017, screen print in colours on 300 gsm Somerset paper, signed, dated and numbered from an edition of 25 in pencil, published by Classic Nouveau; sheet: 88 x 64cm ARR

Los 192

Prefab77 (British), 'The Toast of Paris ( Blue/Purple Variant)', 2014, spray paint, screen print and stencil on thick stock paper, signed and numbered from an edition of 12 in silver pen; sheet: 98 x 68cm

Los 193

Pure Evil (British b.1968), ‘New Logo For The Favela Looting Team’, 2015, screen print in colours on 330 gsm Fedrigoni paper, signed and inscribed AP in pencil outside if the main edition; sheet: 72 x 72cm ARR

Los 194

ROBBO (British 1969-2014), 'Dirty Piece', giclee print on 308 gsm Hahnemuhle paper, numbered from an edition of 50 in pencil, published by Pure Evil Gallery; sheet: 70 x 60cm ARR

Los 197

Ryan Callanan aka RYCA (British 1981-), 'Love And Happiness (Silver)', 2015, screen print in colours with diamond dust on wove paper, signed, dated and inscribed AP in pencil, outside of the main edition of 20, published by Art Republic; 84.5 x 84.5cm inc frame ARR

Los 201

Schoony (British b.1974), 'Bruiser Multiple', 2019, unique, screen print on wove paper, signed, dated and numbered 1/1 in pencil, sheet: 76 x 56cm ARR

Los 207

Seth (French b.1972), ‘Over The Rainbow’, 2016, screen print in colours on fine art paper, signed, dated and numbered form an edition of 110 in pencil; sheet: 91 x 61.5cm ARR

Los 21

Connor Brothers (British 1968- ), 'I Don’t Care What Anybody Says About Me', 2019, giclee print with silkscreen varnish on archival paper, signed, dated and numbered from an edition of 50 in pencil; sheet: 41.5 x 29cm (framed) ARR

Los 210

Shepard Fairey (American 1970-), 'SXSW 2008', 2008, screen print in colours on speckle tone paper, signed and dated in pencil, inscribed AP, outside of the main edition of 300; sheet: 61 x 45.5cm

Los 211

Shepard Fairey (American 1970-), ‘Disposable Heroes', 2012, screen print in colours on paper, signed, dated and numbered from an edition of 250 in pencil, published by Exhibit A Gallery; sheet: 61 x 45.5cm

Los 212

Shepard Fairey (American 1970-), ' Hendrix', 2004, screen print in colours on speckle tone paper, signed, dated and numbered from an edition of 300 in pencil; sheet: 61 x 45.5cm

Los 215

Tilt (French b.1973), 'Anarchy In The UK', 2011, screen print in colours on wove paper, signed, dated and numbered from an edition of 100 in pencil, published by Pictures On Walls; 72.5 x 92cm inc frame ARR

Los 217

Zevs (French 1977-) ‘Liquidated Atlas World Wide’, 2010, screen print in colours on 310gsm paper, signed and numbered from an edition of 75 in pencil, published by Lazarides; 85 x 115cm inc frame ARR

Los 218

Zevs (French 1977-), 'Liquidated Louis Vuitton', 2011, screen print on 300gsm Fabriano 5 paper, signed and numbered from an edition of 50 in pencil, published by Lazarides;77 x 57cm inc frame

Los 22

Connor Brothers (British 1968-), 'I Wondered If I Would Spend The Rest Of My Life Inventing Complicated Ways To Depress Myself', 2017, giclee print with silkscreen varnish on archival paper, signed, dated and numbered from an edition of 50 in pencil; sheet: 41.5 x 29cm (framed) ARR

Los 220

Andy Warhol (American 1928-1987), 'Siberian Tiger, from Endangered Species', 1983, screen print in colours on Lenox Museum Board, test print aside from the main edition of 150, published by Ronald Feldman Fine Arts, Inc., New York; sheet: 96.5 x 96.5cm (Framed)

Los 23

Connor Brothers (British b.1968 ), 'I Can Resist Everything Except Temptation', 2016, giclee print with silkscreen varnish on archival paper, signed, dated and numbered from an edition of 50 in pencil; sheet: 41.5 x 29cm (framed) ARR

Los 240

David Shrigley (British 1968-), 'Art Will Save The World', 2019, screen print in colours with varnish overlay on wove paper, signed, dated and numbered from an edition of 125 in pencil to the sheet verso, published by Nicolai Wallner Galleri; sheet: 75 x 55cm ARR

Los 251

Jonas Wood (American 1977-), 'Vote', 2018, screen print in colours on Coventry Rag paper, signed, dated and numbered from an edition of 300, published by Downtown For Democracy; sheet: 40 x 25.5cm (Framed)

Los 254

Julian Opie (British 1958-), 'Ruth With Cigarette 4', 2005, Lambda print on Fujicolour Digital Archival Paper, matt-sealed and dry mounted onto Dibond, contained in an aluminium frame as specified by the artist, signed and numbered from an edition of 11 APs in black marker verso, outside of the main edition of 50, published by Alan Cristea Gallery; 88.7 x 67.3cm inc frame ARR

Los 255

Katherine Bernhardt (American 1975-), African Violet', 2019, screen print in colours on 300gsm Somerset Velvet White paper, signed, titled, dated and numbered from an edition of 200 in pencil, published by Counter Edition; sheet: 60 x 76cm

Los 26

Connor Brothers (British 1968-), 'There's Nothing So Seductive As A Dangerous Idea', 2019, giclee print on wove paper, signed, dated and inscribed AP in pencil, outside of the main edition of 95; sheet: 42 x 29cm ARR

Los 262

Mehdi Ghadyanloo (Iranian b.1981), 'Under The Blue Umbrella', 2016, screen print in colours on stock paper, signed and numbered from an edition of 50 in pencil; 94 x 94cm inc frame

Los 264

Michael Kagan (American 1980-), 'We Leave As We Came', 2018, silkscreen print in colours on 410gsm Somerset paper, signed and numbered from an edition of 10 APs in pencil, outside of the main edition of 100, published by Avante Art; 83 x 82cm inc frame

Loading...Loading...
  • 315264 Los(e)
    /Seite

Kürzlich aufgerufene Lose