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Los 2064
AIKA BROWN, 20th Century French Art AIKA BROWN (French, 20th Century) Still Life Oil and collage on paper laid on board 20 x 26 inches / 50.8 x 66 cmFrame: 33 x 27 1/2 inches. Signed and dated verso: Aika Paris 63 Provenance: Private collection, Carmel CA Included in lot: 6 booklets and print by AIKA (numbered 21/250)
Los 242
A 1930's black bias cut dress, Liberty print dress, and a Country Clothes of Cheltenham striped dress (1960's/70's) CONDITION REPORTS Liberty dress in used and worn condition, with some stains, some of the stitching holding the gathering/ruching has come undone, some pulling at the seams, some snags to the fabric, some wear and later reinforcements to sleeves. Country Clothes of Cheltenham dress in used and worn condittion with various previous alterations e.g. zip moved, various darts etc. appear to have been adjusted, hem length possibly altered and with insert sections and also gatherings to interior of hem, various alterations to bodice. Black dress in used and worn condition, stitching to seams coming undone in quite a few places, some tears to undersides of armholes.
Los 717
A Geoff Hunt artist's proof print, The Dambusters Raid, other similar pictures and prints (qty) Condition report Report by DP No there is no fading to the aircraft prints. The Dambusters print is the main lead item. One other framed military print is titled, The First Blow by Gerald Coulson, pictures of Blenheims over the sea. The secondary military print of the Blenheims - it also comes complete with certificate of authentication. The picture is also signed by G Booth, Flight Lieutenant George Booth. The print is No 238 of 1089. There are an additional four unframed military prints, depicting aircraft by the artist Geoff Nutkins. The titles are Hurricane; The Chase, Duel and Spitfire. All signed by the artist and pilots or/and unknown.
Los 117
Barnard, C J Genl Louis Botha op die Natalse front 1899-1900 255 x 180 The writer sets out to fill the long-felt gap for an authoritative assessment of Botha`s role as one of the three leading generals on the Boer side of the Anglo-Boer War. He notes that while the other two, De Wet and De la Rey, have had generous treatment in print, Botha`s achievements have been largely ignored from the Boers` own perspective - this despite his promotion to commandant-general at the age of 37 and his victories at Colenso, Tabanyama, Spioenkop and Vaalkrans - more than any other Boer general. The printed dustjacket has been neatly repaired. The lower corners of the quarter brown leather and rose paper-boards, gilt to the front and gilt and white to the spine, are very lightly bumped but the overall condition is excellent. There is an owner signature on the front free endpaper, but the contents - viii + 223 pp of text, illustrations (including specially drawn double-page campaign maps - see images), bibliography and index + 8 pp of inserted illustrations on art paper - are unmarked and undiscoloured. Very Good Cape Town A A Balkema 1970
Los 218
Moffat (Robert) MISSIONARY LABOURS AND SCENES IN SOUTHERN AFRICA 230mm x 150mm x 47mm 624 pages. Original (re-backed) blind stamped cloth with gilt titling on the spine, new end-papers. Colour frontispiece (one of very few illustrations printed by the Baxter process in books of African interest. This plate was also sold separately as a print to raise funds for the work of the mission), folding map, 8 engraved plates (of which 3 are facsimile replacements), engraved illustrations in the text. Deckled edges. The hand-coloured frontis and title pages have been professionally backed/reinforced with fibre-tissue, forming an attractive frame around the colour frontis. Heavy toning to both these pages with a few stains to title page. Previous owner`s name has been penned in fountain ink to top of title page. Clear adhesive backing/repair work done to pages 133 and 136. The book has been re-backed with original spine and blind embossed cloth boards retained. New corners have been applied. The contents are generally clean apart from some light foxing to certain pages and a few more stains to some of the engraved plates. The bindings are tight. Mendelssohn (Sydney) South African Bibliography, volume 2, page 29. `The preliminary chapters deal with opinions of the author on the origin of the Hottentots, and gives a synopsis of the early work of the London Missionary Society in South Africa, reference being made to the labours of Drs. Vanderkemp and Philip, and other pioneer missionaries who predated Mr. Moffat. The volume gives a valuable account of mission work among the Bechuanas, with notes on the customs of the natives, and a description of the earlier travels of the author... There are some particulars concerning Dr Andrew Smith`s expedition into the interior in 1835, and there is an ample account of the labours of the various missionary societies engaged amongst the Bechuanas, Matabeles, Basutos and other races at this period`. Colour Frontis by George Baxter (18041867), who was an English artist and printer based in London. He is credited with the invention of commercially viable colour printing. Though colour printing had been developed in China centuries before, it was not commercially viable. However, in early years of the 19th century the process of colour printing had been revived by George Savage, a Yorkshireman in London. It was to be Savage`s methods upon which Baxter, already an accomplished artist and engraver, was to improve. In 1828, Baxter began experimenting with colour printing by means of woodblocks. At 20 Baxter was illustrating books printed by his father; at 23 Baxter moved to London to be apprenticed to Samuel Williams, a wood engraver. In 1827 Baxter set up business on his own and married Mary Harrild, daughter of Robert Harrild, a printing engineer and a friend of Baxters father. Baxter now began to experiment with his own methods of colour printing his first known colour print, Butterflies, was published in 1829. Baxter`s experiments first bore commercial fruit in 1834, with two small vignettes published in Mudie`s `British Birds`. In 1835 Baxter was granted Patent No. 6916 Improvements in Producing Coloured Steel Plate, Copper Plate and other Impressions, which outlined the combined intaglio and relief process he would continue to use for the next thirty years. Baxters original patent ran for 14 years; after the renewal of his patent in 1849 for another five years he began to sell licenses for the use of his printing process to other printing firms. Despite his technical excellence and the general popularity of his prints, Baxters business was never profitable his process was laborious and it seems likely that his perfectionism prevented him from completing many of his commissioned works on time. In 1860 he held a sale of all his stock and equipment, most of which was not sold. Eventually he sold his plates and blocks to the printer Vincent Brooks, who later republished some of Baxters images. Baxter was declared bankrupt in 1865 and died in 1867, after an accident involving a horse omnibus. Fair to Good London John Snow, Paternoster-Row 1842
Los 482
Vintage chrome plated fireman’s torch by Siebe, Gorman & Co Ltd of London, 28cm long, a stoneware two gallon container with black transfer print ‘Firesnow Extinguisher Inner Receptacle Solution’, 27.5cm high and a small brass stirrup pump, 33cm high Condition Report: ** General condition consistent with age
Los 421
DOU, OLEG (B. 1983) Black, from the Series "Papers and Paints", signed "Duryagin" on the artist`s studio label on the backing board. Lambda C-Type photo print on paper, diasec mounted on acrylic glass, 100 by 100 cm. Executed in 2007. No. 1 from an edition of 6. Provenance: Aidan Gallery, Moscow, from 2007. Acquired from the above by the present owner. Private collection, Monaco. Exhibited: Paper and Paints, Aidan Gallery, Moscow, 2006–2007.
Los 651
A quantity of Beatles ephemera, to include the Beatles monthly book number 14, photographic print of John Lennon, caricature prints of the four Beatles, `John Lennon The Summer of 1980` book, other photographic prints of Lennon, the Daily Express from Wednesday December 10th 1980 regarding Mark Chapman,Tribute newspapers, etc.
Los 695
A plan regarding the parish church St John The Evangelist, Spittlegate, Grantham, isolation of The Aumbry in Sanctuary plan, in colours, together with other proposed plans for the church, a quantity of blue prints, drawings and plans, various engines, others for A C Potter & Co, Grantham, to include the Hull Coporation Waterworks, Dunswell Pumping Station blue print 114/185, a quantity of other Potter of Grantham related blue prints, plans, drawings, etc.
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315264 Los(e)/Seite