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Preisdatenbank abonnierenSelection of mixed vintage ladies` wear, mainly 1980s to modern, two-piece suits, dresses and skirts including white crimplene trousers and colourful print 1980s London fashion label designer dress - good array of styles (42) Further images and condition reports are available at www.reemandansie.com
Selection of mixed vintage ladies` wear, mainly 1980s to modern, jackets, two-piece suits, dresses and skirts, including Harrods bright floral print circa 1970s long skirt, 1980s Top Shop and other fashion labels - good array of styles (42) Further images and condition reports are available at www.reemandansie.com
Five vintage 1950s period ladies` tops, comprising short sleeved dark olive satin tailored short jacket heavily embroidered with a floral design in black yarn highlighted with gold lamé threads, a pale pink angora cardigan jacket sewn with glass pearls, bugle beads and rhinestones from Huppert of Regent Street and three summer print blouses in cotton and acetate Further images and condition reports are available at www.reemandansie.com
Collection of ladies` blouses and two bright fun-fur jackets - extensive mixed vintage from 1950s through to modern designer labels, Mr Pearcy of London, Laura Ashley, pure silks, 1970s print nylons - good array of styles (61) Further images and condition reports are available at www.reemandansie.com
Selection of mixed vintage ladies` coats and two fake fur jackets - one beige-blond vintage circa 1950s / 1960s Baum`s of Southend short jacket, the other modern Steilman German leopard print hip length jacket. The coats mainly 1950s and 1960s vintage / styles, including Mark Russell and Marshall & Snelgrove, smooth wool mix and chunky pure wool tweeds (10) Further images and condition reports are available at www.reemandansie.com
Six vintage ladies` coats including long black crêpe evening coat with Miss Ford Ltd London label, a French Kaza-Sport Paris label calf-length, straight-cut 1960s loose-textured designer tweed coordinating coat and dress, the tweed skirted dress with matching silk print bodice, plus two early 1960s model fake fur coats and a Listrakhan `high pile fabric` simulated astrakhan 1950s coat Good condition Further images and condition reports are available at www.reemandansie.com
Theatre costume - gentlemen`s assorted tail coats including crocodile print PVC fantasy tail coat and breeches made for DON GIOVANNI, one white morning coat three piece suit from CAROUSEL, a showman / ringmaster fancy tail coat, plus other tail coats, two professionally distressed (15) Further images and condition reports are available at www.reemandansie.com
Theatre costume - useful plain cream and white outfits suitable for plays and shows - biblical, historical, Greek chorus, asylum, MARAT / SADE etc, comprising five sleeved tunics with one matching simple straight-jacket, six dresses, two waistcoats, one Swelter from GORMENGHAST chefs` enormous uniform and hat, one padded buckled straight-jacket and one mad surgeons` bloodied coat (19 pieces) together with a set of sixteen outfits of bright costume for SOUTH PACIFIC, pantomime etc, including bright print sarongs, shirts, dresses, tops etc (2 boxes) Further images and condition reports are available at www.reemandansie.com
CHRISTINA MOORE "Hunting Countries of England, Scotland & Wales", a humorous map decorated with various huntsmen and hounds, AFTER R.H. BUXTON "Hunting scenes", a pair, colour prints and AFTER CECIL ALDIN "Snowed up in the coaching days, making the best of it" (Supplement to the Christmas Number of The Graphic 1902), colour print
AFTER JOHNSTON BAIRD "A mountainous lakescape", black and white dry point etching, signed in pencil in the margin, four various black and white etchings, nine various Punch cartoon prints, AFTER C F TUNNICLIFFE-a set of three bird prints, AFTER WILLIAM DANIELL "Bognor", "Port Patrick, Wigtonshire" and "Hythe"-a set of three coloured engravings, AFTER W HEATH ROBINSON "Seaside crime", a coloured print and various other prints
19th / 20th CENTURY ENGLISH SCHOOL "Still life study of flowers", "Still life study of flowers and fruit", watercolours, unsigned, contained within giltwood and gesso frames, H PAXON "Lilac sprays with leaves in a stoneware jug", oil on canvas, signed lower left, together with a floral print (4)
AFTER CECIL ALDIN "Sam Weller meets his mother in law for the first time", chromolithograph, together with another by the same artist "The Mitre Hotel, Oxford", AFTER CECIL ALDIN "Old Manor House Mote",and "The Golden Cross, Oxford" from the Country Inns Series, each signed in pencil bottom left, and AFTER ARCHIBALD THORBURN "Grouse Drive", framed coloured print
A Stevengraph "Full Cry" contained within birdseye maple frame, A LE BLOND print "Snowballing", contained within verre eglomise frame, a coloured etching "Rouen Cathedral", 19th CENTURY ENGLISH SCHOOL "Charlotte"-portrait study of a young woman wearing a broad brimmed hat, watercolour, bearing printed card verso "In remembrance of George Challoner and of Charlotte his wife", and a coloured print
A 19th Century jug decorated with floral sprays, a collection of Wedgwood souvenir plates (boxed), to include blue jasperware example, a jasperware trinket dish, a pottery figure group depicting six dogs by a well, a large Staffordshire type spaniel, a Spode "The Tewkesbury Plate" (in presentation box), and a print
William Hogarth Morning, Noon 2 engravings from the series of 4 Times of the Day, second states, 1758 or later, each c.490 x 390mm. (19 1/4 x 15 1/4 in); with 2 French romantic interior scenes, Le Billet Doux and Le Couché de la Mariée; with 2 other 19th century engravings, rabbits and a view of Southport (6) Condition report: Hogarth prints trimmed within the platemark, one well outside image and title, the other just to the image on the left side; the 2 French prints both browned and spotted; the print of Rabbits browned and unframed, the view of Southport lacking glass.
Heneage Finch, 4th Earl of Aylesford A group of 20 etchings several of cottages in Wales, Oxford and Scotland, etchings on india paper, c.1795 or later, 5 monogrammed `A`, 8 with etched titles and dates, with 1 after a Malchair drawing, occasional minor spotting and finger-soiling, v.s., from 65 x 90mm, to 125 x 200mm, [See Print Collector`s Quarterly, 1924, Vol. 11, p.263; Oppé, 1925 typescript], (20) *** Heneage Finch, 4th Earl of Aylesford (4 July 1751 - 21 October 1812), styled Lord Guernsey between 1757 and 1777, was a British peer, politician and artist. Lord Aylesford was a pupil of the Oxford based artist John Baptist Malchair (1729-1812), who described Aylesford as one of the pupils whom he was most proud of; one of the etchings in this lot is after a drawing by Malchair himself. He is known `for having formed the finest collection of Rembrandt etchings which has ever been known` rather than `the excellence of his own plates`, but `at this period when exaggerated praise was generally given to the work of fashionable amateurs, it can only have been Lord Aylesford`s own modesty which caused his real excellence as an artist to be passed over without notice.` [A. P. Oppé]
A mixed group of prints including a photographic print of a drawing of a cottage by George, Duke of Cumberland, inscribed in a 19th century hand on the mount Handzeichnung des Prinzen Georg von Cumberland, also Elevation of Kings Cross, erected by subscription in honour of George IV, others of architectural, topographical, natural history, sporting, classical and romantic interest, by, for or after Wheatley, Hullmandel, Sintzenich, Harding, Callow and others, engravings, stipple-engravings and lithographs, mostly early to mid 19th century, various sizes, all unframed (26)
Albrecht Dürer Martyrdom of Ten Thousand Christians woodcut, c.1496, a later impression, [Bartsch, VII.140.117; Meder, 218], 390 x 290mm (15 1/4 x 11 1/4 in). Condition report: Rebacked, with repairs to 3 of the corners, surface dirt and minor rust spots. Also with pen facsimile to a small area within the print, located at the centre right.
Antoine Lafreri (publisher) Diana, bathing with two nymphs, throwing water at Actaeon engraving, with address `Ant Lafreri Formis` on block, lower right, c.1540-1550 or later, [Bartsch, XV.40.10 (as school of Marcantonio)], 280 x 420mm (11 x 16 1/2 in); After Baccio Baldini. The Inferno according to Dante, engraving, after Francesco Traini, later 19th century impression, 220 x 275mm (8 3/4 x 10 3/4 in); Philips Galle. Elephant Hunt, engraving, after Jan van der Straet, 1578 or later, from `Venationes Ferarum, Avium, Piscium`, 200 x 300mm (7 3/4 x 11 3/4 in), all unframed (3). Condition report: Lefreri print is badly damaged, with a large tear running vertically through the centre of the sheet, with areas of surface loss, and repairs. Print rebacked. Faint watermarked eagle still visible through rebacking.
John Boydell (Publisher) The Four Seasons the set of 4, Spring, Summer, Autumn, Winter, engravings, after William Hamilton, c.1784-85, each c.290mm in diameter, trimmed and uniformly framed in circular wooden frames. Condition report: Each trimmed to image, with engraved text sections pasted onto reverse of each frame. Winter text is pasted onto reverse of Autumn and vice versa. Winter has severe mold and damp-staining at the lower right of the print, obscuring parts of the engraved image. The others prints have minor browning, some wormholes, surface dirt, and minor repairs.
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![Albrecht Dürer Martyrdom of Ten Thousand Christians woodcut, c.1496, a later impression, [Bartsch, VII.140.117; Meder, 218],](http://lot-images.atgmedia.com/SR/1574/2847940/281-201192294255_468x382.jpg)
