André de Dienes (Torja 1913 – 1985 Hollywood). Marilyn Monroe mit einem Handtuch am Kamin, Bel Air Hotel, Beverly Hills. 1953Posthumer Archival-Pigment-Print, 2006. 48,3 × 38,2 cm (50,7 × 40,6 cm) ( 19 × 15 in. (20 × 16 in.)). Rückseitig Nachlassstempel mit Signaturfaksimile von André de Dienes, darin von Chuck Murphy mit schwarzem Filzstift signiert, Datum des Abzugs und nummeriert. Copyrightstempel sowie Editionsstempel, darin von Chuck Murphy mit schwarzem Filzstift Datum des Abzugs und nummeriert. Mit beiliegendem Echtheitszertifikat, darauf von Chuck Murphy mit schwarzem Filzstift signiert.Einer von 200 nummerierten Abzügen der autorisierten und limitierten Auflage, hg. von One West Publishing, 2006. [2094]Literatur und Abbildung: Steve Crist und Shirley T. Ellis de Dienes (Hg.): André de Dienes. Marilyn. Köln 2015, S. 170 und Abbildungsteil S. 82Zustandsbericht: In sehr gutem Zustand. Seidenmattes festes Papier, schmaler weißer Blattrand. Keine Mängel erkennbar.Wir berechnen auf den Hammerpreis 30% Aufgeld.
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André de Dienes (Torja 1913 – 1985 Hollywood). Frühstück im Bett, Marilyn Monroe im Bel Air Hotel, Beverly Hills. 1953Posthumer Archival-Pigment-Print, 2006. 38,2 × 48,3 cm (40,5 × 50,7 cm) ( 15 × 19 in. (16 × 20 in.)). Rückseitig Nachlassstempel mit Signaturfaksimile von André de Dienes, darin von Chuck Murphy mit schwarzem Filzstift signiert, Datum des Abzugs und nummeriert. Copyrightstempel sowie Editionsstempel, darin von Chuck Murphy mit schwarzem Filzstift Datum des Abzugs und nummeriert. Mit beiliegendem Echtheitszertifikat, darauf von Chuck Murphy mit schwarzem Filzstift signiert.Einer von 200 nummerierten Abzügen der autorisierten und limitierten Auflage, hg. von One West Publishing, 2006. [2094]Literatur und Abbildung: André de Dienes: Marilyn Mon Amour. München 1986, S. 144-145 / Steve Crist und Shirley T. Ellis de Dienes (Hg.): André de Dienes. Marilyn. Köln 2015, S. 192 (Variation) und Abbildungsteil S. 81Zustandsbericht: In sehr gutem Zustand. Seidenmattes festes Papier, schmaler weißer Blattrand. Keine Mängel erkennbar.Wir berechnen auf den Hammerpreis 30% Aufgeld.
Stefan Moses (Liegnitz 1928 – 2018 München). „peggy guggenheim, collection venice, palazzo vernier dei leoni“. 1969Digital-Print auf Hahnemühle Baryta-Papier, 2017. 39 × 57,9 cm (50 × 60 cm) ( 15 ⅜ × 22 ¾ in. (19 ⅝ × 23 ⅝ in.)). Rückseitig mit blauem Farbstift signiert sowie mit Bleistift datiert und betitelt. Photographenstempel: „stefan moses photographie münchen“, darin mit Bleistift datiert.[2113]Literatur und Abbildung: Stefan Moses. Begegnung mit Peggy Guggenheim. München 2017, S. 94-95 (Variation, dort Bildlegende: Peggy in ihrer 'Barchessa', mit Gemälden von Giorgio de Chirico, Morris Hirshfield, Joan Miró, Marc Chagall, Victor Brauner, Yves Tanguy und Max Ernst)Zustandsbericht: In sehr gutem Zustand. Keine Mängel erkennbar.Wir berechnen auf den Hammerpreis 30% Aufgeld.
COLUBRINUM LIGNUM - A 18TH CENTURY BOTANICAL ENGRAVING Subject: Colubrinum Lignum Year: 1757 Publisher: Jacob Trew, Nuremberg, Germany Framing: In a new gold-colour wooden frame 37cm x 24cm Condition: Beautiful original colours, some ink-handwriting translating the printed wordings Additional Information: A print from Herbarium Selectum Emendatum et Auctum designed by Elizabeth Blackwell (1701 -1758) Her work , 'A Curius Herbal' published in 1737-1739, was designed, engraved and hand-coloured by her alone. With some 500 plates it is considered a jewel of artistry and a testament to the fortitude, industry and entrepreneurship of a modern woman. The beautiful folio edition by Trew has allowed more passionate botanists and collectors to admire and enjoy her superb work
ULMARIA - AN 18TH CENTURY BOTANICAL ENGRAVING Subject: Ulmaria Year: 1757 Publisher: Jacob Trew, Nuremberg, Germany Framing: In a new gold-colour wooden frame 37cm x 24cm Condition: Beautiful original colours, some ink-handwriting translating the printed wordings Additional Information: A print from Herbarium Selectum Emendatum et Auctum designed by Elizabeth Blackwell (1701 -1758) Her work , 'A Curius Herbal' published in 1737-1739, was designed, engraved and hand-coloured by her alone. With some 500 plates it is considered a jewel of artistry and a testament to the fortitude, industry and entrepreneurship of a modern woman. The beautiful folio edition by Trew has allowed more passionate botanists and collectors to admire and enjoy her superb work
SURASIT SAOKONG (THAI, B.1949) - TEMPLE Print on paper Signed in the bottom right Numbered 136/250 in the bottom left hand corner The light is used as a symbol for opulence within religious buildings 54cm high x 89cm wide Condition: Minor foxing on the border Additional Information: Surasit Saokong received a Bachelor of Fine Arts Degree in Painting form Silpakorn University in 1973. Currently, he is an instructor in the Fine Arts Department at Phayap Campus in Chiang Mai. Surasit was awarded third prize in the National Art Exhibition in 1974, 1980, and 1982. He also received “top award winner” prize in the Contemporary Art Exhibition sponsored by Thai Farmers Bank in 1982, and the gold medal in the Bua Luang Art Exhibition in 1983. In 1981, he was named an Outstanding Teacher by the Teachers Council of Chiang Mai province. Surasit has also served on the judging committee at numerous art competitions around Thailand. In 1996 and 1997, for example, he was a judge for the annual Contemporary Art Exhibition sponsored by Thai Farmers Bank. The artist’s works are on display, among other places, at the Bank of Thailand, the Thai Investment and Securities Public Co., Ltd., the Singapore Art Museum, the Fukuoka Art Museum in Japan.
THREE VINTAGE ILLUSTRATIONS An advertisement for Eros, depicting a semi-clad woman on a bar stool; A lady in a red and black hat, 'Les Chapeaux au tres Parisien', and one example of two gentlemen. 37cm x 25.5cm; 25cm x 16.5cm; 34.5cm x 26cm (without frames) x 26.5cm Condition: Minor signs of wear commensurate with age and use, minor marks on the frames and slight crinkling to the print paper.
Urbain Huchet (French 1930-): 'Le Moulin Rouge', lithograph signed and numbered 76/350 in pencil 15cm x 24cm; After Max Ernst (German 1891-1976): 'Les Ciseaux et Leur Pere', print 12cm x 11cm; Stas (French/Russian 1978-): 'Une Vague', watercolour signed and dated 2009, 19cm x 39cm, each with COA (3)
JAMES BOND: GOLDFINGER (1964) - 50th Anniversary officially licenced promotional poster printed by Pyramid International in 2014. Based on the original Robert Brownjohn design it is a high quality production with gold foil print finish used for the main imagery and title - 24" x 36" (60 x 91.5 cm) - Rolled (as issued )
Eight WWII aircraft relics, including pieces purporting to be from a Junkers 88, shot down by Squadron leader W.P.F. Treacy (Douglas Bader's C.O.) on 1st April 1941, at Henstead in Suffolk, together with two pieces of shell that hit RAF Hawkinge, in Kent, on 14th February 1941, believed to fired from Cape Griz Nez, mounted on cardboard with a black and white print showing German officers looking over the channel, and an oil cooler grid from a B17 Flying Fortress, which had been used in an experiment as a part radio controlled bomb, crashed into Suffolk woodland in 1944, recovered on site, 32 by 16cm, together with a P47 Thunderbolt fuel cap, with aromatic printed upon it, 11cm diameter. (1 box) Provenance - From the Christopher Elliott collection
An Edwardian clock picture of Houses of Parliament, viewed from across the river with two boats in the foreground, with a clock movement inset to 'Big Ben's' dial, colour print with varnish finish inlaid with mother of pearl pieces, framed, a/f clock missing hands and not in working condition.
A group of early to mid 20th century celebrity and Lenare photographic print portraits, a press publicity picture of Ursula Andress modelling jewellery, 21 by 15cm, including eight black and white prints featuring Brigitte Bardot and Marilyn Monroe, 25 by 20cm, framed and unmounted 30 by 21cm, two Lenare black folders with seventeen early-mid 20th century wedding and event portraits, an unmounted print of Ursula Andress. (1 box)
Matthew Cusick1970 New York - "Empire revisited" - Lambda Color Print. 3/100. 50 x 77 cm. Auf Etikett der Edition Lumas num., betit. und sign.: 3/100 / (...) / Matthew Cusick. Unter Glas gerahmt (hochwertiger Galerierahmen aus geöltem amerikanischen Ahorn mit entspiegeltem Mirogard-Museumsglas).
A late Victorian Ashworth(?) warming tureen and cover, blue and white transfer decorated in the Chinese taste with various pagodas within landscapes, smudged printed mark verso, w.33cm; together with an early 19th century Spode twin handled warming dish, blue and white transfer decorated with flowers within floral border, impressed Spode 23 verso, w.30cm; and one other early 19th century Spode twin handled warming dish, blue and white transfer decorated in the Filigree pattern, having printed mark verso, with further impressed mark, w.30cm (3)Condition report: Tureen and cover - large smudge to transfer decoration from centre of plate to 6 o'clock, crazed, crack to underside from 7 o'clock into centre of dish and around outside edge of base, makers transfer print heavily smudged, break and repair to handle of cover, crack and chip to underside.Spode - light crazing to centre, hairline crack to underside above rim, further nibbles to handles.Second Spode - star crack to base running to edge, large chip to underside of rim.
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315264 Los(e)/Seite