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315251 Los(e)/Seite
Los 595
A leopard skin coat (panthera pardus) purchased before 1944, with mink collar and front slit pockets, approx UK size 12, together with a pair of leopard print sheepskin gloves. (2) Provenance: Property of a lady. Formally the property of Denisa Lady Newborough, purchased by Thomas John Wynn, 5th Baron Lord Newborough prior to 1944 and thence by decent. Note: An export licence will be required if shipping outside of the EU. CONDITION REPORT: Good condition.
Los 732
A 1950s style pink floral print dress by Jeanne Marc, with button detailing to the yoke and shoulders, front patch pockets and full shirt, also a 1950s grey quilted satin gown with shocking pink lace bodice, together with a collection of further vintage fashion. (lot) CONDITION REPORT: Condition reports are not available for multiple item lots
Los 921
Joost Schmidt, German 1893-1948- Study of Bauhaus Studio; vintage bromoil gelatin silver print, signed in pencil on the reverse, 7.2cm x 10.5cm, (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price) CONDITION REPORT: Time faded, what appears to be an old tape residue mark on the bottom edge approx. 6x1.5cm, fixing marks to the reverse, overall fair condition
Los 132
Lill Tschudi, Swiss 1911-2004- "Im Hafen"; linocut in colours, signed and numbered 5/50 in pencil, 37.5x17.8cm CONDITION REPORT: mounted in a glazed frame may or may not be stuck down, unexamined out of the frame signed and numbered bottom right on the print appears in overall good original condition with no noticeable signs of defects
Los 133
Xu Zhongmin, Chinese b.1961- Houses; original carved woodblock plate, signed, inscribed and dated '94 to the reverse of the panel, 97x67.5cm: together with a woodblock print by the same artist, entitled "The Net", signed, titled, inscribed "XX", numbered 12/25 and dated 1996 in pencil, 65x84.5cm, (2) CONDITION REPORT: woodblock plate- in an ebonised frame, appears in overall good condition The Net- in a glazed frame, whole sheet visible, may or may not be stuck down unexamined out of the frame some handling creases around the edges of the sheet, most significantly so on the right hand side which goes horizontally across the edge of the sheet into the plate, otherwise appears in overall good condition
Los 140
Nils Burwitz, German b.1940- "Scaly Anteater", 1973; screenprint in colours, signed and inscribed 'A.P.' in pencil, 77.2x55cm: together with one further screenprint in colours by the same hand, depicting a stethoscope with pressure gage, signed, inscribed 'P.P.' and dated 1973 in pencil, 77.3x55.2cm, (2) (unframed) (may be subject to Droit de Suite) Provenance: from the private collection Chris Prater OBE the founder of Kelpra Studio, London Note: See Edward Lucie-Smith, Art in the Seventies, 1980, pp. 54-5 for a brief discussion of the artist's work in this period CONDITION REPORT: "Scaly Anteater" - very minor handling creases to corners, does not appear to affect the print overall in overall very good original condition Untitled - the edges of the sheet are slightly grubby some handling marks at the edge of the sheet otherwise in good original condition
Los 145
Patrick Caulfield CBE RA, British 1936-2005- Poster for the Sixth British International Print Biennale; published by Bradford Art Galleries and Museum, Bradford, printed by Kelpra Studio, London, screenprint in colours, from the edition of 100, 83.8x69.7cm: together with eight further artist's exhibition posters including one for tapestries from the atelier of Yvette Cauquil-Prince at Musee d'Art Moderne in 1979, one for Joan Miro at Galerie Lelong, Paris, two for Joan Miro at the Centre d'Estudis d'Art Contemporani in 1982 and four for Joan Miro at Pace/Columbus in 1979, various sizes, (rolled, unframed) (10) (may be subject to Droit de Suite) CONDITION REPORT: "Poster for the Sixth British International Print Biennale" has been rolled, with associated creasing some faint handling marks at the edges and corners otherwise in very good original condition the remaining posters have been rolled, with associated creasing marks some faint handling marks otherwise in very good original condition
Los 156
Patrick Hughes, British b.1939- "Wet Rainbow''; screenprint in colours, signed, titled, inscribed AP and dated 79 in pencil, 60x60cm, (may be subject to Droit de Suite) CONDITION REPORT: In metal rimmed, glazed frame. Unexamined out of frame. Signed, numbered, titled and dated in pencil on the print paper slightly ruckled in places small white mark, left hand side, where blue background paint appears not to have not through mesh in the making process. Otherwise in very good condition.
Los 169
Glynn Boyd Harte, British 1948-2003- "Tool Shop"; lithograph in colours, signed and numbered 141/160 in pencil, 71x55.5cm: together with two other lithographs printed in colours by the same hand entitled, "Pollocks" & "Interior at Elena's", signed and numbered 105/150 & 150/150 respectively, ea. 62.5x45cm, (unframed) (3) (may be subject to Droit de Suite) CONDITION REPORT: All prints are unframed. First print listed in very good condition. Second print has very minor bend in top edge, but otherwise in very good condition Third print has minor mark on left hand corner, othterwise in very good condition.
Los 182
After Andy Warhol, American 1928-1987- "Soup Cans", published by Sunday B Morning; screenprints on museum board paper, suite of ten images depicting ten Campbell soup cans in different flavours, ea. stamped in blue to the reverse, ea. 89x58.5cm, (10) (unframed) Note: this lot is accompanied by a certificate of authenticity from the publisher Sunday B Morning for the suite of ten prints and individual certificates of authenticity for each print CONDITION REPORT: in good original condition with no visible signs of damage or defect
Los 184
After Andy Warhol, American 1928-1987- "Golden Marilyn", published by Sunday B Morning; screenprints on museum board paper, suite of ten images depicting Marilyn Monroe in various colour combinations, ea. numbered 164/2000 in pencil and stamped in blue to the reverse, ea. 91.5x91.5cm, (10) (unframed) Note: this lot is accompanied by a certificate of authenticity from the publisher Sunday B Morning for the suite of ten prints and individual certificates of authenticity for each print
Los 187
Laurence Stephen Lowry RA RBA LG NS, British 1887-1976- The Lowry family; three colour reproduction prints entitled "The Artist's Mother", "The Artist's Father" and "Self-Portrait", published on the occasion of the artist's 88th birthday; ea. signed in black pen, ea. no. 99 from an edition of 300, 37x27cm (unframed): together with a bronze medallion of Lowry by Leo Solomon, signed, inscribed, numbered 99/300 and dated 75, 12.5cm, (may be subject to Droit de Suite) Note: the original presentation boxes and packaging as issued accompany this lot CONDITION REPORT: the prints are housed in the original, lined presentation box with original printed sheet listing details the box has some slight wear commensurate with age, but is in overall good condition the lower left hand corner of each print is grubby, with minor marking elsewhere on the sheets the edges of each sheet are slightly yellowing foxing to the reverse of "Self-Portrait", some very minor foxing to the reverse of "The Artist's Mother" and "The Artist's Father" the prints are otherwise in good condition the bronze medallion is housed in separate original, lined presentation box with engraved plaque attached inside certificate of authentication is in the box the bronze medallion bears Morris Singer foundry mark, verso in very good condition the prints and the medallion both come in the same original cardboard packaging
Los 194
Beryl Cook, British 1926-2008- "Meadow Suite"; offset lithograph printed in colours, signed in pencil, with blindstamp, 43x51cm, (mounted, unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed, mounted (stuck on to mount with tape) Published in 1984 one of 850 editions (not numbered) Printed title on front Signed in pencil by the artist Other than the tape stuck on the mount and the print, in very good condition.
Los 195
Beryl Cook, British 1926-2008- "Poetry Reading"; offset lithograph printed in colours, signed in pencil, with blindstamp, 61x43.6cm, (mounted, unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed, mounted, print stuck down with tape onto mount. Published in 1982 one of 850 editions (not numbered) Printed title on front Signed in pencil by the artist Other than the tape stuck on the mount and the print, in very good condition.
Los 196
Beryl Cook, British 1926-2008- "The Four Hungry Cats"; offset lithograph in colours, signed in pencil, with blindstamp, 54.5x47.5cm, (mounted, unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed, mounted, print stuck down with tape onto mount. Published in 1977 by the Alexander Gallery Publications Ltd. one of 850 editions (not numbered) Printed title on front Signed in pencil by the artist Other than the tape stuck on the mount and the print, in very good condition.
Los 197
Beryl Cook, British 1926-2008- "Angels"; offset lithograph printed in colours, signed in pencil, with blindstamp, 43x51.2cm, (unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed, print stuck down with tape onto card. Published in 1977 by the Alexander Gallery Publications Ltd. one of 850 editions (not numbered) Printed title on front Signed in pencil by the artist Other than the tape stuck on the card and the print, in very good condition.
Los 215
Kerry Strand, California Computer Products, Anaheim, American, mid-late 20th century- "The Snail", publ by Motif editions 58 Frith Street London; lithograph, 50.5x75cm Provenance: The Estate of the Late Mrs Eugene Rosenberg Note: This print was included in the Institute of Contemporary Art exhibition, Cybernetic Serendipity, 2nd August- 20th October 1968 curated by Jasia Reichardt. "Attracting the attention of the national and international press at the time, Cybernetic Serendipity was the first international exhibition in the UK devoted to the relationship between the arts and new technology. This groundbreaking exhibition, designed by Franciszka Themerson, presented the work of over 130 participants including composers, engineers, artists, mathematicians and poets" see Institute of Contemporary Arts, London, Cybernetic Serendipity: A Documentation, 14 Oct 2014-30 Nov 2014 "This is one of a set of seven lithographs by different artists, published by Motif Editions in connection with Cybernetic Serendipity, a major exhibition held at London's Institute of Contemporary Arts in 1968. The portfolio includes two works by the Computer Technique Group, plus single works by Charles Csuri and James Shaffer, William Fetter, Maughan S. Mason, Donald K. Robbins, and Kerry Strand. The complete set was acquired by the Museum in 1969, at a cost of £5", see V&A, London, cat no CIRC.774-1969 CONDITION REPORT: in a glazed metallic frame may be stuck down as unexamined out of the frame full sheet visible some handling creases here and there scuff marks top left and top centre small areas of staining bottom right otherwise good
Los 232
Geoffrey Raymond Reeve ARCA, British b.1936- "Still Life non P.C."; giclee print in colours, signed, inscribed 'A/P' and dated 14 in pencil, from the edition of 25, 58x45cm (may be subject to Droit de Suite) CONDITION REPORT: mounted in a glazed wooden moulding frame, early 21st century may or may not be stuck down as unexamined out of the frame in very good original condition
Los 236
Henri Chopin, French 1922-2008- "Gentlemen, The Common Market Ladies"; screenprint in mauve and black, signed, dedicated and dated 1973 in pencil, 76x 43.5cm: Henri Chopin, French 1922-2008- "Ou, Cinquieme Saison"; lithograph, inscribed and numbered 9/32 in pencil, 45.8x62cm (2) (rolled, unframed) (may be subject to Droit de Suite) Provenance: Gifted by the artist to the father of the current owner; thence by descent CONDITION REPORT: tightly rolled markings to the reverse print surface subject to slight surface scuffs and creasing overall in fair to good condition
Los 249
After James Abbott McNeill Whistler, American 1834-1903- "Fulham", 1879; etching, the fifth and final state, probably publ by the Art Journal, 1882, 13x20cm., (image) 23.5x29.5cm., (sheet) (mounted, unframed) CONDITION REPORT: sheet is stuck down to the underside of the mount with masking tape underside of mount is stuck down to the print surface on the edges sheet is quite browned overall subject to old mount shadows some faint yellow staining in the centre otherwise fair condition
Los 262
Stanley William Hayter CBE, British 1901-1988- "Slip Stream"; screenprint in colours, signed, titled, numbered 15/20 and dated 67 in pencil, with publisher's blindstamp, 77x56cm (sheet), (unframed) (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie CONDITION REPORT: Unframed, inscribed verso PR0013 Discoloured round the edges of the print Handling marks/yellowing Edges of the scuffed and ragged Slight discolouration on the print two thirds up Otherwise in reasonable condition.
Los 269
Victor Vasarely, French/Hungarian 1906-1997- Untitled, from Permutations 51, publ by Edition Denise Rene; screenprint in colours, signed and inscribed 'E.A' in pencil, with publisher's blindstamp, 68.5x68.5cm, (unframed) (may be subject to Droit de Suite) Provenance: Gallery 32, Alexander St., Notting Hill Gate, London; the private collection of A Leslie CONDITION REPORT: Unframed, inscribed verso JC in pencil. Print on thin card Small dog-ear on top right hand corner Surface dirt on edges of card Faint crease lower left hand corner Slight discolouration on margins. Dot on main body of print Otherwise in good general condition
Los 27
William Tillyer, British b.1938- "Vase II"; screenprint in colours, signed, titled, inscribed 'P/P' and dated 75 in pencil, 123x92cm: together with one other screenprint in colours by the same hand entitled ''Vase V'', signed, titled, inscribed 'P/P' and dated 75 in pencil, 123x92cm, (unframed) (2) (may be subject to Droit de Suite) CONDITION REPORT: Both Unframed Lead print has minor dog-ear in one corner Some surface dirt on the edges of the paper 'Vase V' has handling marks round some of the edges Also the surface of the print has been creased in places, which is visible in the print. Both prints are signed, dated and numbered Measurement are of the sheet size. Otherwise in good general condition.
Los 280
Marc Quinn, British b.1964- "The Ecstatic Autogenesis of Pamela"; digital print with extensive hand-colouring in gouache, signed and numbered 45/50, 22x17cm: together with a book by the same artist entitled, "Allanah, Buck, Catman, Chelsea, Michael, Pamela and Thomas", publ, in conjunction with the White Cube Gallery, London, 2010, signed and numbered 45/50, 25.3x19.3cm (2) (may be subject to Droit de Suite) Provenance: from White Cube Gallery, London CONDITION REPORT: Book with print placed in inner sleeve of book - also signed and numbered Slight finger marks on the cover Ltd edition print inside front cover in special clear envelop In very good condition.
Los 3
Laurence Stephen Lowry RA RBA LG NS, British 1887-1976- "Group of Children"; colour reproduction print, signed in pencil, bears Fine Art Trade Guild blind stamp, 20.5x20.5cm: together with a group of three reproduction prints in a shared frame after the same hand "Sketch for Group of Children"; ea. 10x12.5cm (shared frame), (2) (may be subject to Droit de Suite)
Los 35
Kasimir Sevenovitch Malevich, Russian 1878-1935- ''Suprematism no. 56'', publ. by Mourlot, Paris; lithograph printed in colours, numbered 1147/1400 in pencil, dated 1936 within print, with blindstamps for Mourlot, The State Russian Museum and Gallerie Gerald Pilzer, 92x78cm, (unframed) CONDITION REPORT: Unframed, On textured paper. Numbered in pencil with blindstamps. Mesurement of sheet size In very good condition.
Los 38
Artists at Curwen-Celebrating the Spirit of Joy in Printed Things. Founded in 1863 by the Reverend John Curwen; following John Curwen's death in 1880 the printing press was passed to his two sons who continued their father's mission to secure and expand the company, and who changed its direction-focusing entirely on publishing. The reverend's grandson, Harold Curwen, joined the family business in 1908. Harold encouraged diversification and expanded the company's outreach, establishing Curwen Press as a leader in the field of fine commercial printing. Crucially, the Press began to work directly with artists, including Claud Lovat Fraser, who designed the iconic visual identity of Curwen Press that is centred around the image of a unicorn. The company's "courageous" approach to printing, marketed by the slogan "Get the spirit of joy into your printed things'" made a vital contribution to the shifts in newspaper and poster advertising that occurred after the second world war. The direction of Curwen Press was to change again when Oliver Simon joined the company in 1920. Although he was primarily concerned with publishing, he succeeded in forging links between Curwen and the Royal College of Art. The working relationship between Harold Curwen and Oliver Simon has been credited with turning Curwen Press into 'an agent of cultural change'. During this period the Press commissioned work from leading artists including Edward Bawden, Claud Lovat Fraser, Paul Nash and Eric Ravilious and Edward McKnight Kauffer. From the 1930s the Press was an advocate for lithography and the mass production of original work. The Curwen Studio's reputation was solidified in the 1960's onwards by the work it did with major artists such as Henry Moore, Barbara Hepworth, John Piper, Ceri Richards, William Scott, Alan Davie and Elisabeth Frink. In 1977 the Tate Gallery presented the exhibition Artists at Curwen that mapped the key figures in Curwen's history; and in 2008, to celebrate the 50th anniversary of the Curwen Studio, Tate published Art and Print: The Curwen Story, fully documenting the history of the Curwen Press and Studio. Mark Hearld, British b.1974- "Birds and Beasts, Curwen Menagerie"; lithograph printed in colours, signed and numbered 32/75 and dated 09 in black crayon, 64x101cm, (unframed) (may be subject to Droit de Suite) CONDITION REPORT: some minor handling marks, predominantly at the corners of the sheet otherwise in very good original condition
Los 51
Kim Lin, British/Chinese 1936-1997- "Blue washes"; lithograph printed in colours, signed, numbered 12/20 and dated 1993 in pencil, 60x56cm: together with two further lithographs by the same hand, one entitled “Black washes” and the other depicting an abstract composition, ea. signed, numbered 14/20 and 12/20 and dated 1993 in pencil, 65.5x56cm and 52.8x56.5cm, (3) (unframed) (may be subject to Droit de Suite) CONDITION REPORT: All unframed. One print is still in cellophane with backboard, unexamined out of packaging Blue has some faint yellowing spots in the margin of the picture and handling marks round the edges The second print with a similar design in monochrome is dog-earred in one corner and the edges of the paper are yellowing slightly. The third print - unexamined out of packaging appears to have no visible defects. All signed, numbered and dated Measurements of sheet size All in overall good condition
Los 52
Kim Lin, British/Chinese 1936-1997- "Relief"; lithograph printed in colours, signed, dated 1993 and numbered 16/20 in pencil, 51.3x76cm: together with two further lithographs printed in colours by the same hand, both entitled "Relief", ea. signed, dated and numbered 13/24 and 24/24 in pencil, 56.5x72.5cm and 49.5x67.5cm, (3) (unframed) (may be subject to Droit de Suite) CONDITION REPORT: Unframed Two prints are wrapped in cellophane with board backing - they are unexamined out of the packaging. First print is on coloured paper with rough edges. it is in very good condition The second print has a minor stain on the left hand side, visible under the cellophane - otherwise in good condtion The third larger print in on wove, with rough edges - and appears also to be in good condition. All are signed, dated and numbered Measurements are of sheet size
Los 97
Patrick Procktor RA RWS, British 1936-2003- "Château Russian Style", "Château Mouton-Rothschild" & "Vieux Château Certan"; etching and aquatints printed in colours, three, ea. signed, titled and numbered from an edition of 150 in pencil, blindstamp, ea. 30x40cm, (unframed) (3) (may be subject to Droit de Suite) CONDITION REPORT: All Unframed Lead print slightly yellowing round the edges Also handling marks and surface dirst on edges of paper Minor discolouration - tape marks verso Second print - Mouton Rothschild - dog-earred on lower left hand corner Some handling marks round the edges - tape residue verso and 'Art For Offices' label stuck on verso. Third print appears to have yellowed a little, but otherwise in good condition. All signed, titled and numbered. Measurements are within plate marks Otherwse all in general good condition.
Los 98
Patrick Procktor RA RWS, British 1936-2003- "Château Prieure Lichine" & Château Certan"; etching and aquatints printed in colours, two, ea. signed, titled and numbered from an edition of 150 in pencil, with blindstamp, ea. 30.5x40.5cm, (unframed) (2) (may be subject to Droit de Suite) CONDITION REPORT: All Unframed First print no real visible defects Second print has some minor handling/finger marks in margins Both signed, titled and numbered measurements are in plate marks Otherwise in very good condition.
Los 979
A good Continental silver gilt lined snuff box, the top with a print of a naked reclining female set into the lid under bevelled glass - Continental hallmarks to lid and inside base, also stamped 17590 - Size Height 1.8 cm x Depth 6 cm x 9.5 cm - some damage to picture and a silver box with gilded interior - Continental hallmarks, engine turned decoration with foliate borders - Height 1 cm x Width 7 cm x Depth 5 cm
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315251 Los(e)/Seite