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315251 Los(e)/Seite
Los 7
Beaton (Cecil, 1904-1980). Portrait of the fashion editor Madge Garland, 1927, matt bromide print, boldly signed by Beaton in red watercolour lower right, a little insect trail damage to upper left corner, lower margin a little chipped, slight blue ballpoint pen mark to left margin, lower corners a little creased, 25 x 27.5 cm, together with a later gelatin silver print of a variant imageQTY: (2)
Los 71
Coronation of HM Queen Elizabeth II. A Record by BBC Photographers, 2 June 1953, souvenir photograph album containing 64 mounted gelatin silver print photographs, mostly mounted as pairs to rectos and versos of stiff card leaves with printed caption pasted below, images mostly 13.5 x 18 cm, plus a further 24 small photographic portraits of the BBC television and radio commentators arranged on two facing leaves following the first photograph of Broadcasting House, original red morocco with BBC's gilt crest and motto to upper cover, slightly rubbed, oblong narrow folio (23 x 43 cm)QTY: (1)NOTE:Images of the event show broadcasters, commentators and producers working before the coronation, behind the scenes showing maps and charts, the sound control rooms, assembling of television equipment, testing of cameras, etc., before the day itself. The album then continues with the procession, more behind the scenes images, etc. Included with the album is a typed letter from Ian Jacob of Broadcasting House, 28 January 1954, to C.F.G. Max-Muller, Head of Outside Broadcasts (Sound): 'I have had this album made for you to keep as a reminder of the great part your played in the broadcasting of the Coronation of Queen Elizabeth II. It gives me much pleasure to send it to you'.
Los 73
Daimler Motor Company. An archive of 57 large cyanotype plans of Daimler engine and part designs, Coventry, 1909-1920s, including arrangements of axle drives, gear cases, engines, rear hubs, speed gear boxes, chassis outlines, pistons, cylinder heads, connecting rods and including 7 Tilling-Stevens cyanotypes and 7 vertical detailed plans, all including original dates of drawing or design and often with a slightly later Daimler corporate ink stamp, various sizes but typically 66 x 96 cm, some occasional and mostly minor insect damage at extremities or at fold corners, a few with more extensive damage, plus a collection of 22 gelatin silver print photographs of Daimler engineering, showing multiple studies of bus and people carriers, workshops with toolmakers, details of gears, wheels and chassis structure, two with Daimler Publicity Department blind stamp, one heavily creased, mostly 16.5 x 18 cmQTY: (a carton)NOTE:Founded in 1896 by H.J. Lawson in London, with a factory in Coventry, the Daimler name was later purchased from Gottlieb Daimler and the Daimler-Motoren-Gesellschaft in Germany. The Daimler Company was Britain's oldest car and truck manufacturer with a long history of technical innovation, royal patronage and celebrated automobile design. This interesting archive of blueprints includes the important period of technical advancement and production growth initiated by World War One. A more detailed listing of the cyanotype plans will be provided upon request.
Los 74
Delamotte (Philip H.). The Practice of Photography. A Manual for Students and Amateurs, 3rd revised edition, Sampson Low, Son & Co., 1857, mounted oval albumen print frontispiece of a waterfall, 12 x 9 cm, publisher's advert slip tipped in at front, upper inner hinges near broken, original blind-stamped cloth with gilt-title to upper cover, slightly rubbed, spine faded and frayed at foot, 8voQTY: (1)
Los 78
Early Photography. A group of 9 salt, carbon and albumen prints, c. 1855-65, including a tree study by Stephen Thompson, carbon print, 19.5 x 14 cm, titled 'The Monarch of the Woods' to mount beneath, 4 salt prints by Louis Robert, 25 x 31 cm and similar, images of Windsor and Hampton Court, a small still life and a carbon print of David Roberts by Thomas Annan from a negative by Hill and Adamson, c. 1890, 19 x 14 cmQTY: (1)
Los 8
Beaton (Cecil, 1904-1980). Portrait of the fashion editor Madge Garland, 1929, vintage bromide print, half-length, face full to camera, dated in ink to lower right corner, a few small surface marks, a lengthy presentation inscription to verso bequeathing the photograph from Yvonne to Shaunagh, 24 July 1990, 21 x 16.5 cm, together with 2 other vintage bromide prints of Madge Garland wearing designer hats, one titled 'Madge, 1931' in ink to lower margin of photograph, 23.5 x 19 cm, original mount with pencil signature of Madame Yevonde to lower margin and stamp to verso, the second of an unidentified photographer, the sitter with her hand on the head of a marble horse, 19 x 20 cm, original mount, inscribed 'Neme - 1933, love to Bübchen', plus a later gelatin silver print from an original in the National Portrait Gallery and Lady Ashton's British dark blue passport (expired 18 September 1985)QTY: (5)
Los 80
Egypt & Europe. A pair of photographs of Egypt by Francis Frith, 1857, albumen prints, featuring views of the Memnonium and pillars in the Great Hall, Karnak, signed, numbered and dated in the negatives, 15 x 22 cm, both framed and glazed, overall 42 x 52 cm, together with 3 late 19th-century photograph albums containing a total of approximately 130 mounted albumen print views of Pompeii, Vesuvius, Rome, Venice, Egypt (4), Great Britain, Swizerland, Paris, etc., many approximately 19 x 25 cm and mounted singly or as multiples to rectos and versos of stiff card leaves, all contemporary bindings with some wear, large-format sizes, the largest album also including photographs of Italian artworksQTY: (5)
Los 88
Fenton (Roger, 1819-1869). Lichfield Cathedral from the North-West Front, circa 1860, dilute albumen print by Francis Bedford, arched top photograph on paper mount, 17 x 21 cm, modern aperture mount, together with Fenton (Roger, 18189-1869). Lincoln Cathedral, part of the West Front, 1858, arched top albumen print mounted on card, with Architectural Photographic Association embossed label to lower mount and exhibit number 134 inserted in manuscript, 44 x 36.5 cm, plus Fenton (Roger, 1819-1869). From a drawing in The British Museum [Entombment by Raphael], 1856, albumen print on original mount with engraved letterpress beneath, image 22 x 31cm, mount soiled and frayed without loss, plus Nielson (Herman F., active 1880s-1910s). Niagara Falls, circa 1880s, mammoth print albumen print on board with photographer's credit details to verso, 47 x 39.5 cm, plus Curtis (George E., 1830-1910). A snowy mountain waterfall scene, circa 1880s, mammoth albumen print on board with photographer's printed studio details to verso, 52 x 42 cm, plus 11 other miscellaneous Victorian photographs QTY: (16)
Los 91
Parks (Gordon, 1912-2006). A group of 24 photographs from the Toni Parks collection, printed c. 1980s and later, including portraits of the Kennedy family including Jackie and J.F. Kennedy (7), Richard Nixon (2), George Bush Sr. (3), Malcolm X, 34 x 22 cm and smaller, together with 3 laser print photographs of President Obama, various colour snapshots, printed and some manuscript ephemera, various annotations by Toni (daughter of Gordon), many of the photographs and some ephemera with Toni Parks Collection ink stamps to versosQTY: (a carton)
Los 121
GB: 2 stamp albums of QEII 'Prestige' booklets 1972-2010 plus 1969 "Stamps for Cooks". Incl less common issues such as 1999 "Profile on Print" SG DX22 (Cat £25 each), 2003 "A Perfect Coronation" SG DX31 (Cat £38), 2009 Charles Darwin Bicentenary DX45 (cat £40) and 2010 "Classic Album Covers" DX 48 (Cat £35). Decimal FV c £350.
Los 127
GB: Two stamp stock-books of mainly QEII decimal defin & commem incl mini-sheets 1978 on and cylinder nos with many in blocks up to 6 stamps. In addition traffic lights, higher values up to £1.50 plus 1st/2nd defin standard & 'Large'. Many print varieties and printers tabs. Some duplication. Decimal FV c£700.
Los 445
A collection of Victorian and later textiles to include studs, collars, nightgowns and other items, a Victorian mourning photographic print on glass, in an oval gilt frame by Dawkes and Partridge, Wells, Somerset, 30cm x 23cm & a Victorian Improved Sewing Machine, with the original paperwork and fitted wooden case
Los 2078
A collection of mainly contemporary art to include: a large pastel, 50 x 67cm; a woodblock print of a farm scene, 36 x 38cm; a modern etching of a William Blake page - 'Behold now, Behemoth...'; two abstract lino prints, 25 x 42cm; trio of etchings by Christine Packenham, each 13 x 15cm; Persian painting, 14cm diameter; abstract gouache by Lucien Cooper, 25cm sq; framed montage of silk cigarette packet tokens.
Los 10
Robert Capa (1913-1954)Pablo Picasso and Françoise Gilot, Golfe-Juan, 1948 with copyright credit stamps Life photo by Robert Capagelatin silver print31 x 15.2cm (12 3/16 x 6in).Footnotes:LiteratureRobert Capa Photographs, Aperture, 1996, front cover and p. 150.In the above image, taken in 1948 by renowned photographer and friend of Picasso, Robert Capa, the artist and his then-lover Françoise Gilot walk carefree along a beach in Golfe Juan, a seaside resort on Côte d'Azur.Capa spent a lot of time with the couple and their two children while on an assignment in France. The tender portraits of the family that Capa captured over this period show a side of Picasso that we seldom see, an intimate and attentive family man. Gilot, whose impassioned but tempestuous relationship with Picasso lasted 10 years, said of the photographs of this time 'Capa was a friend, so it was not formal at all.'This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 44
Pablo Picasso (1881-1973)Homme avec son cheval et femme à la fenêtre, circa 1963 signed in red crayonlinocut rincé printed in white with India ink, on Arches wove paper27 x 21.1cm (10 5/8 x 8 5/16in).This work is one of only three épreuves rincées, printed by the artistFootnotes:ProvenanceGalerie Louise Leiris, Paris.Galerie Beyeler, Basel.Goldman's art Gallery, Haifa, Israel.Acquired from the above by the present owner.LiteratureGeiser & Baer, Picasso Peintre-graveur, Catalogue raisonné de l'oeuvre gravé, Volume V, 1959-1965, Berne, 1989 (B.1352)Picasso was 78 years old when he took up the technique of linocut. He had permanently moved to the South of France, dividing his time between La Californie in Cannes and the newly bought Château de Vauvenargues in Aix-en-Provence. He had met in Vallauris a local younger printer named Hidalgo Arnéra with whom he started doing poster linocuts and would continue to experiment in this new exciting technique. Picasso made approximately 150 linocuts, though is a small part of his output as a printmaker, he produced some of his most accomplished compositions by this method in a brief burst of activity from 1958-1963.Before Picasso abandoned the linocut process in 1963 he produced a group of prints which has come to be known as épreuves rincées (rinsed proofs). They were made by printing the linoblock in creamy white ink, then brushing the printed impression with India ink. Once this had dried, he would then rinse the print with water. Where the ink sat on top of the printed surface it was washed away, while in the places where the paper was exposed the ink penetrated and was absorbed by the sheet. Each impression is unique as the process of applying the brushed ink and rinsing creates different effects in each the image.Baer records the existence of only three proofs signed by the artist. All are in private collections.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Los 54
Cecil Beaton (1904-1980)Pablo Picasso et Cecil Beaton, 1965 inscribed 'pour Cecil Beaton. Ami Picasso 9.6.65.' in red and blue crayongelatin silver print29.7 x 23.5cm (11 11/16 x 9 1/4in).Footnotes:Throughout his career, spanning more than half a century, Cecil Beaton managed to photograph and meet some of the art world's biggest figures, from Salvador Dali and Gertrude Stein to Jean Cocteau and Pablo Picasso. Beaton had the ability to capture his famous subjects in intimate settings, whilst chronicling the social scenes and happenings of the time. When he met Picasso, despite the constant flow of visitors to his Paris apartment, Beaton was able to photograph the artist alone in various rooms. The current lot shows the close bond between the two men, as Beaton remarked of Picasso when they first met, 'he was as pleased to see me as if I had been a close friend'.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
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315251 Los(e)/Seite