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*The Hobby Horse Dealer. One of a celebrated series of hand-coloured prints satirizing the short-lived vogue for hobby hoses, this one published in July 1819, a group of men surround and assess the quality of a hobby horse in the foreground of the image, while three real horses, 'to be sold as cheap as dogs meat', look on, the print is in sound, clean condition, and measures 24 x 34cm, mounted, framed and glazed (1)
*Stone Deaf! A Print by T. Browne, a part hand-coloured vertical format print taken from a Victorian issue of the 'Boy's Own Paper' depicting an elderly lady purposefully stepping out along the middle of the highway and laden with shopping, whilst behind her a group of cyclists approach down the hill, the leader perched atop a high bicycle which is, from the look of dismay on his face, obviously out of control, the print with some browning through age, but otherwise in good, un-creased condition, and measuring 37 x 25cm, mounted, framed and glazed Thomas Arthur Browne, RI, RBA, RMS, (1872-1910), born in Nottingham, was a cartoonist, strip cartoonist and illustrator who also contributed to other late Victorian comics such as 'Scraps', 'Chums' and 'Illustrated Chips'. (1)
*Humber Cycles. A circa 1903 large and imposing promotional lithographic print by George Moore, depicting 'A Few Riders of Humber Cycles', a stream of riders in front of Windsor Castle, a rectangular key in the lower margin of the image names 62 of the landed gentry and royalty pictured, all riding Humber bicycles and tricycles, and including HM King Edward VII, in excellent condition with just a little light foxing on the lower and right border, mounted and glazed in its original moulded frame, which retains its original dark green finish and cream lettering, 'Beeston (Notts) Humber Limited. And Coventry', total size, 36 x 43in (92 x 110cm) (1)
*J. W. Rainey - The Stolen Steed. A print, being a Supplement to Cycling Magazine in the 1880s, depicting two street urchins who have 'borrowed' a postman's tricycle for a joy-ride, framed, mounted and glazed, image 9 x 13in (23 x 33cm) Rainey, like George Moore, produced a number of these cycling genre images in the late Victorian period. (1)
*Visions of Speed: The Art of R. A. Nockolds. Eleven (of 12) Artist's Proofs of Roy Nockolds' work prepared for a Private Edition of only 250 printed (850 copies planned), of an album published by Thackwell & Company, Monte Carlo, in 1999, the images were produced from the original glass plates on which Nockolds recorded his studio work and are printed on high quality laid art paper, all of the prints are marked 'Proof' in pencil in the lower margin together with full titles, and nine of the eleven are also shown as hand-painted (by either Niki Hayles or Wayne Burrows), the only missing print is Number 16 (Road Race), the remaining pages in the complete volume of 28 leaves being text or photographs. loosely contained in the front and back covers of what would have been the final publication, each of the dark grey hardback cloth covers (decorated with a repeated triangular winner's flag design), measuring the same size as the prints, 12 x 21in (31 x 53cm), the prints are all in pristine condition (1)
*Bugatti. A set of 9 colour prints, produced by Claude Tchou and Pierre Faucheux with photographs by Peter Vann, circa 1990, including one print with three columns letterpress, one title print, one composite print and six prints from colour photographs of Bugatti models, 44 x 30cm or the reverse, uniformly framed and glazed (9)
An 18th century reverse print on glass or treacle print, of George the III King of Great Britain, printed for John Bowles and Son, 6.5ins x 5ins, together with a 19th century black and white print Lieu Col Thornton Roebuck Shooting in the Forest of Glenmore, 11ins x 8.5ins, an early 19th century coloured print, Symptoms of the Shop, 13.5ins x 10.5ins, and an oil on canvas, mountain landscape, indistinctly signed, 6ins x 7.5ins
Sadahide (1807-73), Hiroshige and Yoshitoshi, a woodblock diptych print and two triptychs the first of the Shogun's army on a beach head, the second of an army on ashoreline below pine trees, a leader throws his sword in the air and the last of an army drawn up on a beach head as a navy approachs offshore, unframed (8)
Sixteen various books and catalogues, to include: Bushell, 'Netsuke Masks', Stierlin, 'A Cultural History of Japan', Royal Academy, 'The Great Japan Exhibition', Hillier, 'Japanese Masters of the Colour Print', 'The Chinese Exhibition', the Burghley House Oriental Porcelains, Reikichi, 'The Netsuke Handbook' and sales catalogues (16)
David Shepherd Fine Ltd Edition and Numbered Large and Impressive Pencil Signed and Titled Colour Lithograph / Print. Titled ' The Ark Turning Into The Wind ' Number 651-850. Mounted and Framed Behind Glass. Size 20 x 33 Inches - Print Only. Overall Size 28 x 42 Inches. Published 1980. Mint Condition.
L.S.Lowry 1887-1976 Pencil Signed By The Artist Limited Edition Colour Print/Lithograph. Of 850. 'Great Ancoats Street' on laid paper with full margins. Published by Grove Galleries in 1972, Number 761/850. Stamped by published & signed by artist to lower right. Images size 10.25x14.25'' Mounted & framed behind glass. All aspects of condition are excellent.
L.S.Lowry 1887-1976 Pencil Signed By The Artist Limited Edition Colour Print/Lithograph. Of 850. 'Three Men & A Cat' signed L.S.Lowry to bottom right in biro. Published in 1971. Stamped by the fine art guild. image size 6.5x9.5'' Framed & mounted behind glass. Condition in all aspects is excellent.
L.S.Lowry 1887-1976 Pencil Signed By The Artist Limited Edition Colour Print/Lithograph. Of 850. 'The Reference Library Manchester' Published 1972. Stamped by the fine art trade guild. Signed in pencil signed to bottom right by artist. Image size 9.25x13.75'' Mounted & framed behin glass. Condition in all aspects is excellent
David Shepherd OBE (British Born 1931) 'Old Charlie' Signed David Shepherd and numbered 14/850 in pencil, (lower right), with blind stamp, lower left, limited edition colour print, 37.5 x 58.5cm, together with three identical prints numbered 13, 05 and 04 each with Solomon and Whitehead folders.
David Shepherd (British Born 1931) 'Indian siesta' Signed in pencil, numbered 306 from an edition 0f 1300 with blind stamp limited edition, colour print, two identical prints 307 and 724, together with three others ;Rhino beware', each signed David Shepherd and numbered 149, 734, 735 in pencil lower right, with blind stamp lower left, limited edition colour print, 46 x 75.5cm, each with Solomon and Whitehead folders. (6)
John Rudkin ( contemporary), by and after, Filey, limited edition print, titled,signed and numbered in pencil 255/500,certificate to verso 19cm x 30cm another,Terry Mcmagor ( contemporary) by and after, The bowling green, limited edition print, titled,signed and numbered in pencil, 18cm x 30cm limited edition

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