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315251 Los(e)/Seite
"Coup De Grace" print by Michael Rondot depicting Iraqi Navy Polmocny class landing ship falling prey to RAF Jaguars on day 14th of Operation Desert Storm. Signed by artist and 2 veterans. 258/500. Frame measurement 70 x 52cm and "In the Air Tonight" print by Michael Rondot depicting Royal Air Force Tornedo GR1 taking off on a low level mission to attack heavily defended airfield during operation Desert Storm in 1991. Signed by artist and 16 veterans. 158/500. Frame measurement 70 x 51cm (2)
"American Eagles" print by Robert Taylor depicting one of WWII best known P-51 Mustangs, Glamorous Glen III flown by one of aviation's best know pilots Chuck Yeager on escort duty on bombing mission Germany 1944. Signed by artist and 5 veterans. 11/400. Frame measurement 82 x 62cm (frame ill-fitting)
RIGHT HERE, RIGHT NOW. Print by Phillip E West depicting the worlds premier attack helicopter, the Apache. Setting combat records in 'Operation Desert Storm'. Print run no' 5/400. Unfortunately this print is badly damaged but it is signed by 12 pilots including British astronaut and ex AAC test pilot Major Tim Peake
Collection of prints (13) by Tony Belobrajdic, including, TWO ACES. Bf-109 F2 and Polikarpov I-16 type 29, August, 1941(4). RED13, Messerschmitt Bf 109 G-6. November 1943.(3) NIGHT OWL. Heinkel He 219A-7. May 1945 (2) OVER RUSSIA, Junkers ju 88D-1 1941/42.(4). Landscape print size 40cm x 35cm, Portrait 33cm x 44cm
MOSQUITO COAST. Print by Stephan Brown. Mosquito B MkIVs of 139 squadron over the coast. Signed by artist anda veteran.14/100. 70cmx33cm. RETURN OF THE FEW by S.B. Douglas Bader leads his squadron back after intercepting a German bombing ride. Signed by artist and 1 veteran. 15/100. 70cmx33cm.DAWN OF LEGEND by S.B. Mosquito B. MkIVs heading over the North Sea. Signed by artistand 1 veteran. 13/100 70cmx33cm. INBOUND by S.B, Lancaster's returning from a successful raid. Signed by artist. 101/350. 69cmx48cm.
CONCORD 'THE WELCOME HOME' Sample print by Mark Wilkinson, showing the flight over the Clifton Suspension Bridge. November 2003. 67cmx43cm. THE LAST FLIGHT HOME by Stephen Brown depicting Concorde flying over the Clifton Suspension Bridge. Signed by artist and a crew member. 140/400.71cmx46cm. THE SUPERSONIC THOROUGHBRED by S.B. showing the record breaking flight from London to New York. Signed by artist and Senior Flight Officer Tim Orchard. 13/200. 71cmx47cm. THE HOMECOMING by S.B. Another view over the Clifton Suspension Bridge. Signed by artist and 6 crew members, including Capt David Rowland. Signed by artist.234/400. 71cmx50cm. (4)
THE JUBILEE FLIGHT.2X print by Stephan Brown showing Concorde and the Red Arrows in tight formation fly past for the Queen's Jubilee. Signed by artist and 2 flight crew.146'47/400 . 71cmx49. CONCORDE QUEEN OF THE SKY. 2x print by Philip E West showing Concord in full flight over the Atlantic. Signed by artist and 1 crew member. 31'32/400. 71cmx41cm (4)
Collection of prints by various artists including, Steve Leahy. 428/500. 60cmx 51cm. HABU 972 AT MACH 3.0 by Philip West. Signed by artist 130/500 .68cmx44cm. SQUADRON SALUTE by Bill Perring. 267/850. 64cmx45cm. SOLENT SWANSONG by Ron Fulstow. Signed by artist and Capt. McGreal, and F.E.O. Geoffrey Freer. 44/200. 54cmx42cm. Plus the sample. TO FIGHT ANOTHER DAY by Keith Hill, signed. 444/500 71cmx50cm Three sample prints of the SkyhawkA-4K. Print by Coulson of Spitfires in flight. (10)
"Attack On The Hiei", high quality unframed limited edition print by Robert Taylor, 86/450, signed in pencil by the artist and 4 veterans including Marine Captain Joe Foss, subject of the painting. 85.5x60cm. Also included "Attack On The Yalu Bridges" by Philip West, 129/500 signed by the artist. 46.2x34.7. (2)
Collection of over 100 small pencil sketch prints of aircraft by Geoff Pleasance from World War II through to modern times, jets, helicopters, transports etc, majority signed in pencil by the artist. Sizes vary slightly, all approx 22x15cm. Also 6 small prints of World War 1 fighters by Robert Watts 29.4x22.4cm, a collection of Insignia Cards flying aces postcards (approx 48), Red Arrows postcards, Keith Hill medium and small mounted prints and "Pacific Pirate" framed print by Robert Taylor, limited edition 7/300,42.5x32.6cm signed in pencil by the artist and 14 victory US Marine pilot Archie Donahue. Qty
Manic Street Preachers photographed by Mitch Ikeda - seven Kodak color print bags cont. various black and white publicity photos inc. '1997 MSP 10/5 Liverpool', 'MSP 1997 UK 3/29-4/12', 'MSP(JOB) Brixton 1997 15/5', 'MSP 1997 Newport Redding Ireland', 'MSP NY NEX 1997', 'MSP NY NEX 1997' & 'MSP 1997 Newport Redding Ireland'
Manic Street Preachers photographed by Mitch Ikeda - eight Kodak color print bags cont. various black and white publicity photos 'MSP 1998 May BBC Studion Air Studio', 'MSP 1998 (France/Mike)', 'MSP 1998 Video Shoot', 'MSP 1998 7/2-7/3 Video Shoot', 'MSP 1998 Ireland Tour', 'MSP98 September', 'MSP 98' & 'MSP 1998 Mono Valley Studio'
GWR carriage print advertising panel GREAT WESTERN RAILWAY REMOVAL CONTAINERS HOUSE TO HOUSE REMOVALS. Print measures 26in x 8in and has James Milne General Manager Paddington Station W2. Printed in England by W.E.Berry Ltd Bradford at the bottom. In very good condition professionally conserved onto card with a fold mark to centre and small tear repair bottom centre. A rare print only seen twice before at auction.
Kobalt, "Tintin's Fashion Week", Tim und Struppi, signierter Giclée Print von 2019, galeriegerahmt, mit ZertifikatKobalt, *1973 Paris, zeitgenössischer Künstler in der Pop-Art- und Street-Art-Szene (von Paris), "Tintin's Fashion Week", Tim und Struppi (Hergé), Giclée Print/Papier, 70 x 50 cm, signiert, nummeriert 31/100, unter P.p. und Glas galeriegerahmt, mit Zertifikat
Kobalt, "What else Doc?! (Red)", Bugs Bunny, signierter Giclée Print von 2019, galeriegerahmt, mit ZertifikatKobalt, *1973 Paris, zeitgenössischer Künstler in der Pop-Art- und Street-Art-Szene (von Paris), "What else Doc?! (Red)", Bugs Bunny (Warner-Bros), Giclée Print/Papier, 70 x 50 cm, signiert, nummeriert 28/50, unter P.p. und Glas galeriegerahmt, mit Zertifikat
7 x Kunst für Auto- und Autosport-Fans: Louis Baillon, Paul Bracq, Andreas Hentrich, Simon Loasby, Ernest Montaut, Peter Philips & Saul Steinberg, ab 1904Louis Baillon, XIX.-XX., Autounfall auf dem Lande, humoristische Szene mit Unfall und Picknickern, 42 x 58 cm, Farblithographie, in der Platte sign. u. dat. (19)04, hinter Glas gerahmt; Paul Bracq, *1933 Bordeaux, Automobilia Künstler & Automobildesigner, Wandobjekt, Mercedes 300 SL, auf Karton aufgezogene Farbfotografie, die Flügeltüren aus roten Neonleuchten, Elektrifizierung nicht geprüft, 72 x 95 cm, schwarzer Aluminiumrahmen; Andreas Hentrich, *1952, seit 1979 entstehen die Automobil-Zinngraphiken, hier: 2 x "BMW 309", 2 x "BMW 507", "50 Jahre BMW 335", 5 Zinngraphiken, 11 x 18,5 cm, je handsigniert, betitelt, Auflage 600 Exemplare, je dat. 1988-1991, alle gerahmt sowie mit Zertifikat, copyright Andreas-Mini-Zinn, einmal in originaler Verpackung, einmal Rahmen verkratzt; Simon Loasby, *1968, war Automobilgestalter bei Rolls-Royce, Bentley und Volkswagen, jetzt bei Hyundai/Korea, hier: Nr. 1 Giclée-Print, 44 x 72,5 cm, sign. u. dat., 2005, num. 1/1, unter P.p. und Glas gerahmt; Ernest Montaut, 1879 - 1909, Graphiker und Plakatkünstler, Großer Zeppelin über weiter Landschaft und frühes Automobil, beäugt von bäuerlichem Paar, Farblithographie, 31 x 78 cm, im Außenbereich etwas fleckig, im Stein sign., gedruckt bei Mablieau, Paris, Blattgröße 39 x 83 cm, hinter Glas gerahmt; Peter Phillips, *1939 Birmingham, Pop Art mit Teilen aus dem 1970 entstandenem Gemälde „Kenya“, auf goldfarbenem, glänzendem Tapetenpapier gedruckt, Multiple, Farbserigraphie, 58 x 53 cm, leichte Falten an den Rändern, sonst guter Zustand, unter Glas im Silberrahmen; Saul Steinberg, 1914 Bukarest- 1999 New York, Farblithografie/Ausstellungsplakat ''Galerie Maeght'' mit geprägter Folie in Silber, Kupfer und Gold, ''Taxi'' (1948), in der Platte sign. u. dat., am Rand Copyright-Stempel, ca. 36,5 x 57,5cm (beschnitten), auf Karton
Peter Schloer, "Kirschbäume I & II", 2-teilige fotographische Arbeit, Fineart-Pigmentprints, hinter Acrylversiegelung von 2006 & Selbst 2001- III, C-Print, gerahmtPeter Schlör, *1964 Mannheim, Fotograf und bildender Künstler, hier: "Kirschbäume I & II", 2-teilige fotographische Arbeit, Fineart-Pigmentprints, jeweils 28 x 42 cm, verso sign., bez., dat. 2006 u. num. 4/9 mit Galerie-Etikett, hinter Acrylversiegelung, Galeriepreis € 1620,-, dazu "Selbst 2002-III" (Sinai III), C-Print, 9 x 14 cm, verso sign. u. num., Galerie-Etikett, Nr. 5/25, hinter P.p. gerahmtSchlör setzt sich seit 1985 künstlerisch mit der Schwarz-Weiß-Fotografie auseinander und sieht sich der subjektiven Fotografie verbunden. Seine Themen sind Isolation, Hermetik und Vereinzelung, die er in Gestalt von Archetypen, wie etwa dem Baum, dem Berg oder dem Haus, meist stark überzeichnet reflektiert, zahlr. Ausstellungen im In- u. Ausland.
Richard Earlom nach Claude Lorrains "Liber veritatis", 3 Mezzotinto-Radierungen in Braun, um 1775, nach den Originalen in der Sammlung des Duke of Devonshire, alle gerahmtRichard Earlom, 1743 - London - 1756, 3 arkadische Szenen mit Frauen, Männern und Tieren in Ideallandschaften, No.56/No. 58/No. 66 aus dem "Liber veritas" des Claude Lorrain, 1600 Chamagne - 1682 Rom, je 20,5 x 25,5 cm, mit breiten Plattenrändern, Blätter in altersgemäß gutem Zustand, außerhalb der Darstellungen etwas fleckig. "The Liber Veritatis, meaning Book of Truth in Latin, is a book of drawings recording his completed paintings made by Claude Lorrain. The book is now in the British Museum, and was owned by the Dukes of Devonshire from the 1720s until 1957. It was reproduced in print form from 1774 to 1777 by Richard Earlom and had a considerable influence on British landscape art"
DOUGLAS, Lord Alfred (1870-1945). Poems, Paris, 1896, 8vo, portrait of the author, early 20th-century tan half morocco gilt by Zaehnsdorf. FIRST EDITION. With the same author's Autobiography (London, 1929). (2)DOUGLAS, Lord Alfred (1870-1945). Poems [Poèmes]. Paris: Published by the Mercure de France, 1896. 8vo (182 x 118mm). Heliographed portrait of the author by Dujardin after Walter Spindler inserted as a frontispiece before the French title, titles in English and French, the original poems in English, the parallel prose versions in French (lightly browned at margins). Early 20th-century half tan morocco gilt by Zaehnsdorf, top edges gilt, others uncut, marbled endpapers, original wrappers in English and French bound in. Provenance: Anthony Eden, 1st Earl of Avon (modern armorial bookplate loosely-inserted); T. H. Baker (pencil signature on front free endpaper). FIRST EDITION, published during the author's self-imposed exile in France after the trial and conviction of Oscar Wilde in 1895. Wilde is known to have owned a copy during his imprisonment in Reading Gaol. In his Autobiography (1929, p.130) - a copy of which is included in the lot (see below) - the author writes of his Poems (1896): "I do not myself possess a single copy of the book. Of those I had I gave away many, and the rest have disappeared. [Footnote: Since I wrote this my friend, Mr. A. J. A. Symons, has kindly presented me with a copy.] The book has been out of print for at least twenty years. One thousand copies were printed." With the same author's Autobiography (London, Martin Secker, 1929, large square 8vo, portrait frontispiece, original dark blue cloth lettered in gilt, without a dust-jacket [?as issued], FIRST EDITION). (2)

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315251 Los(e)/Seite