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315264 Los(e)/Seite
Los 229
A set of four Swarovski displays that has one oval mirror stand and 3 velvet covered stands in various heights designed for Winnie the Pooh characters which was inspired by Tigger's paw print. Swarovski backstamp. Dimensions of the largest item: 0.75"H x 5.75" dia. This item has its original box. Dimensions of the original box: 7.25"L x 6.75"W x 3.75"H. Issued: 2007-2010Manufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Los 103
Impressive title plaque that sparkles in sun golden shine crystal and features the engraved title Walt Disney The Lion King in black print. Perfect finishing touch for the Lion King collection. Swarovski etched backstamp. This item has its original box. Box measures: 3.25"W x 2.5"H. Artist: Designer TeamIssued: 2010-2011Dimensions: 1.5"L x 1"W x 1.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Los 234
JOHN PIPER (BRITISH 1903-1992) FOR ARTHUR SANDERSON: A length of 'Arundel' fabric, circa 1950s, in the white colourway, sewn into two pillow cases, together with a length of 'Arundel' fabric, in the black colourway, sewn into one curtain panel.Arundel white: Each case approx 70 x 75 cm Arundel black: 127 x 70 cmReference: See Victoria & Albert Museum, London, accession number T.1068-2000 for another example of this fabric. John Piper was one of Britain's most distinguished and prolific artists of the twentieth century. Working in many different styles across his career, he was a painter and print maker, designing stained glass windows, theatre and opera sets, ceramics and textiles. Piper's textile designs embodied his love of Britain's art and architecture, landscapes, and abstract and religious imagery. He created designs notably for a number of tapestries and alter pieces, and importantly for Lots 231 - 234, furnishing fabrics for Arthur Sanderson & Sons Ltd.In 1959, Arthur Sanderson commissioned five textile designs from John Piper as part of their 1960 Centenary Celebrations. 'Arundel' is one of these designs, with two of the other designs shown in Lots 232 and 233.This panel design is based on Piper's designs for the stained-glass windows of Oundle School chapel, designed in 1956. The fabric featured 15 different abstract designs of 'Christ the King' which made up the full width of the material, which then repeated. This was printed by Sanderson using 15 separate screens - a very complex piece of printing.Sanderson's Victorian warehouse in Chiswick is now the headquarters of Chiswick Auctions.
Los 232
JOHN PIPER (BRITISH 1903-1992) FOR ARTHUR SANDERSON: A length of 'Stones of Bath' fabric, circa 1960s, sewn into four curtain panels. (4)Smaller panel: 159 x 112 cm (1) Larger panels: 229 x 133 cm (3)Reference: See Victoria & Albert Museum, London, accession number T.503:2-1996 for another example of this fabric. John Piper was one of Britain's most distinguished and prolific artists of the twentieth century. Working in many different styles across his career, he was a painter and print maker, designing stained glass windows, theatre and opera sets, ceramics and textiles. Piper's textile designs embodied his love of Britain's art and architecture, landscapes, and abstract and religious imagery. He created designs notably for a number of tapestries and alter pieces, and importantly for Lots 231 - 234, furnishing fabrics for Arthur Sanderson & Sons Ltd.In 1959, Arthur Sanderson commissioned five textile designs from John Piper as part of their 1960 Centenary Celebrations. 'Stones of Bath' is one of these designs, with two of the other designs shown in Lots 233 and 234. The design was screen printed using 19 colours, which was far more than conventional screenprints on paper. Manufactured from 1962, the semi abstract designs featured the buildings of Bath in different shades, green, violet, aubergine and many others.Sanderson used their 'Sanderlin' fabric - a satinised linen which gave the design a shimmering texture, reflecting the play of light on the honey-coloured stone buildings of Bath.Sanderson's Victorian warehouse in Chiswick is now the headquarters of Chiswick Auctions.
Los 231
JOHN PIPER (BRITISH 1903-1992) FOR ARTHUR SANDERSON: A length of 'The Glyders' fabric, sewn into three curtain panels.Each panel approx 138 x 60 cm. John Piper was one of Britain's most distinguished and prolific artists of the twentieth century. Working in many different styles across his career, he was a painter and print maker, designing stained glass windows, theatre and opera sets, ceramics and textiles. Piper's textile designs embodied his love of Britain's art and architecture, landscapes, and abstract and religious imagery. He created designs notably for a number of tapestries and alter pieces, and importantly for Lots 231 - 234, furnishing fabrics for Arthur Sanderson & Sons Ltd.Sanderson's Victorian warehouse in Chiswick is now the headquarters of Chiswick Auctions.
Los 169
A PAIR OF CLEAR PERSPEX 'SPRING' LAMPS BY MARIANNA KENNEDY 55cm high incl. fitting, 13cm wide Saleroom Notice: Please note the illustration for this lot has been updated and reflects the correct lampshades. Condition Report: No obvious damage. Some marks consistent with use. The shades that come with it are by Pooky, in the Straight Empire Style and Block Print Cotton. The Shades are brand new- wrapped in cellophane. ELECTRICAL GOODS. Sold with a 2024 portable appliance test (PAT) certificate Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Los 364
After Joseph Pennell (American 1857-1926) Etching on paper "St Pauls Wharf", signed and dated 1884 within plate, unframed, platemark 17cm x 26cm, together with a lithograph by the same hand, unsigned, as published in The Studio 1896, with their blindstamp, image size 14cm x 23.5cm, and a print of La Chapelle du Chateau Versailles, framed and glazed, image size 30.5cm x 41.5cm (3)
Los 352
After Elaine Simel (American, b. 1928) Etching & aquatint "Chinese Vases II", signed, titled and numbered 35/200 in pencil within margin, dated 1982, framed and glazed, image size 69.5cm x 99cm Glyn Matthews (b.1952) Photo-Graphics print "Journey's End", signed, titled and numbered 36/150 in pen on mount, framed and glazed, image size 17cm x 16.5cm, together with another by the same hand "After the Rain", signed, titled and numbered 54/150 in pen on mount, framed and glazed, image size 17cm x 17cm (2) M. Gibson Photographic print "Amazon Dugout Canoe", signed, titled and numbered 1/250 in pencil within margin, framed and glazed, image size 56.5cm x 37.5cm (4)
Los 346
Mohansoni?? late 19th/early 20th century Indian Mughal school Gouache Interior scene with figures, signed lower right, framed and glazed, image size 17cm x 12cm, together with a continental watercolour of a river scene at dusk with church in distance, indistinctly signed lower right, after Charles Frizzell, limited edition colour print, "Window House in Victor Colo", signed and numbered 106/250 in pencil lower left, plus two prints after Marjorie Bates (5)
Los 1328
Pierre Llado Limited edition print Clowns et Jeux de Fleurs, signed in margin, framed , 69cm x 49cm not including frame Barbara A Wood Limited edition print Balloon seller with children, 623/975, framed, 64cm x 44cm not including the frame Valerie Reddington Watercolour drawing Small child and baby on a rock by the seashore, signed lower left, framed 37cm x 52cm not including the frame Lane Foster Woodblock print Child in high chair painting, being watched by a teddy bear, 26cm x 20cm (4)
Los 1322
Barry Miles Watercolour drawing Village scene with Tudor thatched cottages and a pub, another by the same artist, landscape with figures in a field Watercolour drawing Beach scene with cliffs and figures on beach Bill Toop Watercolour drawing Landscape, country scene with cornfields and village in background Mary Ford Limited edition print Imaginary river and landscape scene, 105/200 (7)
Los 889
Pictures and Prints. Trevor Hodgkinson, late 20th c - "Cleopatra", signed, titled and numbered 20/40 in pencil by the artist, etching, 10.5 x 12cm, another print by the same hand, 20th/21st c School - "Beach hut gossip", indistinctly signed and titled in pencil by the artist, artist's proof, screen print, 24 x 26cm, a similar work by the same artist, further prints, mixed processes and various sizes, (14) Good condition. Unexamined out of frames.
Los 762
Bowles & Carver, publisher, late 18th / early 19th c - Robinson Crusoe and the Crew escaping from the Wreck in the Longboat; Robinson Crusoe Carrying Away his Raft the most Useful Remains of the Wreck; Robinson Crusoe Astonished at the Print of a Foot; Robinson Crusoe and Friday Shooting the Savages, a set of four, hand coloured engravings under glass, 16 x 24.5cm (4) Varnish discoloured. The last with worm damage in lower border. Flat ebonised frames with much old wear. Glass not cracked
Los 314
Bob Dylan (American, b.1941) 'Statue of Liberty'giclée print in colours, 2008, signed 'Bob Dylan' in pencil l.r., numbered '278/295', printed by GTZ Fine Art Editions, New York' on Hahnemühle 350gsm Museum Etching, from 'The Drawn Blank Series' published by Washington Green Fine Art in association with Black Buffalo Artworks, complete with Washington Green Fine Art certificate of authenticityimage 54.5 x 40.75cmCondition ReportFramed: 85 x 68cmIn good condition. Well presented and ready to hang. Not viewed out of glazed frame.
Los 229
â–² Sir Peter Blake RA (b.1932) 'Homage to Joseph Cornell', 1996screenprint in colours, signed 'Peter Blake' in pencil l.r., numbered '49/250', printed at Coriander Studio, London, published by The Big Art Issue with blind stampsheet 63 x 50.5cmCondition ReportFramed: 69 x 56cmThe print appears to be stuck down in the corners and is cockled. The printed area is crisp and the colours are strong. The top edge is deckled. Not viewed out of glazed frame.
Los 224
â–² Dame Elisabeth Frink CH RA (1930-1993) 'Corrida I', 1973lithograph printed in colours, signed 'Frink' in pencil l.r., archive proof with Curwen Chilford blind stamp, from an edition of 72 (and 10 artist's proofs)sheet 56.5 x 77.5cm, unframedProvenance: Acquired by the present owner directly from the Curwen Studio.An edition of this print is part of the Tate Collection.Condition ReportIn good condition. There is a small faint yellow spot (possibly original printing ink) in the centre of the bottom margin beneath the Curwen blindstamp where the work is inscribed '578' in pencil.
Los 89
â–² Marc Chagall (Russian-French, 1887-1985) 'Le Grand Cirque' lithograph, artist's proof, signed 'Marc Chagall' in pencil l.r., inscribed 'Epreuve d'artiste' l.l.sheet 90 x 64, unframedsold with a photocopy of certificate of authenticity by the Wuyt Chagall Research Centre,together with a modern ebonised frame with gilt decoration (3)Provenance: Private collection, Eaton Square, Belgravia, London SW1W.Condition ReportTime staining with a light crease to the top right corner. There is a 3cm wide strip of discolouration along the top edge and a fainter 3cm border of discolouration along the bottom edge. There are five small strips of tape applied to the reverse of the top edge which has caused a little acid discolouration to the front of the print. A light crescent shaped handling crease to the right of the bottom edge. The print has deckled edges. The frame measures 134 x 112cm and is unglazed with some small knocks.
Los 310
â–² The Connor Brothers (b.1968) 'I Fucking Love You'giclée print in colours with silkscreen varnish, printer's proof, signed and dated 'Connor Brothers 22' in pencil l.r., inscribed 'PP' l.l.sheet 75 x 50cm, unframedCondition ReportA couple of light handling creases are visible under raking light but presents well overall. A thin red line to the right margin, lower centre, please see images.
Los 279
Richard Tuttle (American, b.1941) 'In Praise of Historical Determination I, II, III'two lithographs and a screenprint in colours on handmade paper, each signed and dated 'Richard Tuttle 1973-74', inscribed with title, and numbered from an edition of 50 in pencil versosheet 78.5 x 56.5cm, unframed (3)Condition ReportFoxing with dirty marks and scuffs- please refer to illustration. The sheets are cockled. The yellow print has wooden reinforcements on the reverse to support it while against a wall. The print has creases to the front caused by the wooden strips verso and a small tear to the bottom of one edge.
Los 281
Shepard Fairey (American, b.1970) 'MAKE ART NOT WAR'offset lithograph in colours, open edition, signed with monogram and dated '23' in pencil l.r., on cream Speckletone papersheet 91.5 x 61cm, unframedCondition ReportThere are couple of small crescent shaped handling creases visible to the reverse at the bottom of the print, but this does not detract from overall enjoyment of the work. In otherwise good condition.
Los 10
â–² Edward Bawden RA (1903-1989) 'The Blue Tractor', 1962linocut in colourssheet 58 x 79cmProvenance: With the Zwemmer Gallery.Condition ReportFramed: 78 x 99cmLight time staining. Very light cockling with a slight undulation to the right of the bottom edge. A very small crease mark to the left of the bottom edge. On close inspection some light handling creases are visible to the white (unprinted) areas of the buildings but this does not detract from overall enjoyment of the print. The print has deckled edges. Not viewed out of glazed frame. Please see additional condition images.
Los 295
Hollister Lowe (American, b.1959) Kate Moss, Paris, Fall 1993 - for Koji Tatsuno, Prêt à PorterC-print, apparently signed 'Hollister Lowe', dated '1993' and numbered '1 OF 9' verso 34 x 26cmCondition ReportFramed size: 52 x 43cmNot viewed out of glazed frame, appears to be in good condition and is well presented in mount and frame.
Los 84
â–² After Pablo Picasso 'Carmen', 1949etching, from an unnumbered edition of 289 printed by Atelier Roger Lacourière, Paris, on Montval wove, to illustrate an 1845 novella by Prosper Mérimée31 x 24cmProvenance: Purchased from Wiseman Originals, London.Condition ReportFramed: 46.5 x 37.5cmTime staining with some discolouration to the edges of the sheet. The print is part of a larger sheet folded in half and printed with text, please see additional condition images. Overall the sheet measures 33 x 52cm. Light cockling with some small spots of foxing starting to emerge. Unsigned.
Los 221
â–² John Piper CH (1903-1992) 'Sunningwell, Oxfordshire' (Levinson 377)lithograph in colours, 1985, signed 'John Piper' in pencil l.r. and numbered '35/70', published by Marlborough Fine Artplate 54 x 70cmCondition ReportFramed: 73 x 88cmLight cockling but presents well overall. The print is crisp and the colours are bright. Unexamined out of glazed frame.
Los 232
▲ Craigie Aitchison RA (1926-2009) 'Lamb in Green Field', 2007screenprint in colours, signed 'Craigie Aitchison', dated and numbered '53/75' verso15 x 13cm;sold with a postcard of the same image sent by the artist to the previous owner in July 2007 inscribed 'Dear Susan, Hope you are OK. Thanks for your card. Let me know when you come to London. XO, Craigie' (2)Provenance: Susan Ward, who was a named source for Cate Haste’s book 'Craigie Aitchison: A Life in Colour', 2014.Condition ReportFramed: 20 x 17cmThe print has been stuck down in the centre but the signature, date and edition number can be seen- please see additional images. Overall, presents well and is ready to hang.
Los 30
â–² Michael Rothenstein RA (1908-1993) 'Tiger and Parrots'linocut in colours, artist's proof, signed 'Michael Rothenstein' in pencil l.r., and inscribed 'A/P' l.l.image 52 x 39, unframedCondition ReportSheet: 71.5 x 56cmThe sheet has three tape marks along the top edge and there are some faint dirty marks to the margins. The sheet has a small crease in the lower right.corner. There is a border of slight discolouration to the margins where the print has been previously framed with a mount but the printed area appears to be in good condition.
Los 299
Shannon Ebner (American, b.1971) 'Democratizing'C-type print, 2006, number 4 from an edition of 465 x 100cmProvenance: With Max Wigram Gallery London;with Darbyshire, London.Condition ReportFramed: 69 x 104cmNot examined out of glazed frame but appears to be in good condition. Well presented and ready to hang.
Los 271
After Sir Grayson Perry RA 'Reclining Artist', 2017tea towel, digital print on cotton49 x 67cm (visible)Condition ReportFramed: 53.5 x 72cmIn good condition. There is a line of stitching running around the edge and a raised square of tape (?) used to fix the work in position is visible through the fabric in the extreme top left corner but overall the work presents well. Not viewed out of glazed frame.
Los 273
â–² Damien Hirst (b.1965) 'The Last Supper'offset lithograph in colours, 2005, signed 'Damien Hirst' in pencil l.r.sheet 148 x 197cmCondition ReportFramed: 149 x 198cmSome small nicks, creases and abrasions to the extreme edges. Light cockling. Small white spots and speckles to the left edge. The print in mounted in a perspex frame which has some light surface scratches.
Los 83
â–² André Lhote (French, 1885-1962) Reclining nude etching, signed in pen l.r., numbered '11/100'plate 15.5 x 18.5cmCondition ReportFramed: 41 x 41cmA small black speck to the right margin l.c., and a small dirty mark to the margin in the upper left corner. On close inspection there are some very faint scratches visible to the background of the etching which are from the printing plate rather than a later issue with condition. The print itself is crisp and sharp. Not viewed out of glazed frame.
Los 307
â–² The Connor Brothers (b.1968) 'The Truth is Rarely Pure and Never Simple'giclée print in colours, signed and dated 'Connor Brothers 18' in pencil l.r., numbered '71/100'image 64 x 40cmCondition ReportFramed: 92.5 x 67cmIn good condition. Well presented and ready to hang. Not viewed out of glazed frame.
Los 7
Edward Bawden RA (1903-1989) 'Sahara', 1928wallpaper, lithograph in colours after a linocut designed by Edward Bawden, printed by the Curwen Press69 x 52cmCondition ReportFramed: 85 x 65.5cmA couple of tiny dark spots and speckles but overall presents well. There is a little dust trapped behind the glazing but the print itself does not appear to be affected. The work has not been viewed out of the glazed frame and has slipped a little.
Los 14
Eric Ravilious (1903-1942) 'Potentate and Concubine'woodcut, signed 'E. Ravilious' in pencil l.r.7.5 x 9.5cmProvenance: With Christopher Drake Ltd., London.Literature: 'English Print-Making 1900-1940: A Neglected Heritage', Christopher Drake Ltd., London, 1972.Condition ReportFramed size 19.5 x 22cmNot viewed out of glazed frame. Paper overall light brown and with lights stains and a couple of tiny spots of foxing. Please refer to additional condition images. Still presents well and is ready to hang.
Los 85
â–² After Pablo Picasso 'La Comédie Humaine', 1954'30.1.54 I'; '27.1.54 I';'31.1.54 II';'29.1.54 III'four lithographs in colours, dated in the plate, printed by Moulot Frères, Parisimage 24 x 32cm (4)Condition ReportFramed: 44 x 52cm Some light spots of foxing starting to emerge. The most affected is the print dated '29.I.54 III' which has some small spots of foxing in the upper left corner, please see images. Unsigned. The prints are well presented and ready to hang. Not viewed out of glazed frames.
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315264 Los(e)/Seite