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38843 Los(e)/Seite
ENGLISH GILT BRASS CARRIAGE CLOCK MID 19TH CENTURY in a column case with bevelled glass panels enclosing a circular white enamel dial with Roman numerals and a mask engraved with an exotic bird and scrolling foliage, the fusée movement and platform escapement, raised on flattened feet (Dimensions: 15cm high (handle up))(15cm high (handle up))Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments. with a winder and two further keys case is a bit tarnished and has lost some of it's lacquered surface; the rear L finial is lacking, this has made the top panel a bit loose small chip to corner of front glass at upper RH corner dial generally good, some rubbing around the hands hole and some light craquelure between the IIII and V markers currently the movement does run when wound there are push-button releases on the underside for the front and rear doors no maker's name discernible
GILT BRASS REPEATING CARRIAGE CLOCK, CHARLES FRODSHAM, LONDON 20TH CENTURY the four-glass corniche case enclosing a white enamel dial with Roman numerals, signed CHARLES FRODSHAM/ LONDON, the movement with platform escapement and bell strike (Dimensions: 17.5cm high (handle up))(17.5cm high (handle up))Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments. no winder currently the movement will run when wound although the strike and repeat doesn't engage case generally good with some light scratches and rubbing through the lacquer in places glass panels are all good dial is clean with no blemishes or marks
FRENCH BRASS REPEATING CARRIAGE CLOCK, E. MAURICE & CO. LATE 19TH/ EARLY 20TH CENTURY the corniche case with a circular silvered dial with Arabic numerals and a pierced central rosette, in a silvered mask, with a platform escapement and gong strike with button repeat; with a leather travelling case (Dimensions: 16cm high (handle up))(16cm high (handle up))Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments. with a winder stamped 2 the backplate stamped 2645 with maker's intials handle is a bit loose and won't stay upright all glass in good condition but with old brass polish in the recesses case is sound, some wear to the lacquer in places the movement is currently running but the repeat button is a bit stiff
FRENCH LIMOGES ENAMEL AND GILT BRASS REPEATER CARRIAGE CLOCK LATE 19TH/ EARLY 20TH CENTURY the four-glass column case enclosing a circular gilt dial with Roman numerals, and a plain gilt mask signed MACKAY & CHISHOLM/ PARIS, the sides with Limoges enamel plaques depicting a gentleman playing chess, with a platform escapement and gong strike (Dimensions: 21cm high (handle up))(21cm high (handle up))Condition report: Lyon & Turnbull does not guarantee any clock to be in working order. Condition reports are supplied on general appearance and condition. Please see our Conditions of Sale for Buyers, item 12(2) for additional information on the purchase of clocks, timepieces and mechanical instruments.] NO WINDER the dials and mask are in good condition as are the top and front glass panels the clock is currently running but the repeat/chime is not; this probably means a broken or slipping spring drive or other fault that will require professional attention the case is in good order although there is some wear to the lacquer; the handle is loose and will not stay upright on its own the L side enamel panel is in good order with no cracks, scratches or blemishes, one small nick to the bottom edge; the R side panel has taken a bash to the centre with significant loss to the panel, mainly the figure seated on the chair, we have some parts the backplate stamped 2360; enclosed by a removable brass back cover
A 19th century heavily chased brass and gilded bevelled glass combination carriage clock housing an eight day clock movement, barometer, thermometer and compass. The central thermometer has a balcony of filigree and each movement is separated by fluted columns on turned feet. There is a top circular inspection window to the clock. Width 16cm, depth 6cm, height 15cm. Key in office
A French brass Gorge cased Grande Sonnerie carriage clock with alarmBy Henri Jacot, Paris, No. 5390, circa 1885The case with bevelled glass panels, white enamel dial, the twin train movement striking the hours and quarters on gongs, with original silvered platform lever escapement with compensated balance and blued steel overcoil hairspring, the base with three-position strike selector18cm high
A Fine and Rare Victorian parcel-gilt bronze four-glass quarter striking giant carriage clock Signed Alexander Guillaume, London, No. 861, probably McCabe workshops or associatesCirca 1855The case surmounted with a shaped handle above a bevelled glass panel, stepped pediment, above bevelled glass sides and glazed dial, with canted angles, mounted with cast foliage, on a stepped plinth cast with scrolls and foliage, bronze lift-out back with shuttered winding apertures, hand set and platform regulation, the arched gilt brass dial engraved all over with foliage, Roman numerals and inset seconds subsidiary at the XII, trefoil hour hand, inscribed in a reserve below the VI ALEXR GUILLAUME LONDON 861, the high-quality twin train chain fusée movement with maintaining power, high-grade platform lever escapement with cut bi-metallic compensated balance, exceptional vase-shaped pillars with finely-turned fins, quarter striking on two blued steel gongs; on a carved oak breakfront plinth The clock: 28cm highPROVENANCE:A Hampshire family, since the mid-19th centuryBy descentThe property of a gentlemanBy descent to the current vendorThis clock was no doubt commissioned by Louis-Alexander Guillaume, acting as agent for a retail client. He is known primarily as a watchmaker. A native of Neuchatel, Switzerland, he came to London in 1835 and is recorded at 24 Spencer Street, Northampton Square, Clerkenwell. He died on 10 January 1873, in his 60th year (see The Horological Journal, March 1873, p. 84). An identical clock, signed Klaftenberger, 157 Regent Street, London, also with quarter striking movement and high-grade platform lever escapement, was advertised in the Antiquarian Horological Journal, June 1983, p. 119. It is also illustrated in Derek Roberts, Carriage and Other Travelling Clocks, Atglen 1993, p. 345, fig. 23-26.The fashion for large bronze and gilt carriage clocks during the mid-19th century was satisfied by McCabe, Dent and latterly Frodsham. Their design, quality and execution were of the utmost quality and no doubt a status symbol for clientele. Comparison can be made to signed pieces by McCabe, such as No. 2833 (sold Christie's, London, 18 November 2010, lot 101), which has the distinctive shaped handle, albeit with fluting. The Guillaume clock, with its shallow arch for the dial, with the inset seconds at the XII, all within the most superbly engraved foliate design and flanked by the distictive canted angles, would support production from the same workshop. Another quarter striking clock by McCabe 2927 (sold Bonhams, London, 11 December 2013, lot 106) has a sumptous finely-chased gilt bronze case. The handle is of the same pattern, with the faceted centre part and twin double rings. The stepped moulding to the rectangular pediment, especially the overhang, is identical. McCabe's canted angles have a shaped 'claw' at the top, whilst the base is finished with a scrolled volute. The Guillaume clock includes the same canted angles, with the addition of a rosette and deeply-chased pendant flowers to each angle, all supported on a gilt bronze foliate-chased scrolling plinth. McCabe is not known to have diverged from his use of lever escapements for these 'travelling' clocks as chronometer escapements would be more susceptible to damage.The virtuosity of the engraving found on these giant carriage clocks, as well as clocks by Thomas Cole, are related and point to a vibrant school of talented engravers in London.
A Victorian gilt bronze giant striking carriage clockBy James McCabe, Royal Exchange, London, No. 2938, circa 1860The case, with four deeply bevelled glasses, surmounted by a shaped and reeded handle, above moulded pediment, the lift-out back door with shuttered dust covers, the 4 1/4in. rectangular silvered dial engraved all over with foliate scrolls, Roman numerals and minute markers, the centre with seconds subsidiary and signed below the VI in a shaped rectangle JAMES McCABE Royal Exchange LONDON 2938, the twin train chain fusée movement, five finely-turned baluster pillars, with push/repeat button, signed to the backplate and numbered, with large platform lever escapement, with twin-armed plain balance, fine wheel work and striking the hours on a coiled gong, with original numbered key24.5cm highPROVENANCE: With Derek Roberts, Tonbridge, 2005By descent to the vendorLITERATURE: This clock is illustrated in Derek Roberts, Carriage and other travelling Clocks, Atglen, 1993, p. 295, and will be sold together with a copy of the book, signed by the author.COMPARARTIVE LITERATURE: Richard Good, Victorian Clocks, London, 1996, p. 32 for details of McCabe No. 2916, invoiced 30th April 1857, and pages 24-25 for details of serial numbers and corresponding dates.Antiquarian Horological Journal, December 2000, p. 653, for the first of David Bell's two-part article on the McCabes, watch and clockmakers of Ulster.

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38843 Los(e)/Seite