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Lot 219
A LATE VICTORIAN IRON CLUB FENDER LATE 19TH CENTURY The seat upholstered with close nailed near Eastern silk cross stitch embroidered geometric panels on a hand woven indigo ground external 56cm high, 155cm wide, 47cm deep, Provenance: A. Tilbrook, from whom purchased by Robert Kime. Condition Report: Internal measurements to the base are: 127.5cm wide, 29.5cm deep Internal measurements to the step cut seat are: 135cm wide, 29cm deep Internal measurements to the inside width of the metal base are 127.5cm wide Internal measurements to the inside of the main upholstered seat (not the step cut section to the back of the seat) are 117.5cm wide.Overall there are scratches, marks, knocks, cracks and abrasions consistent with age and use.Observations include:The near Eastern silk cross stitch fabric with some aging, marks, stains and pulled threads. There are some areas of re-stitched repairs. This upholstery fabric has been cut from a textile of some age and been fitted to this club fender with close nailed borders.The metal has had a blackened finish which has worn to the front of the front section and remains to a greater extent to the sides and the back, looking as though the black finish might have been cleaned from the fender. There is a patina of fine rusting.There are some dents to the base.Please see the additional condition report photographs as a visual reference of condition.Condition Report Disclaimer
Lot 239
A NOTTINGHAMSHIRE CARVED ALABASTER RELIEF PANEL OF THE RESURRECTION MID/LATE 15TH CENTURY Depicting Christ rising from the tomb, his foot on a sleeping soldier panel 47.5 x23cm, frame 58.5 x 36cm Provenance: Private collection in Jersey Sotheby's London, The Ronald A. Lee Collection, 28 Nov 2001, lot 8, where purchased by Robert Kime Literature: Francis Cheetham, "English Medieval Alabasters With a Catalogue of the Collection in the Victoria and Albert Museum", Boydell Press, 2005This panel belongs to a group of small-scale altarpieces and panels produced by the 'alabastermen', 'kervers' and 'marblers' working in and around Nottinghamshire from the 14th century up until the early 16th century. The alabaster was mined from a small area in the middle of England- from South Derbyshire and into Staffordshire. These hand carved devotional pieces would usually have been painted and sometimes part gilded with areas of natural polished alabaster left in contrast. Like the examples at Compton Verney, the Walters Art Museum, and the panel sold from the collection of Sir Nicholas Goodison at Christie's in 2022, each shares the same composition layout- the figure of Christ rising from the tomb, his right leg stepping over a braced fence to step onto a sleeping soldier, his cross-staff in his left hand and right hand raised in blessing (missing from this example). Cheetham records at least 130 surviving examples of this Passion scene- perhaps the most popular chosen devotional subject. For similar examples please see: Christie's London, The Collection of Sir Nicholas Goodison, 25th May 2022, lot 66 Christie's London, London Living - Wilton Crescent, Belgravia & Avenue Road, Regents Park, 26th October 2011, lot 1070 Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. As per the extra images the panel has old breaks and various levels of repairs and restoration. The main breaks seem to have occurred in a diagonal shape from the knees of seated right hand figure and down leftwards. The lower section looks to have been in at least three pieces with old glue and some surface repair, infill and restoration. Additionally there are areas, in a different colour tone, notably both upper corners and lower left corner that are later remedial infill. Some of the raised details such as the axe blade are almost certainly later and there are fault lines, cracks and flaws. The panel is in a sealed frame making reverse inspection and confirmation impossible. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer
Lot 24
A GEORGE II RED AND GILT JAPANNED LONGCASE CLOCK STEPHEN ASSELIN, LONDON, CIRCA 1725 The eight-day bell-striking movement with 12 inch brass break-arch dial applied with mask and foliate spandrels, a silvered Roman and arabic chapter ring, matt centre and subsidiary STRIKE/SILENT selection dial to the arch, signed on a silvered plaque 'Step. Asselin LONDON' the gilt and polychrome decorated red japanned case with chinoiserie landscapes, a domed caddy surmount 258cm high, 50.5cm wide, 26cm deep Provenance: Christie's, London, Property From A European Noble Family, 10th November 2005, lot 40, where purchased by Robert Kime Formerly at Docker Nook and Warwick Square, see Alastair Langlands, Robert Kime, Francis Lincoln Limited, London, 2015, p205Stephen Asselin is recorded working in London from around 1700. He is not recorded as becoming a member of the Clockmaker's Company which suggests that he was most likely a Huguenot immigrant.   Condition Report: Movement is essentially in working condition however mechanism is dirty/dusty hence a clean/service is required. Notches cut the 3 o'clock edges of the plates indicates that an alarm mechanism was once fitted that is no longer present. Otherwise movement appears complete and all-original. The dial in in original albeit in dirty/neglected condition. The centre shows evidence of being fitted with an alarm disc (curved cut-outs to the seconds ring and signature plate). The areas of silvering are now very thin presenting as almost brass in colour. The right-hand corner of the plate has evidence of being bent and re-straightened; the dial foot behind also has a small loss to the tip (section above the securing pin hole). The right-hand mount to the arch is missing a fin from the dolphin. The hour hand has been repaired; the minute hand and selection pointer to the arch are replacements. The seatboard is original to the movement which rests on blocks applied to the case uprights (cheek); the presence of these blocks suggests that the movement and dial re not original to the case. The dial sits a little wonky (leans to the right) hence some adjustment to the blocks will be required to level it.The case is very original retaining old surface in essentially untouched condition. The hood is in good original condition with notable faults limited to blind fret panels missing from the quadrants above the break-arch pediment and some historic worm damage. The rear of the superstructure is interestingly backed with old thick paper inscribed in ink with random Iberian text. The trunk and base are in very fine original condition with faults limited to some very slight localised flaking to the raised decoration; the finish can be best described as fine patinated old original surface with pleasing degree of age-related wear, discolouration and fading. The backboard is in fine condition and the skirting is also original albeit with historic worm damage and a small scarf repair to inner panel to the rear left hand corner. The left-hand side has some slight shrinkage cracking towards the rear edge; the lock to the trunk door is a replacement.Clock has pendulum, a pair of modern cast iron weights a crank winder and a case key. Condition Report Disclaimer
Lot 255
JAMES FERRIER PRYDE (BRITISH 1866-1941) THE HOUSE Oil on canvas Signed (lower left) 91 x 74cm (35¾ x 29 in.)Painted in 1917 for the Red Cross. Provenance: Private Collection, Jeremiah Colman Private Collection, William H. Miller Arthur Tooth & Sons, London Private Collection, The Lord Parmoor, Sutton Verney Private Collection, Viscount Bearsted, M.C. T.D Sotheby's, Gleneagles, 31 August 2005, lot 970, where purchased by Robert KimeExhibited: London, The Fine Art Society, Spring, 3 May - 3 June, 1988, no. 45 London, The Redfern Gallery, An Exhibition of Paintings and Drawings by James Pryde, 22 September - 26 October 1988, no. 4 Edinburgh, The Scottish National Gallery of Modern Art, James Pryde, 14 August - 11 October, 1992, no. 91, p. 106, pl. XXIII illus. Literature: Derek Hudson, James Pryde, Constable and Company Ltd., London, 1949, p. 97 This dramatic and imposing work was ultimately a result of the terrifying war years during which it was painted. 'The House' was completed in 1917, commissioned by the Red Cross. Flashes of red material are seen cascading down the facade of the house owing to the 'Red Cross' and possibly the representation of blood shed during the war years. James Pryde was born in Edinburgh in 1866. From a young age Pryde was influenced by the Glasgow School of painters looking towards artists such as James Guthrie for inspiration. After school Pryde went onto study Fine Art at the Royal Scottish Academy and felt deeply connected to Scotland throughout his life. It was his later works which were particularly influenced by Edinburgh in particular. It was the architecture, history and spirit of the city which fascinated him. Pryde became renowned for his architectural capriccios and depictions of ruins which weaved together elements of fantasy and reality to create whimsical compositions that challenged the concept of architectural representation. His compositions combined elements from different architectural styles, blending historical references and dreamlike interpretations, pushing the viewer to become immersed by the landscape and step inside the architectural form. Whilst pursuing his career as an artist Pryde worked as a part time actor. He became close friends with Sir Henry Irving and designer Edward Gordon Craig. In 1930, Pryde was commissioned to design the set of Paul Robeson's Othello. It is clear to see the mixture of influences in the present lot combining architecture, set design and sheer imagination. Condition Report: Not relined. Inspection under UV reveals no obvious evidence of restoration or repair. Appears to be in good original condition commensurate with age. Condition Report Disclaimer
Lot 622
Sailing Sir Robin Knox Johnston signed Settlers The Pilgrim Fathers Step Ashore December 1620 Benham FDC double PM Settlers Pilgrims Fathers 06.04.99 Plymouth. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 115
A GREEN TOURMALINE AND DIAMOND RINGThe rectangular step-cut green tourmaline flanked on each side by three, single-cut diamonds, ring size O½* This lot is sold without a reserve Condition Report: In general with light wear.Tourmaline: of dark bluish green hue, estimated weight ca. 4.32cts, very good transparency and no inclusions visible with 10x loup.Diamonds: total estimated weight ca. 0.12ct, lively and well-matched.Metal: unmarked.Total weight ca. 3.9gms
Lot 152
AN 18CT GOLD, ROCK CRYSTAL PENDANTA step-cut rock crystal with chevron surmount, on an 18ct gold, curb-link chain, length of pendant ca. 1.9cm, length of chain ca. 43.5cm* This lot is sold without a reserve Condition Report: Rock crystal: estimated weight ca. 8.5cts (based on estimated dimensions of 14.13x12.07x7.53mms).Metal: the pendant stamped '750'; the chain with Italian control marks for 18ct gold.In general light wear. The clasp functions and appears secure.Total weight ca. 15.8gms
Lot 22
AN 18CT GOLD, VARI-COLOURED, GEMSET RINGWith five, step-cut gemstones including inter alia, green tourmaline, aquamarine and citrine, ring size L* This lot is sold without a reserve Condition Report: In general light wear including some very minor scratches to the shank.Metal: stamped '750'Total weight ca. 3.8gms
Lot 23
A PAIR OF 18CT GOLD, CITRINE EARRINGSThe octagonal, step-cut citrines with stepped mount and post and clip fittings for pierced ears, total length ca. 2.4cm Condition Report: The citrines of medium orangey yellow hue with some lighter patches visible from verso. Some minor nibbling to facet edges and very minor scratches to table.Total estimated citrine weight ca. 20cts (based on estimated dimensions of 16.46x12.79x7.5=10.87ct and 16.17x12.52x7.2=10.04cts)Metal: clips stamped '750'In general some wear including minor scratches to the mount. The clips function and appear secure.Total gross weigh approx. 30 grams.
Lot 66
AN 18CT GOLD, SYNTHETIC SAPPHIRE AND DIAMOND RINGCentering a cushion-shaped synthetic sapphire, the tapered step-mount, set with brilliant-cut diamonds, to a knife-edge mount, assay marks and maker’s mark, ring size O.* Please note that the sapphire was verbally tested by GCS laboratory in London in March 2023. The sapphire was confirmed to be synthetic. * This lot is sold without a reserve Condition Report: The synthetic sapphire measuring approximately 10.00 x 8.70 x 5.00mm, estimated weight approximately 4.09 carats.Dark blue hue, strong tint, minor nicks to facets, slightly loose in its mount.Estimated clarity of diamonds VS.Estimated calculated weight approximately 0.60-0.70 carats.Surface scratches to mount.Stamped with assay marks for 18K white gold, date letter for 1985 and maker's mark GT.Overall condition good.Total gross weight approximately 6.54 grams.
Lot 72
AN AQUAMARINE AND DIAMOND CLUSTER RINGThe step-cut aquamarine within round, brilliant-cut diamond surround, ring size L Condition Report: Aquamarine: of light blue hue with no visible inclusions with 10x loup. Estimated weight ca. 13ct (based on estimated dimensions 18.08x13.04x8mms=13.33ct)Diamonds: total estimated weight ca. 0.90ct. They appear bright, lively and well-matched.Metal: with indistinct marks.Total weight ca. 11.3gms
Lot 9
Registration - S475 UKYChassis No - VF7S6NFZF56784290M.O.T. - NoneOdometer - 65,000 According to the ‘How Many Left’ website, just 653 Saxo VTRs are currently licensed for use on UK roads, which explains why these attractive pocket-rockets are now rarely seen. This attractive MK1 version matches Poseidon Blue paintwork to multi-coloured cloth interior trim. Its relatively modest indicated mileage of 65,507 is supported by its MOT record and stems from the Citroën having been dry stored for the past 10 years and travelled only 13,221 miles in the last 17. The vendor currently classes its four-cylinder engine, five-speed manual gearbox and paintwork as ‘excellent’ and the three-door bodywork and upholstery as ‘good’. He is now selling the Saxo without Reserve and complete with glass sunroof, Wharfdale audio unit and Dimma locking fuel cap. Launched in 1996, the Saxo was Citroën’s replacement for the successful AX, and was certainly a step forward in terms of design. The frontwheel drive newcomer was offered with a choice of no less than four petrol engines varying in capacity from 954 to 1587cc, and one diesel unit of 1527cc. There were two sporting options among the range – VTR and VTS. The MK1 VTR (1997-1999) was powered by a fuel-injected eight-valve version of the company’s four-cylinder 1587cc powerplant, the output of which was 90bhp. Thanks to a lightweight bodyshell, this was sufficient to sprint the three-door hatchback to 60mph in under 10 seconds and on to a top speed of c.116mph. Suspension was by coil springs up front and torsion bars at the rear, and braking by discs all-round, ventilated at the front. The bodykit that distinguished the VTR from the more junior members of the line-up was shared with the top of the range VTS model. In summary:An apparently very original eight-keeper exampleThe modest overall mileage of 65,507 is backed by the MOT recordDry stored for the last 10 years
Lot 200
StoneTibet , 18th century Dimensions: Height 8 cm Wide 6 cm Depth 1,5 cmWeight: 126 grams Stone fragment with a carving of Yellow Jambhala, God of Fortune and Wealth. He is seated on a lotus flower on a step supported by three conch shells and flower buds. His right leg pendant over the flower and foot resting on a small lotus flower bud. His left foot is drawn close to his lap. In his right hand he is holding the neck of mongoose Nehulay who is spewing a string of jewels onto the ground and a fruit-shaped diamond in the other hand. He has a big belly, beaded jewellery adorns his body. He is wearing a tiara enclosing his three-tiered haibrung topped by a diamond, a scarf is billowing around his shoulders. Two apsaras are hovering in the top corners holding a garland. The back of the stone is flat.
Lot 13
Alan Bean signed 10x8 inch colour photo pictured during Apollo XII mission inscribed My First Step on the Ocean of Storys. From single vendor Space Astronaut collection including NASA Moonwalkers, Apollo, Mercury, Gemini, Cosmonauts, Shuttle Crews, Test Pilots. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10
Lot 1228
A modern 9ct gold aquamarine and diamond double-cluster crossover ring, maker KJ, Birmingham 2006, set with rectangular step-cut aquamarines and modern round brilliant-cut diamonds, setting height 17.5mm, size O, 4gNo damage or repair, all stones present, diamonds slightly included, stamped 375
Lot 1300
An 18ct gold three stone ruby and diamond ring, set with square step-cut ruby of approx 0.4ct flanked by baguette-cut diamonds, total diamond content approx 0.25ct, size N, 2.6gNo damage or repair, all stones present, ruby is a deep vivid pinkish red with multiple internal wispy veil inclusions only visible through a loupe, diamonds bright and white with no obvious inclusions, mark clear, stamped 18ct
Lot 1271
A modern 18ct gold three stone iolite and diamond ring, maker AJW, London 2002, prong set with rectangular step-cut iolite and modern round brilliant-cut diamonds, total diamond content approx 0.25ct, setting height 8mm, size O, 3.5gNo damage or repair, all stones present, iolite has quite abraded table facet edges, diamonds relatively bright, stamped 750
Lot 115
An emerald and diamond cluster ring in 18ct gold. The emerald is an octagonal step cut, measuring approximately 6.92mm x 6.21mm x 5.39mm. The emeralds show signs of oil treatment, which is the industry standard. The ten accenting diamonds are approximately 0.3 carats each. Size P. Hallmarked for London, 1979. In a vintage case for E A Barker Ltd, City E C 3. Gross weight approximately 3.8 grams.
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26534 item(s)/page