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A ruby and diamond set cross pendant and chain, the cross with a central collet set round mixed cut ruby, to arms channel set with a row of square step cut diamonds, to outer brilliant cut diamond border, with plain suspension loop, stamped 750, length 4.5cm, suspended on a textured figaro link chain, stamped 750, length 50cmCondition Report: Approximate weight 16.70 grams. Necklace in a good wearable condition, no signs of damage or repair. There are surface reaching inclusions to the ruby, and to most of the diamonds.

A diamond and sapphire target cluster ring, the rectangular step cut diamond within calibré cut sapphire surround, to outer border of brilliant cut diamonds, with brilliant cut diamond set shoulders and a plain hoop, ring size L Provenance: The collection of the late Jane Sinclair MorpethCondition Report: Principal rectangular cut diamond measures approximately 5.7 x 4.5 x 3.1mm, estimated as approximately 0.63 carats. The brilliant cut diamonds measure approximately 1.20mm. The sapphires measure approximately 1.4-1.5mm.

A diamond and onyx ring, of oval plaque design, with pavé set old cut diamonds within a step cut onyx border, to diamond set shoulders and a plain hoop, head 2.9 x 1.3cm, ring size L¾Condition Report: Diamond and onyx ring

An emerald and diamond ring, the rectangular step cut emerald in four claw setting with stepped baguette cut diamond set shoulders, and a plain hoop, stamped 750, ring size N¾A report dated 1st November 2023 from the Gemmological Certification Services (GCS), London, ref. 5783-3441 states that the emerald showed indications of moderate clarity enhancement, origin Colombia

A citrine and diamond necklace, with an octagonal step cut citrine, approximately 19.5mm length, within brilliant cut and tapered baguette cut diamond border, to flexible link necklace, four links grain set with brilliant cut diamonds, and a box clasp, stamped 750, length 43cmCondition Report: Approximate weight 52.11 grams.

A platinum aquamarine and diamond ring, the rectangular step cut aquamarine approximately 14.4 x 9.0 x 5.3mm, to openwork brilliant cut diamond set shoulders and a plain hoop with stabilising beads fitted, stamped platinum, circa 1950Condition Report: Approximate weight of ring 5.17 grams. Ring in a good wearable condition overall. Claws all in good order, stones secure. Very minor nibbles to the facet junctions of the aquamarine, visible under 10x magnification. Aquamarine is eye clean, and a nice strong mid blue colour. Solder lines visible at each shoulder. Solder joins visible at base of shank where previously sized. Later stabilising beads fitted.

A sapphire and diamond ring, possibly George Weil, the abstract textured head claw set with scattered step cut shield shaped sapphires (one chipped), and brilliant cut diamonds, to textured and polished hoop, circa 1960, ring size PCondition Report: Approximate weight 15.67 grams.

An early 19th century peridot, diamond and half pearl brooch/pendant, the octagonal step cut peridot approximately 18 x 10mm, claw set within half pearl and old cut diamond set cannetille surround, circa 1840, with later half pearl set suspension loop, suspended on a Victorian snake link chain with barrel clasp, pendant length 5.4cm, chain length 41cm

A sapphire and diamond brooch/pendant, possibly George Weil, the abstract brooch claw set with scattered step cut shield shaped sapphires and brilliant cut diamonds, with brooch pin and pendant hook, applied plaque stamped 18ct, circa 1960, length 7.2cmCondition Report: Approximate weight 29.41 grams.

A sapphire and diamond cluster ring, an octagonal step cut sapphire within single cut diamond cut surround, to diamond set shoulders and a plain hoop, ring size MCondition Report: Approximate weight 3.48 grams. Good wearable condition, no evidence of damage or repair. Some colour zoning visible to the sapphire.  Stones all present and appear secure.

A group of aquamarine jewellery, comprising: a single stone pear cut pendant, with oval suspension loop, length 2.2cm; a rectangular step cut aquamarine and brilliant cut diamond set ring, stamped 18ct, ring size M½; and a pair of single stone rectangular step cut aquamarine earrings, with later backs (3)Condition Report: Gross weight 10.51 grams. Ring - good overall condition. Some minor abrasions/facet junction wear visible under magnification. Surface marks/scratches to mount. Sizing join visible at base of shank. Claws in good order, stones secure. Pendant - good condition, minor surface marks/scratches to mount, no evidence of damage or previous repair. Earrings - earrings are later replacements. Mounts possibly later converted. Some glue to one of the claws.

A group of unmounted gemstones, comprising: three pear cut emeralds, approximately 12.0 x 6.4 x 2.9mm, 1.3 carats, 10.2 x 5.5 x 3.6mm, 1.1 carats, and 9.9 x 5.7 x 2.8mm, 1.0 carats; a round cabochon emerald, approximately 9.8 x 8.1mm, 6.2 carats; an oval mixed cut ruby, approximately 7.0 x 5.9 x 4.1mm, 1.8 carats; two oval mixed cut emeralds; an octagonal step cut emerald; four green tourmalines; an oval paste (chipped); a cushion cut green synthetic spinel; and two garnet topped glass doublets (a lot) (VAT charged on hammer price)

A blue zircon and diamond cluster ring, the rectangular step cut blue zircon approximately 11 x 8mm, within single cut diamond surround, to plain hoop, ring size MProvenance: The collection of the late Jane Sinclair Morpeth

A Japanese Step Tansu, elmwood, two-tier cabinet With an arrangement of twelve drawers, brass mounts and handles, and three cupboards.84.5cm wide x 45cm deep x 180cm highQty: 1With some light signs of repair and wear commensurate with age and use.

A group of three commodes To compirse a pair of Victorian walnut serpentine step commodes/bedside tables; and a leather inset cylindrical commode.The pair 46cm wide x 42cm deep x 43cm high. The cylindrical commode 43cm diameter.Qty: 3One leg with some woodworm damage. Surface marks and wear.

A pair of brass and marble tazzas On square plinth bases.10cm diameter x 19cm highQty: 2Some of the marble on the bases has been reattached. A crack in one of the brass supports from the first step radiating upwards. Oxidisation throughout the brass.

Polaroid-Sofortbild-Kamera. "Sonar" One Step, "SX-70", Gold-Edition. Metall, Kunststoff. Funktion nicht geprüft. Ab 1978. 23,5x 11 cm. Beigegeben: Originale Styroporverpackung.

Registration - PLE 430EChassis No. - 80002215/AM.O.T. - April 2025Odometer - 48,728This regal Rover P5 has enjoyed a suitably cosseted life. The odometer reads 48,728 miles and the vendor reports it has covered just over 2,000 miles in the past 12 years. A favourite of the British government in the 1970s and 1980s, its 3.0-litre six-cylinder engine is described as being in ‘excellent’ condition, as are the transmission and electrics. The interior is also said to be ‘excellent’, following a recent professional leather retrim to a very high standard. It even has the original radio and dealer sticker in the back window, along with gorgeous Connelly hide upholstery. ‘PLE430E’ is tremendously original and resplendent in royal-looking blue paint. It has radial tyres with plenty of tread, and the vendor reports it benefitted from a substantial restoration 18 years ago, “since when it has covered only 600 miles… much money was spent on the car, the bodywork alone costing over £6,700, with numerous other bills for work to the engine, brakes, suspension and fitment of a stainless steel exhaust”. The low mileage in the intervening years is because it was purchased in 2011 by Birmingham’s Sutch brothers to join their collection. The vendor acquired it in 2016 and carried out extensive recommissioning work. It has been garaged, and the history includes plenty of invoices and old MOTs. It has a current MOT, which is valid until April 2025. The Rover P5 represented a major step for the Solihull firm. Introduced in 1958, it was Rover’s first car with unitary bodywork, which was designed by David Bache. The cars were marketed under the names Rover 3 Litre and Rover 3.5 Litre, respectively representing their straight six and V8 engines. Meticulously engineered, these cars later became a favourite of British Prime Ministers including Harold Wilson and Margart Thatcher – and even the late Queen owned several Rover P5s for her personal motoring. Highly original 1967 Rover P5Received a significant restoration 18 years agoPreviously part of a private collection with few miles covered in recent years

Original vintage safety poster published by the Royal Society for the Prevention of Accidents ROSPA - Falls in the home can be fatal - featuring a dramatic illustration of a lady in an apron tripping over a white line and falling down with outstretched arms against a red and black background, the diagonal stylised text in blue and yellow providing guidance on ways to avoid accidents - Good lighting everywhere / Use a step ladder / Avoid polished floors / Keep stairway clear - with the title text below. Published by Royal Society for the Prevention of Accidents, Terminal House, 52 Grosvenor Gardens, London, SW1. Printed by Loxley Bros LTD. Very good condition, light staining and foxing on margins.Year of printing: 1950s, country of printing: UK, designer: Unknown, dimensions (cm): 76x51.

An aluminium scaffolding tower and two ladders. The tower complete with platform and struts, one step ladder and one three stage extending type.

A collection of aluminium ladders. Comprising two step ladders, one requires attention.

A collection of workshop tools and accessories. Noting drill bits, spanners and spares in a Tuff Mate wheeled case, a King Craft presure washer, sash clamp, sledge hammer and step ladder etc.

A metal extending step ladder. In three sections, on rubber base.

A collection of six metal step ladders. Noting Beldrey and others, max H190cm.

Dimensions: Height 21,6 cm ; Wide 14 cm ; Depth 6,5 cmWeight: 959,4 grams  The Asura Bhasmasura had received the gift from Shiva that everything he placed his hand on the forehead of burned to ashes. This enabled him to spread fear and terror and to expand his power further and further. Vishnu did not want to watch this any longer and decided to destroy him. To do this, the male god took on the very feminine form of Mohini, a beautiful dancer. So he (she) went to the court of the demon king and danced for him. The demon was thrilled because he saw the most beautiful woman he had ever seen. Of course he wanted to possess her immediately. She rejected him harshly, but then explained to him shamefully that she would only consider sex with her husband. Bhasmasura then wanted to marry her immediately, of course, but she refused. She could only marry someone who could dance as well as she could. The Asura was pleased with this information because he thought he could do it without any problem and therefore asked her to dance for him and he would copy every step. The Mohini had him trapped. When she performed a step in which she held her hand above her head and the demon copied it, the Asura burned himself to ashes. With this, Vishnu had once again saved the world.

A collection of five early 19th century George III & later cut glass decanters. The lot to include a pair of decanters with three rings to neck and strawberry diamond cut collar to body, star cut bases; a near pair of smaller decanters with step cut necks, one with hollow mushroom stopper; and another fluted decanter with pointed stopper, fluted body and star cut base (chip to rim). Tallest measures approx. 30cm. 

Jacques Kallis signed limited edition print with signing photo. Jacques Kallis has blossomed into one of the world's leading batsmen. His Test match average is now comfortably in the 50s (54.07) and 45.90 in One Day International She is a great all-rounder, presently with 163 wickets from 78 Test matches, able to swing the ball sharply at surprising pace off a relaxed run-up Kallis took a step up in the West Indies series in 2003-04, scoring a record number of runs for a four-Test series and making six centuries in the Test and one-day series This stunning print shows Jacques on his way to his 4th consecutive century against the West Indies. He has personally signed each print and you will receive a photo of the signing (as shown in inset image)Actual Size 560mm x 410mm - limited edition of 250 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board - The accompanying photo of the personality signing this item will include a copyright over the image. Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Brehm, Christian Ludwig: Handbuch der Naturgeschichte aller Vögel Deutschlands ... zur Begründung einer ganz neuen Ansicht und Behandlung ihrer Naturgeschichte. Textband und 51 separat in eigenem Schuber beiliegende Kupfertafeln. Ilmenau: B. F. Voigt 1831. 20,4 x 11,9 cm. Mit 51 separat beiliegenden, kolorierten Kupfertafeln v. Schwaniz und W. Müller nach Baedeker, Th. Goetz u.a. XXIV, 1085, 3 nn. SS. HLdr. mit goldgepr. Rt. und Rv.; die Tafeln in Pp.-Schuber mit grünem Buntpapierbezug und mont. Deckelschildchen.(Berieben. Rückengelenke angebrochen. Vorsätze leimschattig. Textband stellenweise etwas gebräunt und vereinzelt braunfleckig. Der Schuber berieben und bestoßen. Die Tafeln schwach gebräunt.)Anker 66. Nissen, IVB 140. - Erste Ausgabe. - „In this handbook, Brehm's chief work, the author gives his opinion on the system of Linnaeus, which is rejected as being too natural. The birds are devided into 23 orders which are again subdivided into genera, species and subspecies (Gattungen), by which the author understands birds resembling each other in most respects, but do not regularly mate with each other. Thus he went a step further than any other contemporary ornithologist in the division of the birds into species.“ (Anker). - Der evangelische Pfarrer und Ornithologe Christian Ludwig Brehm (genannt der „Vogelpastor“, 1787-1864) beschreibt in diesem Werk über 900 einheimische Vogelarten. Sein Sohn Alfred Brehm erlangte später große Bekanntheit mit „Brehms Tierleben“. - Äußerst selten in dieser Version mit nicht in das Buch eingebundenen Kupfertafeln. - Beilage: 29 separate kolorierte Kupfertafeln aus einem anderen Exemplar.

Twenty-Seven LP's comprising of Hazel O'Connor - Breaking Glass, Sex Pistols - Never Mind, Stranglers - Black And White, The Clash - Give Em Enough Rope, Combat Rock, Sandinista, The Jam - Snap, Skids - Scared To Dance, Buzzcocks - Another Music, David Bowie - Man Who Sold The World, Changesome, Chanestwo, Space Oddity, Ziggy Stardust, Low, Station To Station, Aladdin Sne, Heroes, Young Americans, Diamond Dogs, Post Card, Madness - One Step Beyond, Specials - Specials, generally good.They are all very similar, vinyl having a lot of surface marking and heavily scuffed covers, vinyl and covers having no more than a G. rating

A 42cm diameter Victorian mahogany pedestal step commode - top inset and liner missing

A Victorian mahogany pedestal step commode (liner missing) - sold with a Victorian upholstered panel back standard chair

Two boxed Bachmann 5 HO gauge Gandy Dancer electrically powered hand cars plus a boxed 46211 Bus w/ high railers, boxed 46204 Rail detector step van, 46207 1950s 4x4 and a boxed 46201 Maintenance of way vehicles pick up truck w/ highrailers (6 items)

Continental Circa 1960 A large aquamarine and diamond pendant/brooch The step cut aquamarine of fine colour weighing approximately 28-30 carats, within a cartouche 18 carat white gold mount, set with some small diamonds Weight: Approx. 22.24 grams Dimensions: 6 cm. (L) x 3.5 cm. (W)

British Circa 1970 An aquamarine, diamond and 18 carat gold dress ring Set to the centre with a step cut rectangular shaped aquamarine, with two stone brilliant cut diamond shoulders Mounted in 18 carat white and yellow gold Ring size: M (two bobs) Weight: Approx. 7.22 grams

A vintage folding step stool and a small four legged stool

A Victorian oak folding step stool

Four Victorian red cut glass scent bottles, two double ended examples, a cylindrical bottle and a rectangular step cut scent (4)

Bridget Riley (British 1931-), 'One Small Step', 2009, screenprint in colours on wove paper, signed and numbered from an edition of 300, sheet; 44 x 29cmARR †* sheet; 44 x 29cm This lot is to be sold outside of the auctioneers margin scheme, VAT will be added to the hammer price. In very good condition No visible knocks, tears or creases to the sheet This work has been framed in a white frame and has been float mounted, leaving all corners and edges of the sheet visible This work has not been examined outside of the frame.

KUTCHINSKY: SAPPHIRE AND DIAMOND CLUSTER RING, 1979The step-cut sapphire, weighing 9.54 carats, within a surround of brilliant-cut diamonds, mounted in platinum, signed Kutchinsky, maker's mark KLd, London hallmark, diamonds approx. 2.80cts total, ring size approx. J, maker's caseFootnotes:The Gem and Pearl Laboratory: sapphire of Sri Lankan origin, with evidence of heat treatment. Report number 24846, dated 19th July 2024.Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

ADLER: DIAMOND NECKLACEThe step-cut diamond, weighing 3.18 carats, within a baguette-cut diamond surround, on an integrated curb-link chain, signed Adler, French workshop mark, Italian assay mark, remaining diamonds approx. 3.00cts total, length 40.5cmFor further information on this lot please visit Bonhams.com

BOODLE & DUNTHORNE: DIAMOND SINGLE-STONE RINGThe step-cut diamond, weighing 3.41 carats, accented with brilliant-cut diamonds, mounted in 18 carat gold, signed Boodles, maker's mark B&D, London hallmark, ring size approx. N½, maker's caseFor further information on this lot please visit Bonhams.com

EMERALD AND DIAMOND BAR BROOCH, 19TH CENTURY AND LATEROld brilliant-cut and cushion-shaped diamonds, step-cut emeralds, mounted in silver and gold, converted, diamonds approx. 2.30cts total, length 4.9cmFor further information on this lot please visit Bonhams.com

GARRARD: RUBY AND DIAMOND BUTTERFLY BROOCH, 1987Brilliant and square step-cut diamonds, pear, marquise and calibré-cut rubies, mounted in 18 carat bi-coloured gold, signed G&Co, London hallmark, diamonds approx. 10.20cts total, length 7.2cm, fitted maker's caseFor further information on this lot please visit Bonhams.com

AQUAMARINE AND DIAMOND BROOCH/PENDANT, CIRCA 1950Single and baguette-cut diamonds, step-cut aquamarine, diamonds approx. 2.50cts total, aquamarine approx. 114.50cts, length 6.5cmFor further information on this lot please visit Bonhams.com

DIAMOND RINGThe step-cut diamond, weighing 2.16 carats, within a brilliant-cut diamond halo surround, between similarly-cut diamond shoulders, partial UK hallmark, remaining diamonds approx. L½Footnotes:GIA: G colour, VS clarity. Report number 2223982023, dated 19th June 2023.For further information on this lot please visit Bonhams.com

DIAMOND ETERNITY RINGStep-cut diamonds, diamonds approx. 5.00cts total, ring size approx. JFor further information on this lot please visit Bonhams.com

DIAMOND AND CITRINE EARRINGSEach articulated hoop, set with a tapered line of step-cut citrines, between rows of brilliant-cut diamonds, via similarly-cut diamond foliate surmounts, signed Yessayan, diamonds approx. 6.00cts total, length 5.0cm, fitted caseFor further information on this lot please visit Bonhams.com

ATTRIBUTED TO OMAR RAMSDEN: FIRE OPAL PENDANT, CIRCA 1925The foliate shield-form pendant, set with oval, circular and step-cut fire opals, issuing a similarly-cut fire opal drop, mounted in gold, to a curb-link chain, unsigned, lengths: pendant 7.5cm, chain 45.0cm, fitted case by Omar RamsdenFootnotes:Omar Ramsden (1873–1939) was British silversmith and one of England's most noteworthy silverware designers. Ramsden collaborated for many years with his classmate Alwyn Carr (1872–1940), completing their first major work in 1898 when they won a competition to design a mace for the new City of Sheffield. They immediately set up a studio together under the name of 'Ramsden & Carr', working in Chelsea, Battersea and eventually Fulham, before their partnership dissolved in 1919. Ramsden continued designing alone and worked in a distinctive Medieval Revival style. His pieces are typically, but not always, signed 'OMAR RAMSDEN ME FECIT' (Omar Ramsden made me). Examples of Ramsden's work can be found in a number of British institutions, including The British Museum and The Victoria & Albert Museum.For further information on this lot please visit Bonhams.com

GEM-SET SERPENT NECKLACE, MID 19TH CENTURYThe head with cabochon red paste eyes and foliate decoration, set with a step-cut emerald, suspending a similarly-set heart-shaped pendant, on a highly articulated snake-link chain, mounted in gold, length 37.0cm, fitted caseFor further information on this lot please visit Bonhams.com

ARR Gordon King (1939-2022) A Lady in a White Dress holding Straw Hat beside a pot of spring flowers, signed lower right, watercolour, together with a further watercolour showing a lady wearing a pink top and floral skirt seated on a step, by the same hand (2)Provenance: ex collection of a Northern Art Gallery

A silver napkin ring Rolason Brothers, Birmingham 1919 10gms, eight stamped sterling Thai place settings 392gms 4.5cm , and a metal bee on a step place setting 42gms 2.5cm.

An 18ct gold sapphire and diamond cluster ring, the central step cut sapphire with a step cut sapphire set horizontally to each side, all surrounded by a row of round cut diamonds, in a rub over setting, marked to the inside of the band '.50', finger size L leading edge, 4.4g gross

A pair of emerald and diamond cluster earrings Each claw-set with a rectangular step-cut emerald, in a border of round brilliant-cut and rectangular step-cut diamonds, post and butterfly fittings, stamped 18k Length: 1.5cm

A blue topaz and diamond pendant necklace Claw-set with a rectangular step-cut blue topaz, with applied small round brilliant-cut diamond detail, trace-link chain, stamped 750 Length of pendant: 3.2cm

A 9ct gold large amethyst cocktail ring Claw-set with a large rectangular step-cut amethyst, plain band, UK hallmarks Ring size: M

An 18ct gold aquamarine and diamond cluster ring Claw-set with a rectangular step-cut aquamarine, in a border of round brilliant-cut diamonds, plain band, UK hallmarks  Ring size: P

An aquamarine and diamond pendant necklace Claw-set with a rectangular step-cut aquamarine in a border of small round brilliant-cut diamonds, trace-link chain, unmarked Length of pendant: 2.7cm

An emerald single-stone ring Claw-set with an octagonal step-cut emerald, weighing approximately 0.85cts, plain band, unmarked Ring size: Q

An early 20th century ruby and seed pearl necklace The central motif of pierced stylised floral design, set throughout with square step-cut rubies and seed pearls, integral rope-twist chain, unmarked Length: 42.0cm

A sapphire and diamond cluster ring Claw-set with an old round-cut diamond, in a square border set with square step-cut sapphires, each shoulder set with two small round brilliant-cut diamonds, plain band, stamped 18ct PLAT Ring size: N