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One of the last hand-built Aston Martins number 45 of 101 to be made; this outstanding example is everything you would expect from the ‘quintessentially British’ motoring legend that is Aston Martin. It’s the sheer presence of these formidable cars that first holds your attention. In classic Georgian Silver it really is stunning and a joy to behold from every angle. Few cars, even to this day, command quite the same level of awe and respect that is afforded to this masterpiece of automotive design. Then you have the interior; step inside and you are surrounded by hand-crafted opulence. Sumptuous Connolly Leather in Black, contrasting beautifully the traditional wood veneers and chrome fittings, surely this is one of Aston Martin’s finest hand-crafted interiors? The final part of the equation comes in the form of fabulous engineering. Nothing else sounds like a hand-built Aston Martin V8, just turning the key and revving the engine is enough to make the hairs on the back of your neck stand up, but of course it’s out on the open road that it all comes together. Power, Beauty and Soul. First registered in 1997, this particular car has an extensive service history and benefitted from a major refurbishment including 4 new tyres and a Pioneer pop up radio/sat nav, she has only covered a total of 35,000 miles since new and was previously sold by Aston Workshop 6 years ago to a very discerning owner. This is a very tidy and very well maintained example of the Aston Martin V8 Coupe that drives just as an Aston Martin V8 should!With the production of the Virage ending in 1995, and for those customers who liked the look of the new Vantage but didn't want the brutal power of the twin supercharged V550, Aston Martin began to offer the 'V8 Coupe' which was launched at the Geneva Motor Show in 1996. This model shared the same chassis and body as the Vantage V550, with minor revisions to wheel arches, front spoiler and grille, and had basically the same interior. It also shared the same enhanced 5.3-litre V8 in fuel injected form, but without the twin superchargers, mated to a 4-speed Chrysler 'Torque Flite' automatic gearbox resulting in a more relaxed uncomplicated car but still an Aston Martin with 350 bhp and a 0-60 time of 5.9 seconds! Production of the V8 Coupe ran until 1999 by which time only 101 examples had been built, one of the last truly hand-built Astons before the factory geared up for Vanquish production. Further details and photographs to follow.View this lot in our showroom and marquee preview day Friday 5th July 2019, Beamish, County Durham
c. 1964 Honda C200, 90 cc. Registration number GMU 67B (not registered with DVLA). Frame number C200 165630. Engine number C200E 11853 Introduced in 1958, Honda's classic C100 Super Cub 'step-thru' moped gave millions of people the world over their first taste of two-wheeled mobility. Larger-engine versions of the original 50cc 'Cub was soon made available alongside sports models that were proper small motorcycles. The first nominally 90 cc sports model, the C200, arrived in 1963 boasting an overhead-valve engine of 86.7 cc that produced 6.5 bhp at 8,000 rpm. Its cycle parts were typically Honda, consisting of a pressed steel spine frame with swinging-arm rear suspension and leading-link front fork. The C200 lasted in production until 1967, latterly alongside the overhead-camshaft CS90. This machine came into the possession of our vendor with a deal for another motorcycle and is of little interest to him. There is no history with it although it appears to have undergone some restoration in the past. He reports that runs and rides with no issues and that all of the electrics work. There is no paperwork with this lot.
18ct White Gold Attractive Emerald And Diamond Cluster Ring Fully hallmarked, the central step cut emerald of good colour, surrounded by 22 diamonds of excellent colour. Estimated emerald weight 2.00cts, estimated diamond weight 0.75pts, ring size T, excellent condition in all aspects. Please see photo
Ladies - Superb Quality 18ct Gold and Platinum Emerald and Diamond Set Dress Ring, From The 1950's Period. The Seven Step-cut Emeralds of Excellent Colour, Flanked by 14 Round Brilliant Cut Diamonds of Top Colour / Clarity. Est Diamond Weight 1.50 cts. Not Marked but Tests 18ct. Weight 72 grams. Ring Size P. Top Quality Ring, Please Confirm with Photo.
Ladies Platinum - Attractive Contemporary Designed Emerald Cut Diamond Set Dress Ring, The Central Step Cut Diamond of Excellent Colour with Four Smaller Step Cut Diamonds to Shoulders of Matching Colour. The Central Diamond Est 0.80 pts, The Four Diamonds to Shoulders Est 0.60 pts. Total 1.40 cts. Ring Size I - J. Retail Cost £4.000.
Diamond and emerald two stone modern design 18ct gold ring , the all-in-one tubular ring rubover set to staggered front, round brilliant cut diamond approx. 0.25 carat, and a step cut emerald approx. 4.5mm x 3.0mm, ring size L 1/2, gross weight 6.6g.Condition report: Very good, no obvious damage or repair
Early 20th century emerald and diamond 3-stone 18ct yellow gold ring , the central octagonal step cut emerald of bright mid-green colour, weighing approximately 1.50 carats, two round old cut diamonds (one each side), weighing a total of approximately 0.75 carat, yellow claw settings, split scrolled shoulders with central supports, yellow gold shank, gross weight 3.0g, ring size O.Condition report: Very good, claws in tact, no obvious damage or repair, wear and tear only.
Three Chinese famille rose bowls; the first made for the export market, underglaze blue outlines, rocks, fence and boughs with overglaze enamelled flowers, blossom and heron, the inside with iron red trellis border with four car touches showing floral detail, H. 9cms, Diameter 22.5, several cracks from rim downwards, some repair, an 18th century Qianlong bowl with floral decoration to the outside, trellis interior border with flowers within four cartouche and centrally paced flower, metal banded step foot, H. 9 cms, Diameter 21 cms, restored, along with a late 18th century bowl depicting family group at a table within naturalistic landscape, and a family group beside a tree with building in background, two panels in iron red of bird on bough with blossom, the interior border in red and centrally placed flower, H. 9 cms, Diameter 20.5 cms, two hairline cracks, one chip to top rim measuring approx 2 x 0.5 cms.
A sapphire and colourless gem set oval cluster ring, claw set with the oval cut sapphire to the centre, within a colourless gem set surround, between colourless gem set shoulders, ring size N ½, and a gold and pale blue paste set solitaire ring, claw set with a large rectangular step cut pale blue paste, detailed 585, ring size M 1/2, (2).
An 18ct gold, opal and diamond oval cluster ring, claw set with the oval opal in a surround of circular cut diamonds, 5.2g gross, a 9ct gold, peridot and diamond ring, mounted with heart shaped and square step cut peridots and with small circular cut diamonds and a 9ct gold and colourless gem set six stone half hoop ring, last two rings 6.8g gross combined, (3).
ART DECO EMERALD AND DIAMOND RING, the octagonal bezel set with a step cut emerald flanked by two square emeralds, the emeralds totalling approximately 0.50 carats overall, within a border of round brilliant cut diamonds, the diamonds totalling approximately 0.30 carats, marked 18ct, size M, 3.4g
An early 20th century Art Nouveau design diamond drop brooch, the round old cut diamond drop weighing approx 1.50 carats, assessed colour F/G, assessed clarity I1, with central triangular step-cut diamond drop approx 0.60 carat, small diamonds grain set to Art Nouveau style curved surrounds, a total overall diamond weight approx 3 carats, silver settings, yellow gold reverse, 4cm wide, total gross weight approx 6.2 grams, complete in fitted boxCondition: Good overall- all diamonds and settings intact, replacement roll fastener
An Art Deco style sapphire and diamond platinum ring, the central step-cut blue sapphire approx 0.85 carat, surrounded by round brilliant-cut diamonds approx 0.25 carat total, pierced and millegrain settings, ring size O, total gross weight approx 4 gramsCondition: good, all stones and settings intact
An Art Deco nephrite, ruby and diamond set 18ct white gold and platinum bar brooch, the central cabachon cut jadeite 11mm diameter, depth approx. 5mm, geometric step shoulders with small diamond and rubies, length approx 60mm, total gross weight approx. 5.5 gramsCondition: very good, no obvious damage or repairs, fine scratches to the platinum top, pin bent, clasp needs attention (tightening)
A George I burr and figured walnut eight day longcase clock by John Carter of London, the arched brass dial with silvered Roman chapter ring and Arabic outer minute track, gilt brass mask spandrels and matted centre with silvered sub. seconds at 12, date aperture at 6 and harboured winding holes, signed to a silvered convex roundel to arch within a foliate border and gilt brass dolphin spandrels, fronting an eight day bell strike movement with five knopped pillars, the case with cavetto moulded arched top with three gilt brass ball finials, over a blind fret carved frieze and secondary step moulded arch, on gilt brass stop fluted columns, the trunk with moulded arched and feather banded door and cross banded sides, on a cross and feather banded base with shaped bracket feet, 92½in. (235cm.) high.
A rare and early G & J Lines pedal car, Green painted wood with light green and yellow lining, tin radiator grille, L.457 number plate, mud-guards and step-boards, wooden steering wheel, bracket for headlamp, pedal and chain driven, spoked wheels with rubber tyres and brass hubs, thistle logo transfer to rear, circa 1912 —36¾in. (93.5cm.) long (original finish, where right mudguard is attached to bonnet, broken around attachment and repaired, general wear and rusting to grille); this was the last present Quintin Riley’s mother (Hon. Andalusia Molesworth) gave him before she died in 1911; he used to drive it around the base of the Albert Memorial in Kensington Gardens, near the family home, Kensington Court
A rare Doulton Lambeth figure attributed to George Tinworth circa 1885, formed as a mouse playing the violin on square two step base, impressed marks to base, height 9.5cm. Condition - violin neck broken and missing, nibbles to ears and crazed lines to body of mouse, two minor nibbles to base, appears free from restoration.

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26534 item(s)/page