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Click here to subscribeAn Artist's Garden by Anna Lea Merritt, pub, london, George Allen & Sons, second edition 1910 with paste down illustrations; Garden Colour, with colour sketches, Favourite Flowers (E. Step), vol I-II and III-IV, 1896/7, Frederick Warne & Co, A History of Beekeeping (H Malcolm Fraser), The Life of The Bee, The Light of Asia (Sir Edwin Arnold, illus by Hamzeh Carr, limited edition of 3000 copies; plus other travel and general interest books- One Box
A Victorian golden oak gothic style folding metamorphic chair/ library steps, with pierced cresting rail above a solid seat. 90 cm overall to the top step. 45cm high to the top of the seat.Condition report: The hinges look like old replacements Some old repair patches around the sides of the hingesHinges a little loose and need tightening up.See the short video for extent of wobbleThe hook catch is missing from one edge See short vdieo of wobblehttps://drive.google.com/drive/folders/1FOBr50ILqfX9V2nx7S8ryo09IhU5w1ht?usp=sharing
Make & Model: Ford Transit 80TD SH-TopDate of Reg: V607 OWCColour: Redcc: 2496MoT: 22-10-2019Fuel Type: DIESELMileage: 49KTransmission: AUTOSummary: This 2.5 turbo, automatic Transit was purchased by the vendor in 2011. It was a disability vehicle from new with working tail-lift, wipe clean flat floor, electric drivers seat, electric step and windows and side windows. Fitted with PAS. It comes complete with MoT history, handbook and workshop manual. The mileage is warranted at 49,138.Guide Price - No Reserve
A gold ruby and diamond ring, a row of rectangular step cut rubies, end set at a diagonal, to guards grain set with brilliant cut diamonds, and a plain slightly tapered shank, marked 18k, tested as approximately 18ct gold, 9.7mm wide (at widest point), 7.85g.Finger size NCondition report: Gemstones are well matched.Minor surface marks/scratches to mount.
A white gold emerald and diamond cluster ring, with a square step cut emerald, approximately 4mm, milligrain set at the centre, to two row surround of eight cut diamonds, grain set to a chenier gallery, with solid shoulders and a plain shank, tested as approximately 18ct gold, 4.07g.Finger size NCondition report: Surface reaching inclusions to the emerald.Surface reaching inclusions to some of the diamonds.Surface marks/scratches to mount.Head of ring a little dirty, would benefit from being cleaned.
An 18ct gold emerald and diamond cluster ring, with a rectangular step cup emerald, milligrain set, to surround of rose cut diamonds grain set to a scalloped edge, with chenier shoulders and a plain shank, import hallmark 1982, head 9 x 8mm, 2.78g.Finger size K½Condition report: Minor surface marks/scratches to mount.Some surface reaching inclusions to the emerald.
A sapphire and diamond ring, with an oval mixed cut sapphire, with a stated weight of 4.39ct, four claw set to a double gallery collet, with a cabochon sapphire rub set at each side of the collet, to parallel shoulders channel set with a row of square step cut sapphires, with cabochon sapphires rub set at each side of the shoulders, with a row of brilliant cut diamonds channel set to the collets, to plain shank, tested as approximately platinum, 5.83g.Finger size OCondition report: Minor surface marks/scratches to mount.
A gold single stone garnet brooch, with an octagonal step-cut garnet, claw set, to a square section bar, with pin and 'C' catch, tested as approximately 9ct gold with metal pin, 40mm long, 2.88g, together with an oval gold mounted agate plaque brooch, with pin and 'C' catch, tested as approximately 9ct gold with metal pin, 51 x 38mm, 14.03g, and a single row graduated amber bead necklace, the amber beads, possibly clarified, approxiamtely 24mm to 9mm wide, strung knotted to metal side lever clasp, 705mm long, 67.66g (3)Condition report: Both pins slightly bent.Surface marks/scratches to gold.Some scratches/abrasions to the garnet.
A CHINESE FAMILLE JAUNE PORCELAIN MODEL OF A THRONE 19TH CENTURY The elaborate throne decorated with mythical beasts and flowers in green, yellow, black and aubergine enamels, with moulded figures and horses by towers to each side, the step to the seat formed as a separate piece, all raised on a square pedestal, 23cm high overall. (3) Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s.
An early 20th century sapphire and diamond 18ct gold ring, comprising a central rectangular step cut sapphire and six single cut diamonds, all set in white gold to a navette shaped head, 11mm x 5mm, set to yellow set split shoulders and plain polished shank, stamped '18ct', ring size M, weight 3.1gms
An Art Deco sapphire and diamond ring, the central octagonal step cut sapphire (measuring 11.79mm L x 8.4mm W x 6.1mm D), with baguette cut diamonds to stepped shoulders, all set in platinum to a plain polished shank, ring size N, weight 4.7gms CONDITION REPORT: Please note: This sapphire has not been laboratory tested for synthetic or natural origin or for heat treatment, or any other treatment, and does not come with a certificate/report. It is the opinion of the valuer that this stone is of natural origin but this cannot be guaranteed, there are no obvious indicators of heat treatment but again, this cannot be guaranteed without laboratory testing. We are unable to comment on the country of origin. The carat weight is estimated to be between 5.75 carats - 6.00 carats. Buyers are advised to view in person and make their own assessment of the stone before bidding.The central stone is in good order. No fractures, breaks or losses to the stone are visible under 10x magnification. Some minor scratching and very minor nibbles to the facet edges. The colour is a rich, royal blue, and the colour slightly more vibrant in daylight then indoor light. Flat, reflective inclusions are visible through the table with the naked eye when turned under direct light. Other, similar inclusions are visible under 10x around the corners and sides. No windowing is visible when viewing table face up with the naked eye. The claw setting is secure.The diamonds are in good order, no cracks, fractures or losses. Some very small inclusions visible in a couple of the stones at 10x magnification, and no draw of colour can be seen with the naked eye. All settings are secure.Gallery and shoulders in good order, no splitting or signs of repair. Some areas of minor thinning and general wear only.Shank is in good order. Some slight signs of thinning to the base, but no signs of splitting or repair. The inside is stamped 'PLATINUM' and numbered '0303', but there are no other marks to indicate date or makers. There are signs of possible resizing to the shank - please see the additional images for illustration. The ring came with the Boodle & Dunthorne box as pictured, however there is no evidence to associate they are original to each other. This stone has been assessed to be Art Deco, circa. 1930.Additional images have been provided. The first shows the stone under indoor fluorescent lighting. The next three show the stone in indirect daylight. The final two show the stone in direct sunlight.A video of the stone in natural daylight is available on request.
A late Victorian peridot and split pearl scrolling bar brooch, c.1900,with an octagonal step cut peridot, milligrain set to the centre. A spaced surround of split pearls, each one milligrain set in a plain collet, with foliate scrolls, grain set with graduated split pearls. Marked 15ct. 36.00 x 6.22mm, 5.02gCondition report: Pin a little bent at the tip.Good colour overall.Gemstone bright and lively.Table and crown facet edge wear under 10x magnification.
A diamond and synthetic sapphire bombé ring, c.1940, with an old European cut diamond, with an estimated weight of approximately 0.74ct, rub set to the centre. A conical border of concentric wires forming a bombé head with six applied radiating plates, each spitch set with pairs of rectangular step cut or scissor cut synthetic sapphires, to tapered shoulders and a plain shank. Tested as approximately platinum. Head 20.6mm diameter, 23.63g.Finger size J LECondition report: Seven sapphires chipped.Others abraded with worn facet edges.Marks to the mount consistent with wear.Light sanding marks to the back of the shank.
An 18ct gold amethyst and diamond cluster ring, by Arthur & Co., c.1970,with an oval step cut amethyst, claw set and surrounded by brilliant cut diamonds, all claw set in a white gallery. A scalloped yellow underbezel, open chenier shoulders and a plain shank, London 1976. Head 16.30 x 13.20mm, 4.82g.Finger size L½Condition report: Scratches and marks consistent with its age. Substantial abrasion to the facets and facet edges to the amethyst.Diamonds bright and lively.Has been sizeed in the past.
A rose gold amethyst and pearl bracelet, c.1910,with a series of cut corner step cut amethysts, each one milligrain set in a plain collet. All joined by two rows of trace chain, each with a baroque pearl and gold wire to the centre. With a concealed box clasp and safety chain. Marked 9ct, pearls untested, 11.50 to 11.80mm wide, 11.86gCondition report: Clasp in working order. Light surface marks commensurate with its age. Table and crown facet edge wear. Some of the wires through the pearls slightly bent.Part of the tongue detached from the push piece - advise that this is repaired prior to being worn.187mm long. The collets are solid so you cannot see the depth of the stones.Please view additional images.
A LARGE PAIR OF EDWARDIAN SILVER COLUMNAR CANDLESTICKS, by William Hutton & Sons Ltd, London 1906 and 1907, each with stop-fluted Corinthian column and beaded stepped square base, weighted. 29.5cm highCONDITION REPORTThe marks are crisp and clear. The detachable drip pans with conforming clear marks. One stick with a tiny pin prick size whole to the first step above the beaded border of the base. Several small but inconsequential dints around the base. The marks are clear and crisp. In generally good condition.
ARR * Bone (Stephen, 1904-1958). Warwick Castle, oil on board, signed, titled 'Warwick' and dated May 2nd 1943 lower left, verso with pencilled title 'Warwick Castle', also with War Economy Label with pencilled Leamington Spa address, partly covered by fragment of label with typed address of Stephen Bone, 140 Haverstock Hill, N.W.3 and with remnant of ink manuscript title, at foot of verso another partial label '[Ne]w English Art Club, [Step]hen Bone, [Warwi]ck Castle], 24 x 34cm (9.5 x 13.5ins), framed (325 x 425 mm)Qty: (1)
'They're All out of Step but Jim' - Original Vintage information poster by Bill Jones, Printed in England, Copyright 1928, No. 13, rolled, 21.5 x 27.5 inches. Bill Jones was created in the UK by Parker-Holladay to promote the correct work ethic in the workplace. The concept was copyrighted and taken to the USA and Canada motivating personnel to perform efficiently worldwide. Condition Report: In very good condition for age, some small nicks, creases, mainly to edges.
A good Victorian mahogany credenza with mirror back and marble top. ****Condition report**** Marble top in good condition, mirror spot blistered in places. Carving to mirror frame in good condition, some old chipping to veneer in places on protruding step base but hardly noticed, overall condition looks good and clean.Width 141cm, depth 50cm, height to top of marble 89cm, height to top of mirror 159cm
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