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Escada Red Locket Hnadbag Step into timeless elegance with this Vintage Escada Red Leather Bag, a striking accessory that exudes sophistication and charm. Crafted from high-quality red leather, this bag showcases a rich, vibrant hue that is sure to turn heads. The standout feature is the exquisite red locket padlock, which adds a unique touch of whimsy and security to the design. The bag's structured silhouette offers ample space for your essentials, making it perfect for both everyday use and special occasions. The luxurious leather is complemented by subtle gold-tone hardware, enhancing its overall allure. With comfortable handles and a detachable shoulder strap, this versatile piece can be styled in multiple ways to suit any outfit. Please refer to images.
Etienne Aigner Berige leather heels - UK Size 7/EU40 Step out in style with these luxurious Etienne Aigner Berige leather heels. The high-quality leather and sleek design create a sophisticated and chic look, perfect for any occasion. The comfortable fit and moderate heel height make these heels a versatile addition to any wardrobe. In good vintage condition with signs of wear to the interior of the shoe. Please refer to images.
A LARGE UNHEATED ROYAL BLUE SAPPHIRE LOOSE GEM Featuring a large unheated Royal blue sapphire, weighing 16.61 Cts, of an oval brilliant/step mixed cut, eye clean. Accompanied by Nan Yang Gemological Institute Report No. 32883460, dated May 31, 2024, stating that the vivid blue (Royal blue type) sapphire shows no indication of thermal enhancement, with gemological testing revealing characteristics consistent with sapphires originating from Sri Lanka. 15.07 x 12.20 x 9.99 mm 16.61 Cts Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration. Additional Information: Property from the estate of Lie Ee Hooi, Grace aka Lee Ee Hooi
John Sanderson (20th century), a pair of collage style poster prints each made up of various musicians, album covers, photographs and newspaper headlines, framed and glazed, 93 x 50cm. (2)Pop Memrobilia / Posters – I have worked in Architecture, Art and Design for the last 42 years, and have now retired. My Step Son Adam Day is a Song Writer, Musician, and Lead Singer for originally the Lyrebirds, who performed all over Europe, especially in Manchester, Brighton, Berlin and Prague during 2006 to 2013. In 2014 they changed their name to County Line Runners and were signed up by Universal Records, playing in both Europe and America. They performed at large Festivals in England from the Brixton Arena (Venue of 4000 to 5000 people) to the Hyde Park Festival of over 100000 people. As Adam is very well known as a Song Writer; he wrote many songs for other Pop Artists such as “Florence and the Machine” where he wrote the first 3 Tracks of her Cosmo Album and performed / sung with her on the first track. Adam and his Band, played support band many times for the Kooks, Macabees, Mumford and Sons, and were lined up to play Supporting Band with Neil Young, touring America in 2019, but unfortunately the Covid Epidemic happened and he missed out on that gig.However as Adam was a close friend of Luke, of the “Kooks”, and went drinking “in the early days” with Marcus Mumford of “Mumford and Sons”, as well as Felix and Hugo of the “Macabees” who I used to drink with and who came to my Birthday Party, many years ago; - so as Adam’s Stepfather, I also built up a relationship with a few people in the Music Industry . After the County Line Runners, were signed up with Humming Records ( Bill Ryder Jones ex of “The Coral”) Produced the Hits written and performed by Adam Day of the County Line Runners - “Hard To Find” and “Wide Eyes” and “Plastic Palm Trees”. So throughout all this, as ALL of the Groups had to produce Merchandise to sell at their Concerts; and as they knew I was related to Adam Day, and had an Art and Design background, they would specifically ask me to produce large Collages of various Bands, including the Band within a Mix of Political / Religious and Musical Design, with a lot of “Text and Hidden Meanings” which they loved. So my work has a hidden picture of myself somewhere within it; and was sold at many Music Concerts, which I often attended with Adam and went backstage on many occasions; (which I still have all of my original artwork and have the Copyright). “Once I had been pushing my art work / posters / pop-memorabilia onto a few different publishers / printers in the south including Virgin Records, who had shown an interest; and suddenly I received a really angry / snotty letter from a German Publishing House in Germany, who must have had an Office in England that I was not aware of, and who was complaining that it was totally illegal to show posters / pictures of Adolph Hitler. (Reference to a picture in one of my Posters of Hitler crying blood - tears out of his eyes, in amongst other political / religious / figures and text. I knew then “that I was famous in my own little way”, especially when Hugo of the Macabees got hold of the story, and immediately put up the Framed Poster on the main wall in their London Recording Studios. When they were interviewed in a Documentary, some years ago on Channel 4 Television, I remember seeing it quite clearly. So my work / many different types of Pop Art Memorabilia, can be found all over, even in Perth Australia, so I have been told. So these are not just mere “bog-standard” posters, they all have a story to tell, and through my Stepson, Adam Day, of County Line Runners, I was able to promote them as Merchandise at various music events, which were seen and purchased by both the Public and performers within the Music Industry ( that I had met) from the late 1990’s up to 2023; when I retired and closed the door on my past; for a quiet life in Suffolk.
A 9ct gold orange hessonite garnet dress ring, set with rectangular step-cut garnet, unmarked mount tests as 9ct gold, setting height 17.1mm, size M, 5.7g . Condition Report:Garnet has 1 small table facet edge chip and light facet edge nicks but is strong orange saturation with small internal crystal inclusions, shank has a small join mark on backing, marks very worn
An 18ct white gold emerald and diamond cluster ring, set with octagonal step-cut emerald and modern round brilliant-cut diamonds, total diamond content approx 0.3ct, unmarked mount tests as 18ct gold, setting height 14.4mm, size O, 3.5g . Condition Report:No damage or repair, all stones present, emerald is quite heavily included, diamonds quite bright and lively, general wear to high points of settings with 1 join mark on shoulder, unmarked
An Antique Victorian 15ct gold pink spinel 'Snake' fob, set with foil-back octagonal step-cut pink spinel within coiled snake frame, unmarked mount tests as 15ct gold, panel 11.3 x 9.0mm, fob 22.3mm, 6.2g . Condition Report:Spinel has several heavy abrasions to flat surface otherwise no chips or damage, general wear to high points of mount, bale has a small solder repair and slightly thin, unmarked
Gardel (Pierre-Gabriel) L'Enfant Prodigue, Ballet-Pantomime, first edition, Hortense de Beauharnais' copy, half-title, contemporary red morocco, gilt, one corner nicked, 8vo, Paris, De l'Imprimerie d'Adrien Egron, 1812.*** Lovely copy with distinguished provenance of the libretto for this ballet-pantomime with music by Berton, first performed at the Theatre of the Imperial Academy of Music on 28th April 1812.Hortense de Beauharnais was the daughter of Empress Josephine by her first marriage, and thus the step-daughter of Napoleon Bonaparte and later also his sister-in-law when she married his brother Louis Bonaparte (1802), later King of Holland. Provenance: Hortense de Beauharnais (ink stamp on title and at head of p.1 of text); Simone André Maurois (bookplate); Hubert Heilbronn (bookplate).
Ippolito Caffi, 1809 Belluno – 1866 Lissa NÄCHTLICHER KARNEVAL IN ROMÖl auf Leinwand.68 x 93 cm.Rechts unten signiert auf einer Treppenstufe.Beigegeben eine Expertise von Dr. Annalisa Scarpa, vom 26. Februar 2020, in Kopie.„I moccoletti“ – die letzte Stunde im Karneval. Das imposante Gemälde dokumentiert den letzten Höhepunkt des römischen Karnevals in der Nacht des Faschingsdienstags, an dem die gesamte Bevölkerung der Stadt kostümiert und mit Masken teilgenommen hat. Als „moccoletti“ wurden die Laternen oder Lichter bezeichnet, die jeder mit sich führte. Das traditionelle Spiel bestand in dieser letzten Karnevalsstunde aus dem Versuch eines jeden, das Licht eines anderen zu löschen, der dann die Maske abzunehmen hatte, was nicht selten zu Überraschungen führte. Vor allem den Corso füllte ein Lichterstrom von tausenden Laternen und Lampions, wie hier gezeigt. Diese jährlich einmalige Situation hat den 1835 aus Belluno nach Rom gezogenen Maler verständlicherweise derart angeregt, dass er im Laufe der Jahre um 1840 nicht weniger als etwa vierzig solcher Ansichten schuf, manche sind bislang noch nicht aufgetaucht. Die erste Version entstand 1837. Er selbst hat sich schriftlich anlässlich der Ausstellung des ersten solchen Werkes in der Akademie schriftlich geäußert. In seinem Brief an Antonio Tessari vom 14. August 1837 hat er seine überwältigenden Eindrücke beschrieben, wie jedes Fenster erleuchtet und mit Teppichen geschmückt war, Prunkkarossen und Fahnen sich durch die Menschenmenge schoben. Bemerkenswert ist, dass Caffi keines seiner Bildwiederholungen identisch schuf. Jedes dieser Gemälde weist erstaunlicherweise völlig neue Aspekte und Detailbeobachtungen auf. Der Zeitgenosse Caffis, Pietro Selvatico, bemerkte das bereits 1841. Hier im Bild hat Caffi eine stimmungsbedingte Steigerung erzeugt – vom dunkler gehaltenen Vordergrund mit den kostümierten, zum Teil orientalisch gekleideten Festteilnehmern – bis hin zu einem turbulenten Aufleuchten in der Mitte des Geschehens. Der Maler vermochte die Dramatik der letzten Nacht des Festes überzeugend zu veranschaulichen, mit einem im Hintergrund zum Festabschluss aufspritzenden Feuerwerk. Caffi, der seine Ausbildung an der Akademie Venedig erhielt, wechselte häufig seine Wirkungsorte, wie Mailand, Triest, Venedig, Neapel oder eben Rom. 1843 folgten Orientreisen, 1848 beteiligte er sich am Unabhängigkeitskrieg gegen Österreich unter Garibaldi. 1849 entstand seine „Bombardierung Margheras“, wobei er hier den Feuerschein in der Nacht des 24. Mai dokumentierte. 1866 fand er den Tod als Kriegsmaler auf dem Schiff Re d‘Italia, das bei Lissa versenkt wurde. Der Maler erhielt seine Lehre in Beluno sowie bei seinem Cousin Pietro Paoletti (1801-1847) in Padua. Ab 1827/29 an der Akademie in Venedig bei Tranquillo Orsi (1771-1845) und Teodoro Matteini (1754-1831), bevor er 1832 nach Rom ging, 1839 nach Mailand, sowie 1840 nach Triest und Venedig. Durch die Kriegswirren mehrfach inhaftiert, zog er sich 1855 nach Rom zurück, lebte aber 1858 wieder in Venedig. 1866 befand er sich an Bord eines italienischen Kriegsschiffes, das in der Seeschlacht von Lissa versenkt wurde, wo er auch seinen Tod fand. Seinen großen Erfolg verdankt er 1855 einem seiner Werke auf der Pariser Weltausstellung. Durch sein patriotisches Engagement für Italien entstanden zahlreiche Gemälde in Zusammenhang mit den Freiheitskriegen, wie etwa „Die Bombardierung Margheras“ durch die österreichische Armee 1849. Aufgrund seiner hervorragenden Malqualität und der meist stimmungsvollen Wiedergabe, zählt Caffi zu den gefragtesten und bedeutensten Malern des italienischen Realismus. (1411054) (11) (†)Ippolito Caffi, 1809 Belluno – 1866 LissaNOCTURNAL CARNIVAL IN ROME Oil on canvas.68 x 93 cm.Signed on step lower right. Accompanied by an expert‘s report by Dr Annalisa Scarpa, dated 26 February 2020, in copy. “I moccoletti” shows the last hour of the carnival. The impressive painting documents the last climax of the Roman carnival on the night of Shrove Tuesday, in which the entire population of the city participated in costumes and wearing masks.
Ellie pink. Artist: Sheiagh Seales.Artist Info: Shelagh Seales retired from commuting life and loves being part of the Dream On Team. She is very much enjoying painting again - especially with her grandchildren. Sponsor: Eye Salon.Eye Hair & Beauty Salon is a local hub for bespoke hair and beauty care. Established over seven years ago, our team consists of 2 stylists, a barber and beauty therapist, and are highly trained and adept in using premium brands, catering to a diverse clientele. We are a place where tradition meets trend, and every service is a step towards enhancing your personal, tailored style. Visit us for a touch of elegance and a commitment to beauty that’s distinctly Eye Hair & Beauty Salon.Sponsor website: www.eye-salon.co.ukSponsor Facebook: www.facebook.com/eyehairandbeautysalonSponsor Instagram: @EyeHairAndBeautySalon Approx animal weight (Kg): 1.4.Approx animal size (cm): 30 x 29 x 17.
dating: 1820-30 provenance: Duchy of Lucca, Curved, single-and-false-edged blade of fine damask, highlighted by a small step on the back, at the base marked '2'. Silver hilt, single langet with coat of arms of the Duchy of Lucca, 'S'-shaped quillons. Solid silver grip worked with transversal bands with wire binding. Pommel shaped as a lion's head, eyes with hard red stone, brass crown at the top. Scabbard (probably a war booty) of leather-covered wood sewn with metal wire and with silver mounts, long cap with engraved geometric and floral motifs, three suspension rings. Complete with gilded-threads sword-knot. length 77 cm.
A ruby and diamond ring, a rectangular step cut ruby, to a trefoil of eight cut diamonds to either side, one eight cut diamond deficient, all claw set and flanked by a curved channel of baguette cut diamonds, all to a hollow mount with tapered shoulders and a flat section shank, tested as approximately 9ct gold, 3.39g Ring size QBuying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new. Condition ReportMinor marks and scratches to mount.
Two gem set rings, an aquamarine and diamond cluster ring, with a rectangular step cut aquamarine, bezel set in yellow, to a surround of eight cut diamonds, all grain set and faced in white, into tapered shoulders and a D section shank, stamped 18CT, tested as approximately 18ct gold,and a garnet and seed pearl cluster ring,with a central round cut garnet, to a surround of split pearls, into shoulders with incised detail and a flat section shank, stamped 9ct18ct gold 3.36g, 9ct gold 3.83g (2)Ring size N, NCondition ReportFacet junctions to aquamarine showing abrasion.A few small chips to garnet facet junctions. Visible by 10x magnification.Garnet slightly tilted in setting. Appears to be secure in setting. A few claws to garnet worn and require re-tipping.Split pearls showing wear to nacre.Marks and scratches to mounts.
Two gem set single stone rings, a citrine single stone ring, with a rectangular step cut citrine, claw set to applied shoulders and a flat profile shank, stamped 18ct, tested as approximately 14ct gold, and a synthetic yellow sapphire ring, with a rectangular stepped cut synthetic yellow sapphire, claw set to an open wire collet, to incised shoulders and a D profile shank, stamped 9ct, tested as approximately 9ct gold18ct gold 6.33g, 9ct gold 8.96g (2)Ring size M, N½Condition ReportCitrine showing a few small scratches to table and crown facets. Visible by 10x magnification.Synthetic sapphire showing some chips and abrasion to facet junctions of table, crown and girdle. Minor marks and scratches to mounts.Tarnish.
An emerald and diamond ring and a diamond half eternity ring, an 18ct gold emerald and diamond ring,with a central step cut emerald flanked by two round brilliant cut diamonds, in claw setting, to elevated shoulders and a plain hoop, London 1990,together with an 18ct gold diamond half eternity ring,with six round brilliant cut diamonds claw set to the centre, to a plain hoop with twist rope detail on one side, Dutch hallmark for 18ct gold standard, 4.06g total (2)Ring sizes L½, K½
Two pairs of gem set stud earrings, a pair of 9ct white gold blue topaz earrings, with a square step cut topaz, bezel set to post and butterfly fittings, 5mm x 5mm, hallmarked Sheffield,and a pair of cubic zirconia stud earrings, with a round brilliant cut cubic zirconia, claw set to post and butterfly fittings, 6mm diameter, stamped 14K, tested as approximately 14ct gold, 3.16g total (2)Condition ReportSettings and fittings a little dirty. Would benefit from being cleaned gently.
the step-cut aquamarine is set with two circular-cut diamonds, in 18ct gold, 2.8 grams, size O, together with a sapphire and diamond triple cluster ring, the three oval-shaped sapphires are set within a surround of rose-cut diamonds, in gold, 2.7 grams, size N, a diamond three stone ring, set in 18ct gold, 2 grams, size M and a diamond cluster ring, set in 18ct gold, 1.6 grams, size L. *CR All with some wear.
A ruby and diamond trilogy ring in 18ct yellow gold. Set with three step cut rubies, to an estimated 0.67 carats, and surrounded by halos of round brilliant cut diamonds to an estimated 0.13 carats. Size L1/2. Gross approximate weight 3.07 grams. Please note the rubies in this piece are fissure filled and care must be taken in wearing and cleaning these stones.
Sapphire and diamond cluster ring, square step cut sapphire, estimated weight 0.79 carats, surrounded by round brilliant cut diamonds, estimated total diamond weight 0.26 carats, stamped platinum, size LCondition Report: Gross weight 4.1gSapphire has a few small chips and nibbles, otherwise in good condition
Emerald and diamond ring, central rectangular step cut emerald, estimated weight 0.71 carats, set in a border of single cut diamonds, with diamond set shoulders in a milgrain setting, mount stamped platinum, ring size MCondition Report: gross weight 4 grams claws around emeralds have rough surface, but stones are secure.
Imperial Russia. St. George Silver Cross 4th class, Type IIIa. 1807-1913. Centre showing St. George killing the dragon / center bearing the initials of St. George. On the bottom arm the inscription 4 ???? (4 Step) on the horizontal arms the inscription 58 691. Barac 4, 1566; Werlich, 26. 10.20g, 34.00mm, 12h. Very Fine to Good Very Fine. Rare.
The Royal Irish Constabulary (All Ireland) Tournament Shooting Medal 1904 awarded to Sergeant Francis McGeary Drogheda Police, County Louth - Obverse (1904), Reverse, (Rifle Competition 1st Team Sgt. F. McGeary.), 9 carat gold, Birmingham 1903 makers J.F for James Fenton, very fine (1)April 1899 Promoted to Sergeant after 2 years and seven months a s a CorporalConstabulary Gazette (Dublin) the 8th of July 1899Sergeant Francis McGeary has been transferred from Westgate, Drogheda to Anne Street Dundalk, Sergeant McGeary served for twelve years in Drogheda, and we can safely say that since the days of Cromwell, no more popular policeman ever left the historic town on the Boyne. His friends both in the force and out of it are legion, and but for the fact that his transfer is a step towards his future advancement great would be the regret of his departure., We hope his future career will be both prosperous and pleasant.Sold with Copy Dublin Constabulary Gazette entries, and genealogical information
GASSIOT JOHN PETER: (1797-1877) English amateur scientist associated with public demonstrations of electrical phenomena and the development of the Royal Society. A.L.S., J P Gassiot, four pages, 8vo, Clapham Common (London), 17th March 1864, to Miss. Fox. Gassiot informs his correspondent that an election is entirely with the council and continues to write of a mutual friend who ´has of late years so entirely ignored science for politics, that others appear to step in before him´ further adding that their acquaintance ´has many old friends in this country who have a lively recollection of his contributions to science but when they advocate his claims, they are met with what has he done for so many years?´ and remarking ´Now if you could rouse him up, it would be of great service´. In concluding Gassiot asks to be remembered to his friend´s wife who, with her husband, had attended one of Gassiot´s scientific reunions shortly after their marriage. Some very light, extremely minor age wear, and with one small trace of former mounting to the final page, not affecting the text or signature, VG
TUNICK SPENCER: (1967- ) American photographer. Signed colour 8 x 10 photograph of Tunick in a full-length pose standing on a tall step ladder, with a camera in one hand and with his other arm oustretched as he offers directions to the subjects before him. Signed in black ink with his name alone to the left white border. EX
A large amethyst dress ring and another with synthetic pink corundum, the five sided 18mm faceted amethyst collet in an all yellow metal bark textured mount, average size U plus, shank open at back, 16.4g; a rectangular step cut synthetic corundum,12x10mm, claw set in a yellow metal mount size M, pierced scroll shoulders, shank marked 750, 6.1g.Qty: 2
An aquamarine and diamond ring, the rectangular step cut stone, 7x4.5mm, four claw set with a brilliant cut diamond to each side in an 18 carat yellow and white gold mount ring size N, London 1988, 3.6g.Condition report:There are some minor chips and abrasion to the girdle of the aquamarine. One diamond has a chip to the girdle and a more obvious inclusion under the table facet. All claws are in very good condition.
Madness CDs / Box Set, a Box Set and twenty-two CDs by Madness and Suggs including Madness Vol 1 Singles Box Set, One Step Beyond, Absolutely, 7, The Rise and Fall, Keep Moving, Mad Not Mad, Wonderful (all Double reissues), The Business (Triple), One Step Beyond (CD / DVD), Madstock (CD/DVD), The Lone Ranger, The Dangerman Sessions Volume One and more - mainly all in EX+ condition

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26534 item(s)/page