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Lot 121
A BURMA NO HEAT RUBY, DIAMOND AND PEARL BRACELET, EARLY 20TH CENTURY in high carat yellow gold, comprising of a single row of alternating step cut rubies and rose cut diamonds, punctuated with diamond set motifs and pearls, unmarked, 18cm, 14.8g. Accompanied by a gemological report stating that the rubies are of Burmese (Myanmar) origin, with no indications of heat treatment.
Lot 336
A set of Edwardian mahogany and leather library steps, the upper step with a cupboard and the middle a drawer, each set with a brass handle, raised on tapering square supports to castors, 53cm wide, 72cm deep, 72cm highCondition report: Leather likely replaced. Knocks and scratches. Some losses and areas of lifting to stringing. General wear throughout.
Lot 227
18CT WHITE GOLD AQUAMARINE AND DIAMOND RING. The step cut aquamarine surrounded by diamonds. Ring size M. Weight 3.7g approx. (B.P. 21% + VAT) Very good condition. 1.5cts aquamarine approx, cannot measure accurately du to setting. Each diamond approx 2pts 0.02ct. We cannot give details on whether or not a ring can be re-sized.
Lot 225
UK ISSUE CLASSIC ROOTS/ ROCKSTEADY 7" COLLECTION. A smashing collection of around 11 UK pressed 7" roots & rocksteady cuts. Artist/ titles include Inner Circle ?– Jah Music / Love Is The Drug (CL 15900, 1976 promo, Ex), Lee Perry ?– The Woodman / Give Me Justice (JB.251, couple of tiny feelable marks on VG Aside, Bside is VG+), Wailing Souls ?– You Should Have Known Better (PH114, wrongly credited on labels to Tuff Gong Allstars, Ex), The Upsetters – Country Girl / Strange Country (WI-223, VG+), The Ska-Talites / King Scratch & The Dynamites ?– Timothy / Gumma (JB.206, 4-prong, surface marks, VG), Prince Buster ?(x2) inc Shanty Town / Seven Duppy (BB 370, some light surface marks, nothing feelable, VG+) & Al Capone/ One Step Beyond (BB 324, Ex), Pete Western & His Band / Aston Barrett ?– In The Mood / Slide Mongoose (PH-28, strong VG+), Derrick Morgan, Busters Group ?– Should Be Ashamed / Marjorie (45/BB 130, VG), Young Growler ?– Pussy Galore (JU-529, Ex) & Bob & Marcia / Bob Andy ?– Always Together / Desperate Lover (BAM40, couple of fine paper surface marks, VG+).
Lot 308
REGGAEL LABEL (MAINLY JAMAICAN) 7" COLLECTION - 'S TO T'. Crucial collection of 45 x 7" from (mainly) Jamaican S and T labels. Labels/artists/titles include Step Up - Gregory Isaacs and Terry Ganzie, Spear - Burning Spear, Schema, Stingray: Ninja Ford - Mission and Little Hero - Badness Don't Pay, Shock Out Records - Peter Hunningale, Stone Love Music, Survival, Supreme Records: Winston Curtis - Consider Dub, Stop Point Records, Studio 2000 (x3), Solominic, Shocking Vibes, Super Power - Leroy GIbbons, Star Trail - Beres Hammond/Pan Pablo & Bulgie, Shelly Power, Sunshot - Pat Kelly, Scope, Studio Worx, Sunset - Junior Murvin, Sagittarius, Treasure Isle, Taxi (x6) inc. Jimmy Riley, Ranking Joe and Al Campbell and The Taxi Gang, Terminal, Tuff Gong, Trojan inc. Dandy - Take A Letter Maria, Torpedo: Winston Groovey - Please Don't Make Me Cry, Top Nail and Telecom Records.
Lot 181
LONDON RECORDS 7" COLLECTION - 1961. Heading to 1961 with this fantastic collection of 29 x UK London 45s. Artists/titles/cat. numbers are Marvin Rainwater - I Can't Forget (HLU 9447 - Ex a couple of light and minor surface marks), Bobby Parker - Watch Your Step (HLU 9393 - sharp Ex condition), The Velvets - Tonight... (HLU 9372), The Castells - Sacred (HLN 9392), Dick And Deedee - The Mountain's High (HLG 9408), Wink Martindale - Blackland Farmer, The Chantels - Well I Told You (HLL 9480) and Look In My Eyes (HLL 9428), Billy Joe Tucker - Boogie Woogie Bill (HLD 9455), The Ventures - Wailin' (HLG 9465), The Crickets (HLG 9486), Ernie K-Doe - I Cried My Last Tear (HLP 9487), Sammy Turner (HLX 9488), Ray Peterson (HLX 9489), Johnny And The Hurricanes (HLX 9491, HLX 9378), Sandy Nelson, The String-A-Longs, The G-Clefs, The Lennon Sisters (HLD 9417), Johnny Tillotson (HLA 9412), Bob Moore (HLU 9409), Del Shannon, Bobby Vee (HLG 9470, 6459, 9438, 9389), Ben E. King and The Coasters. Many records are in lovely Ex to Ex+/archive condition, all centres intact and housed in (mainly original) company sleeves.
Lot 314
REGGAE 7" - CLASSIC ROOTS/ROCKSTEADY/DUB. Wicked selection of JA 7" rarities with 5 included. Titles are Leroy Stewart - Step Forward (Live And Love Records - VG surface marks noted, nothing heavier), The Meditations- Think So (Black Art Records - VG some surface/scuff marks, not huge in number, one or two light scratches), The Skatalites/Pablo Of Black - Coconut Rock c/w Rocker's Party (Iron Side - VG with some surface/scuff marks, none heavier), Bob Marley - Soul Town (Bullet BU 464 - G+ a number of surface/scuffs and a few light scratches, missing centre) and Roy Dobson - Jah Children Rising (Black Pearl Records - side 1 in VG condition with a number of surface/scuff marks, none heavier/B side in G condition with a few scratches).
Lot 310
REGGAE 7" - CLASSIC ROOTS/ROCKSTEADY/DUB. Killer cuts with this wicked collection of 34 x choice 7". Artists/titles include Slim Smith & Dave Barker - Blessed Are The Meek (Unity UN 567 - VG surface marks), Vivian Jackson And The Prophets - Judgement Time (Prophet's Record - please note G/G+), Alton Ellis - Baby Love (Rhythm Force Records), Max Romeo - One Step Forward (Black Art, printed labels ART 14 RE - Ex), Eric Clarke, Bob Andy, Sound Dimension - Heavy Rock, Marcia Griffiths - Feel Like Jumping, Domino Johnson - Summer Time, The Palm Trees - Step It Out (HT 005), Tamlins - Smiling Faces, Bill Gentles - True True Train (PH 809, Pama), Dennis Alcapone, The Paragons - On The Beach (Treasure Isle RE), Slim Smith, Burning Spear, The Beltones, Rocking Horse, Ernest Wilson, Revelation, Dillinger, Skankie Boo, The Little Boys, The Reggae Boys, Big Youth, Danny Ray, Horace Faith and Sammy Dread. Please note that condition can vary though there are a number of releases grading as VG.
Lot 49
Rolls-Royce Motor Cars VIP Tour with Lunch for 4 People Rolls-Royce Motor Cars invite you inside the home of Rolls-Royce at Goodwood, Sussex, to step behind the closed doors, an experience usually reserved for our most discerning clients. Immerse yourself in the world of Rolls-Royce with a VIP tour across the production line where you will witness the outstanding craftsmanship behind the beautiful cars. You will then visit the exclusive Rolls Royce atelier where clients customise their motor cars according to their desires. Finally, join one of the Rolls-Royce experts for lunch in the stunning Dining Gallery. T&C’s Apply Final bidder to agree a mutually convenient date for the VIP Tour & Lunch (subject to availability), with P & A Wood and Rolls-Royce Motor Cars Valid until April 2021 Subject to related government guidelines Experience may not be resold or re-auctioned The experience is for 4 guests only Travel and accommodation not included No under 16s Donated by: P & A Wood and Rolls-Royce Motor Cars www.rolls-roycemotorcars.com
Lot 72
Abseiling Experience for 2 down the ArcelorMittal Orbit, Olympic Park, London Experience the most spectacular views of London, whilst dangling in free space, 80 metres above the ground! Abseiling down the ArcelorMittal Orbit will be an experience you will never forget. Our abseil instructors will look after you every step of the way. They will kit you out and look after every aspect of your safety. Using the safest rigging system conceivable, they will coax you over the edge and on your way to a truly breath-taking experience. T&C’s Apply The final bidder will receive the e-codes to book their experience Subject to related government guidelines Experience may not be resold or re-auctioned Both participants must be: Over 14 years of age (parental consent & supervision required if under 18) Over 1.2 metres in height Less than 19 stone (120kg) in weight Able to wear a harness - maximum width waist 130 cm & upper thigh 75cm Both participants must NOT be: Suffering from a medical condition to put their health & safety, or others’, at risk Under the influence of drugs or alcohol Pregnant They must sign a declaration before abseiling (details provided upon booking) Donated by: Wire and Sky www.wireandsky.co.uk
Lot 119
Colin Moss A.R.C.A. (1914-2005) The Artist At 80 1994 And Art Tour In Ipswich, Suffolk Plus, a Colin Moss-inspired walking art tour during 2021 around Ipswich with curator Emma Roodhouse, date to be agreed. Charcoal on paper Framed 76 x 56 x 3 cm Join other collectors of Colin Moss’s work by bidding for this striking, original charcoal drawing. Moss’s works are held in the collections of the British Museum, The Tate Gallery Archive, The Imperial War Museum, The Government Art Collection, Ipswich Borough Council Museums & Galleries, Leamington Spa Museum & Art Gallery, Nottingham Art Gallery, and the Cheltenham & Gloucester Building Society. This is a once in a lifetime to bid for a piece of art, generously donated by the widow of the artist, in aid of the young people in situations of challenge, in Colin’s home town. Colin Moss drew and painted scenes of ordinary life - men in the pub, women eating sandwiches in the park or bending to pick up milk from doorsteps. These images form an important part of Moss' artistic legacy to Ipswich. He was also an acclaimed art teacher, leaving a profound impression on students including, Brian Eno and Maggi Hambling. ‘His teaching, like his painting, was tough, honest and passionate.’ Maggi Hambling, The Guardian, 2005. Painter, draughtsman, camoufleur, printmaker and teacher, Colin Moss was born in Ipswich in 1914. He studied at the Plymouth Art School, 1930-1934 and won a scholarship to the Royal College of Art, studying under Gilbert Spencer, Charles Mahoney and Percy Horton, 1934-1938. Among his contemporaries was Mervyn Levy, who became a life-long friend. In the same year, he completed mural paintings for the British pavilion at the New York World Fair. During the war, he was a camouflage designer to the Ministry of Home Security. After he was demobbed, he was appointed Senior Lecturer at the Ipswich School of Art and held that position until his retirement in 1979. ‘The legacy of Colin Moss casts a huge shadow across East Anglia's art landscape.’ Andrew Clarke, Art Critic (2010) Framing kindly donated by Hung, Drawn & Quartered (www.hdqframing.co.uk) The Art Crawl Art curator Emma Roodhouse (accompanied by Colin’s step-daughter Trudy) will lead a 2-hour, Colin Moss-inspired tour around various Ipswich sites and hostelries, explaining the links each venue has to Colin's life and works. The tour will be for the purchaser of the drawing plus up to 5 additional people. T&C’s Apply Suggested Reserve Bid £400 The artwork will be dispatched to any UK or overseas address, at the buyer’s expense, after the auction closes. The Art Crawl can be arranged directly with Trudy Sore, Colin’s step daughter at a mutually agreed time. Contact details for the Art Crawl, to be supplied on completion of the auction. Whilst we hope this experience will be possible as fully described, the above is subject to any and all COVID-19 restrictions that may be in place in 2021 Donated by: The Estate of Colin Moss www.colinmoss.info.
Lot 198
Limited Edition Kylie Minogue Bamford Quartz Watch with Personalised Signed Box and Lithograph Print This limited-edition timepiece (in collaboration with Bamford London) features Kylie’s iconic pose from her Step Back in Time album artwork. Included with the watch is a limited-edition lithograph print of the album artwork, which Kylie will sign and personalise for the winning bidder along with the watch’s box. This timepiece brings the album artwork alive on the dial of the Mayfair Sport. Using Kylie Minogue’s signature pose and the letters of her name, playfully replacing the more traditional hour markers, Kylie is quite literally popping off the dial. With the addition of a light-reactive luminous watch face, both her name and iconic pose can be seen in the dark. A black and white colour-way combination on the strap, case and bezel complements Kylie pose and highlights the colours elsewhere on the dial. Donated by: Kylie Minogue www.kylie.com
Lot 776
* PETER HOWSON OBE (SCOTTISH b 1958), SELF PORTRAIT oil on canvas, signed 61cm x 53cm Framed. Note: a powerful and intimate self-portrait, dated from 2001, relates closely to the central figures in two of Howson's epic large-scale pieces - The First Step and The Third Step – from around the same period: a series which chronicles the artist's struggles with addiction through a hedonistic lifestyle, prior to converting to Christianity and his subsequent recovery. The artist depicts himself cautiously glancing at the observer, vulnerable and exposed.
Lot 133
A pair of yellow metal, emerald and enamel flower head earrings, the square step cut emeralds measuring approximately 5.3mm x 5.3mm in rub-over closed back setting, within gold, white and blue enamelled daisy head surround, with stick backs, the head of the earrings 10mm diameter. Purchased from S J Phillips of Bond Street, London, with retailer's box. Property of the late Lady Katherine Davson CONDITION REPORT: Condition reports have not been included in the description. If you require further images of this lot or a condition report please contact us with your request
Lot 1388
A Victorian mahogany hall chair, having a shaped back and solid seat on turned legs, together with a Victorian oak bobbin turned metamorphic set of library steps (2)Condition report: Metamorphic chair is in good overall condition, with some discolouration on seat, one split and general wear and marks Steps show some signs of pitting, 2nd step has a split. Maker’s label present. See further pictures
Lot 283
NO RESERVE Caricatures.- Woodward (George Moutard) and others. Seven satirical prints, including John Bull at the Riding School, First Going Alone, A Beaux Trap by Cruikshank, A Tour in Foreign Parts after Bunbury, Hop Step and Jump published by Tegg, A Broil and A Fry published by Humphrey, etchings with hand-colouring, various sizes, some tears and areas of restoration, spotting and surface dirt, unframed, 19th century (7).
Lot 74
central claw set octagonal faceted sapphire, measuring 9.4 x 6.1mm, estimated approximate weight 2.40ct, flanked by two rows of diamonds (3 and 2), in step down settings, estimated total approximate weight 0.25ct, tapered shoulders, flat shank, size L, unmarked white metal, tested as platinum, weight 4.2g
Lot 131
claw set square faceted aquamarine, estimated approximate weight 3.30ct, flanked by two graduating step down box set baguette cut diamonds on each shoulder with an estimated approximate total weight 0.30ct, tapered shoulders, 'D' shaped shank, size L½, unhallmarked white metal stamped '750', weight 4.6g
Lot 138
claw set rectangular step cut aquamarine, 27 x 20mm, estimated approximate weight 43.00ct, each side decorated with ten old cut diamonds, estimated total approximate weight 1.40ct, each in two parallel grain set step down rows, pin and revolver fitting, dimensions 4 x 2.1cm, unmarked white metal tested as platinum, weight 19.1g, presented in the original fitted case
Lot 158
central old cushion cut diamond, estimated approximate weight 0.70ct in a cut down setting, connected to four bars each set with two old cut diamonds, the bars spaced with four emeralds, (two rectangular step cuts weighing approximately 0.70ct in total and two square step cuts weighing approximately 0.50ct in total), all surrounded by a border of rose cut diamonds, pin and revolver fitting, dimensions, 2.3 x 2.1cm, unmarked yellow and white metal tested as 15ct gold with silver settings, weight 5.9g
Lot 328
c1930, the unsigned rectangular cream coloured dial with black Arabic numerals, blued moon hands and chemin de fer chapter ring, signed 16 jewel mechanical crown wind movement, white metal case, verso hinged, interior signed and marked 'PLATINUM', number 561/7001, the case side embellished with decorative engraving, bezel with four line step down lugs and cord clips grain set with a total of 64 single cut diamonds totalling approximately 1.25ct, to a black cord strap terminating in a white metal fold over clasp stamped '9ct' and fitted with safety chain, overall length 165mm
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26534 item(s)/page