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A gold ring, mounted with a cut cornered rectangular step cut amethyst, between textured shoulders, in an abstract design.

A pair of opal doublet set pendant earrings, a pair of citrine set single stone earrings, each claw set with a circular cut citrine, a pair of amethyst set single stone earrings, each claw set with a rectangular step cut amethyst and a pair of Victorian pendant earrings, each pair of earrings with screw fittings to the tops.

A gold ring, collet set with an oval opal, a 9ct gold ring, claw set with a rectangular step cut smoky quartz and another ring.

A gold ring, claw set with a rectangular step cut amethyst, a seed pearl set full eternity ring, a 9ct gold ring, mounted with a cultured pearl and an imitation turquoise set half hoop ring.

An 18ct gold, sapphire and diamond set oval cluster ring, mounted with the oval cut sapphire at the centre, within a surround of circular cut diamonds, ring size M and an 18ct gold, emerald and diamond set cluster ring, claw set with the cut cornered rectangular step cut emerald at the centre, within a surround of circular cut diamonds, ring size M and a half.

A gold and peridot set bracelet, in a two row oval link design, mounted with cut cornered rectangular step cut peridots at intervals and fitted with a safety chain, a gold, amethyst and seed pearl set brooch, in a circular design and a gold pendant, mounted with an opal doublet.

A white gold and spinel set single stone ring, claw set with a cut cornered rectangular step cut spinel, the mount detailed 9ct.

A gold and amethyst set single stone ring, mounted with a hexagonal step cut amethyst, detailed `10k`, and a 14ct gold ring, mounted with three amethysts and two rows of three diamonds mounted at intervals (shank cut).

Mahogany step commode and a 19th century pine stick stand

A large unmounted oval sapphire 88.38ct. with GIA certificate. Opaque Very dark blue. 34.94x22.04x10.78mm. Crown brilliant cut, pavilion step cut. No indications of heating (NTE) Dyed.

A Shiraz rug with step edged double lozenge indigo medallion in a red field and with ivory main border, 210 x 135 cm

A brick red Afghan rug with ten step edged octagons within multiple borders, 212 x 145 cm

An AEG Step 600X Fixtec jigsaw, and a Silverline ½" Router

A diamond and emerald three stone ring, a round brilliant cut diamond between two square step cut emeralds, in white claw settings, to diamond set shoulders on a plain polished shank, diamond weight 0.43 carat approximately, finger size N

A late Victorian walnut mirror backed sideboard, with step pediment, tapering pillars, with two drawers and cupboards below, on bracket feet, 184cm high, 205cm wide.

Pine Corner TV Stand, Oak Pulpit Step and Servants Bell Display (3)

An emerald ring, the step-cut emerald in a textured branched shoulder shank, finger size M

An 18ct gold emerald and diamond cluster ring, the step cut emerald in a yellow corner claw setting

A Victorian mahogany circular step commode, the hinged lid above a single pull-out step.

A Turkman prayer rug with scroll sided motifs in a deep blue mihrab, 160 x 93 cm and a Kurdish rug with step edged motifs in an ivory field, brick red border with serrated leaf design, 151 x 97 cm

Art Deco style diamond and emerald cluster ring, set centre rectangular step-cut diamond flanked by pair square small emeralds and surround of numerous diamonds, all on white metal and having diamond shoulders

DU MAURIER DAPHNE: (1907-1989) British Author. T.L.S., Daphne du Maurier, two pages, 8vo, Kilmarth, Par, Cornwall, 14th October 1977, to Mr. Threadgold, stating that she would be happy to sign his copy of Gerald and continuing 'It was truly a labour of love - if you can call it labour - and I so remember asking him once, a few years before he died, why he did not write his autobiography; another stage personality had just done theirs. He replied “I can't be bothered, but if I did, I should take care to tell the truth about myself.” This stayed in my mind, and I tried to do as he said. I know some of his acting friends were shocked, and thought I had been too outspoken, a daughter about her father. But when I think of what people write today, it all seems very harmless!' She further adds 'I agree about Jamaica Inn. A very poor film indeed. All shot in a Hollywood studio, or it could have been an English one, I forget, it was pre-war, but they completely altered the story.' Together with the title page of Gerald - A Portrait, neatly removed from a Penguin edition of the book, signed and inscribed by Du Maurier and dated October 1977 in her hand. Also including a second T.L.S., Daphne du Maurier, two pages, 8vo, Kilmarth, Par, Cornwall, 4th July 1978, to Mr. Threadgold, stating 'I confess I have never heard that Clemence Dane, a very good writer, ever wrote a script for Jamaica Inn. Or that J. B. Priestley had anything to do with it either. But that Charles Laughton himself had the biggest say in it all! No, when a writer in those days, like myself, sold the film rights of a novel, that was it, and I wasn't consulted. Same went for Rebecca and other novels. I dare say had I held out for consultation it would have been different. But I never wanted to write a film script for my novels, as it would have entailed going to Hollywood and I would never have faced that!' Further with a printed 8vo theatre programme for a performance of Rebecca at the Yvonne Arnaud Theatre, Guildford, Surrey, February - March 1977, signed and inscribed to an inside page by Du Maurier and also signed by cast member Hayley Mills, and also including a signed colour 5 x 3.5 photograph of Du Maurier seated on an outdoor step with two small dogs at her side. Signed in blue ink to a clear area at the head of the image and dated 1987 in her hand. VG to EX, 5

A pair of 19th century step cut ship`s decanters with engraved oval cartouche of galleon, both having plated labels `Rum` and `Whisky` - H20cm

Jacob Kramer (Ukranian, 1892-1962) Mother and Child, November 1922 signed, dated and inscribed in crayon `To Sir Michael Sadler from Jacob Kramer` watercolour 16" x 11 1/2", unframed. Sir Michael Sadler was Vice Chancellor of the University of Leeds between 1911-1923 and he became one of the leading figures promoting modern art in Britain between the two world wars. During his tenure at Leeds, Sadler became President of the avant-garde Leeds Art Club, which was an important meeting group for radical artists, writers and thinkers. Sadler promoted a number of young avant-garde artists, in particular Kramer, whom he gave helpful advice encouragement and financial help. Kramer stated `I had become a student at the Slade School, a step which I might not have taken but for Sir Michael Sadler`s interest in me`.

20th century Eastern gilt metal figure of a female goddess on three tiered step base

A stained wooden dais with single step

GRAFFPendentif chaînetteen or gris sertie sur griffes d`un très beau saphir birman vivid blue rectangulaire taillé à pans pesant 7,82 cts, épaulé de quatre diamants baguettes.A diamond and 18K gold ring set with a rectangular step cut Burmese vivid blue sapphire weighing 7,82 cts.Dimensions de la pierre : 12,82 x 10,33 x 6,09 mm. 6,8 gLa pierre accompagnée d`un certificat G.R.S. attestant : origine Birmanie, couleur vivid blue type Royal Blue sans modification thermique.

An Edwardian Mahogany Dressing Chest, oval bevel plate mirror in shaped supports with jewellery drawers, step top with two short drawers and two full width graduated drawers, iron swan neck handles, standing on tapering square legs with castors, herringbone stringing throughout

Two volumes Edward Step 1905 `Wayside and Woodland Blossoms` - 127 colour plates in each

A SILVER PLATED FOUR BRANCH CANDELABRA with circular step base and one other silver plated two branch candelabra.

A patinated spelter figure, after the original entitled 'The Philosopher' by the Irish sculptor Sophia Rosamund Praeger (1867-1954), modelled as a young boy perched on a step, signed and dated 1916, 19cm high

A gold ring, mounted with three rectangular step cut sapphires, alternating with two pairs of cushion shaped diamonds, the mount decorated with scrolling sides.

An 18 Carat Gold Pink Tourmaline and Diamond Ring, the step cut tourmaline in a yellow four claw setting, with a round brilliant cut diamond either side, in white claw settings, to a yellow tapered shoulder plain polished shank, total estimated diamond weight 0.20 carat approximately, finger size K

A Bangle, by Hermes, the gold plated bangle with buckle detail, and an insert of beige leather, and A Bar Brooch, a step cut white stone centrally, and a round brilliant cut white stone to each side, in white claw settings, length 6cm (2)

An 18 Carat White Gold Aquamarine and Diamond Ring, the step cut aquamarine flanked by a triangular cluster of round brilliant cut diamonds to each shoulder, in claw settings to a tapered shoulder plain polished shank, total estimated diamond weight 0.50 carat approximately, finger size M

An 18 Carat White Gold Aquamarine and Diamond Ring, the square step cut aquamarine in a white four claw setting, to shoulders set with round brilliant cut diamonds on a plain polished shank, finger size M

A Diamond and Gemstone Ring, of four components, a diamond set half hoop ring, split centrally to allow the insertion of one of the three rings, each set with either ruby, sapphire or emerald, square step cut stones, in a yellow channel setting, finger size K1/2

An Emerald and Diamond Bar Brooch, the alternating square step cut stones in a white channel setting, total estimated diamond weight 0.80 carat approximately, length 5cm, in a Cartier box

AN OAK PATENT LIBRARY STEP LADDER of four treads with cast iron brackets inscribed THE HATHERLEY PATENT LATTISTEP, 103cm h, 34cm w, early 20th c In good condition with signs of wear

AN EMERALD AND DIAMOND CLUSTER RING the almost square step cut emerald surrounded by ten evenly sized diamonds, in white gold marked 585, size O Claw slightly loose but in good second hand condition

AN EMERALD AND DIAMOND CLUSTER RING the larger central step cut emerald in a surround of twelve evenly sized diamonds, gold hoop marked 750, size P In good second hand condition

An aquamarine bar brooch rim set with a step-cut aquamarine, flanked by a single pearl, one pearl missing, applied to a plain polished gold bar.

An emerald and diamond ring the band ring set with alternate brilliant-cut diamonds and square step-cut emeralds, mounted in 18ct white gold, ring size M. .

An emerald and diamond cluster ring the square step-cut claw-set emerald, within a fourteen brilliant-cut diamond border, mounted in 18ct gold, ring size O. .

An amethyst and diamond ring, the central step cut amethyst claw set above stepped brilliant cut diamond shoulders, approximately 0.84 carats total, mounted in 18 carat white gold, hallmarked London 2012, finger size M

A diamond three stone ring, the central emerald cut diamond, stated to weigh 0.75 carats, claw set with a step cut diamond to either side, approximately 1.20 carats total, stamped `750`, finger size N Offered for sale with a G I A (Gemological Institute Of America) Report, dated 22nd January 2008, Number 16700778, stating the central diamond is: Clarity: VS1, Colour F (Colourless)

A multi gem set bracelet, set along the length with step cut coloured gems including amethyst, citrine, aquamarine, pink tourmaline and other gems, with gold arched links between, to a concealed box snap clasp, mounted in 14 carat yellow gold, London import hallmarks 1979, 18cm long

An emerald and diamond cluster ring, the central cut cornered step cut emerald millegrain set within a surround of eight cut diamonds above diamond three stone shoulders, stamped `PT`, finger size N

A. CROXTON-SMITH, "About Our Dogs", 1931, cloth, Frank Townend Barton, "The Kennel Encyclopaedia", Third Edition, J. Stephen Hicks, "The Encyclopaedia of Poultry" and A.E. Knight and Edward Step, "Hutchinson`s Popular Botany" in two vols, (5).

"Synthetic emerald and diamond cluster ring, step cut emerald to centre weighing 1.60cts within a diamond border mounted in white metal, ring size M½"

"Sapphire and diamond ring, step cut sapphire to centre with a baguette cut diamond to each shoulder set in 18ct gold"

A modern Persian style carpet the central panel set with all over floral decoration on a mushroom coloured ground within a step floral decorated boarder 150 x 230cm

A Bassett-Lowke maroon LMS 6 wheel tender-retouching to black running plate, dent to front left hand step, and slight crease to left hand side (G)

AN AQUAMARINE AND DIAMOND RING, WITH THREE LARGER STEP CUT AQUAMARINES IN 9CT GOLD, 3.4G

A Bug Brooch, the body comprises a step cut emerald and a cabochon moonstone, with rose cut diamond eyes, and the wings set with rose cut diamonds and split pearls, measures 3.2cm by 2.2cm, cased

A Diamond Brooch, of bar form, with four step cut diamonds centrally and old cut and single cut diamonds, in white claw and millegrain settings with pierced detail, total estimated diamond weight 1.20 carat approximately, length 5.4cm

A Matching Emerald and Diamond Bracelet and Ring, each of asymmetric design with channels of step cut emeralds and triangular clusters of single cut diamonds, the bracelet with triangular textured sections, bracelet length 17cm, ring size P

An Emerald and Diamond Cluster Ring, the square step cut emerald within a border of eight spaced round brilliant cut diamonds, in white claw settings to a plain polished shank, total diamond weight 0.50 carat approximately, finger size M

A 14 Carat White Gold Amethyst and Diamond Ring, the oblong step cut amethyst in a white corner claw setting, flanked by triangular clusters of round brilliant cut diamonds in claw settings, to a plain polished shank, total estimated diamond weight 0.30 carat approximately, finger size N1/2

An Emerald and Diamond Bombé Style Ring, a step cut emerald in a white four claw setting, over a pierced shaped mount set with round brilliant cut and modified baguette cut diamonds, to a plain polished shank, total diamond weight 1.80 carat approximately, finger size L