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![A Mid century Prestige step ladder/ stool. [60cm in height]](https://cdn.globalauctionplatform.com/334d0405-07ea-4882-835a-ae0100f24b6d/91f26db0-baec-4099-acd9-ae0100fe0fb6/468x382.jpg)
Lot 222
Patrick Duffy signed 10x8 colour photograph. Duffy (born March 17, 1949) is an American actor widely known for his role on the CBS primetime soap opera Dallas, where he played Bobby Ewing, the youngest son of Miss Ellie, and the nicest brother of J. R. Ewing (played by Barbara Bel Geddes and Larry Hagman respectively) from 1978 to 1985 and from 1986 to 1991. Duffy returned to reprise his role as Bobby in a continuation of Dallas, which aired on TNT from 2012 to 2014. He is also well known for his role on the ABC sitcom Step by Step as Frank Lambert from 1991 to 1998, and for his role as Stephen Logan on the CBS daytime soap opera The Bold and the Beautiful (2006-2011). Duffy played the lead character's father in the 2014 NBC sitcom Welcome to Sweden. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 444
A QUANTITY OF BOXED MODERN TOYS AND GAMES, to include VI Starz Video Karaoke machine, Ravensburger Disney Princess Bead Weaving Loom, Winnie the Pooh Modelling set, PSX Dancing Step, Runway Fashion Design Light Box Lap Desk, Totally Me Fashion Tracing Desk, Operation, word games ,chess, science sets, plastic Dragon castle etc, items not tested, contents not checked, boxes appear to have been opened and resealed, damage and wear to boxes (4 boxes)
Lot 103
Spanish school seventeenth century."Bust of a saint.Carved and polychrome wood.Measurements: 43 x 26 x 11 cm; 52 x 33 x 17 cm (base).We are in front of a wood carving belonging to the Spanish School of the seventeenth century which represents the bust of a saint from a vestment image.The origin of the vestment images is still unclear because there are many evidences that question the birth of this type of work in the baroque period, as it has been pointed out for a long time. The custom of covering images, which we can interpret as the previous step to the realization of vestured images, can be seen in the images covered with gold plates and precious metals during the Middle Ages. This ornamental technique did nothing more than to arrange sumptuous clothing over the original carved models.The phenomenon of dress images is inherently popular, so it is difficult to section the time to speak of closed models and periods, but the general trend throughout the new century was undoubtedly the enrichment and transformation of the classical model of these images.
Lot 101
Spanish school seventeenth century."Bust of a saint.Carved and polychrome wood.Measurements: 49 x 30 x 11,5 cm; 60 x 30 x 17 cm (base).We are in front of a wood carving belonging to the Spanish School of the XVII century in which is represented the bust of a Saint coming from a vestment image.The origin of the vestment images is still unclear because there are many evidences that question the birth of this type of work in the baroque period, as it has been pointed out for a long time. The custom of covering images, which we can interpret as the previous step to the realization of vestured images, can be seen in the images covered with gold plates and precious metals during the Middle Ages. This ornamental technique did nothing more than to arrange sumptuous clothing over the original carved models.The phenomenon of dress images is inherently popular, so it is difficult to section the time to speak of closed models and periods, but the general trend throughout the new century was undoubtedly the enrichment and transformation of the classical model of these images.
Lot 115
JENS JUUL EILERSEN (Denmark, 1938) for N. EILERSEN.Chaise Longue "Control Glove".Aluminum base. Leather upholstery.With publisher's label.Measurements: 100 x 70 x 170 cm.Adjustable backrest. In its Control Glove model, Juul Eilersen presents a reclining piece that adjusts to the user's posture. Control Glove is composed of four independent sections that give the chair an unusually flexible anatomy. The neck and foot support can be varied with 2 positions and the 3-step backrest program varies the sitting and lying position. The upholstery and built-in comfort zones ensure the unique seating quality that is Eilersen's trademark.Self-taught, Jens Juul Eilersen began working in the family furniture factory at the age of 22. His production continues the aesthetics of Danish design, with pure and fluid forms of great elegance, combined with the use of the most exquisite leather and the strongest structures. The Eilersen firm, born in 1895, defends the concept of functionality without renouncing beauty. Its vision, to create the best sofa or unique product of the best upholstery quality. Its mission, to combine the best materials with a proud tradition of craftsmanship in every product it manufactures.
Lot 81
Roman fragment, 1st-2nd c. AD. "Nymph" Fresco painting. Size: 52 x 40 cm; 63 x 50 x 7 cm. (frame). A young woman of stylized figure adopts a graceful gesture, as if she was going to undertake a dance step. The ribbons wrapped around the long dress emphasize the soft feminine curves and the ethereal condition of her body. This fresco painting has similarities to the so-called "third Pompeian style," which developed during the first century A.D. While the "second style" (developed in the first century B.C.) was dominated by architectural recreation, as in the beautiful ensemble of the House of the Mysteries in Pompeii, the "third style" was characterized by an emphasis on isolated human figures, although not without detriment to the decorative element and the more fanciful architectural elements. Normally, these isolated figures represented allegories or mythological figures. Roman decorative painting, used as a covering for stucco-covered walls, began to develop from the 1st century B.C. and continued to evolve until the end of the empire. Thanks to the excellent preservation of the cities buried by the lava of Vesuvius, the "four Pompeian styles", which covered the pictorial evolution of the end of the Republic and the beginning of the Empire, could be delimited. The techniques used were mainly fresco, stucco and encaustic. In Pompeii and Herculaneum, fresco painting was applied on the wall while it was still wet, so the colors penetrated deeply into it. The technique of false fresco was also used, which consisted of applying the colors diluted in lime on the dry wall.
Lot 1407
Photography Interest - Large Quantity of Photographic Equipment, including: Multiblitz 'Trooper' Mini Spotlight Studio 202, Logan 3-Step Oval/Circle mat cutter, Portaflash Studio Lighting System, Tokina VL-2010 Flash Light Adaptor, Starblitz 1000 Auto Macro-Lite, pack Bronica Polaroid Land Film, Epsom Picture Mate Photo Cartridge T557, Nikon SA-21 Strip Film Adapter, Cepo Mounting Press 8002, and Minolta Macro Stand AB III.
Lot 1144
Dinky Toys No. 514 Guy Van (Type 1) "Lyons Swiss Rolls" livery comprising, blue cab, chassis and back, silver trim, mid-blue ridged hubs with black smooth tyres, rear opening doors - some paint loss mostly to extreme edges, wheel arches, passenger side cab step and back door hinges - a very clean model housed in an incorrect box, paper label shows Slumberland model (VG-E,BVG)
Lot 33
Marc Chagall (1887-1985)Printemps au Pré, from Daphnis et Chloé (Mourlot 314; Cramer Books 46) Lithograph in colours, 1961, on Arches wove paper, signed and numbered 12/60 in pencil, printed by Mourlot, published by Tériade, Paris, the full sheet with a deckle edge at right and below, with minor light-staining, the colours still strong and vibrant, in good conditionImage 420 x 640mm. (16 1/2 by 25 1/4in.); Sheet 538 x 756mm. (21 1/4 x 29 3/4in.)Footnotes:Marc Chagall is recognised as one of the leading lithographers of the 20th century. The following collection highlights the artist's fascination with printmaking in Paris from the 1950s to the 1980s and his close collaboration with master printmaker Charles Sorlier and the Mourlot Studios.It was a fascination that mainly came about later in Chagall's career when he had reached the grand aged of 63. After returning to France in 1947, having escaped Nazi-occupied France for the United States six years earlier, he took up printmaking with the aid of both Atelier Mourlot director, Fernand Mourlot, and expert printmaker, Charles Sorlier. Sorlier would become Chagall's most important creative collaborator, assisting him in the Mourlot atelier. Together they would come to create an exceptional body of lithographic work, illustrating Chagall's most recognised and favourite subjects from matrimony, birds, animals and flowers to biblical scenes and the circus. Within this important private collection, assembled over two decades from Northern Germany, is offered a selection of prints from Chagall's first major colour portfolio, Daphnis et Chloé (Lot 33-42). The 42 lithographs that make up the vibrant book are based on the Greek poet, Longus' retelling of Daphnis and Chloé love story. Commissioned by one of the most important art publishers of the 20th Century, Tériade believe Chagall would be perfect at capturing a tale of love over adversity and he was not wrong. After a trip abroad and inspired by the light and landscape of the Greek islands he visited, Chagall returned to Paris with a series of preparatory studies to produce the portfolio with Sorlier. It has since come to be regarded as one of the most important and beautifully illustrated books of the last century – and a highlight of Chagall's storied career. As Chagall and Sorlier's relationship strengthened, Sorlier would evaluate the quality of the lithographs and numbering of the proofs, destroying any excess, after which Chagall would hand sign them. Devoted to the process and insistent upon rigorous standards, Chagall would work and rework the plates and colours until he was completely happy, standing with Sorlier at every step of the process. Sorlier once wrote 'the great integrity he invests in his work...requires that the plate bear my name each time he has not directly participated in the transcription to stone'. For this reason, most of the afterworks are signed by Marc Chagall and in the stone by Charles Sorlier. These so-called afterworks are currently some of the most valuable and sought after works of Chagall's entire artistic oeuvre (Lot 53-54). Such collaborations exemplify the close and harmonious bond between the artist and the master printer.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 118
Walker, Richard. Still-Water Angling, presentation copy from the author to his parents, first edition, London: MacGibbon & Kee, 1953, inscribed in blue ink on front free endpaper, 'To Mother and Edwin with love from Dick, May 21st, 1953', additionally inscribed and signed by the author's son, 'This copy of "Still-Water Angling" was dedicated by the author Richard Stuart Walker to his mother, Mrs Elsie May Walker, and his step-father, Edwin Halford. It came to me, his son, on my grandmother's death on 11th January 1990, Timothy Stuart Walker.' Octavo, publisher's green cloth, internally clean and bright, cloth well-preserved with light wear at corners, lacking dust-jacket. Together with Rod Building for Amateurs, by Richard Walker, another presentation copy to his step-father, first edition, Folkestone: Belfield & Bushell Ltd., 1952, inscribed in black ink on verso of title, 'To Edwin from Dick, 22.2.52', a very well-preserved paperback with some light creasing to covers (2)Provenance: By descent. Richard Walker was the vendor's father-in-law
Lot 117
Walker, Richard. Drop Me A Line, presentation copy from the author to his parents, first edition, London: Douglas Saunders, MacGibbon & Kee, 1953, inscribed in blue ink on front free endpaper, 'To Mother and Edwin with love from Dick 26/10/53', additionally inscribed and signed by the author's son, 'This copy of "Drop Me a Line" was dedicated by the author Richard Stuart Walker to his mother, Mrs Elsie May Walker, and his step-father, Edwin Halford. It came to me, his son, on my grandmother's death on 11th January 1990, Timothy Stuart Walker.' Octavo, publisher's blue cloth, internally clean and bright with some very light spotting on endpapers; cloth covers well-preserved with very faint wear at corners; dust-jacket present but worn with lossProvenance: By descent. Richard Walker was the vendor's father-in-law
Lot 550
Manuscript. Rules for the game of whist, circa 1820s, 196 leaves, written throughout in a neat legible hand in sepia and red ink, Contents at front with step index, some marginal toning, marbled endpapers, hinges splitting, armorial bookplate of Joseph Tasker, Middleton Hall, Essex, all edges gilt, contemporary straight-grained red morocco by Frank Murray of Derby, Leicester & Nottingham, with his label to front pastedown, flat spine ruled and lettered in gilt 'Game of Whist', spine rubbed and darkened, upper cover re-jointed, gilt single fillet on covers and edges, gilt roll on turn-ins, 8voQty: (1)Footnote: Bearing the bookplate of Joseph Tasker whose library was sold at auction in 1862 and 1868. A beautifully-written manuscript comprising rules for the game of whist, containing references throughout to Hoyle and Payne, and with a list of contents included at the front.
Lot 480
A ruby and diamond ring the step-cut ruby, measuring 10.7mm x 8.7mm x 6.1mm, between duos of brilliant-cut diamonds, approximately 0.10ct total, to a 9ct yellow gold mount, stamped with partial UK hallmark, ring size NCondition report: Accompanied by a Jewellery Channel Guarantee, stating that the ruby is of African origin and weighs 4cts, item code 1035549
Lot 461
A beryl and diamond ring by Barry Kieselstein CordThe large cut-cornered step-cut beryl, measuring approximately 15.9mm x 12mm x 9.1mm, between pave-set brilliant-cut diamond shoulders, approximately 0.80ct total, to a brushed mount, stamped 1998, plat, ring size L Condition report: stamped plat, 25.68 grams gross.
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26534 item(s)/page