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Lot 1257
A 9ct gold garnet and green tourmaline leaf brooch, maker AD, London 1955, the stylised leaf design rub-over set with oval mixed-cut garnet and rectangular step-cut green tourmalines, 41.6mm, 6g . Condition Report: No damage or repair, all stones present, brooch fitting working, full UK hallmarks clear, stamped 375
Lot 1161
An 18ct gold emerald and diamond ring, claw set with 1.25ct octagonal step-cut emerald, flanked by tapered baguette and modern round brilliant-cut diamond shoulders, total diamond content approx 0.44ct, emerald weight calculated from dimensions: 7.92 x 6.17 x 3.56mm, size L, 4.5g . Condition Report: No damage or repair, all stones present, emerald is a vivid green with typical internal inclusions, diamonds are very bright and lively, hardly any wear to settings, stamped 18k
Lot 1121
An Antique Georgian three-stone garnet ring, collet set with octagonal step-cut garnets, within beaded edge and chased scrollwork shank, unmarked mount tests as 15ct gold, setting height 7.6mm, size K, 1.2g . Condition Report: All stones present, high points quite worn, 1 shoulder pushed inwards, other shoulder is lacking insert, unmarked but tests as 15ct
Lot 1351
An 18ct gold emerald and diamond cluster ring, claw set with 4ct octagonal step-cut emerald surrounded by modern round brilliant-cut diamonds, total diamond content approx 1ct, setting height 16.3mm, size P, 8.3g . Condition Report: No damage or repair, all stones present, emerald has typical internal inclusions, diamonds relatively bright and lively, stamped 18ct
Lot 415
FOUR GEM-SET RINGS comprising: one of half-hoop design set with three step-cut emeralds and two circular-cut diamonds, ring size I 1/2, a sapphire and diamond half-hoop ring, set with four circular-cut sapphires interspersed with three single-cut diamonds, ring size L, a sapphire and diamond ring, of cross over design, ring size L 1/2, and a sapphire and diamond ring, claw set with an oval mixed-cut sapphire, the shoulders accented with rose-cut diamonds, ring size L 1/2
Lot 55
An Antique Victorian Emerald and Diamond Cluster Ring, the marquise-shaped panel centrally claw set with a rectangular step-cut emerald of approximately 0.70 carats, surrounded by old and transitional-cut diamonds, the diamonds totalling approximately 0.80 carats, unmarked mount tests as 18ct yellow gold size N, 2.6g .Condition Report: The emerald is a vivid green, with obvious typical internal inclusions and a few small surface nicks. The diamonds are relatively bright and lively, each with a few small inclusions only visible through a loupe, and several have been replaced. The mount has general surface wear commensurate with age and use. Overall in good condition.
Lot 7
An Emerald and Diamond Brooch, of ribbon form, claw-set with a row of rectangular step cut emeralds, surmounted by modern round brilliant cut diamonds and marquise cut emerald accents, the diamonds totalling approximately 2.50 carats, unmarked mount tests as 18ct yellow gold and platinum, 50.1mm, 9.4g .Condition Report: The emeralds are a very well-matched deep vivid green with typical internal inclusions only visible through a loupe, a few emeralds have tiny surface chips. The diamonds are very bright and lively with hardly any inclusions visible through a loupe. The mount has hardly any wear. Overall in very good condition.
Lot 56
A Pearl Emerald and Diamond Brooch/Pendant, the geometric openwork panel set with rectangular step-cut emeralds, accented with old and rose-cut diamonds suspending a 16mm whole pearl, unmarked mount tests as silver, 67.7mm, 12.8g .Condition Report: The emeralds are a vivid green, and several of the smaller emeralds have been replaced. The diamonds are relatively bright and lively. The mount has several solder repairs on backing and a new brooch hook fitting. Overall in good condition.
Lot 44
A Tanzanite and Diamond Cluster Ring, the rectangular panel set with an octagonal step cut Tanzanite of approximately 2.42 carats, surrounded by a row of modern round brilliant cut diamonds, the diamonds totalling approximately 0.55 carats, mounted in 18ct white gold, size M, 3.8g .Condition Report: The Tanzanite is a deep purplish-blue with no obvious internal inclusions visible through a loupe. The diamonds are very bright and lively. The mount hardly has any wear. Overall in very good condition.
Lot 129
A VICTORIAN SILVER TANKARD JUG, D. & C. HOULE, LONDON, 1876 ◉ plain baluster body on spreading foot, beaded rims, step domed lid with openwork shell arch thumbpiece, leaf-capped scroll handle, 21.5cm high, 679g including ivory insulators to handleIvory Declaration Submission Reference: GGHHMRZZ
Lot 323
EMERALD AND DIAMOND CLUSTER RINGThe step-cut emerald within a pear-shaped diamond border, emerald very approx. 5.20, diamonds approx. 1.25cts total, ring size approx. PFootnotes:The Gem and Pearl Laboratory: Colombian origin, evidence of minor clarity enhancement. For further information, please contact the department.For further information on this lot please visit Bonhams.com
Lot 357
SAPPHIRE AND DIAMOND EARRINGSEach step-cut sapphire within a reeded frame of brilliant-cut diamonds, sapphires very approx. 4.95cts and 4.70cts, diamonds approx. 1.20cts total, length 2.0cmFootnotes:The Gem & Pearl Laboratory: Each sapphire of Sri Lanka origin, one sapphire with evidence of heat treatment, one sapphire with no evidence of heat treatment. Report number 25152, 17th September 2024.For further information on this lot please visit Bonhams.com
Lot 142
ATTRIBUTED TO GEORGE WEIL: TOURMALINE AND DIAMOND 'NIGHT TO DAY' PENDENT EARRINGS, CIRCA 1975Each step-cut tourmaline within an abstract border composed of textured overlaid batons, with brilliant-cut diamonds, diamonds approx. 1.50cts total, each pendent detachable, lengths 2.2-2.8cmFor further information on this lot please visit Bonhams.com
Lot 54
CULTURED PEARL AND GEM-SET NECKLACEThree rows of 7.5mm cultured pearls, the pendant set with a marquise-cut sapphire, similarly and brilliant-cut diamonds, pear-shaped rubies and emeralds, with brilliant-cut diamond and step-cut sapphire, ruby and emerald clasp, maker's mark RB, French assay mark, diamonds approx. 2.65cts total, length 39.5cmFootnotes:Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 141
GEORGE WEIL: TOURMALINE AND DIAMOND BANGLE, 1970Of openwork hinged design, the step-cut tourmaline set amongst the overlaid textured batons, with brilliant-cut diamonds, diamonds approx. 1.80cts total, signed G. Weil, inner circumference approx. 16.0cm, fitted maker's caseFor further information on this lot please visit Bonhams.com
Lot 280
EMERALD AND DIAMOND RINGThe step-cut emerald, weighing 3.97 carats, within an old brilliant-cut diamond and calibré-cut emeralds scalloped halo, diamonds approx. 1.20cts total, ring size approx. JFootnotes:GCS: Emerald of Colombian origin with indications of moderate clarity enhancement. Report number 5784-0873, dated 23rd May 2024.For further information on this lot please visit Bonhams.com
Lot 333
EMERALD AND DIAMOND OPENWORK PLAQUE BROOCHBicoloured, the old brilliant-cut diamonds within an openwork design of acanthus leaves and engraved acanthus flowers, accented with a trio of step-cut emeralds, emeralds very approximately 1.50cts total, diamonds approx. 2.80cts total, length 6.3cm, fitted caseFor further information on this lot please visit Bonhams.com
Lot 143
ATTRIBUTED TO GEORGE WEIL: TOURMALINE AND DIAMOND RING, CIRCA 1975The step-cut tourmaline bordered to one side by a cluster of brilliant-cut diamonds, atop an openwork abstract surround, the hoop of textured design, diamonds approx. 0.30ct total, ring size approx. Q½ For further information on this lot please visit Bonhams.com
Lot 213
SAPPHIRE AND DIAMOND RINGThe cushion-shaped sapphire, weighing 5.46 carats, within the brilliant and step-cut diamond surround, diamonds approx. 1.45cts total, ring size approx. O½, case by R.L. Austen LtdFootnotes:GCS: Myanmar (Burma) origin, with no indications of heating. Report number 5784-3499, 12 September 2024. Lotus Gemology: Myanmar (Burma) origin, with no indications of heating/treatment. Report number 6024-5728, 1 April 2024.For further information on this lot please visit Bonhams.com
Lot 263
SAPPHIRE AND DIAMOND RINGThe step-cut sapphire, between pairs of baguette-cut diamonds, sapphire very approx. 13.90cts, ring size very approx. O (hoop misshapen)Footnotes:The Gem & Pearl Laboratory: Sapphire of Sri Lankan origin, with no evidence of heat treatment observed. Report number 25153, dated 17th September 2024.For further information on this lot please visit Bonhams.com
Lot 54
A sapphire and diamond panel ring, rectangular panel with a central rectangular step cut sapphire, estimated approximate weight 0.50ct, surrounded by eight cut diamonds, head dimensions 10.3 x 8.1mm, size N½, unhallmarked, stamped '18CT PLAT', weight 3.1gOverall condition: Very goodMinor abrasion to sapphire - visible with a 10x loupeMinor chipping to diamonds, consistent with age - visible with a 10x loupeGeneral scratches/wear to mount
Lot 190
After Enrico Braga (Italian, 1841-1919) - A pair of reconstituted marble decorative wall plaques in gilt frames. The lot to include a plaque depicting two children playing with illegible inscription to side. Together with a plaque depicting a courting couple at door step. All framed in embellished gilt wood frames. Set metal coin / medal to back of each.Each measures approx. 30cm x 30cm.
Lot 67
Allen Jones R.A. (British, born 1937)Oh! La! La! oil on canvas243.5 x 365.5 cm. (95 7/8 x 143 7/8 in.)Painted in 1970(unframed)Footnotes:ProvenanceDame Mary Quant (1930-2023), thence by family descentPrivate Collection, U.K.ExhibitedProbably London, Arthur Tooth & Sons (details untraced)Allen Jones made his first trip to the USA in 1964 after being captivated by American Pop Art from the early 1960s. In describing the profound and immediate effect the movement had on him, the artist commented 'American Pop imagery was much more heraldic and flat than the British, which still tended to be illusionistic. New York City was the centre of the art world. I went to America, in the way I would have gone to Paris if I had been living in 1905 or 1910, determined to experience it first hand, not knowing whether I was going to kill myself artistically or not. One just had to leap in' (Allen Jones quoted in Andrew Lambirth, Allen Jones Works, Royal Academy of Arts, London, 2005, p.52). The imagery in Jones' work was quick to become more focused following this visit and his style harder-edged and more graphic. Jones met several of the leading American painters of the time, including Robert Motherwell and Helen Frankenthaler (on the introduction of Bryan Robertson), Mark Rothko, Roy Lichtenstein, Tom Wesselmann and Mel Ramos from whose first show in New York the artist bought a painting in 1964. Jones admired the 'virtuosity and lushness of paint' in Ramos's large oils and there are clear similarities between the two artists imagery. Upon his return to London in 1965, Jones began to push the boundaries of his work and created a group of radical leg paintings including First Step (1966) and Sheer Magic (1967) demonstrating his interest in both figuration and long held belief in using the erotic as means of communicating with the widest possible audience. The human figure was of the utmost importance to Jones and the exploration of the relationship between male and female. Jones began to specialise in the centrally placed figure as can be seen in Oh! La! La! (1970), where the acrobatic female performer is perfectly balanced against a varied colour field. She is clad in vivid colour herself with opposing shades on her high heels, legs and arms and is brimming with energy. The almost perfect symmetry of the composition is broken by the inclusion of another set of legs dressed in red on the right-hand side of the canvas, which gives a sense of audience to what have been described as 'stage' paintings. As the viewer, we also form part of the crowd and there is a sense of the artist inviting the painted figure to step out of the canvas and perform in reality. Oh! La! La! is accompanied by outstanding provenance from the collection of Dame Mary Quant, a true icon of fashion and designer of both the miniskirt and hotpants. She was at the forefront of the Swinging Sixties, revolutionising clothing through her designs and playing a central role in the cultural explosion of the period. Her significance was made clear by leading women's fashion writer Ernestine Carter who wrote, 'It is given to a fortunate few to be born at the right time, in the right place, with the right talents. In recent fashion there are three: Chanel, Dior, and Mary Quant'. We are grateful to the Artist for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: * AR TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 1157
Victorian mahogany tea table, rectangular fold-over and swivel action top with rounded corners, ogee moulded frieze with applied bead, octagonal column mounted by cluster column uprights, on step moulded octagonal foot with applied beading, splayed and scrolled feet with recessed castors Dimensions: Height: 76cm Length/Width: 90cm Depth/Diameter: 43cm
Lot 64
CHURCHILL (WINSTON)Arms and the Covenant. Speeches.... Compiled by Randolph S. Churchill, FIRST EDITION, AUTHOR'S PRESENTATION COPY TO HIS DAUGHTER SARAH, inscribed on front free endpaper 'Sarah/ from her Father/ Winston S. Churchill/ June 1938', photographic portrait by Steichen, some offsetting onto half-title (inscription showing through), publisher's blue cloth, spine faded, some damp-staining to upper part of lower cover [Woods A44(a)], 8vo, George G. Harrap, 1938Footnotes:INSCRIBED BY CHURCHILL TO HIS DAUGHTER SARAH IN THE MONTH OF PUBLICATION. Sarah Churchill (1914-1982) was the third of the five children and despite her stubborn independent nature, she remained close to her father throughout her turbulent life. She had begun her own successful career as an actress prior to the outbreak of war, but put it aside to join the Women's Auxiliary Air Force and serve her country as a WAAF, accompanying her father to the Tehran Conference of 1943 and the Yalta Conference of 1945. 'It was the war that gave Sarah— much like her father—the opportunity to be her best. The necessities imposed by war broke down some of the barriers that had constrained her personally and professionally, giving this modern woman the chance to contribute and flourish. In doing so, she proved her true Churchillian character, succeeding as a natural-born ambassador for her country' (Catherine Katz, 'Sarah Churchill: More then a Thread', in Finest Hour 175, Winter 2017, p.22).Arms and the Covenant is a collection of speeches aimed at warning of the dangers of German re-armament and appeasement. It was published in the same year as Step by Step 1936-1939, a copy of which Churchill also inscribed to Sarah on publication. No other such association copies are listed in auction records.Provenance: Acquired by the present owner from a private UK collection.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 129
AN EMERALD SINGLE STONE PENDANT The square step cut emerald with canted corners within a four claw mount to a polished bale, emerald weighing approximately 19.0 carats, unmarked Size/dimensions: 2.2cm long Gross weight: 7.7 gramsOffered for sale with a C. Dunaigre gemstone report, no. CDC 2106383, dated 1st July 2021, stating: Variety: Emerald Origin opinion: Colombia Condition Report: The setting is unmarked but has recently been mounted by the vendor in 18 carat gold. Verbal report from GCS, stating origin Colombia, evidence of moderate treatment Offered for sale with a C. Dunaigre gemstone report, no. CDC 2106383, dated 1st July 2021, stating: Variety Emerald Origin opinion: Colombia Comment: Indications of insignificant clarity enhancementCondition Report Disclaimer
Lot 180
AN EMERALD AND DIAMOND THREE STONE RING The rectangular step cut emerald with canted corners, between similarly cut diamond shoulders, diamonds approximately 1.30 carats total, unmarked Size/dimensions: ring size J1/2 Gross weight: 4.1 grams Condition Report: Emerald measuring approximately 7.13 x 5.57 x 4.35mm, calculated weight approximately 1.20 carats. Of a deep, slightly bluish green hue with good saturation and transparency. Typical natural inclusions and some abrasion to facet edges and a deeper scratch to a crown facet. Some chips to girdleDiamonds are bright stones, estimated colour H/I, estimated clarity VsHoop is unmarked and white metal remains untested. Evidence of previous resizing. Scratching to base of hoop, which might benefit from being repolished.Condition Report Disclaimer
Lot 146
AN AQUAMARINE AND DIAMOND DRESS RING The rectangular step cut aquamarine with canted corners, within an old European cut diamond surround with French cut diamond quarters, between old cut diamond shoulders, diamonds approximately 1.70 carats total, stamped 18ct Size/dimensions: ring size P Gross weight: 7.2 grams
Lot 184
AN EMERALD AND DIAMOND CLUSTER RING The rectangular step cut emerald with canted corners, within a brilliant and marquise cut diamond two row surround, between brilliant cut diamond shoulders, diamonds approximately 0.75 carats total, mounted in 18ct white gold, UK hallmark Size/dimensions: ring size M Gross weight: 6.4 gramsOffered for sale with a Gem & Pearl Laboratory report, no. 24116, dated 5th January 2024, stating: Natural Emerald Origin opinion: Zambia Comment: Evidence of moderate clarity enhancement Condition Report: Emerald estimated weight 3.45 carats, of a slightly bluish green hue with good saturation. Typical eye visible inclusions, some dark inclusions and surface reaching feathers.Diamonds bright and lively stones of good commercial quality.Overall in good condition with minor signs of wear.Condition Report Disclaimer
Lot 149
AN AQUAMARINE DRESS RING The step cut aquamarine with canted corners flanked by rows of brilliant cut diamonds, to shaped hoop shoulders and polished shank, the aquamarine estimated to weigh 19.35 carats, diamonds approximately 0.40 carats total, unmarked Size/dimensions: ring size Q 1/2 Gross weight: 14.5 grams
Lot 718
An officer's Flintlock pistol by Prosser, early 19th century, the sighted barrel engraved 'Charing Cross London' along the sighting flat, the foliate engraved tang with back-sight, the lock engraved with a starburst and signed 'PROSSER', the stock with flattened butt cut with a cross in the centre of each diamond, the pommel-cap decorated with a flower-head centred on the retaining screw, the trigger guard with Britannia shield on the bow, the trigger-plate with pineapple finial, swivelling stirrup ramrod, the 23.5cm barrel with 1.8cm bore, 39.5cm long overall CONDITION REPORT:The action appears to be functional, the hammer with two step cocking and the trigger releasing easily. There is a flint fitted. The barrel interior appears somewhat rusty. Overall the piece shows wear commensurate with age.
Lot 529
Jacques Kallis signed limited edition print with signing photo. Jacques Kallis has blossomed into one of the world's leading batsmen. His Test match average is now comfortably in the 50s (54.07) and 45.90 in One Day International She is a great all-rounder, presently with 163 wickets from 78 Test matches, able to swing the ball sharply at surprising pace off a relaxed run-up Kallis took a step up in the West Indies series in 2003-04, scoring a record number of runs for a four-Test series and making six centuries in the Test and one-day series This stunning print shows Jacques on his way to his 4th consecutive century against the West Indies. He has personally signed each print and you will receive a photo of the signing (as shown in inset image)Actual Size 560mm x 410mm - limited edition of 250 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board - The accompanying photo of the personality signing this item will include a copyright over the image. Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 186
* Moonwalkers. A NASA Apollo Missions’ Moonwalkers’ autographs wall display piece, featuring signed pieces from all twelve Apollo moonwalker astronauts, comprising: Neil Armstrong (1930-2012), printed card listing names of astronauts from Mercury III to Apollo XV missions, signed in blue ink in blank area to the right, somewhat faded; Buzz Aldrin, signed off-white card; Pete Conrad, signed cheque; Alan Bean; Alan Shepard; Edgar Mitchell; David Scott; James Irwin; John Young; Charles Duke; Eugene Cernan and Harrison Schmitt; 6 patches of the related missions, Apollo 11, 22, 14, 15, 16 & 17, neatly presented in a matted display around a central colour photograph reproduction showing Buzz Aldrin next to the first American flag erected on the moon as photographed by Neil Armstrong, framed and glazed (Perspex), overall 84 x 112 cmQTY: (1)NOTE:Fifty-five years ago, on 21 July 1969, at 02:56 UTC, Neil Armstrong became the first person to step onto the lunar surface. Buzz Aldrin joined him 19 minutes later. They spent over two hours together outside the spacecraft collecting lunar material to bring back to Earth. Command module pilot Michael Collins flew the command module Columbia alone in lunar orbit while they were on the Moon's surface. In total, Armstrong and Aldrin spent 21 hours 31 minutes on the lunar surface at a site they named Tranquility Base, before lifting off to rejoin Columbia in lunar orbit.Only four of these moonwalkers are still alive: Buzz Aldrin (Apollo 11), David Scott (Apollo 15), Charles Duke (Apollo 16) and Harrison Schmitt (Apollo 17).A certificate of authenticity from Charles Phillips & Sons is included with the lot.
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