Armband mit 14 Amethysten, davon 7 im Achtecktreppenschliff, ca. 11 x 9 mm, 6 oval facetierte, ca. 10 x 8,5 mm und ein rund facettierter Amethyst, D: ca. 6 mm, GG 14K, 39,5 g, L: 20,5 cm, B: ca. 10 mm, Ende 20. Jh., leichte Tragespuren. | Bracelet with 14 amethysts, of which 7 in octagonal step cut, ca. 11 x 9 mm, 6 oval faceted, ca. 10 x 8.5 mm and one round faceted amethyst, D: ca. 6 mm, 14K yellow gold, 39.5 g, L: 20.5 cm, W: ca. 10 mm, late 20th century, minimal signs of wear.
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An emerald and diamond oval bombe brooch, unmarked gold and silver settings with central emerald step-cut emerald and pierced rose-cut diamond foliate surround, emerald measures approx: 6.65 x 6.00 x 4.30mm, brooch length 39.7mm, 11.6gNo damage or repair, all stones present, emerald has typical internal inclusions and is a medium green, settings slightly worn on back, brooch fitting working, unmarked
An 18ct gold three stone emerald and diamond ring, set with 0.25ct emerald step-cut emerald and round brilliant-cut diamonds, total diamond content approx 0.25ct, size U, 2.4gNo damage or repair, all stones present, emerald is a slightly light vivid green, diamonds bright white and fiery, settings slightly worn on shank, mark clear, engraved 18ct
Sechs Lineol Soldaten mit Göring im Schritt 7/2, Fahnenträger im Stechschritt und Rekruten-Unteroffizier 5/71 Lineol, Masseausführung, 7 cm-Serie, 30er Jahre. Hermann Göring im Schritt 7/2, Luftwaffenuniform, mit Marschallstab, der Degen fehlt. Ein Stechschritt-Fahnenträger (Fahne fehlt), die Augen rechts. Ein Rekruten-Unteroffizier bei der Ausbildung 5/71. Ein stillgestandener Soldat für Standarte (diese fehlt). Ein Flakmarschierer mit Gewehr und Schiffchen 7/37/2 und ein Schweizer Offizier zum Kartentisch. Insgesamt guter bis sehr guter Zustand mit leichten Altersspuren. Six Lineol soldiers including Goering marching 7/2, a goose-step flag bearer and a recruit-sergeant 5/71 Six Lineol soldiers including Goering marching 7/2, a goose-step flag bearer and a recruit-sergeant 5/71Lineol, Masseausführung, 7 cm-Serie, 30er Jahre. Hermann Göring im Schritt 7/2, Luftwaffenuniform, mit Marschallstab, der Degen fehlt. Ein Stechschritt-Fahnenträger (Fahne fehlt), die Augen rechts. Ein Rekruten-Unteroffizier bei der Ausbildung 5/71. Ein stillgestandener Soldat für Standarte (diese fehlt). Ein Flakmarschierer mit Gewehr und Schiffchen 7/37/2 und ein Schweizer Offizier zum Kartentisch. Insgesamt guter bis sehr guter Zustand mit leichten Altersspuren.Condition: I - II
Neil Armstrong Lunar Module "Eagle's" landing leg and lunar horizon as seen during Neil Armstrong's first minutes alone on the lunar surface, not published after the mission, Apollo 11, 16-24 July 1969 Vintage gelatin silver print on fibre-based paper, 20.3 x 25.4 cm (8 x 10 in), numbered AS11-40-5859 in bottom margin on recto (NASA/USGS)Footnote: This extremely rare image taken by Neil Armstrong on the lunar surface near the landing leg and ladder of Eagle whose shadow is in the foreground, was captured shortly after his famous first words on the Moon: "That's one small step for a man, one giant leap for mankind." According to the mission plan, while waiting for Aldrin to emerge out of the cabin, Armstrong was supposed to collect in priority a contingency sample of lunar surface material in case of emergency return. But he instead chose to immortalize his first moments on the Sea of Tranquillity with the Hasselblad camera mounted on his chest."Picture yourself in Armstrong's shoes, as he surveys the lunar landscape just after landing. The view appears uninviting, forbidden, hostile and he wonders 'What kind of day will it be?' It will be a day like all days on the surface of the Moon - a velvet black sky with a terrain of rocks, boulders, craters and dust in all shades of gray." James Lovell, Apollo 8 and 13 astronaut (Chaikin, Space, introduction)
Four views showing the Apollo 11 astronauts in spacesuits performing the first lunar surface training for their upcoming mission including Neil Armstrong taking pictures and practicing the first step on the Moon, Apollo 11, March-April 1969 Vintage gelatin silver prints on fibre-based paper, 25.3 x 20.5 cm (10 x 8 in), with NASA captions on versos, (NASA Headquarters) (4) Condition Report: MintCondition Report Disclaimer
Neil Armstrong A rare version of this photograph of Buzz Aldrin on the Moon together with Armstrong's famous first words on the Moon imprinted in bottom margin, Apollo 11, 16-24 July 1969 Vintage chromogenic print on fibre-based GAF paper, 20.3 x 25.4 cm (8 x 10 in), [NASA photo no AS11-40-5902], with the words "That's one small step for a man... one giant leap for mankind" imprinted in bottom margin, blank with no watermark on the verso (NASA Headquarters)Footnotes: Walking on the lunar surface near a leg of the Lunar Module, Buzz Aldrin is surrounded by a vacuum atmosphere in the 1/6th gravity environment. In this silent world he can hear only the crackling of communications, the sounds of his life support system and the echo of his breathing in his helmet.
Andy Warhol, 1928 Pittsburgh – 1987 New YorkFÜNFZEHN FOTOGRAFISCHE ACETATE LADIES & GENTLEMENDiverse Formate, davon vierzehn Arbeiten mit Sichtmass zwischen 27 x 19 cm und 33 x 25 cm, eine 21 x 30 cm.Jeweils unter Passepartout hinter Glas gerahmt, 14 Arbeiten 61 x 53,5 cm, eine 53,5 x 61 cm.New York.Es handelt sich um vierzehn Schwarz-Weiß-Acetate-Negativ und um ein Schwarz-Weiß-Acetat-Positiv. Die Acetate stammen direkt aus dem Andy-Warhol-Studio.Ein Acetat ist ein fotografisches Negativ, das auf eine Folie übertragen wurde, es war der letzte ursprüngliche Schritt vor dem Siebdruck eines Bildes und das wichtigste Element in Warhols kreativem Prozess.Provenienz:Privatsammlung Jackson and Eunice Lowell. Gründer des internationalen Unternehmens ’Chromacomp Inc’.Anmerkung:„Ladies and Gentlemen“ ist ein Fotoprojekt, das um 1975 spielt, als Warhol beschloss, einige der Drag Queens des New Yorker Nachtclubs „The Gilden Grape“ zu fotografieren. Sie posieren wie Hollywoodstars vor Warhols Kamera und enthüllen ihre Vision der Weiblichkeit, akzentuiert und gestärkt, weil künstlich (zumindest körperlich), aber im Ergebnis umso wahrer. (1360163) (18)Andy Warhol,1928 Pittsburgh – 1987 New YorkFifteen photographic acetatesLADIES & GENTLEMENMiscellaneous formats, including fourteen works with visible dimensions between 27 x 19 cm and 33 x 25 cm, one 21 x 30 cm.Each framed under passepartout behind glass, 14 works 61 x 53.5 cm, one 53.5 x 61 cm.New York.There are fourteen black and white acetate negatives and one black and white acetate positive. The acetates came directly from the Andy Warhol studio. An acetate is a photographic negative that has been transferred to a transparency, it was the last original step before screen printing an image and the most important element in Warhol’s creative process.Provenance:Private collection Jackson and Eunice Lowell. Founder of the international company ‘Chromacomp Inc’.
AN IMPORTANT GERMAN WHEEL-LOCK SPORTING GUN, CIRCA 1605-10, PROBABLY DRESDEN with associated smooth-bored sighted barrel formed in two stages and struck with Amsterdam town mark at the breech, flat lock retained by two associated side nails, fitted with external wheel with gilt-brass cover chased with a pair of figures seated within a scrollwork frame and a winged cherub mask beneath, the rear portion of the plate applied with a large pierced and chiselled gilt-brass plaque decorated with Mars and Venus attended by Cupid above an espagnolette mask, dog engraved with a monsterhead, a pelican-in-piety concealing the dog-jaw screw, arm applied with a further decorated gilt-brass plaque (one plaque retaining screw missing), and the spur with a gilt-brass mask issuant from foliage, dog-spring decorated with filed scrolls, sliding pan-cover with button release, the inside of the lock retaining some blued finish (oxidised to black) and with filed springs (rear spring incomplete), double set trigger, full stock profusely inlaid in engraved bone over its entire surface with detailed scenes from the Old Testament all within a scrolling framework of trellis (losses, restorations along the full length of the barrel on each side), the butt carved with a scroll and with shaped cheek-piece on the left, with patchbox with sliding cover on the right and all decorated en suite (the butt and patchbox cover with losses), ramrod channel enclosed by a running openwork design of entwined scrolls (the forward portion missing), gilt copper alloy trigger-guard writhen at each end and shaped for the fingers (reversed), applied with a carved trophy-of-arms bone panel at the base of the ramrod channel, carved bone fore-end cap decorated with bouquets of fruit and foliage, and early horn-tipped wooden ramrod106.2 cm barrel ProvenanceJohn Beardmore, Uplands, near Farnham, Hampshire, probably acquired after 1844Beardmore Collection, sold Christie, Manson & Woods, 5th July 1921 , lot 97 $2,694.26 to Duveen (for Hearst)William Randolph Hearst, sold Gimbel Bros., Inc., 30th May 1944, $355Joe Kindig Jr. (1898-1971), thence by descent LiteratureFrancis Henry Cripps-Day, A Record of Armour Sales 1881-1924, London 1925, p. 225.Jacob Hay, Arms and the Man, the Sunday Magazine, Baltimore, 16th January 1949, p. 8.Harold L. Peterson, The Book of the Gun, London 1962. pp. 58, fig. 4.Merrill Lindsay, One Hundred Great Guns, An Illustrated History of Firearms, New York 1967, p. 56.John S. duMont, Joe Kindig Jr., Master of Antiquities., in Antique Arms Annual, sponsored by the Texas Gun Collectors Association, 1971, p. 153. The scenes are taken from the Neuwe biblische Figuren deß Alten und Neuwen Testaments, illustrated by Jost Amman and Johann Melchior Bocksberge, published in Frankfurt in 1565. There is a total of fifty six scenes on the gun, all taken from the old testament and running in order starting from the muzzle end, opposite the lock, continuing to and around the butt then, on the lock side to the muzzle. There are a very small number of variations from Amman’s illustrations, such as David and Goliath which were likely adapted to fit within the space. The sequence runs in strict order with only one anomaly: the final scene on the right of the muzzle taken from the first Psalm, which precedes Esther in the Old Testament. A possible explanation may lie in the text: 'Blessed is the one who does not walk in step with the wicked or stand in the way that sinners take…..but whose delight is in the law of the Lord…..that person is like a tree planted by streams of water, which yields its fruit in season…..Not so the wicked! They are like chaff that the wind blows away. Therefore, the wicked will not stand in the judgment, nor sinners in the assembly of the righteous. For the Lord watches over the way of the righteous, but the way of the wicked leads to destruction.' The choice of scenes was no doubt deliberate and possibly held a specific meaning for the recipient of the gun, such as those shown in the earlier garniture of Saxon edged weapons made for the Elector August around 1560 (Historisches Museum, Dresden, inv. Nos. VI-393, P210, IV195). The Elector is portrayed as Moses, the worship of the Golden Calf is symbolic of the rejection of the Papacy and warns of the forces at play in the Protestant church. The vignettes on the spine of the butt of the present gun are based on illustrations by Hans Brosamer for Martin Luther’s bible published in Wittemberg in 1551. The intricacy and exceptional detail of the inlay is remarkable. It is likely that the stockmaker, who conceived the decorative trellis scheme, signed his work behind the tang where a small plaque is now missing. The gilt-brass decoration on the lock and the form of the pan-cover are characteristic of Dresden work of the first decade of the 17th century. A gun with a comparable lock is preserved in the Historisches Museum, Dresden (GG.237) and another in the Victoria and Albert Museum (acc. No. 2241-1855) . The barrels are struck with the mark of Georg Gessler (recorded 1569-1616) and dated 1611 and 1606 respectively. The stock of the present gun has a distinctive 'eye' motif on the scroll ahead of the cheek-piece, this is encountered on two other guns struck with the mark of Hans Stockman (recorded 1590-1639), both dated 1605, preserved in Dresden (GG235) and St Petersburg (no. 13). The Dresden gun is decorated with the initials of Christian II, Elector of Saxony (1583-1611) and his wife, the Electress, Hedwig of Denmark (1581–1641). The St Petersburg gun is decorated with the monogram of Christian II. It is likely that the present gun was an Electoral commission from the workshop of either Stockman or Gessler. See Schobel 1975, p. 193 and p. 182 no. 125, Hayward 1955, no. 21, and Tarassuk 1971, p. 161, no. 72. This gun was not featured in John Beardmore’s catalogue of 1844, suggesting it was acquired after that date. It was Joe Kindig Jr.'s favourite firearm. Part proceeds to benefit the Acquisition Fund of the Arms and Armor department, The Metropolitan Museum of Art, New York.
George James (active England 1755-1795)Portrait of Sir Frederick Morton Eden as a child, seated on a stone step, patting a dog's head, wearing a white dress and red slippers signed, inscribed and dated 'Fk. Eden./G James pinxit/1769.' (lower right)oil on canvas144 x 118cm (56 11/16 x 46 7/16in).Footnotes:Frederick Morton Eden, 2nd Baronet of Maryland (1766-1809) inherited the baronetcy from his father, Robert, in 1784. He was known for his writings on poverty and social change, in particular his volumes The State of the Poor published in 1797 which sought to factually describe what it meant to be poor at the end of the 18th century and how this information may help to alleviate deprivation.He married Anne Smyth in 1792 (see Lot 3) and together they had eight children.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A Taiwanese DY Fireman V, battery operated 'The Intrepid Firefighter at a Flick of the Control Button Scales the 123cm High Ladder One Steady Step at a Time & Then Returns' appears unused, boxed; a Chinese BG Beauty Gain Buckaroo Bank, appears unused, boxed; an Exin Castles 'A Castle Construction Toy', boxed etc.
An American Art Deco, odeonesque, citrine, onyx and diamond brooch/pendant, c.1935,a rectangular step cut citrine, end set with pierced arched claws to a bevelled onyx frame, with a row of eight cut diamonds, grain set in a stepped bar at each end. A fold down diamond set bale, which locks in place when being worn as a brooch, a brooch pin and roller catch, together with a concealed wire slide, so that it can also be worn on a bracelet. Suspended on a snail chain with a bolt ring clasp, marked 18 and 18K. Chain marked 14K and 585, 55mm x 21mm,18.68g, 6.34gCondition ReportLight surface marks commensurate with its age. Glue present under the claws that secure the citrine.A pale creamy colour, does not look as though it has been rhodium plated.The chain is very white in comparison.Minor marks to the citrine under a 10x loupe.
A French gold ruby mechanical cocktail watch,with a rectangular case, 13mm x 17mm, and a square silvered dial, faceted gold dot hour markers and baton hour markers at the quarters, swallow hands, with two rows of step cut rubies either side, channel set to a plain articulated dual trapeze shape link and an articulated single row of step cut rubies, channel set. To an articulated round wire ring, to a two row snake link chain bracelet, one chain snapped to clasp end, to a snap safety clasp. French poinçon for 18ct gold standard, length 160mm, width 14.17mm, 25.66gBuying this secondhand wrist-watch at auction could save up to 0.80 tonnes of CO2e compared to buying new.Condition ReportMaker's mark PC.Bracelet snake chain snapped to clasp end. Small marks and scratches to glass.Some facet junction wear, chips and abrasions to rubies.Some wear to round wire links at adjoining point under rubies.Clasp secures.One small gouge to inside of single ladder of clasp. Does not affect the integrity of the clasp.Marks and scratches.Minor tarnish.With unassociated Thomas Sabo pouch.
A late Victorian almandine garnet and diamond hinged bangle,with seven graduated octagonal step cut garnets, all claw set. Pairs of cushion shaped old eight cut diamonds, set between and at each end, to a pierced leaf carved head style setting, to three rows of blade edge bars. Tapering to the lower half with a concealed box clasp. 13mm wide, 55mm x 50mm interior dimensions. Tested as approximately 9ct gold.Condition ReportLight surface marks commensurate with its age.Clasp secure.Gemstones bright and lively.Visible inclusion to the naked eye.
Early 20th century 18ct gold sapphire and diamond rectangular cluster ring with a rectangular step cut blue sapphire measuring approximately 4.2mm x 3.1mm surrounded by a border of fourteen single cut diamonds, with six further diamonds to the shoulders, all in platinum millegrain setting on 18ct gold shank. Ring size N.Good condition commensurate with age, circa 1930. Cluster measures approximately 9.6mm x 7.5mm. Sponsor's mark S.H.&Co. Stamped 18ct and Plat. Weighs approximately 2.7 grams.
A graduated five stone emerald and diamond ring,with a cushion shaped step cut emerald, claw set to the centre. A cushion cut diamond at either side and a square cut emerald at each end, all double claw set in coronet collets, with kite edge shoulders and a plain shank. Tested as approximately 18ct gold. Head 17.60mm x 4.75mm, 2.56g.Finger size L½ LEBuying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportCentral emerald chipped at one end.Table and crown facet edge wear to the end.Chipped and nibbled to the emeralds.Claw require attention.
An Art Deco emerald and diamond crossover style ring,with two rectangular step cut emeralds, rub set in diagonal positions. Pairs of graduated baguette cut diamonds to each side, with a scrolled wire gallery. Graduated old Swiss cut diamonds, grain set to each shoulder, with scrolled chevrons to a plain shank. Tested as platinum. Head 9.10mm x 7.00mm approximately. 3.86g.Finger size PBuying this gemstone ring at auction could save up to 0.42 tonnes of CO2e compared to buying new.Condition ReportDiamonds bright and lively.Gemstones bright and lively.Noticeable scratches and marks. Table and crown facet edge wear. Wear to the gallery where it has been worn next to a wedding ring.
A Gauge 1 clockwork Bing (for Bassett-Lowke) GWR 'Sydney' 4-4-0 Locomotive and repro Tender, the loco with two-speed mechanism, fluted coupling rods and cast brass nameplates, finished in lined GWR green with brown frames as No. 3410 'Sydney', G-VG, mech tested okay, moderate playwear with damages to both sides of cab roof/ cab sides, rear ballast weight/step mounting loose, one axlebox missing, wheels a little rusty, tender appears to be a complete reproduction, neatly lined out, as repro VG (2)
JAZZ/ SOUL/ BLUES - MODERN/ REISSUE LPs. A fine selection of 15 LPs. Artists/ titles include Duke Jordan - Flight To Jordan (8435395500033), Jackie McLean - One Step Beyond (8435395500118), Charles lloyd - Manhattan Stories (617270122754, Limited Edition No: 1395), Sonny Rollins - Rollins In Holland (712758040596, Limited Edition No. 2466), Roy Hargrove & Mulgrew Miller - In Harmony (61720122587, Limited Edtiion No 0130), Bobbi Humphrey - Fancy Dancer (602435968032). Eric Bibb - Good Stuff, The Dave Brubeck Quartet - Time Out. Emma-Jean Thackray - Yellow, Charles 'Packy' Axton - Late Late Party, Alice Coltrane - Journey In Satchidananda, Gil Scot-Heron, Betty Wright, Ian Carr's Nucleus, Ezra Collective. Condition is generally Ex to Ex+/ Like New.
NEW WAVE/INDIE/ALT/SYNTH POP - LPs. More great titles in this collection of around 35 x (predominantly, including a few 12") LPs. Artists/titles include Joy Division - Unknown Pleasures (UK FACT 10, early UK pressing A PORKY PRIME CUT STEP/A PORKY PRIME CUT THIS IS THE WAY - sharp Ex condition solid black vinyl/printed inner with 'square' corners/VG textured sleeve some creasing), Sex Pistols - Spunk (pink/purple labels, BLA 669 - VG some surface scuffs), The Cure - Kiss Me... (stock UK FIXH 13 - Ex records/with printed inners, no insert/VG+), Kate Bush - The Whole Story (Japanese EMS 91204), The Return Of The Durutti Column (FACT 14 RE), The Rain Parade, Violent Femmes, Talk Talk, David Byrne (solo), Talking Heads, The Stranglers, The Dictators, Fairground Attraction and Yellow. Condition is generally VG to Ex+ (records) and VG to Ex (sleeves), please note that some may require cleaning.
JOY DIVISION - UNKNOWN PLEASURES LP (ORIGINAL UK 'TRANSLUCENT RED' COPY - FACT 10). A stunning original translucent red vinyl pressing of Joy Division's debut LP Unknown Pleasures. The record (FACT 10, 1979 UK pressing on Factory, matrix/runout FACT-10 INSIDE 1 A A PORKY PRIME CUT X STEP & FACT-10 OUTSIDE 1 B THIS IS THE WAY A PORKY PRIME CUT) is in sharp Ex. Housed with the original printed inner (rounded corners) in VG+ condition with some staining. The original textured sleeve is in neat VG+ condition, displaying age-related storage wear.
TWO BOXES OF BOOKS & MAGAZINES, eighteen book titles in hardback format to include four works by Winston Churchill, My Early Life, Step By Step, Thoughts and Adventures and Great Contemporaries, published by Odhams Press, The Will to Create - Lladro and thirteen titles of miscellaneous fiction, together with a large collection of The Automobile magazine and Flutenews newsletter
Pair of 19th century mahogany entrance tables, with rectangular marbled tops with applied gilt lining on step-moulded rails, the upright supports mounted with scrolled cartouche and c-scroll brackets, extending moulded sledge feet, the uprights joined by a turned stretcher, fitted with recessed castorsDimensions: Height: 70cm Length/Width: 145cm Depth/Diameter: 68cm
AN EMERALD RING the 3.21ct square step cut emerald comes with a certificate from the GCS, which states, the emerald is 9.58mm x 9.27mm x 5.09mm, it is a natural beryl, of the variety 'emerald' and its origin is Colombia, with moderate clarity enhancement F2. The mount is stamped 18ct, finger size N1/2, weight 7.9gms, with original receipt for the handmade ring at £30,000 and a recent insurance certificate from the maker Wallace Allan of Ayr, for £31,500. Condition Report:The emerald is rattily in the setting. Some wear to the ring, around the setting. There are some surface reaching inclusions in the emerald.
AN EMERALD AND DIAMOND RING mounted in yellow and white metal, the step cut emerald with the dimensions of 7mm x 5mm x 4.6mm, is surrounded with pave set brilliant cut diamonds with an estimated approx diamond total of 0.66cts, dimensions 24.7mm x 12mm, finger size J, weight 4.5gms Condition Report:Available upon request
Ed Sheeran signed CD Singles Set, Eyes Closed, 2 Step, Shivers and Celestial. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
One box containing four various Heavy Goods, 1/50 scale heavy haulage trailer and vehicle group to include a Van Hool 3-axle step frame tilt frame trailer, an HG32 Scania Vabis LS71, a Heavy Goods Atkinson Defender 8-wheeler, and a Heavy Goods HG13 Task Tip trailer, all examples appear unstarted and in original boxes

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26534 item(s)/page