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An 18k white gold and diamond wristwatch, Van Cleef & Arpels, circa 1995the circular dial pavé-set with single-cut diamonds, with baguette-cut diamonds at three, six, nine and twelve o'clock, the bezel set with round brilliant and square-shaped step-cut diamonds, the articulated bracelet set throughout with similarly cut diamonds, quartz movement; dial signed Van Cleef & Arpels, case nos. 33139 B1BC and 82408, with Swiss assay marks; estimated total diamond weight: 18.65 carats; mounted in 18k white gold; length: 7 1/2in.

A fine sapphire and diamond 'Trombino' ring, Bulgariof raised dome design, horizontally-set with a rectangular-shaped step-cut sapphire, weighing 16.98 carats, flanked by a graduated row of baguette-cut diamonds, to a surround of pavé-set round brilliant-cut diamonds; signed Bulgari; estimated total diamond weight: 4.90 carats; mounted in platinum; size 6

Yves Charreton (1953- ) French. "Sophie la belle endormie I", Study of a Woman seated on a Step, Mixed Media, Signed with Initials, and Signed and Inscribed on the reverse, Unframed, 28.75" x 28.75".

A Sapphire and Diamond Eternity Ring, trios of square step cut sapphires alternate with trios of eight-cut diamonds in a white flat sided shank, total estimated diamond weight 0.40 carat approximately, finger size L see illustration . The ring is in fair to good condition, it shows signs of wear. It bears no hallmark nor stamps but in our opinion would test as platinum. The approximate qualities of the diamonds are; colour I/J/K, clarity SI2/I1/I2. Gross weight 2.7 grams. CR made 10.10.19.

A Ruby, Sapphire and Diamond Eternity 'Flip' Ring, the main band channel set in white with step cut rubies on one half and sapphires on the other, between diamond set hinged bars, to allow varied use, total estimated diamond weight 0.60 carat approximately, finger size N see illustration . The ring is in good condition. It is stamped '750' and '18CT' and in our opinion would test as gold. The approximate qualities of the diamonds are; colour I/J/K, clarity SI2/I1/I2. Gross weight 6.78 grams. CR made 17.10.19.

An 18 Carat White Gold Sapphire and Diamond Half Hoop Ring, square step cut sapphires alternate with diagonally placed square step cut diamonds, in claw settings, on a plain polished shank, total estimated diamond weight 0.25 carat approximately, finger size M see illustration . The ring is in good condition. It is hallmarked with sponsor's mark 'EJCo', London, 1975. The approximate qualities of the diamonds are; colour H/I/J, clarity SI1/SI2/I1. Gross weight 2.9 grams. CR made 3rd October 2019.

An Early 20th Century Diamond, Pink and Green Tourmaline Necklace, an octagonal step cut green tourmaline with diamonds collet set and in scroll settings around, to a diamond drop and a pear cut pink tourmaline suspended from the pendant base, to a white trace link chain, pendant length 5cm, chain length 42cm see illustration . The necklace is in good condition. it bears no hallmark nor stamp but in our opinion would test as silver and white gold, the chain could be white gold. Gross weight 6.3 grams. CR made 11.10.19.

A Mother-of-Pearl, Ruby, Emerald, Sapphire and Diamond Swan Pendant, the swan realistically modelled with its wings raised, the mother-of-pearl as its body with a round brilliant cut diamond set centrally in a white rubbed over setting, to yellow pavé set round brilliant cut diamond head, neck and wings, a round cut ruby eye, and a line of graduated step cut sapphires, a line of graduated rubies and a cluster of four marquise cut emeralds and rubies below, measures 2.5cm by 2.4cm see illustration . The brooch is in fair condition, the mother-of-pearl body has a few chips. The pendant loop is hallmarked with sponsor's mark 'NJ', Sheffield (import), 1996. The main body is stamped '750'. Gross weight 5.64 grams. CR made 17.10.19.

A Sapphire and Diamond Bracelet, three sections of six step cut sapphires spaced by pairs of round brilliant cut diamonds in yellow rubbed over settings, to a fancy link chain, length 17.5cm; and A Sapphire Ring, five step cut sapphires in a yellow rubbed over setting to a plain polished shank, finger size O see illustration. The pieces are in good condition. The bracelet fastens with a tongue and box clasp and features two figure-of-eight safety catches. The bracelet is stamped '750' and in our opinion would test as gold. The ring is stamped '585' and in our opinion would test as gold. Gross weight 19.55 grams. CR made 17.10.19.

A rustic stained pine five-step A-frame decorators ladder

A rustic pine A-frame eight-step decorators ladder; together with a low smaller four-step example (2)

An aluminium six-step A-frame decorators ladder

Early 19th century Georgian riviere necklace, unmarked rose gold and silver, comprising twenty-six graduated cushion step cut foiled stones, closed back claw settings, chain links, tongue and box snap clasp, length approximately 38cm

Mid 20th century sapphire silver card box, reeded and spotted decoration to lid and base, the lid with rose metal triangular panels and three square step cut blue sapphires to each, channel set with rub over mount, rose gilt press stud clasp, gilt interior, makers initials G.A.C, hallmarked London 1953, length approximately 8cm

Aquamarine and diamond 9ct yellow gold white gold set ring, the rectangular step cut aquamarine measuring approximately 8mm x 5.5mm, claw settings, rectangular step cut and square step cut diamond to each shoulder, claw settings, ring size N

Emerald and white sapphire flower head 18ct yellow gold cluster ring, the central rectangular step cut emerald measuring approximately 3.5mm x 2.5mm, cluster measuring approximately 9mm x 8mm, tapered shoulders, ring size M

An Edwardian Music Cabinet with six drawers, together with a metamorphic library step chair

[OO GAUGE]. TWO LOCOMOTIVES comprising a Bachmann No.31-478, B.R. Class G2A 0-8-0 tender locomotive, 49287, black livery, boxed; and Hornby No.R2227, L.N.E.R. Class 06 2-8-0 tender locomotive, 7675, black livery (locomotive with damage to side-window wings and one mounting step), boxed.

THOREAU, HENRY DAVID. 1817-1862.Walden; Or, Life in the Woods. Boston: Ticknor and Fields, 1854. 8vo. Wood-engraved title page vignette, map of Walden Pond (with imprint), 8 pp of advertisements inserted at rear (dated June 1854, no priority). Publisher's cloth, ruled in blind with gilt titles to spine, small mark to lower margin front cover.Provenance: Martha A. Lewis (gift from Thomas J. Lewis, early ink inscription to first blank). 'I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived' (p 98).A FINE, UNSOPHISTICATED FIRST EDITION OF THOREAU'S AMERICAN MASTERPIECE, '... a central document of the American experience' (Thorpe, Gifts of Genius, p 169). Thoreau's 1849 book A Week on the Concord and Merrimack Rivers include a final ad leaf announcing: 'Will Soon Be Published Walden, or Life in the Woods.' In truth, it was another 5 years till Walden appeared in July of 1854, selling quietly but steadily. Walden today stands as one of the most important contributions to American literature, as poet Robert Frost noted in a letter in 1922, 'in one book (Walden), [Thoreau] surpasses everything we have had in America.' A BRIGHT COPY IN THE ORIGINAL CLOTH. BAL 20106; Borst A2.1.a; Grolier American 63.'I wanted to live deep and suck out all the marrow of life, to live so sturdily and Spartan-like as to put to rout all that was not life, to cut a broad swath and shave close, to drive life into a corner, and reduce it to its lowest terms, and, if it proved to be mean, why then to get the whole and genuine meanness of it, and publish its meanness to the world; or if it were sublime, to know it by experience, and be able to give a true account of it in my next excursion' (p 98).'If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away' (p 348).

 ARMSTRONG NEIL: (1930-2012) American Astronaut, Commander of Apollo XI (1969). The first man to walk on the moon. A vintage folio edition of the Daily News, New York’s Picture Newspaper, amusingly dated Moonday, 21st July 1969 (Volume 51, Number 22), featuring the headline Men Walk on the Moon and with Armstrong’s famous quotation printed beneath, ‘One Small Step for Man….One Giant Leap for Mankind’ and also featuring a grainy image of Armstrong stepping onto the moon’s surface, signed and inscribed by Armstrong in black ink across a light area of the image. An attractive and unusual signed souvenir relating directly to the historic Apollo XI mission. A few minor tears and nicks to the edges of the front and back pages, otherwise about VG 

 BEAN ALAN: (1932-2018) American Astronaut, Lunar Module Pilot of Apollo XII (1969), the fourth man to walk on the moon. Large signed colour 20 x 16 photograph, the image depicting Bean in a full-length pose stepping down from the Apollo XII Lunar Module during his moonwalk of 1969. Signed by Bean in bold gold ink to the image, adding 'My feet step on the ocean of storms' above his signature and 'Apollo 12' beneath his signature. Framed and glazed ina plian black frame to an overall size of 17 x 21. EX 

A pair of ruby and diamond drop earrings, each with a floral pear drop and round cut three stone diamond drop within a collar border of step cut rubies, suspended from a diamond and ruby set bar drop link, total estimated stone weights, rubies 1.50ct, diamonds, 1.10ct, unmarked white metal mounts and crook fittings, 42mm drop,6.3g gross (2), fitted case

TWO PAIRS OF STEP LADDERS TO INCLUDE A METAL AND A WOODEN FIVE STEP

TWO PAIRS OF VINTAGE WOODEN STEP LADDERS TO INCLUDE A THRE STEP AND A FOUR STEP

TWO PAIRS OF ALLOY STEP LADDERS ONE SIX STEP AND ONE FOUR STEP

A TWO STEP PLATFORM FRAME, A TWO STEP LADDER AND A TWO STEP STOOL

A MIXED GARDENING LOT TO INCLUDE A WHEEL BARROW, STEP, SIEVE, HAND TOOLS ETC

A pair of step cut circular ship's decanters, early 20th century. (Dimensions: Height 23cm.)(Height 23cm.)Condition report: One with replacement stopper.

An early 20th century oak step ladder. (Dimensions: Height 71cm, width 32cm.)(Height 71cm, width 32cm.)

A platinum aquamarine and diamond ring, comprising a claw-set step-cut aquamarine, approx 10mm x 8mm, weighing approx 2.58carats, with diamond set stepped shoulders approx 0.20ct total, platinum mount, stamped PLAT, size Q, total gross weight approx 5.3gmsCondition report:Very good- all stones present and intact, no visible sign of damage or repair 

A TWELVE RUNG TWO SECTION ALLOY STEP LADDER AND TWO KNAP SACK SPRAYERS

TWO PAIRS OF VINTAGE WOODEN STEP LADDERS, ONE FOUR STEP AND ONE SEVEN STEP

A MODERN RECTANGULAR CITRINE SINGLE STONE RING AND A CULTURED-PEARL SINGLE STONE RING the step-cut stone measures approx. 14mm x 12mm, in a four-claw setting to a plain 'D' section shank, size K, 5.7g gross; the 7mm round cultured pearl set between knife-edge shoulders on a plain 'D' section shank, indistinct marks possibly '8C(?)', size M, 1.9g gross;

A SAPPHIRE AND DIAMOND CLUSTER RING the rectangular step-cut stone, approximately 2.75cts within a tiny diamond eight-claw setting, on a 'D' section shank, unmarked size Q , 6.7g gross

A 9CT GOLD, AMETHYST AND DIAMOND DRESS RING AND TWO OTHERS The three square step-cut amethysts spaced by tiny eight-cut diamond bars, post 2000 convention marks, size P, 2.7g gross; together with a silver and round green stone single stone cross-over ring, size M+; and a filigree ring stamped '375', size M+, 1.1g

A quantity of garden tools including a hoe, shovel, forks, rake, and aluminium step ladder

A believed 18th century burr elm Irish provincial chiffonier / dresser  base. The rustic form cabinet raised on turned legs with a step plinth base rising up through to turned columns having a central drawer over double door cupboard beneath. Brass knob handles to the drawer and the door. Finished with a flared edge top with rounded off corners. Measures  90cms high x 93cms x 40cms

A chalcedony and emerald owl brooch, by Cartier, circa 1950Modelled as an owl upon a branch, the body of polished chalcedony, the eyes set with step-cut emeralds, the head with textured feather detailing, signed Cartier, length 3.1cm

A citrine and diamond 'Bird on a Rock' brooch, by Schlumberger for TiffanyThe brilliant-cut diamond-set bird standing atop a large step-cut citrine rock, signed Schlumberger STD, Tiffany & Co., numbered 26949483, length 6.0cm, maker's case, box and bag This lot is subject to the following lot symbols: ?

A rock crystal, diamond and silver travelling timepiece, by Cartier, circa 1928The square rock crystal frame with shaped corners and bezelled edges, with a circular two-tone silver guilloché enamel dial with Roman numerals and rose-cut diamond-set hands, surrounded by a rose-cut diamond-set bezel and four single-cut and step-cut diamond geometric motifs, on rock crystal hinged stand, dial signed Cartier, case back numbered 6470 CG 23781, London hallmark, French import mark, 10.1cm x 10.1cm x 1cm, fitted case by Cartier 

A diamond single-stone ringThe step-cut diamond, weighing 7.46 carats, between tapered baguette-cut diamond shoulders, ring size I

An aquamarine and diamond ring, by CartierThe rectangular step-cut aquamarine within pavé-set brilliant-cut diamond shoulders, the gallery highlighted with two brilliant-cut diamonds, aquamarine approximately 14.48 carats, diamonds approximately 1.66 carats total, signed Cartier, numbered H4S00673, maker's mark, French assay mark, ring size O½

An Art Deco aquamarine and diamond necklace, by Cartier, circa 1940The highly articulated collar of geometric design, graduating in size from the centre, the front swag set with vari-cut aquamarines and pavé-set brilliant-cut diamond sculptural motif highlights with brilliant-cut diamond accents, suspended from a row of rectangular-step cut aquamarines, mounted in platinum, central shield-shaped frontispiece detaches and may be worn as a clip, aquamarines approximately 169.85 carats total, diamonds approximately 9.64 carats total, signed Cartier London, maker's mark JC, numbered 3761, lengths: necklace 34.5cm, clip 5.1cm

A Belle époque Peridot and diamond brooch, circa 1910The cut cornered step-cut peridot within a rose-cut diamond garland surround, width 2.8cm, cased by Mallett, The Octagon, Bath & 40 New Bond St London

An Art Deco fire opal, onyx and diamond ring, circa 1920The step-cut fire opal within a surround of single-cut diamonds, between shoulders set with calibré-cut onyx, mounted in platinum, fire opal approximately 4.60 carats, ring size N

An art deco emerald and diamond bracelet, circa 1920The central lozenge set with a square step-cut emerald between calibré-cut emeralds and old brilliant-cut diamonds, on a flexible strap set with step and calibre-cut emeralds between old brilliant-cut diamond borders, mounted in platinum, numbered 41522, diamonds approximately 5.00 carats total, length 17.6cm, associated case by Cartier

A sapphire and diamond ring, circa 1950The step-cut sapphire, weighing 3.51 carats, between baguette-cut diamond shoulders, ring size Q

A ruby and gem-set ring, by CartierSet with a cushion-shaped ruby between carved sapphires and emeralds, the tapering mount highlighted with step-cut and single-cut diamonds, signed Cartier, numbered 3419471, French import mark, ring size P½, maker's case

An Art Deco sapphire and diamond ring, Circa 1930The step-cut sapphire within an old brilliant-cut diamond surround, sapphire approximately 4.50 carats, ring size P

A diamond single-stone ringThe step-cut diamond, weighing 2.89 carats, in a faceted bicoloured mount, ring size approx. M (sizing beads)

A pair of gem-set earrings, by Margherita BurgenerEach polished cushion-shaped aragonite plaque, set at the centre with a cut-cornered step-cut chrome diopside, within a surround of brilliant-cut diamonds, signed, maker's mark, length 2.1cmThis lot is subject to the following lot symbols: †

A diamond single-stone ringThe step-cut diamond, weighing 7.03 carats, between baguette-cut diamond shoulders, ring size approx. P

Hamadan rug, north west Persia, circa 1950s, 6ft. 7in. X 4ft. 2in. 2.01m. X 1.27m. Step-sided dark blue field with camel centre pole medallion; ivory spandrels; all over angular flowers and birds; camel trellised medallion main border. Robust handle.

Senneh rug, north west Persia, early 20th century, 6ft. 4in. X 4ft. 4in. 1.93m. X 1.32m. Overall even wear; slight loss to top end. Dark blue step-sided field with terracotta and ivory triple pole medallion; terracotta spandrels and frame to the field filled with stylized herati design; dark blue palmette and floral main border; pale blue and ivory flowerhead guards. Soft handle.

Luri runner, south west Persia, early 20th century, 10ft. 6in. X 4ft. 3in. 3.20m. X 1.30m. Overall wear with corrosion to dark brown; small holes; losses to ends and fraying to selvedges. Light red field with centre column of dark blue step-sided medallions with cross motifs within; small animals in the field; ivory medallion main border; inner striped guard; pale blue, pale yellow and light red floral guards. Soft handle.

Anatolian carpet, Konya Karapinar region, modern production, 11ft. 6in. X 8ft. 9in. 3.50m. X 2.67m. Small surface marks in places. Step-sided terracotta diamond shape field with pale green and ivory inner medallions and ivory spandrels with spaced angular floral and geometric motifs; wide ivory main border of large flowerheads; pale blue and pale green medallion guards. With ORUC Certificate of Origin dated 16/11/00. Soft palette.

Qashqa'i rug, Fars, south west Persia, circa 1920s, 7ft. 9in. X 4ft. 8in. 2.36m. X 1.42m. Overall even wear; some corrosion to browns in places; surface mark to left side border centre; few crease marks; slight loss to ends. Step-sided narrow dark blue field with all over small medallions within a lattice; terracotta spandrels and frame; ivory flowering plant main border; pale blue and terracotta floral guards.

Two rugs, the first: Luri gabbeh, Fars, south west Persia, circa 1950s, 4ft. 10in. x 3ft. 11in. 1.47m. x 1.20m. Small areas of old moth damage; minor losses to ends. Red field with dark blue centre medallion; bright green spandrels and frame; with flowering tree motifs; narrow ivory rosette main border. Robust handle. The second: Afshar rug, Kerman area, south east Persia, circa 1920s-30s, 4ft. 7in. X 3ft. 6in. 1.40m. X 1.07m. Slight wear in places; small spots of old moth damage; slight loss to flatweave ends. Dark blue field with centre light rose step-sided medallion, outlined in ivory, quarter medallions in each corner; ivory main border of linked foliage motifs; narrow running dog guards. Soft handle. (2)

A vintage wooden folding step ladder

An early 19th century sampler with title and verse, 'Scala Coell (relating to the Steps to Heaven) Epoh Hgiaf Ytirahc' and the verse 'The Steps Which Lead Mankind to Heaven in Number are Exactly Seven. While We Have Hope We Mount up Four. And Faith One Step Will Lead Us More. And to Attain Our Journey's End True Charity Must Stand Our Friend' with floral tree, figure and bird surround within an abstract border, embroidered by Charlotte Eason aged 12 years, 1806, 34 x 34cm, framed and glazed.