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Click here to subscribeA 9ct Gold Amethyst ring and a pair of 9ct Gold Amethyst stud earrings;the amethyst ring is set with a rectangular step cut amethyst that measures approx. 10mm x 8mm x 5mm, stamped "375", ring size O, the earrings are set with round brilliant cut amethysts that each measure approx. 7.5mm in diameter, stamped "375" on the stems, total gross weight of both pieces of jewellery is approx. 4.8 grams
A selection of ten Fishing Books to include - Fly Dressing Innovations 1974 Richard Walker, The Cast a Trout Fly A Step-by-Step Guide for the Modern Angler published by Farlow's and Hardy Bros, Nymphs and the Trout 1974 Frank Sawyer, Trout Fly Recognition 1979 John Goddard, Fly Dressers Guide 1953 John Veniard, Reservoir and lake Flies 1974 John Veniard, Further Guide to Fly Dressing 1977 John Veniard, Nymphs A Complete Guide to Naturals and Imitations 1973 Ernest Schwiebert, Selective Trout 1971 Doug Swisher and Carl Richards, Fly Tying Techniques 1988 Jacqueline Wakeford, good condition with some small wear and marks
A cultured pearl two-row necklace with Art Deco emerald and diamond clasp, two rows of uniform cultured pearls approximately 8.5 to 9.5mm, strung knotted, to an Art Deco three row clasp designed as a square step cut emerald and brilliant cut diamond three stone line, to a single cut and brilliant cut diamond set pierced geometric panel, cultured pearl rows 48.5cm and 83.5cm length
A collection of silver and costume jewellery, including: a gold mounted single stone amethyst ring; a silver single stone hexagonal step cut amethyst ring; a 9ct gold manual wind wristwatch with expanding bracelet; a Mexican silver hollow hinged bangle; a sterling silver and enamel Charles Horner Wembley British Empire Exhibition badge, 1925, with maker's monogram; a pair of sterling silver scroll design cufflinks; a pair of Art Nouveau style cufflinks; a cabochon garnet necklace; a silver single stone citrine ring; a silver lapis lazuli ring; a silver link bracelet; etc. (a lot)
A yellow sapphire and diamond ring, of stylised geometric design, with two central rows of square step-cut yellow sapphires, flanked by two rows of brilliant-cut diamonds, to plain tapered hoop, with French assay marks, poinçon d'orfèvre for Chanson Cie, ring size L½ (VAT charged on hammer price)Condition Report: Gross weight approx. 9.3 grams
Ben Rosenfeld. An 18ct gold amethyst, coral and ruby pendant, of stylised cross form, with a central hexagonal step cut amethyst within border of round coral (corallium rubrum) cabochons and round mixed cut rubies, all set to a textured ground, with hinged clip bale, London hallmarks, 1973, maker's mark, length 8.7cm (VAT charged on hammer price)Condition Report: Gross weight 43.2 grams.
An early 20th century silver and gold emerald and diamond cluster ring, composed of a central rectangular step-cut emerald, measuring approximately 8.7 x 6 x 4.3mm, with old-cut diamond set surround and shoulders, to plain hoop, circa 1900, ring size QCondition Report: Gross weight approx. 4.3 grams
A pair of Victorian silver pepperettes, of cylindrical form having banding decoration, marks for London 1899, maker Horace Woodward & Co Ltd, 7.5cm, along with a pair of Edwardian silver pepperettes, of traditional bulbous form, having gadrooned decoration to the bodies, raised on circular step moulded feet, marks for Birmingham 1901, maker Henry Matthews, 11.5cm, 167g gross Condition report: Overall good condition with one Edwardian pepperette having a small dent to top and general surface wear to all
An Edwardian silver mustard, having a gadrooned rim and step moulded base with condiment spoon and blue glass liner, marks for London 1901, maker Thomas Bradbury & Sons, along with a further silver mustard of circular plain form also with blue glass liner, marks for London 1923, maker Asprey & Co Ltd, 228g gross silver weight
An early Edwardian silver trophy, of traditional form having opposing scroll handles, with personalised inscription to both sides 'Presented to the Officers Mess 3rd V.B. The Queen's Royal W. Surrey Regiment By Major C. G. Berrill 1875-1902' and 'Awarded to Inter Company Bayonet Fencing Competition 1927, raised on a circular step moulded foot, marks for London 1901, maker Goldsmiths & Silversmiths Co Ltd, 642g
A cased Elizabeth II silver cup, of traditional form having a slightly flared rim, gilted interior raised on a knopped stem and circular step moulded foot, marks for Birmingham 1975, maker W I Broadway & Co, 166g Condition report: Overall good condition with some slight surface wear. No signs of restoration. Approximately 15.7cm.
A late Edwardian Art Nouveau style silver vase, of fluted form having a quatrefoil rim with moulded decoration, raised on a circular foot having further moulded decoration, marks for Birmingham 1909, maker A & J Zimmerman Ltd, along with a further George V silver vase, also of fluted form with step moulding, marks for Birmingham 1925, maker Hobson, James & Gilby, 14cm, 205g gross (weighted)
An early 20th century silver epergne vase, the central fluted vase having Chippendale style rim with scrolling arm attachments for a further two fluted vases, raised on a circular step moulded foot having a personalised inscription dated 1920, rubbed hallmarks, 21.5cm x 21cm, 504g (weighted)
A pair of late Edwardian silver candlesticks, of traditional form having step moulding decoration, marks for Birmingham 1910, maker possibly William Adams Ltd, along with a silver capped cut glass powder pot, a silver mounted scent bottle and four silver thimbles, marks to include Chester, Birmingham, London, 1893, 1898, 1912, 1976, makers Brockwell & Co, Charles Horner, Henry Griffith & Sons Ltd
Four 22 Carat Gold Garnet Bangleseach comprises a rectangular step cut garnet in a yellow four claw setting, to a band formed of alternating white and yellow beadwork floral motifs spaced by yellow plain polished barsinner diameter 6.2cmThe bangles are in fair condition, one garnet is chipped and they are slight misshapen commensurate with wear. They are hallmarked with sponsor's mark 'H.F.L', Sheffield, they all also have applied plaques stamped 'SCS 22C'. Gross weight 50.3 grams. CR made 30.01.25.
Vinyl: 7 x Rock, Pop and Punk / New Wave LP albums - comprising Blondie (Plastic Letters); Billy Idol (Vital Idol); Madness (One Step Beyond); The Roxy London WC2 (Jan-Apr 77); The Who (Live at Leeds); ZZ Top (Eliminator); and Status Quo (From the makers of.....,3 LP set in blue tin, PRO BX 1, no. 27392).
Jo Chate Warrior 2, 2025 Tempera gouache on inkjet print Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Jo Chate is a contemporary artist who transforms moments and phenomena from everyday life to create complex, enigmatic paintings. Her way of working is exploratory; embracing dualities which result in connections and complexities that are not easily definable. The paintings ultimately become the site of transformation, refracting and colliding experiences with future recollections. Alongside working on paintings, Jo Chate is experimental with collage, photography and painting on prints. Working this way has become part of her process to defamiliarise the familiar, to absorb and change until the final image evolves incorporating elements of the original. Education 2002-2004 MA in Fine Art Painting, Royal College of Art, London, UK 1999-2002 BA Fine Art, 1st class, Kingston University, Kingston, UK 1998-1999 Foundation Diploma, City & Guilds, London, UK Solo Exhibitions 2024 OUTLIERS, Q&C Gallery, Cambridge UK 2017 NOTES FROM THE WHITE BOOK, The Perfume Factory, London, UK 2012 ANGELIS DEFENSA, Vicoli Poli, Spoleto, Italy Group Exhibitions 2025 DISTURB THE LOGIC, TondoCosmic, London UK 2024 LIGHT IT UP: WINTER MENAGERIE, TondoCosmic, London, UK MICROSTORIA, Polarraum, Hamburg, Germany GOTH IN A LANDSCAPE, Museum Galleries, Aberystwyth School of Art, Wales, UK UNDONE, TondoCosmic, London, UK YOU ARE THE CIRCLE, Excelsior, London, UK THIS YEAR'S MODEL 2024 PART II, Studio 1.1, London, UK RADICAL RESIDENCY VIII 2024 EXHIBITION, Unit 1 Gallery, London, UK 2023 OPEN04, Excelsior, London, UK CUSTARD SPLITS, SET London, UK THIS YEAR'S MODEL 2023 PART III, Studio 1.1, London, UK SIDE STEP, SET London, UK 2022 WOMXN - FAIR ART FAIR CURATED II Unit 1 Gallery, London, UK Public Collections The Royal College of Art, London, UK Statement about AOAP Submitted Artwork Three mixed media works from the mannequin series; two are paint on digital prints of mannequins originally seen in shop windows. In 'Warrior 2' she becomes a she warrior in a post-apocalyptic world, flanked by her skeleton partner and child. In the second card, the mannequins emerge from the darkness, human but not human, part AI. The third postcard 'Line up' - three headless mannequins in a row, one blue. These works challenge traditional depictions of the female form from the perspective of a female artist. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
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