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An emerald and diamond ring, the central octagonal step cut emerald measuring 5.25mm x 4.85mm, flanked by four tapering baguette cut emeralds and two bands of brilliant cut diamonds, all set in yellow metal, stamped '18K', ring size M 1/2, weight 9.0gmsNote; This ring is assessed to be late 20th/early 21st century.Re-sizing: We are unable to advise whether re-sizing is possible, or how much this would cost. However additional images have been provided should potential bidders wish to consult a jeweller. 

An Art Deco emerald and diamond ring, the central octagonal step cut emerald measuring 8.35mm x 8.25mm, set to a pierced geometric surround set with brilliant cut diamonds, all set in platinum, 25mm x 20mm, continuing to split shoulders and plain polished shank, ring size P 1/2, weight 9.3gmsCR; Central stone is in tact. PLEASE NOTE: This stone has not been laboratory tested for synthetic or natural origin, or for for treatment.All diamonds are present and in tact. Settings are secure. Shank in good order, no splitting, thinning, misshaping or signs of repair. Please view additional images for further illustration.Emerald depth: 5.65mm. There appear to be some hairline cracks visible on the surface, but no large internal surface reaching fractures visible under 10x. Diamonds face up appear bright, white and sparkly. Clarity ranges across stones from SI - VS. Stones show no or very minor draw of colour under 10x when viewed face up.

An Art Deco sapphire and diamond ring, the central rectangular step cut (untested) sapphire measuring 11mm x 8mm, claw set in white metal, continuing to tapered baguette cut diamond set shoulders, plain polished white metal shank stamped 'PLATINUM', ring size K, weight 4.9gmsCR; Central stone is in good order, no cracks, chips or losses. Some light scratching and wear commensurate with age and wear. diamonds to each shoulder and present and in tact. Some thinning and minor misshaping to the shank, general scratching and wear, but no splitting or signs of repair.PLEASE NOTE; This stone has not been tested for synthetic or natural origin.

An amethyst and diamond set ring, the central step cut amethyst measuring 16mm x 11mm, claw set in white metal, continuing to tapered diamond set shoulders, plain polished white metal shank, stamped ?18CT & P?, ring size H, weight 5.5gms

An Art Deco diamond and sapphire ring, the rectangular step cut sapphire measuring 7mm x 4mm, claw set to tapering shoulders set with eight cut diamonds, all set in white metal continuing to a plain polished shank, stamped '18CT' and 'PLAT', weight 2.5gms (at fault)CR;The shank is split, and shows signs of previous re-sizing. Due to the split, we are unable to provide a size. General scratching and wear to shank. The central stone has some small chips and nibbling to the facet edges, and some scratches to the facets. The claws show some wear, but are in tact and the central stone is secure. All diamonds to shoulders are present. One diamond has a minor fracture, but all other diamonds are in tact. All settings are secure. PLEASE NOTE: This sapphire has not been tested for synthetic or natural origin. 

An amethyst and diamond 14ct gold ring, the central octagonal step cut amethyst measuring 7mm x 5mm, four brilliant cut diamonds set to each shoulder, all set in 14ct yellow gold to a plain polished shank, ring size N 1/2, together with an amethyst and diamond 9ct gold cluster ring, size N, and a further amethyst and diamond 9ct gold ring, size N, gross weight 8.6gms (3)

A step-cut aquamarine and diamond ring, the aquamarine claw set between pairs of brilliant-cut diamonds, white precious metal mounted, ring size M. £600-£800

A 9ct synthetic sapphire ring, the step-cut synthetic sapphire claw set to a 9ct gold scrollwork mount, ring size G. £100-£150

An aquamarine line bracelet by Cartier, circa 1940, channel set with a row of 25 step-cut aquamarines, mounted in platinum, signed ‘Cartier’, numbered ‘9781’, total weight approximately 45 carats, length 17.5cm. £12,000-£15,000 --- From 1932 onwards much of Cartier's aquamarine jewellery was produced by the company’s London branch. During the economic depression of this period Cartier started using semi-precious stones such as aquamarine and topaz as a more affordable alternative for their clientele. Demand was so high for these gem-set creations that correspondence between the London and New York offices in 1936 refers to long delays in commissions owing to ‘the difficulty of obtaining a supply of good colour aquamarines.’ Although economic difficulties also gave rise to a decline in the use of platinum during this period, Cartier continued to use the metal for their finer creations. Platinum settings in particular were known to enhance coloured gemstones of exceptional quality and aquamarines, with their flawless clarity, were often reserved for such pieces. The simple and refined design of a line bracelet, as shown with this lot, enabled Cartier to showcase their finesse through simple homogeneity of colour and clarity.

A pair of pink tourmaline ‘Strip’ ear pendants by Theo Fennell, the 18ct gold hoops suspending detachable drops channel-set with a row of step-cut pink tourmalines, the reverse pierced ‘STRIP’, maker’s mark, UK hallmark, length 30mm. £400-£600

50s/ 60s/ 70s - ROCK/ POP/ BEAT - 7" COLLECTION. An extensive collection of around 500 7" singles. Artists/ titles include Crossbeats - Step Aside, The Nutrons - The Very Best Things, The Paramounts - Little Bitty Pretty One, Cindy And Lindy - The Language Of Love, Simon Dupree & The Big Sound, Georgie Fame - The Ballad Of Bonnie And Clyde. The Walker Brothers, Francoise Hardy, The Move, The Kinks, Paul Jones, Marianne Faithfull, The Merseybeats, Fleetwood Mac, John Barry, Del Shannon, Sandie Shaw, Dusty Springfield, Ray Bush, Frijid Pink, Bee Gees, Linda Ronstadt, Marshall Hain, Manfred Mann's Earth Band, Sad Cafe, Robert Palmer, Gerry Rafferty, 10CC, Nancy Sinatra, Nilsson, The Brecker Brothers, Billy Joel, Giorgio, The Troggs, Herma's Hermits, The Everley Brothers, Wayne Fontana, Alan Price Set, Freddie & The Dreamers, The Turtles. Condition is generally VG to Ex.

An emerald and diamond cluster ring, the central step cut emerald of approximately 2.35ct to a surround of twelve brilliant cut diamonds, total diamond weight approximately 1.2ct and an outer row of twelve round emeralds, with triple wire shoulders and shank in 18ct white gold, size P, approximately 7.4gm/see illustration CONDITION REPORT: Ememrald with typical inclusions. Mid to deep green, medium translucency. Diamonds bright and lively. Some light scratches, scuffs and nibbles.

A floral decorated fireplace board in the shape of a large vase of flowers, 82cm high/Provenance: Spencer Swaffer Antiques CONDITION REPORT: Floral panel in good condition with the exception of a few chips. Back with noticeable chips to gesso foundation. Gilded step base with burn at the back and in dull condition. 64cm wide

A pair of Art Deco bedside tables, each fitted a drawer above a cupboard with burrwood panel door, shaped handles and stepped base, 36.5cm wide, 70cm high CONDITION REPORT: Veneer blistered, scratched and pitted throughout. Drawers and cupboard interior stained. Sides and step bases also scratched and stained.

CLASSIC/ FOLK/ HEAVY ROCK - 7" UK DEMOS. A magic selection of 30 7" singles. All UK demo pressings. Artists/ titles include Dr John - Right Place Wrong Time (K10291), Van Morrison - Warm Love (K16299), Ozzy Osbourne - Crazy Train (JET197), Bob Dylan - Knockin' On Heavens Door (SCBS 1762), The Kinks - Celluloid Heroes, Jaki Whitren - Give Her The Day, Frampton's Camel - All Night Long, Leon Russell - Slipping Into Christmas, Aztec Two-Step - On The Road, Fleetwood Mac - Black Magic Woman, Plainsong - Even The Guiding Light. Stealers Wheel, Seals & Crofts, Howard Werth, Spirit, The Guess Who, John Stewart, Arrival, Rab Noakes, Kenny Loggins, Dr Hook, David Buskin, Rita Coolidge, Hoyt Axton, Art Garfunkel, Wilson Gale, The Climax Invasion, Trickster, Alan Price. Condition is generally VG+ to Ex+

THE STRANGLERS/PUNK - 7". Fully loaded collection of 63 x 7" including a fantastic instant collection of 56 x 45s from The Stranglers. To include Total Chaos - Factory Man (VOL 2 - VG+/Ex), The Cortinas - Fascist Dictator c/w Television Families (Step-Forward 1), The Saints - Always, The Vibrators - Baby Babyy, The Depressions - Living On Dreams, Gorillas/Hammersmith Gorillas - She's My Gal and You Really Got Me, Patrik Fitzgerald - Backstreet Boys and The Stranglers including Jet Black Interview (ltd red flexi, number 520/1000), Nice 'N' Sleazy, No More Heroes, Golden Brown, Something Better Change, European Female, Strange Little Girl, Peaches, Always The Sun, 96 Tears. Grip, Grip '89, Who Wants The World?, Paradise, Big In America, One In A Million (Cornwell) and La Folie. With some duplicates. Condition is generally VG to Ex+.

An old step ladder with chromed hooping handle to the top, 53cm high while folded flat; a stained pine wall hanging two door key cupboard, 92cm wide x 68.5cm high; a small oak corner cupboard, 51cm wide x 45.5cm high; a turned brass table lamp of squat form, mounted on a wooden socle, 36cm high overall and a green painted rattan table, 61cm wide (5)Condition report: All items as found with marks, dents and scratches, some losses to the finish of the key cupboard, oxidisation to the lamp, some damages and minor marks to the rattan table etc

A wooden and metal step ladder

Two aluminium step ladders

An aluminium step ladder

METAL STEP LADDER

The Children’s Theatre Company (CTC): Elf the Musical x 4 family tickets at the Apex Bury St Edmunds, Suffolk, 30 December 2021 – 2 January 2022 Step into the Christmas spirit and enjoy a family night out with the award winning Children’s Theatre Company at the Apex Bury St Edmunds. Elf, the Broadway musical based on the hit Will Ferrell movie, the heart-warming story of how human Buddy, raised by Santa’s elves at the North Pole, travels to New York to find his real father, falls in love and brings Christmas happiness to everyone. Faced with the harsh realities that his father is on the naughty list and his half-brother doesn't even believe in Santa, Buddy is determined to win over his new family and help New York remember the true meaning of Christmas. This modern-day holiday classic is sure to make everyone embrace their inner Elf. After all, the best way to spread Christmas Cheer is singing loud for all to hear! Suitable for ages 3+ Donated by: The Children’s Theatre Company (CTC) https://thectc.co.uk T&C’s apply: Chosen time & date for performance to be mutually agreed (subject to availability) between the final bidder and The Children’s Theatre Company from 30 December 2021 to 2 January 2022. Experience comprises 4 family tickets Subject to related government guidelines This experience cannot be re-sold or reauctioned Travel not included

Lleyton Hewitt AM: signed tennis shoes Your chance to step into the shoes of Australian professional tennis player, Yonex legend and former World #1 Aged just 20 years, Lleyton Hewitt, was the youngest male in the ATP era to be ranked #1 in singles. He is the most recent Australian to win a men’s singles Grand Slam Title. Donated by: Yonex and Lleyton Hewitt AM T&C’s Apply Shipping can be arranged at cost to the final bidder

Roland-Garros: French Open Poster 2020 signed by the artist Pierre Seinturier with 2 beautifully illustrated books Au centre le court Philippe Chatrier & Trophies Your chance to bid for a unique item of tennis memorabilia, donated by La Fédération française de tennis (FFT) and signed by the artist, shining the spotlight on the people who work in the shadows of the tournament; the craftsmen of the red clay, in a poster bursting with intensity. Pierre Seinturier’s original piece is a poignant depiction of the courts being prepared at Roland-Garros, portraying the moment before the players step out on court as a dramatic and artistic event in its own right. The poster features vegetation in the foreground, which frames the actions of the grounds-men who work every day to prepare the red clay. The clay symbolises Roland-Garros. It is the only Grand Slam tournament to be held on this surface, so I had to include it in my piece. The court grounds-men also take centre stage. The president of the FFT calls them terriens. It’s a great nickname, very poetic. This poster evokes the preparation of the courts, just before the start of the matches, which are often amazing to watch. It was quite natural for me because I have always created paintings or drawings that depict the moments just before the action. These ‘terriens’, who we only see for a few seconds on television, play a vital role in the tournament,” explains the artist Pierre Seinturier. This stunning poster is accompanied by 2 beautifully illustrated books from Les Carnets de Roland-Garros collection, reflecting the spirit of the stadium, whilst inviting you to discover the unique stories that make the Parisian Grand Slam so special Au centre le court Philippe Chatrier 106 pages with illustrations: Every year, the Porte d'Auteuil becomes a hive of activity for three weeks. Roland-Garros stadium throws open its gates and the second Grand Slam of the year gets everyone's adrenaline pumping. At the epicentre of the action is the beating heart of the stadium, Philippe-Chatrier Court. This book invites readers to dive into the history of this legendary court, which stands the test of time thanks to its players, its spectators, its groundsmen and everyone whose passion brings it to life every year. Trophies 106 pages with illustrations: Celebrating the 40th anniversary of the Coupe des Mousquetaires, when sport and the art of silversmiths come together, giving rise to magnificent pieces of silverware that have become iconic emblems of the tournament. Every year, the trophies are infused with the winner's emotion, and no victory would be complete without lifting this Holy Grail. Full of laughter and tears, the prizegiving ceremony is an extraordinary tournament highlight. Poster: 80 cm h x 53 cm w Carnets: 22 cm h x 16.5 w – 106 pages Donated by: La Fédération française de tennis, FFT https://www.fft.fr T&C’s Apply Shipping can be arranged at cost to the final bidder

CLARKES OF WALSHAM SHOPPING EXPERIENCE: to the value of £1,000 Step out in style in 2022 or treat the whole family to a new wardrobe courtesy of Clarkes of Walsham with this fantastic shopping experience. You will be able to select a £1,000 worth of across a selection of premium outdoor country clothing brands including Barbour, Schöffel, Joules and White Stuff. Donated by: Clarkes of Walsham https://www.clarkesofwalsham.co.uk T&C’s apply: Voucher to be presented to final bidder on completion of the auction Non-transferable – may not be resold or reauctioned Cannot be exchanged for cash or used to pay off account balances Purchase any items of clothing or footwear in their Country Clothing & Equestrian Stores at Walsham le Willows Valid until 31/12/2022

**CERTIFICATED UNMOUNTED QUARTZ, rectangular step cut, weighing 80.21 carats, with accompanying GJSPC report number CSN041353

TAMIYA DINOSAUR MODEL KITS 1/35 to include Tyrannosurus Rex, Triceratops Eurycephalus, Stegosaurus Stenops together with an Airfix Tyrannosaurus, 1:72 One Small Step For Man... and Skilcraft Visible Man (6)

A 19th Century Grand Tour Italian fruitwood & walnut model of Florence Cathedral, formally the Cattedrale di Santa Maria del Fiore / Duomo di Firenze. The well constructed model featuring an open domed section room with multiple arches & columns raised on four step circular ebonised base. Measures approx; 45cm x 45cm x 25cm.

An Important 18th Century Cumming's Pattern Cutting Engine or Microtome,Possibly French, c.1770, unsigned, the body of the instrument is made of brass tube finished on the oustside with a black and mottled red fired enamel to simulate tortoiseshell, at the bottom is a lacquered brass end with a wheel engraved with a scale on a fine steel thread, as the wheel is turned the specimen is raised in front of the blade at the other end, the scale is marked against the brass stop next to the wheel, at the other end is the rotating elliptical blade, this is rotated by turning the polished lignum handle, two knurled wheel at the side are used to hold the blade in place and stop rotation, the other is used to hod the specimen push rod securely in the body of the instrument, the cutting engine comes in its original Fine red Moroccan leather-covered case lined to the inside with red chamois leather, in the case, there is the original shaped stone for sharpening the elliptical blade, a glass slide, a cut-glass bottle with a stopper and another similar but taller with a silver cap, the case 17.4cm wide Footnotes: The Cumming's Cutting Engine - The instrument that changed microscopy. In 1770 a book was published by John Hill (b.1714 – d.1755) on the structure of wood as examined under the microscope. In this book ‘The Construction of Timber from its Early Growth, Explained by the Microscope’, Hill illustrated finely cut sections of wood which were only made possible due to the recent invention of cutting engine or microtome designed and built by Alexander Cumming (ca.1743 – d.1814). This instrument allowed thin sections to be cut so that light could pass through enabling, for the first time, microscopists to see the cell structure of plants. This simple step revolutionised the use of the microscope into a serious scientific instrument. It was George Adams,, then, maker of scientific instruments to King George III, who before this pivotal moment had lamented that the interest in the microscope had waned, famously stating of microscopy “either satisfied with the discoveries already made … or tired by its own exertionsâ€, after Hill's book was published Adams went on to say “So important a subject soon revived the ardor for microscopic pursuits, which seems to have been increasing ever sinceâ€. From Hill’s book, it was stated that Mr. Cummings had made two or three of his cutting engines, the design was then passed to Ramsden who made them commercially, one of which resides today in the collection of the Oxford Science Museum. The Cumming's Pattern Cutting Engine proved difficult to use as keeping the curved blade sharp was a problem. It doesn't appear to have been a great commercial success with only a few instruments surviving today. However, the value of these sections that could be produced for microscopy was now realised and new microtomes were designed and produced by a number of scientific instrument makers. These instruments were easier to use and produced better results consigning the Cumming's Pattern Cutting Engine to history. The design of the instrument offered here is particularly interesting and worth considering. Unlike the existing English instrument by Ramsden this instrument appears to be French in construction: the box is very typically continental with the inside lined with red chamois leather; the instrument has some typically French features with the double knurling of the brass adjusting wheels; the way the lignum handle is turned suggests there may well be Dutch influence. As far as we are aware this is the first time a Cummings Cutting engine has ever been offered for sale at auction. For a similar instrument see: https://www.ssplprints.com/image/81932/microtome-1770 https://www.mhs.ox.ac.uk/collections/imu-search-page/record-details/?thumbnails=on&irn=1733&TitInventoryNo=65389

A Collection of Stereoscopic Photographs of Crystal Models With Provenance,consisting of 29 stereo images of crystal structures and crystallographic instruments to illustrate the results of X-ray crystallography by Sir William and Prof. W. L. Bragg printed by Adam Hilger Ltd, London with index card with an original typed letter signed Bragg which reads 'Dear Miss Hepple, I have some old stereoscopic sets of crystal models which have been lying about collecting dust for some years, and i am sending you one as a Christmas present in case it may help you get what you want' dated Dec 31st 36, on headed paper from Professor W. L. Bragg, The Physical Laboratories, The University, Manchester Footnote: Sir William Lawrence Bragg, Kt, CH, OBE, MC, FRS(31 March 1890 – 1 July 1971) was an Australian-born British physicist and X-ray crystallographer, discoverer, in1912, of Bragg's law of X-ray diffraction, which is basic for the determination of crystal structure, he was joint recipient (with his father, William Henry Bragg) of the Nobel Prize in Physics in 1915, "For their services in the analysis of crystal structure by means of X-rays", an important step in the development of X-ray crystallography. Bragg was knighted in 1941, and was the director of the Cavendish Laboratory, Cambridge, when the discovery of the structure of DNA was reported by James D. Watson and Francis Crick in February 1953

CHANEL: GEM-SET DRESS RINGThe octagonal step-cut citrine within a jasper surround, between cabochon garnet shoulders, mounted in 18 carat gold, signed Chanel, numbered, London import mark, French assay mark, ring size approx. K (leading edge), maker's pouchFor further information on this lot please visit Bonhams.com

DIAMOND AND SAPPHIRE DOUBLE CLIP BROOCHEach openwork plaque set with single-cut diamonds and rectangular, step-cut sapphires, length 7.0cmFor further information on this lot please visit Bonhams.com

THREE DIAMOND AND GEM-SET RINGS1st: The step-cut emerald within a surround of brilliant-cut diamonds, 2nd: The circular-cut sapphire within a surround of brilliant-cut diamonds, mounted in 18 carat gold, 3rd: Set with alternating circular-cut sapphires and brilliant-cut diamonds, mounted in 18 carat gold, 2nd, 3rd: London hallmark, ring sizes approx.: 1st M½, 2nd Q, 3rd L½For further information on this lot please visit Bonhams.com

DIAMOND WATCH/BRACELETThe octagonal dial with Arabic numerals, concealed beneath a brilliant and step-cut diamond case, on a tapering strap of similarly-cut diamonds, to a brilliant-cut diamond cluster clasp, diamonds approx. 9.50cts total, dial signed Asprey, length 17.8cm For further information on this lot please visit Bonhams.com

AQUAMARINE CLIP BROOCHES, CIRCA 1935Of floral design, each set with pear-shaped and step-cut aquamarines, accented by collet-set single-cut diamonds and a central circular-cut aquamarine, length 2.5cm (2)For further information on this lot please visit Bonhams.com

DIAMOND ETERNITY RINGSet throughout with step-cut diamonds, diamonds approx. 2.15cts total, ring size approx. N½ For further information on this lot please visit Bonhams.com

EMERALD AND DIAMOND RINGSet with a trio of step-cut emeralds, within a surround of pavé-set brilliant-cut diamonds, ring size approx. OFootnotes:All proceeds from the sale of this ring will go to the hedgehog sanctuary, Minster Lovell Hedgies.For further information on this lot please visit Bonhams.com

THREE PAIRS OF GEM-SET CUFFLINKS, CIRCA 19701st: Each coral corallium rubrum knot with a brilliant-cut diamond accent and a similarly-set T-bar terminal, 2nd: Each baton link set with sugarloaf sapphire terminals, 3rd: Each step-cut smokey quartz in a concave setting, with a bullet-shaped T-bar terminal, 1st: signed VCA, Dutch assay marks, plaque/baton lengths: 1st 1.5cm, 2nd 2.6cm, 3rd 1.5cm, 2nd: fitted case by Gübelin (3)Footnotes:This lot will be subject to US Fish and Wildlife inspection if imported into the USA.For further information on this lot please visit Bonhams.com

SAPPHIRE AND DIAMOND DRESS SETThe double-sided cufflinks, set with step-cut sapphires and brilliant-cut diamonds in a chequerboard design, accompanied by four studs of matching design, plaque lengths: cufflink 1.6cm, stud 1.0cmFor further information on this lot please visit Bonhams.com

TOURMALINE AND DIAMOND DRESS RING, CIRCA 1945The rectangular step-cut tourmaline within a reeded mount, accented by single-cut diamonds, ring size approx. LFor further information on this lot please visit Bonhams.com

ELIZABETH GAGE: CULTURED PEARL CHOKER WITH AQUAMARINE AND DIAMOND CLASP, EARLY 1980SThe three rows of 8.0mm cultured pearls on a clasp set with an octagonal step-cut aquamarine, between flowers set with brilliant, old brilliant and single-cut diamonds and circular, pear and oval-cut aquamarines, signed Gage, length 37.5cmFor further information on this lot please visit Bonhams.com

A SUPERB PAIR OF ART DECO ONYX STANDS inset with bronze plaques of four nude girls dancing . DEMETRE CHIPARUS (9ins x 5.25ins) Signed, the panels of various colours, onyx and marble triple step square bases. 3ft 5ins high, the top 1ft 10ins long fitted with electricity. Provenance: Purchased in PARIS, 2001.

Two Beldray aluminium step ladders - sold with a Halo similar

A pair of vintage blue painted metal step ladders

A diamond and chrome tourmaline dress ring; the elongated step cut tourmaline in four claw setting with Asscher cut diamond surmount; all set within a V-shaped shank marked '750'. Size L1/2 could be resized. Gross weight 8.1 grams.

An emerald and diamond cluster ring. The square step cut, cut-cornered emerald in collet mount above a round brilliant cut diamond border with bifurcated shoulders set with pear-shaped emeralds; the whole to a plain 18 carat gold shank. Emerald estimated to be 5.43 carats; total diamond weight estimated to be approximately 0.94 carats. N. Can be resized. 9.3 gramsCondition report: All claws intact. Overall minor scratches to the mount and shank. Diamonds slightly yellowish. Emerald mid saturation, eye visible moderate typical inclusions, some surface reaching. Panel 18mm square.

A pair of chrome tourmaline and diamond drop earrings; the elongated step cut tourmalines with seven round brilliant cut diamonds to one side, on three stone diamond drops, to screw fittings. 3.3cm length; 5.5 grams.

A pair of topaz and diamond cluster earnings; the rectangular step cut, cut-cornered topaz in four claw mount above a ten stone circular-cut diamond border, in white metal illusion mounts. Post backs with screw fittings. 5.6 grams

Registration No: TGC 484MChassis No: 73051390LMOT: Exempt Lotus Elan +2S Coupe benefitting from a full restoration in 20191.6 litre Lotus-Ford twin cam inline four mated to a 5 speed manual transmissionLarge file including invoices totalling over £10000 for parts bought during restorationThe Elan 2 was revealed to the world in 1962 with a 1500cc engine and a four-speed gearbox in a small and stylish 2-seater roadster form. The Plus 2 (code-named M20) was introduced in 1967 and had arguably better proportions than the 'baby' Elan. In 1971 the +2S 130 was launched with the Lotus 'Twin Cam' engine, providing an improved 126bhp hence the “130” model suffix. It produced a maximum torque of 113lb/ft at 5,500 rpm, providing plenty of power to fully enjoy this lightweight and useable family sports car. The +2S 130 was an appreciable step up in quality with a raft of luxury fittings from quartz halogen fog lights to burr walnut facia and electric windows. In October 1972 the long-called for five speed gearboxes finally arrived as an option, to make cruising smoother, and the Lotus Elan +2S 130/5 became ‘the’ version to have.This 1973 Lotus Elan Coupe has benefited from an extensive restoration in 2019 and further recent electrical work in October 2021. Powered by a 1.6-litre Lotus-Ford Twin Cam inline-four engine mated to a five-speed manual transmission, the odometer displays just 41,135 miles (not warranted). During the restoration the body and chassis were separated and the body painted in a blue and silver colour combination, while the chassis has been cleaned and painted to protect it from any future corrosion. The work has been executed to a high standard with flush even shut lines and bright, glossy paintwork in lovely condition while the exterior trim is in excellent order. The door and window seals have been replaced and a period correct set of 13-inch Dunlop alloy wheels with black painted centres and polished rims has been fitted.The interior cabin has been retrimmed in beige vinyl covering the seats, door cards and transmission tunnel. The upholstery is in excellent condition with a very few minor surface marks. The walnut veneer dashboard is smart but has faded slightly with a few minor chips and cracks. The white lettering on the controls is missing, along with the black plastic knobs which cover the ends of the heater control sliders. A modern retro-styled radio, which provides Bluetooth and USB connectivity, has been installed and all of the buttons, switches and electrical items are in good working order.Mechanically there has been a full engine rebuild including a carburettor refurbishment and the installation of an electronic ignition system. The braking and suspension components have been overhauled and all four wheels are fitted with Toyo 350 175/70 R13 tyres. Its most recent routine maintenance included replacement of the engine oil, oil filter, spark plugs, brake fluid and auxiliary belt, as well as a service of the electrical components. The car comes supplied with invoices for over £10000 for parts bought during the restoration process and a further £1500 for recent recommissioning work. There is also a FIA Historic Regularity Run car pass placing it in the Grand Touring category for use in classic car events.Footnote: For more information, please contact:Ian Cunninghamian.cunningham@handh.co.uk07415 871189

A sapphire and diamond panel ring, the square step-cut sapphire millegrain set within a border of graduated single-cut diamonds, two colour precious metal mounted, total diamond weight approximately 0.25ct, ring size O½Condition report: The sapphire has a dark greenish-blue hue and contains multiple fracture and fissure inclusions, with areas of whiteish colour zoning, visible under magnifcation. The sapphire has surface abrasion, a small surface chip and measures approx. 5.3mm in length x width and 4mm depth. Diamonds are fairly bright and lively with slightly variable colour and clarity, some stones with small nicks/chips and surface-reaching fractures, estimated SI1 to P2 clarity and H to K colour, assessed mounted. The mount has surface wear throughout and the edges of the setting have patchy wear and thinning, with small losses of metal in places. The lower half of the shank appears to be replaced and the outer sides of the setting are worn. The shank has an indistinct stamped mark. Metal standard is untested. Gross weight approx. 2.2gm.

A 19th century emerald full hoop eternity ring, set throughout with rectangular step-cut emeralds in pinched collet settings, gold mounted, ring size K½Condition report: Emeralds have slightly variable yellowish-green hues and contain fracture, fissure and mineral inclusions that are visible to the unaided eye, some of the fractures surface-reaching. One of the emeralds has a large chip to one side and all of the emeralds are abraded, with chips, scuffs and scratches to the surface. The stones measure approx. 2.5mm to 3mm length x 2mm to 2.5mm width. Occasional stones may be later replaced. The ring mount appears to be in relatively good condition for its age, with scuffs, scratches and nicks/chips throughout, commensurate for use, and some thinning to the edges of the settings. Metal standard is untested and the mount appears to be unmarked. Gross weight approx. 4.5gm.

A diamond and vari gem-set insect brooch, naturalistically modelled with baroque pearl abdomen, octagonal step-cut sapphire thorax, old brilliant-cut diamond head and circular mixed-cut ruby eyes, his wings edged with further similarly cut rubies and rose-cut diamonds, two colour precious metal mounted, (one diamond deficient, pearl untested for origin, fitting later replaced), length 2.9cmCondition report: Chips, scuffs and surface-reaching fractures to the sapphire, rubies and diamonds. The sapphire and rubies contain areas of angular whiteish colour zoning and feather/fracture inclusions. Diamonds are mostly bright and lively but some stones have a greyish, fractured appearance. One diamond is missing. The pearl is untested for natural/cultured/freshwater origin and has scuffs, pits and blemishes to the nacre surface. The mount has surface wear, scuffs, nicks/chips and areas of porosity and some tarnishing. The porosity may be due to solder repairs. The brooch pin and visor clasp are currently functioning but the clasp may be later replaced. Metal standard is untested. Date of manufacture unknown. Gross weight approx. 6.4gm.

A set of three diamond set half hoop rings, comprising a diamond half hoop ring, channel set with princess-cut diamonds, hallmarked for London 1995, a sapphire and diamond half hoop ring, channel set with pairs of square step-cut sapphires spaced by princess-cut diamonds, hallmarked for London 1995, and a ruby and diamond half hoop ring, of conforming design, also hallmarked for London 1995, each platinum mounted, with scroll engraved gallery, maker's mark GS&S, ring sizes R½ and S (3)Condition report: All rings have surface wear, scuffs, scratches and nicks/chips throughout, commensurate for use. The settings appear to be hand finished, with a slight unevenness to the position of the drill holes to the underside of each setting. Diamonds are well matched, bright and lively, with estimated VS1 to SI2 clarity and H to J colour, assessed mounted. Sapphires have areas of whiteish colour zoning and surface nicks/minor chips and scuffs. Some of the rubies have small surface-reaching fractures/fissures and all have surface nicks/minor chips and scuffs. Average length/width of rubies and sapphires approx. 2.7mm each. Width of each setting approx. 3.8mm/3.9mm. Hallmarks are clearly struck.Approximate total diamond weights: diamond half hoop ring 1.30ct, sapphire and diamond half hoop ring 0.35ct, ruby and diamond half hoop ring 0.35ct.Approximate gross weights: diamond half hoop ring 7.4gm, sapphire and diamond half hoop ring 6.5gm, ruby and diamond half hoop ring 6.5gm,

A sapphire and diamond set panel bracelet, the boat-shaped panel with articulated terminals, pierced and millegrain set with square step-cut sapphires, alternating with round brilliant and single-cut diamonds, on a baton-link bracelet, two colour precious metal mounted, numbered ?65, total diamond weight approximately 0.12ct, length 17.5cmCondition report: Sapphires are well matched, of mid to dark blue hues with areas of whiteish colour zoning that are easily visible under magnification. All have surface wear, nicks and minor chips, commensurate for use. Largest sapphire measures approx. 3mm in length/width. Diamonds are well matched, bright and lively, with estimated VS1 to SI2 clarity and H to J colour, assessed mounted. Largest diamond weight approximately 0.05ct. The bracelet panel is partly articulated with a hinged section to each end. The panel and bracelet links have light surface wear, scuffs, scratches and nicks/chips, commensurate for occasional use. The panel has areas of porosity to both sides, at the junction of the white and yellow metal sections. Panel measurements approx. 4.6cm length x 5.3mm width. The clasp and safety catch are currently functioning. The bracelet is not marked and metal standard is untested. Gross weight approx. 6.7gm.

A diamond and gem set full hoop eternity ring, alternately set with single-cut diamonds and trios of square step-cut black onyx, the white precious metal mount with foliate engraved sides, total diamond weight approximately 0.20ct, ring size N

An emerald and diamond cluster ring, the rectangular step-cut emerald with canted corners, bordered by millegrain set single-cut diamonds, two colour precious metal mounted, total diamond weight approximately 0.12ct, ring size LCondition report: Deep scuffs, scratches and chips to emerald surface. Emerald of light to mid-green hue, with fractures and fissures visible under magnification. Diamonds have variable colour and clarity, some stones with chips and fractures, but give an overall fairly lively appearance. The mount is worn, with thinning to the sides of the setting and to the back of the shank, which has re-sizing joins. Metal standard is untested. Length of setting approx. 0.9cm. Gross weight approx. 1.7gm.

A blue zircon and diamond dress ring, the rectangular step-cut blue zircon in claw setting, between millegrain set shoulders of old and rose-cut diamonds, two colour precious metal mounted, total weight of old-cut diamonds approximately 0.25ct, ring size approximately ICondition report: The zircon has a mid greenish-blue hue, with chips and abrasion to facet edges and scuffs/scratches to the surface. The zircon measures approx. 10.7mm length x 7.8mm width x 6.5mm depth. Diamonds have variable facet symmetry and are fairly lively, but three of the old-cut stones have chips/surface-reaching fractures, with estimated J to K colour and SI2 to P2 clarity, assessed mounted. The outer rose-cut diamonds have a typically greyish, fractired appearance. The mount has a two colour shank (white interior/yellow exterior) and there is a worn mark, possibly 'PT'. The mount has scuffs, scratches, nicks and chips throughout, commensurtae for use, and the shank is off-round, with a solder join to the back. Solder joins are present at junctions within the setting, presumed to be part of manufacture. Metal standard is untested. Gross weight approx. 4gm.

A sapphire and diamond panel bracelet, circa 1915-20, designed as a series of articulated pierced and millegrained panels of geometric design, set throughout with graduated old brilliant, Swiss and single-cut diamonds, spaced by channels of step-cut sapphires, on an expanding-link bracelet, white precious metal mounted, with yellow metal tongue clasp, numbered C212, total diamond weight approximately 0.60ct, length 16.3cmCondition report: One of the expanding baton links, next to the panelled section, is no longer sprung and requires repair. One of the sapphire set channels has been solder repaired at the junction to the central cushion-shaped panel and is no longer articulated at this point. The underside of this channel, and the sapphire channel on the opposing side, have yellowish staining to the mounts. The panels have occasional dark solder joins to the sides, one probably as a result of repair, the others likely to be part of manufacture The panels have otherwise light surface wear, nicks and scuffs throughout, with slight thinning at edges to the settings. There is a small solder repair to the end link of the bracelet, adjoining the tongue clasp. The expanding links are otherwise currently functioning and have scuffs, nicks and chips throughout.Diamonds are well matched, bright and lively, with very occasional small chips/nicks to the surface, estimated VS1 to P1 clarity and H to J colour, assessed mounted. Diamonds graduate from approx. 0.10ct to 0.01ct. Sapphires have slightly variable mid to dark purplish-blue hues, some stones containing mineral inclusions, feathers/fractures and areas of whiteish colour zoning, all with surface wear, scuffs and nicks/small chips. Metal standard is untested and the bracelet appears to be unmarked. Gross weight approx. 8.9gm.

A blue topaz and diamond dress ring, the rectangular step-cut blue topaz in four claw setting, between tapered shoulders of single-cut diamonds, 9ct white gold mounted, ring size K½

Status Quo: Alan Lancaster's Schecter Telecaster-Style Guitar,circa 1979,all-natural wood finish, single cutaway body, two replacement pickups with two rotary controls and three-way selector, white plastic scratchplate, gold-plated hardware, fingerboard with black dot markers, headstock with Schecter decal and Schaller machineheads, in hard, plush-lined stickered Fender case with original pickups in box and strap, guitar 38 1/4in (97cm) longFootnotes:Provenance: Property of Alan Lancaster (1949-2021). Best known as a founding member of the rock band Status Quo. Lancaster contributed to songwriting, and vocals on albums and live concerts, taking the lead on tracks such as 'Backwater', 'Is There A Better Way', 'Bye Bye Johnny', 'High Flyer' and 'Roadhouse Blues' etc. Having formed the band in 1962 with schoolmate, Francis Rossi, his final performance as a full-time member of Status Quo was at Wembley Stadium on 13 July 1985 for the opening of Live Aid. Alan joined the original line-up of the band for reunion concerts in 2013 and 2014.This guitar originally belonged to Rick Parfitt from 1979 to 1985, when he swapped it for a Gibson EB3 bass guitar owned by Alan. It was used by Rick for various recordings and concerts. There is film on Youtube of Francis Rossi playing it for a TV performance of Jealousy with Bernie Frost in 1985 - Link: www.youtube.com/watch?v=5YddwDWN5BY. Post-Quo, the Schecter was played on Alan's band The Party Boys' No. 1 single He's Gonna Step On You Again and on the band's eponymous, first studio album.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com