We found 26534 price guide item(s) matching your search
There are 26534 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
26534 item(s)/page
Lot 434
BERKSHIRE, Bradfield College, a silver award medal by Bracher & Sydenham, named (Fives Handicap Doubles 1917 C.L.D. Fawcus J.E.A. Whealler. -5), hallmarked Birmingham 1916, 38mm, 26.00g; Clewer House School, Windsor, a silver award cross, unsigned, rev. named (Hop Step & Jump J. Whitehorn Junr 30’ 10” 1876), 42mm, 27.30g; BUCKINGHAMSHIRE, Licenensed Victuallers’ School, Slough, silver award medals (3), by Vaughtons (2), named (Thomas Frederick Sanson), 38mm, 30.10g, for the Silver Jubilee, 1935, named (Herbert Musgrave), hallmarked Birmingham 1935, 32mm, 31.00g, in silver-gilt, by J. Moore (?), named (Arthur Spear), 28mm, 14.00g [5]. Very fine to extremely fine; last three with suspension loops £90-£120
Lot 811
A pendant and bracelet. The 9ct yellow gold bracelet is set with step cut green amethyst of approx 7.9mm x 5.9mm, the clasp further set with diamond accents, length 18.3cm, together with a 9ct white gold pendant set with a cushion cut green amethyst with diamonds set to the bail, dimensions of the stone 14mm x 14mm x 7.5mm, length of pendant 2.2cm, on a 50cm Italian made snake chain, weight all together 18.5gms Condition Report:The bracelet looks barely worn, it is slightly tarnished, this happens to gold if its shut in a box and not worn. The chain, light general wear. Some very light scratches to the top facet, this might be left over from polishing and not damage, no chips, light general wear
Lot 537
Jacques Kallis signed limited edition print with signing photo. Jacques Kallis has blossomed into one of the world's leading batsmen. His Test match average is now comfortably in the 50s (54.07) and 45.90 in One Day International She is a great all-rounder, presently with 163 wickets from 78 Test matches, able to swing the ball sharply at surprising pace off a relaxed run-up Kallis took a step up in the West Indies series in 2003-04, scoring a record number of runs for a four-Test series and making six centuries in the Test and one-day series This stunning print shows Jacques on his way to his 4th consecutive century against the West Indies. He has personally signed each print and you will receive a photo of the signing (as shown in inset image)Actual Size 560mm x 410mm - limited edition of 250 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board - The accompanying photo of the personality signing this item will include a copyright over the image. Edition number may vary. Good condition. Est. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99.
Lot 528
Gary Sobers signed limited edition print with signing photo The achievements of Sir Garfield Sobers stand alone. Generally considered to be the greatest all round cricketer of them all, he was blessed with every necessary attribute for greatness.He made the final step from highly promising player to a great one at the age of 21 with an innings of 365 not out against Pakistan. He finished with a test average of 57.78 and took 235 Test wickets at 34.04.He hit the Glamorgan bowler Malcolm Nash for six sixes in an over at Swansea in 1968.It is unlikely that one man will again possess so wide a variety of cricketing skills as Sir Garfield Sobers.This superb print, personally chosen by Gary shows him batting against England.He has personally signed each print and you will receive a photo of the signing (as shown in inset image). This is a super item from a legend.Actual Size 560mm x 410mm - limited edition of 500 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board - The accompanying photo of the personality signing this item will include a copyright over the image. Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99.
Lot 590
A diamond ringthe central rectangular step cut-cornered diamond estimated to weigh 1.20 cts, set to either side with a baguette-cut diamond to the heavy plain shank stamped 'PLATINUM' ring size Q, 7.7gCondition:Overall condition good/very good. slight wear to the lower shank around the sizing (probably enlarged with white gold)Central diamond: 7.6 x 4.8 x 3.9mm, natural, verbal G/H colour, VS2/SI1 clarity.Baguettes: natural, each estimated to weight 0.20 cts approx
Lot 537
A diamond and sapphire enamel cross pendantcentral square step cut sapphire, within a four stone round brilliant-cut diamond surround, to royal blue enamel arms terminating in four seed pearls, suspended from 14ct gold rope chain, stamped with hallmarks to tagtotal approx. length 44cm total approx. weight 5.7g total approx. length cross 3.5cmCondition:In good overall condition.
Lot 579
A collection of gold and gem set cluster rings including; 14ct gold, blue-gem and cubic zirconia set cluster ring, stamped with hallmarks; eight 9ct gold and gem set cluster rings, of varying shades red, brownish-red and pink, and varying designs featuring a central single stone surrounded by a border of colourless gems, all stamped with hallmarks; two 9ct gold and orange gem set cluster ring, featuring a central orange gem set above a surround of colourless gems, tapering to a plain shank, stamped with hallmarks; seven 9ct gold, blue and colourless gem set rings, of varying shades of blue, featuring a blue single stone gem, set above a surround of colourless gems, tapering to plain shanks, stamped with hallmarks and a blue-gem set cluster ring, centrally set rectangular step cut blue gem, set above a surround of colourless gems, tapering to a plain shank, indistinctly stamped (qty)ring sizes R, P/Q, O, R/S, P/Q, N, P, M/N, Q, total approx. weight 49.8gCondition:PLEASE NOTE: We cannot confirm the nature of the stones used; whether they are natural, synthetic or treated. All in good overall condition.
Lot 193
A George III cut glass cream jug and two other jugsfirst c.1800 of ewer shape cut with a band of diamonds and steps, on a radially cut foot together with a Bohemian heavily cut cream jug c.1830 of lobed oblong form with step cut neck and spout and star cut base and an early Victorian jug, (3)first height 11.5 cm.Condition:Good condition
Lot 468
An unusual Kreidler, late 1970's, 50cc moped with step through frame, telescopic front suspension, rigid rear forks. In unrestored barn find condition. No documents. Sold as seen with no warranty or guarantee of any kind implied or given. (Believed to be a Kreidler Flory number 2) (B.P. 21% + VAT)
Lot 7019
Reggae- A collection of twenty-nine 7" single reissues on the Black Art Label, originally recorded at Lee "Scratch" Perry's legendary Black Ark studio, reissues produced by his son, Omar Perry. To include The Heptones / The Upsetters- 'Crying Over You / Crying Dub' (TTS005), The Upsetters- 'Enter The Dragon / Black Belt Jones' (ART01), Lee Perry / Jah Lloyd- 'White Belly Rat / Judas De White Belly Rat' (ART2), Junior Byles / King Medious- 'Fever / This World' (ART3), The Mystic / The Upsetters- 'Forward With Jah Orthodox / Orthodox Dub' (ART4), Devon Irons /The Upsetters- 'When Jah Come / Iron Dub' (ART5), Bunny & Ricky /The Upsetters- 'Freedom Fighter / Iron Wolf' (ART6, x2 copies), Augustus Pablo / Pablo & Jah T- 'Hot & Cold Version 1 / Lick The Pipe Peter' (ART07), Junior Byles / The Upsetters- 'The Long Way / Dub Side' (ART08), Peter & Paul Lewis- 'Ethiopian Land / Ethiopian Dub' (ART9), Junior Ainsworth / The Upsetters- 'Thanks & Praise / Dub Side' (ART11), Dillinger / Prince Django- 'Middle East Rock / Hot Tip' (ART12) Lee & Junior / The Upsetters- 'Dreader Locks / Militant Rock' (ART13), Max Romeo / The Upsetters- 'One Step Forward / One Step Dub' (ART14), The Heptones / The Upsetters- 'Mistry Babylon / Mistry Dub' (ART16), The Black Notes / The Upsetters- 'African Style / African Dub' (ART18), Augustus Pablo / The Upsetters- 'Vibrate Onn / Vibrate Dub' (ART20), Brent Dowe / The Upsetters- 'Down Here In Babylon / Dub Side' (ART21), Lee Perry / The Upsetters- 'Bathroom Skank / Washroom Skank' (ART22), Jah Lion- 'Columbia Collie / Dread Ina Jamdong' (ART23), Junior Murvin / The Upsetters- 'Philistines On The Land / Bingo Kid' (ART26, x2 copies), The Hurricanes / The Upsetters- 'You Can Run / You Can Dub' (ART27), The Gladiators / The Upsetters- 'Time / Dub In Time' (ART28), Juks Dread & Big Youth / The Upsetters- '23rd Psalm / 23rd Dub' (ART29), Augustus Pablo & Lloyd Young / The Groovers- 'Our Man Flint / Pi-A-Ring' (ART030), CLive Hylton / The Upsetters- 'Judgement Day / Well Judged Dub' (ART 31, x2 copies), Max Romeo / Jah Lion- 'Fire Fe The Vatican / Leggo!' (ART 32) (29, vinyl generally VG+)
Lot 143
1981 Honda 49cc C50 CubRegistration no. PVM 323WFrame no. C50-6297214Engine no. C50E-6301438Introduced in 1958, Honda's C100 'step-thru' revolutionised two-wheeled mobility, offering a more powerful, reliable, and well-built alternative to contemporary mopeds. With superior handling compared to small-wheeled scooters, it became a worldwide success, setting new sales records and spawning descendants that remain popular today. This particular Honda C50, a later version of the iconic design, displays 5,445 miles to the odometer and appears mostly original. Acquired in 2008, it has remained untaxed since 1991, and its last date of use unknown. Accordingly, it will require recommissioning or restoration to a greater or lesser extent. Offered with a V5C listing four former keepers, an old V5C, part old V5 and a purchase receipt. As a solid restoration candidate, this C50 presents a fantastic opportunity to revive a classic piece of Honda history. Sold as seen.Offered with keyFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Saturday 12 October starting at 2pm GMT.For further information on this lot please visit Bonhams.com
Lot 101
c.1956 Triumph 650cc ThunderbirdRegistration no. not registeredFrame no. 08810 Engine no. 6T 08810Always a step ahead of their rivals, Triumph followed up the trend-setting Speed Twin 500 of pre-war days by being first in the field with a 650cc parallel twin. Announced in September 1949, the 650 Thunderbird was Triumph's response to demands for more power emanating from American racers and British sidecarists alike. A spectacular launch stunt saw three Thunderbirds lap the Montlhery circuit at over 90mph for 500 miles, after which they each achieved a flying lap of 100mph-plus and were ridden back to the Meriden factory. When displayed at the Earls Court Show in October, the new twin featured the headlamp nacelle and fuel tank with luggage grid first seen the previous year. An interesting change to the Thunderbird for 1952 was the adoption of an SU carburettor in place of the original Amal, a specially prepared machine managing a staggering 155mpg at a steady 30mph on a factory organised economy run. The Trophy remained in production in fundamentally its original form, though with progressively updated cycle parts, until the arrival of the unitary construction 650 range in 1962. This Thunderbird has been imported from the USA and is offered for recommissioning (the engine turns over). The machine displays light corrosion in places and currently displays a total of 1,136 miles on the odometer. Offered with a State of Colorado Certificate of Title. This machine is offered with a NOVA declaration. Key present.Footnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Saturday 12 October starting at 2pm GMT.For further information on this lot please visit Bonhams.com
Lot 297
1936 Olympia Motorcycle Show, Factory display machine 1936 Vincent-HRD 998cc Series-A Rapide Registration no. CJH 378 Frame no. RP383TM (see text) Rear Frame No. DV1229 Engine no. V1001 • 1936 Olympia Motorcycle Show bike • Painstakingly restored and documented • Second ever Rapide made • Oldest surviving complete Rapide • One of only approximately 78 Series-A Rapides HRD gained their initials from Howard Raymond Davies, the founder of the company in 1924, and a motorcycle racer of some repute. One of his claims to fame was winning the Senior TT in 1921 on a 350cc AJS, relegating Freddie Dixon and Bert Le Vack, both riding Indians, to second and third places. Intending to produce high-quality machines, Davies utilised JAP engines initially, and achieved a second Senior TT triumph, on a machine of his own manufacture, in 1924. Financial troubles lay ahead, however, and in 1927 HRD was placed in voluntary liquidation by its founder. It was acquired by young engineer Philip Vincent, with financial backing from his father. After an initial flirtation with Swiss-made MAG engines, Vincent settled on JAP engines, as his predecessor had, and introduced his trademark rear-sprung frame. A Rudge 'Python' engine was offered as an alternative to the JAP but, unimpressed by the standard of 'bought-in' engines, Vincent and fellow engineer Phil Irving designed their own engine for 1934, with their (now traditional) high-camshaft layout; this was christened by the makers as 'Semi-OHC'. Initial models with this engine were the 500cc Meteor and Comet, later variations being the Comet Special and the TT model. Soon after, by the relatively simple expedient of mounting two top ends onto a common crankcase, the A series 998cc twin was evolved in 1936, with the apocryphal tale of the design being conceived as a result of two single-cylinder drawings being overlapped. Production of this model began in 1936 for the 1937 season, and was curtailed when war broke out in 1939. The Rapide was a step-change in performance, using virtually the same cycle parts as the single cylinder model, but with much-increased power output. The maker's sales brochure for 1938 describes the Rapide thus: 'The performance is electric. Power appears almost limitless, yet it is so smooth and controllable that it is a delight to ride, even in thick traffic. There is only one snag we have discovered in owning a 'Rapide.' You never get a scrap with another machine, because no ordinary motor cycle can live with a 'Rapide.' Here at last is a performance equal to the fastest T.T. models, coupled with silence, comfort, and tractability. A true Jekyll and Hyde.' CJH 378 was the Vincent HRD factory's display machine on stand no. 64, when the new model was announced at the 1936 Olympia Motor Cycle Show 2nd to 7th November 1936. Previously trailed in the motorcycle press, the newly-announced Vincent-HRD was a state-of-the-art rocket ship of its day, with undreamed-of performance, and the price of an average house. The first Vincent model to be proudly christened 'Rapide', its name perfectly encompassed its speed and exoticism. As is so often the case, the announcement of the new model was timed to coincide with the major annual motorcycle show, which was then held at Olympia, prior to its move to Earl's Court. Such was the rush to have the bike ready in time for the show, that Vincent were obliged to display this machine without engine internals. Bearing engine number V1001, it took pride of place on the stand and created huge interest over the length of the show. It was effectively the second Rapide to exist, as engine number V1000 had been fitted to a 500 frame for testing and development. That bike is thought to have been broken up, leaving this machine as the oldest remaining complete Rapide. A copy letter on file from Pat MacIver details how he built V1000 in the Experimental Department, whilst George Brown built this machine, V1001, in the Service Department for the Olympia Show (the recipient of the letter casts doubt on this, and thinks it more likely that it was Brown's brother Cliff who built V1001). CJH 378, often known also by its engine number, V1001, was actually sold on the stand at Olympia, by Philip Vincent to its first owner, Pat Goffey, with the proviso that it first had to go to Kings of Oxford, to whom it was promised for promotional purposes. Following the Show, the bike returned to the factory to be completed, and was registered by Vincent on the 10th December 1936, before being sent to Kings in January 1937, going to Pat Goffey a short time later. The bike featured in a number of publicity photos during the period before World War II. Goffey had owned a 1932 model PS prior to buying the Rapide, and he also purchased a Comet, CJH 398 around the same time, suggesting that he was not without funds! Goffey purchased another Rapide, EAR 642, in 1938. During the war he was a member of Sir Malcolm Campbell's 'Bluebirds', using EAR 642 as a rapid transport device for delivery of urgent War Office messages. Possibly when acquiring EAR 642 in 1938, Goffey disposed of CJH, and according to information in the history file, it is believed to have passed to Peter Aitchison, who raced it at Phoenix Park and Donnington Park., although there is no hard evidence of this. Aitchison died racing a Norton in the 1946 Manx Grand Prix. CJH 378 next appears in 1946, when it was purchased by one David Jennings-Bramley, from Slocombes of Neasden for the sum of £130. However, in July 1947, he was posted to West Bengal and the bike was left to languish until his father sold it to the owner of a local garage, one Mr Stevens, for £60, around 1953 (letters in the history file refer). The trail goes cold then until 1955, when a copy of the RF60 on file records that Francis Arthur George Thomas acquired the machine on 16th February 1955. It transferred to Peter Francis Minch of Bexley, Kent, in January 1959, before reaching John Wright Shovelton of Plumstead London SE18 in July 1959. Shovelton used the bike on a regular basis until laying it up in 1967. He moved North to Blackburn in 1968, leaving CJH stored in a garage in the South, before eventually moving it to Blackburn. Although intending to restore the machine, nothing was ever done by him, though he steadfastly refused to dispose of it. After he passed away, the bike was offered to the present owner who knew of the machine, and it changed hands for the last occasion in 1999. Badly in need of attention by this time, the vendor began what turned into an 18-year restoration. He devoted much time to the task, and there followed a painstaking and well-documented restoration. Much information was sought, and many letters in the history file attest to this, in order to make the restoration as accurate as possible, and the task was finally completed in 2017. In the course of restoration, copies of the Works Order Form were obtained which records that V1001 was supplied as 'Special Show Model' with polished crankcases, polished gearbox, TT bars, Duo brakes, Lucas Dyno Mag, Speedwell mudguards, pillion seat, a 120 mph speedometer, and an Eight-day clock. Since manufacture, the Burman gearbox, which was always suspect on the new powerful twins, has been replaced with another earlier one.For further information on this lot please visit Bonhams.com
Lot 345
The Robin Spring Collectionc.1975 Honda 72cc ST70Registration no. not registered Frame no. ST70-148873 Engine no. ST70E-144188With the launch of the CZ100 in 1963 Honda created the class of machine known as 'Monkey Bikes', so called because of their diminutive stature. The power unit was the C100 step-thru's reliable four-stroke single, and an ultra-short wheelbase, small wheels and a vestigial fuel tank were all features of a machine which, in the case of the folding handlebar version, could be fitted into the boot of car. A 72cc version, the ST70 Dax, with slightly larger and more practical frame was introduced in 1969. According to Honda expert Roger Etcell, the Dax name was used because of the bike's resemblance to a dachshund dog. Like all the early Monkey family, the STs are highly sought after today. Currently displaying a total of 889 miles on the odometer, this smartly turned out ST70 Dax has been restored by renowned specialist Nigel Everett and has not been run since the rebuild's completion. Some blemishes are visible and the machine would benefit from detailing. Following a period of storage recommissioning will be required before the Honda returns to the road. There are no documents with this Lot. Prospective bidders should satisfy themselves as to the motorcycle's completeness and mechanical condition prior to bidding. Sold strictly as viewed. Offered with keyFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Sunday 13 October starting at 11am GMT.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 356
1971 Romeo 49cc MonsterRegistration no. VOD 408JFrame no. FP-M4*894Engine no. 12/4 SSFounded by Edoardo Po in Modena, Italy in 1961, Romeo manufactured mopeds and lightweight motorcycles powered mainly by engines supplied by Motori Minarelli. From only three models in 1961 the range expanded greatly during the 1960s. In 1970 a new tubular steel double-cradle frame was introduced on two of three new models: the Monster sports roadster and Scorpion enduro, while the Pedrito featured an open step-thru type frame and 10' wheels. Demand for these new Romeos both at home and abroad was so strong that the company had to introduce a night shift to cope. In the 1970s a new production facility was built and the brand name changed to 'Motrone'. Motrone production was later shifted abroad. An Italian motorcycle rarely seen in the UK, this Romeo Monster is powered y the Minarelli P6 six-speed engine unit. The Romeo was first registered in the UK on 1st June 2023 and has had one former keeper in this country. Unfortunately, nothing is known of its past history or condition. Purchased recently by the vendor, the Romeo has not been started and will require recommissioning before further use (the engine turns over). The machine comes with a V5C document and is sold strictly as viewed.Key not requiredFootnotes:All lots are sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding.REQUEST A TRANSPORT QUOTEPlease click the link to request a transport quote from our recommended transport company, Moving Motorcycles.To request a UK or European shipping quote - Moving MotorcyclesTo request an International shipping quote - ShippioThis Lot will be auctioned on Sunday 13 October starting at 11am GMT.For further information on this lot please visit Bonhams.com
Lot 632
Gary Sobers signed limited edition print with signing photo The achievements of Sir Garfield Sobers stand alone. Generally considered to be the greatest all round cricketer of them all, he was blessed with every necessary attribute for greatness. He made the final step from highly promising player to a great one at the age of 21 with an innings of 365 not out against Pakistan. He finished with a test average of 57.78 and took 235 Test wickets at 34.04. He hit the Glamorgan bowler Malcolm Nash for six sixes in an over at Swansea in 1968. It is unlikely that one man will again possess so wide a variety of cricketing skills as Sir Garfield Sobers. This superb print, personally chosen by Gary shows him batting against England. He has personally signed each print and you will receive a photo of the signing (as shown in inset image). This is a super item from a legend. Actual Size 560mm x 410mm - limited edition of 500 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board - The accompanying photo of the personality signing this item will include a copyright over the image. Edition number may vary. Good condition Est. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 641
Jacques Kallis signed limited edition print with signing photo. Jacques Kallis has blossomed into one of the world's leading batsmen. His Test match average is now comfortably in the 50s (54.07) and 45.90 in One Day International She is a great all-rounder, presently with 163 wickets from 78 Test matches, able to swing the ball sharply at surprising pace off a relaxed run-up Kallis took a step up in the West Indies series in 2003-04, scoring a record number of runs for a four-Test series and making six centuries in the Test and one-day series This stunning print shows Jacques on his way to his 4th consecutive century against the West Indies. He has personally signed each print and you will receive a photo of the signing (as shown in inset image)Actual Size 560mm x 410mm - limited edition of 250 and part of the Sporting Masters editions – Photo printed on 250gsm, high quality art board – The accompanying photo of the personality signing this item will include a copyright over the image. Edition number may vary. Good condition. Est. Good Condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 442
Natural history, botany & horticulture – Wright (John FRHS), The Fruit Grower’s Guide illustrated by May Rivers, Division 1 Vol. I (of six), London, J. S. Virtue, 4to, n. d. (1890), 176pp, choromolithographic frontis., first title and six other plates, diagrams in text, gilt edges, printed patterned endpapers, black printed decoration to green boards, gilt titles to spine; Watson (William, FRHS, ed.), preface, Prof. Sir Frederick W. Keeble, The Gardener’s Assistant, Vols. II & III. (of six), London, Gresham, n. d. (1925) royal 8vo, green endpapers, bound green cloth with light green titles, also to spines, Vol. II., 237pp, colour frontis and three other plates, Vol. III 232pp, colour frontis and two other plates; Knight (A. E.), and Step (Edward, FLS, 1855-1931), Hutchinson’s Popular Botany: the Living Plant from Seed to Fruit, Vol. II only, London, Hutchinson, n. d. (1920) 8vo, 588pp, 9 col. plates, 370 other illus., yellow endpapers, bound red moquette over red boards, gilt titles to spine; Johns (Revd. C. A., FLS), Flowers of the Field, 8th impr., London, George Routledge, n. d. (1919), small 8vo, 378pp, coloured frontis with tissue guard, 96 illus., with 245 vignettes in text,, Gilt lines and vignette to green front board, gilt titles to (faded) spine (5)
Lot 326
A GROUP OF THREE HAND BLOCKED AND HAND CREWEL EMBROIDERED BELL PULLS WITH GILT METAL MOUNTS MID 20TH CENTURY, BY ARTHUR H LEE & SONS LTDComprising two with strawberries and foliage designs and one with hydrangeas and leaves the largest 151cm long, 15.5 cm wide, another 156cm long and 10.5cm wide the last 120cm long and 10cm wide Provenance:The vendor was working for Lee-Jofa the (American subsidiary) at the time and Derek A Lee the chairman was their step father These designs were created for Jackie Kennedy for a four poster bed in The White House in 1963.
Lot 218
CRUIKSHANK (George and Robert) Collection of illustrated works, 12mo and 8vo, some in paper or card wraps, including: Brighton!! 1830, marbled wrapper; Margate, 1831, 12mo; The March of Intellect 1830; The Turnpike Gate, no date; Teddy the Tiler, paper wrapper; The Beggar's Opera 1837; Monsieur Tonson, 1830; Monsieur Mallet, 1830; The Loving Ballad of Lord Bateman, 1851; another copy, no date, title loose; The Comic Almanack, for 1848 and for 1849; Fairy Library - Cinderella and the Glass Slipper; Hop O My Thumb, paper covers detached; Jack and the Beanstalk; another copy, taped spine; Bombastes Furioso, 1830; The Domestic Habits of the People, 5th thousand, 1852; Epping Hunt, 1889; The Progress of Mr Lambkin, no date; The Blessings of Temperence, 1848; The Bottle or the First Step to Crime, no date, half calf; 1851 or the Adventures of Mr and Mrs Sandboys... Great Exhibition, no date, double page and folding plates, one with tear without loss, contemporary plain cloth
Lot 113
STEP (E), FAVOURITE FLOWERS OF GARDEN & GREENHOUSE, 4 vols, with colour plates, pictorial green cloth, London, Frederick Warne & Co, 1897 (4).Condition Report: Covers with general rubbing to corners and top / bottom of the spine, but generally ok. Internally with some foxing, mostly to front and latter pages, some plates slightly affected. Light page toning. Two vols with book plate for Percy Noble.
Lot 114
STEP (E), FAVOURITE FLOWERS OF GARDEN AND GREENHOUSE, vol III only, 79 colour plates, London, Frederick Warne; AMHERST (A), A HISTORY OF GARDENING IN ENGLAND, London, Quaritch, 1896; JEKYLL (G), ROSES FOR ENGLISH GARDENS, Country Life, 1902; GRIGSON (G), THE ENGLISHMAN’S FLORA, ex-library, Phoenix House, 1955; with nine other gardening and botanical book, (13).Condition Report: Ex-Library / public library / university library books will have ink stamps, labels or residues of library labels to the pages inside and / or spines.
Lot 65
An 18ct yellow and white gold, blue topaz set cocktail ring. The rectangular step cut topaz of 10.6ct estimated weight, Sheffield 1986, size O 1/2, 6.8g.Good used condition on a shank of the ring, slight abrasions on a sides of the stone, polishing lines, small chip on one of the corners (visible only with 10x magnification), no internal inclusions, vivd Sky Blue colour.
Lot 60
Registration No: 847 CXK Chassis No: BN6/2341 MOT: ExemptDesirable two-seater 'BN6' modelSubject to a comprehensive body-off overhaul in 1990's which has survived remarkably wellRecently undergone a caburettor rebuild by Leighton Buzzard specialists 'Carburetter Exchange' in preparation for saleMaintained very well since restoration with a large history file detailing expenditure"After a really gruelling road test, I can say that this new sports model is ideal for Continental touring. It also stood up to lap after lap of the Nürburgring at racing speeds, without complaint, and that must be equivalent to a vast mileage under more humane conditions. Finally, it has the kind of appearance that will make many prospective purchasers reach for their cheque books." – John Bolster on the Austin-Healey 100/6, Autosport, 12th October 1956.Introduced in 1956, the 100/6 represented the most radical step forward in the Big Healey's development. Despite its initial success, sales of the original Austin-Healey 100 had begun to decline by the mid-1950s and so the model was revamped as the '100/6', BMC's 2.6-litre C-series six replacing the original four-cylinder Austin Atlantic engine. At the same time, the wheelbase was lengthened from 7' 6" to 7' 8", which enabled the inclusion of two occasional seats in the rear of the BN4 variant. In 100-6 tune the pushrod six produced 102bhp - 12bhp more than its predecessor - though the inevitable weight gain meant that there was little if any improvement in performance, the car's top speed remaining at 103mph or thereabouts. Although stylistically very similar to the preceding 100, the 100/6 was nevertheless easily distinguishable by its 'crinkle' radiator grille and bonnet-top air intake. In 1957 an improved six-port engine became available, and this 117bhp unit was fitted to all the newly introduced BN6 two-seater roadsters. The top speed improved to 111mph and 1.7 seconds were cut from the 0-60mph time.According to the British Motor Industry Heritage Trust certificate on file, chassis BN6/2341 was initially despatched to the Austin showroom on Oxford Street, London on the 29th of July 1958 before being redistributed to Mann Egerton of Norwich and was specified with the desirable options of wire wheels and overdrive. The first owner was Mr J. A. Boyden of Knightsbridge, London who took delivery on New Years Eve, 1958.Little is known about Mr Boyden’s ownership, or subsequent ownership until 1991, when the car is understood to have been owned by Mr A Wilkinson. It is understood that the ‘Big Healey’ was at this point in dire need of restoration, and the first record is for an estimate from Automotive Engineering and Refurbishment Ltd of Brierly Hill on the 10th October 1991. Unfortunately, Mr Wilkinson’s declining health meant a change of plans and in 1993, whilst the car was still in restoration, the car was sold to Mr M. Workman and by 1995, the car was registered on what is believed to be its original registration number, ‘847 CXK’, MOT’d and back on the road. For some reason by 1996 a legal dispute had started regarding the restoration, which is documented in the history file. However, the two-seater was by now completed having been subject to a comprehensive body-off overhaul and repainted in Red over Ivory white. The Workman family would keep ‘847 CXK’ until 2020, when the car was sold to the previous owner, who completed several works to the mechanical components of the car for which there is a stack of invoices from AH Spares.The vendor acquired ‘847 CXK’ in 2023, with the intent of the car complimenting his two-plus-two 100/6 and has used the car sparingly whilst improving it with a recent Carburettor rebuild by Carburetter Exchange, Leighton Buzzard, new rear shock absorbers and a thorough service to improve running.Upon inspection, we noted that this fine-looking motor car appears very presentable, and the vendor notes that the paintwork and bodywork are still ‘very good’ given that the restoration is now just under 30 years old. The vendor also notes that the red vinyl interior is in ‘very good’ fettle too and has evidently been subject to a major re-trim in the past. Furthermore, mechanically the Healey is said to also be ‘very good’ and has evidently been very well looked after by its owners since the restoration. For more information, please contact: Lucas Gomersall lucas.gomersall@handh.co.uk 07484 082430
Lot 227
A Good Swift "Dick" Petrological Microscope English, c.1895, signed to foot ‘J Swift & Son, London’, standing on cast brass foot finished in black lacquer, trunnions at top support body, plano-concave mirror on gimbal below substage, substage assembly with rotating Nicol prism on rotating divided circle for angular measurement, square stage with Swift 2″ patent stage, main body to rear of stage incorporating the ‘Dick’ rotating mechanism with fine focus via screw and course focusing via diagonal rack work, body tube incorporating a sliding plate with aperture and slide in/out Bertrand lens, to top a rotating and folding analyser engraved with 45 degree positions, complete with 2 Swift objectives, 3 eyepieces in original mahogany case The Dick Petrographic Microscope by James Swift & Son: A Historical and Operational Overview Historical Context - The history of the "Dick" Petrographic Microscope is closely intertwined with the evolution of microscopy and mineralogical studies in the late 19th and early 20th centuries. This particular microscope was developed by James Swift & Son, a company that became a key player in the production of scientific instruments in England during that period. James Powell Swift initially worked under the instrument maker Andrew Ross before establishing his own company in 1854. As the company expanded and his son joined in 1877, it was renamed J. Swift & Son. By 1912, the firm had evolved into James Swift & Son Ltd. One of the significant advancements in the field of petrographic microscopy came from Allen B. Dick, an inventor who, in 1889, designed a unique gearing system that allowed for synchronized rotation of both the polarizer (beneath the stage) and the analyzer (above the stage). This innovation made it easier to observe and study mineral samples by eliminating the need for constant adjustment and re-centration of the specimen and objective lenses when rotating the stage. Swift and Son were the first to manufacture microscopes incorporating Dick's patented gearing system, and they introduced the first model in their 1891 catalog. Known as the "Dick Microscope," . Although it was expensive and relatively few examples remain today, it was used by prominent geologists and mineralogists, including during the British polar expeditions to Antarctica. In particular, photos from the expeditions show geologist Frank Debenham preparing samples using a Swift/Dick microscope, highlighting the instrument’s role in significant scientific research. Over the years, the Dick Microscope underwent several iterations, with various modifications made to improve its design and functionality. Although these microscopes were produced for many years, they were always considered premium instruments, and as a result, their numbers were limited. Today, surviving examples of the Dick Microscope are rare, and many are missing essential components such as the slotted eyepiece or waveplates. The Operation of the Dick Microscope The Dick Petrographic Microscope was designed for examining thin sections of minerals using polarized light, a key technique in petrographic analysis. The microscope’s construction allows for the observation of mineralogical structures in ways that are not possible with conventional optical microscopes. Key to its functionality is the polarizer, which sits beneath the stage, and the analyzer, positioned above the stage. These two components are crucial for creating "crossed polars," a method that significantly enhances the visibility of mineral structures by utilizing polarized light. Here’s how it works: 1. Polarized Light: When light passes through the polarizer, only waves vibrating in one direction are allowed through. When no sample is on the stage and the analyzer is aligned at 90 degrees to the polarizer, the field of view appears black—a condition known as "extinction." 2. Anisotropic Materials: When a mineral sample, specifically an anisotropic material (one that has different properties depending on direction), is placed on the stage, it alters the path of the polarized light. Instead of the black field seen during extinction, various colors or interference patterns appear, depending on the mineral’s optical properties and its orientation relative to the light. 3. Crossed Polars and Rotation: The Dick Microscope’s main innovation is the synchronized gearing mechanism that allows both the polarizer and analyzer to rotate together. This eliminates the need to manually rotate the stage and re-center the objective lens—a process that could be tedious and required great precision. With the polarizer and analyzer moving in unison, the specimen remains stationary, allowing for smooth and efficient analysis of even the smallest mineral grains. 4. Mineral Identification: By observing the way light interacts with the mineral as the polarizer and analyzer rotate, geologists can identify minerals based on their optical properties, such as birefringence, pleochroism, and extinction angles. This technique is especially useful for studying thin sections of rocks, where the optical properties of individual mineral grains provide clues to their composition and formation history. 5. Waveplates and Additional Features: Many petrographic microscopes, including the Dick model, were equipped with accessories like waveplates, which help to determine additional optical properties of minerals, such as their optical sign (positive or negative). However, many surviving examples of the Dick Microscope lack these additional features, possibly due to wear or loss over time. Significance in Geological Research - The Dick Microscope represents an importatn step in petrographic microscopy. By simplifying the process of rotating polarizers and analyzers, it facilitated the study of mineral structures, making it easier for geologists to carry out precise optical analysis. This design innovation became particularly valuable in the field of geology, where the accurate identification and analysis of minerals are essential for understanding rock formation and the Earth's history. The instrument's role in early 20th-century geological expeditions, such as those to Antarctica, underscores its importance in scientific discovery. The high precision and quality of the microscope made it a valuabel tool for researchers working in some of the most challenging environments on Earth. References - Bracegirdle, B. *Microscopes: A Short History*. - Powell, J. "The Evolution of the Petrographic Microscope." *Journal of Geological Sciences*, 1901.
Lot 37
George Leslie Hunter (British, 1877-1931)Still Life with Fruit and Flowers signed 'L Hunter' (upper left)oil on board60.9 x 50.8cm (24 x 20in).Footnotes:ProvenanceWith Alex. Reid & Lefevre, Glasgow.With Portland Gallery, London.Private collection, USA.Still Life with Flowers and Fruit dates from between 1923 to 1925 and shows Hunter surging forward in modernism, making the vital step-change in colour and form he was seeking. His visits to Paris in 1922 and early 1923 had fired his creativity.First confirmation of his success is vividly described in the review of Hunter's paintings and drawings at Alexander Reid in December 1923, when the Glasgow Herald's critic insists the exhibition 'should not be missed' and that 'nothing so important by him has been seen for several years.''Mr Hunter having spent a considerable part of his time abroad is fully in touch with modern movements.''He paints with an opulent palette and is ever reaching after a fuller and more prismatic range of colour harmonies.' Of a 'still life showing a dish of fruit set in front of a richly designed Persian curtain, there is perhaps nothing more vital, more beautiful or more harmonious in the gallery than this painting.(Glasgow Herald, 19 December 1923, p.12 f).Bonhams would like to thank Jill Marriner for her assistance with this footnote.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 592
A George III mahogany bed steps, comprising three steps, all with red leather and gilt tooled insets, the middle step sliding forward to reveal a storage area for a chamber pot, raised on four turned feet 83 x 43 x 57.5cms high.PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.
Lot 78
Four 19th Century cut glass decanters, comprising: a George III cut-glass triple ring-necked decanter and stopper, c.1810, the body finely cut and facetted with a trio of feathered neck rings, the rim is shaped and facetted, and the underside of the base is star cut, the stopper with octagonal neck and spiral cut top, 12 x 24cms high; an early 19th Century Georgian cut glass decanter and stopper, fluted and facetted 20.5 x 10.5cms; a Victorian mallet-shaped decanter and stopper, c.1860, with ribbed and facetted sides, a long neck, and a hollow baluster-shaped stopper. 10 x 28.5cms high; and a late Georgian cut-glass mallet-shaped decanter and stopper, c.1820, with facet cut shoulders, parallel step cut neck, the lower edge facet cut with a star cut and ground underneath, the cut flat-sided stopper with ground plug. 11.5 x 28cms high. (4)PROVENANCE: The Graham Smith Retirement Auction - 50 years in the Antiques Trade.
Lot 423
History. A large collection of late 19th & early 20th Century history, biography & reference, including Favourite Flowers of Garden and Greenhouse, 4 volumes, by Edward Step, London: Frederick Warne & Co.,1896-97, 316 colour plates, original uniform gilt decorated green cloth, 8vo, The Life and Works of Robert Burns, 4 volumes, edited by Robert Chambers, Edinburgh: W. & R. Chambers, 1896, original uniform gilt decorated green cloth, 8vo, and others similar, mostly original cloth, G/VG, 8vo/4toQTY: (6 shelves)
Lot 494
Jacques Kallis signed limited edition print with signing photo. Jacques Kallis has blossomed into one of the world's leading batsmen. His Test match average is now comfortably in the 50s (54.07) and 45.90 in One Day International She is a great all-rounder, presently with 163 wickets from 78 Test matches, able to swing the ball sharply at surprising pace off a relaxed run-up Kallis took a step up in the West Indies series in 2003-04, scoring a record number of runs for a four-Test series and making six centuries in the Test and one-day series This stunning print shows Jacques on his way to his 4th consecutive century against the West Indies. He has personally signed each print and you will receive a photo of the signing (as shown in inset image)Actual Size 560mm x 410mm - limited edition of 250 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board - The accompanying photo of the personality signing this item will include a copyright over the image. Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 70
NORTH STAR 2010 12 YEAR OLD TAROT BLEND 'THE MAGICIAN' BLENDED WHISKY Distilled: 2010Matured in a refill Butt45.5% ABV / 70cl The Whisky Genies have worked their magic once again, conjuring up this splendid 12-year-old blended Scotch whisky. Matured in a refill butt, a total of 1,000 bottles to join The Magician addition to the independent bottler's Tarot Blend series. Smoothly peated to add a smoky character that is well rounded without smacking you around the head with sack full of soot. All natural colouring, bottled at cask strength to take the next step into the Tarot with a spicy twist.
Loading...-
26534 item(s)/page