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Lot 325
A group of assorted early 19th century and later glassware, including a pair of early Victorian heavy cut glass dishes, 28cm, a pair of honey jars, 18cm and a Dutch engraved decanter, 24cmCONDITION: - pair of heavy cut dishes - slight difference in weight, minor chipping around the edges- Dutch decanter with an associated enamelled stopper - good- honey or preserve jars - both with chipping to the corners of the square feet, one with chip to the underside of the knop- white overlaid glass butter dish - cracked and re-stuck- decanter etched with a sportsman and gundogs is signed Zaglo and Orrefors, height 28cm - stopper broken and rivetted- two moulded glass spiral fluted decanters, 30cm - good - Victorian polygonal glass mallet shaped decanter with associated hexagonal stopper, overall 26.5cm - good- white overlaid etched glass bottle with stopper, 33cm - good- triple collar decanter with facetted stopper, 23cm - rim chip, stopper possibly associated- polygonal step collar decanter with octagonal stopper, 25cm - stopper and decanter with numerous chips- polygonal claret jug, 24cm - broken and glued- ovular clarer jug, 28cm - good but lacks stopper- water jug with tumbler lid, 18cm - crack at base of handle- pineapple cut jug, 17cm - good- set of four early 19th century glasses with etched and cut swags, 11.5cm - all with rim and foot chipping- set of four heavy cut glass salts - minor chipping- pair of cut glass salts - chipping especially around feet
Lot 101
DIAMOND SINGLE-STONE RINGThe step-cut diamond, weighing 1.28 carats, between pear-shaped diamond shoulders, ring size approx. K½Footnotes:Accompanied by a GIA report stating that the diamond is D colour, VS2 clarity. Report number 2185854429, dated 8 November 2017.For further information on this lot please visit Bonhams.com
Lot 110
SAPPHIRE AND DIAMOND CLUSTER RING AND SAPPHIRE AND DIAMOND PENDANT/NECKLACE1st: The rectangular step-cut sapphire, within a surround of single-cut diamonds, 2nd: Octagonal step-cut sapphire within a surround of single-cut diamonds, lengths: pendant 1.8cm, chain 44.8cm, ring size approx. N½For further information on this lot please visit Bonhams.com
Lot 114
GRAFF: SAPPHIRE AND DIAMOND 'BULLSEYE' EARRINGSEach with a central step-cut sapphire, weighing 2.25 carats total, within surrounds of concentric circles set with brilliant-cut diamonds, weighing 1.78 carats total, signed Graff, numbered GE19250, length 2.0cmFootnotes:Accompanied by a Certificate of Quality from Graff.This lot is subject to the following lot symbols: ††VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 115
GRAFF: SAPPHIRE AND DIAMOND 'BULLSEYE' RINGThe central step-cut sapphire, weighing 1.50 carats, within concentric circles of brilliant-cut diamonds, weighing 0.86 carats total, signed Graff, numbered GR27004, ring size approx. IFootnotes:Accompanied by a Certificate of Quality from Graff.This lot is subject to the following lot symbols: ††VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 116
GRAFF: SAPPHIRE AND DIAMOND 'BULLSEYE' PENDANT/NECKLACEThe central step-cut sapphire, weighing 1.08 carats, within concentric circles of brilliant-cut diamonds, suspended from a brilliant-cut diamond surmount, the cable-link chain set at intervals with similarly-cut diamonds, diamonds 2.02cts total, signed Graff, numbered GP13568, lengths: pendant 3.3cm, chain 42.0cmFootnotes:Accompanied by a Certificate of Quality from Graff.This lot is subject to the following lot symbols: ††VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 120
HATTIE RICKARDS: GEM-SET 'TUBE' RING, 2012Set with step-cut gemstones, including rubies, sapphires, garnets, topaz and amethyst, mounted in 18 carat gold, maker's mark HR, London hallmark, Fairtrade hallmark, Fairmined hallmark, ring size approx. P (leading edge) For further information on this lot please visit Bonhams.com
Lot 126
GRAFF: DIAMOND CROSS PENDANT/NECKLACESet with step-cut diamonds, mounted in 18 carat white gold, diamonds 1.00ct total, signed Graff, numbered 32271, maker's mark GD, European convention mark, partial London hallmark, lengths: pendant 1.8cm, chain 40.4cmFootnotes:Accompanied by a Certificate of Quality from Graff.This lot is subject to the following lot symbols: ††VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 141
EMERALD AND DIAMOND-SET RINGThe step-cut emerald set between marquise-cut diamond shoulders, maker's mark, Belgium assay mark, ring size approx. K½ (with sizing beads)This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 143
EMERALD AND DIAMOND-SET BRACELETSet with graduated step-cut emeralds and single-cut diamonds, length 7.6cmThis lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 144
DIAMOND AND SAPPHIRE RINGThe step-cut diamond, weighing 2.20 carats, within a double surround of calibré-cut sapphires and brilliant-cut diamonds, ring size approx. MFootnotes:Accompanied by a report from GIA stating that the 2.20ct diamond is H colour, SI1 clarity. Report number 15708208, dated 6 March 2007. Please note this report is over 10 years old and may require updating.This lot is subject to the following lot symbols: ††VAT at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 152
EMERALD AND DIAMOND CLUSTER RING, CIRCA 1930The octagonal step-cut emerald within a surround of cushion-shaped diamonds, between similarly set diamond shoulders, ring size approx. M½Footnotes:Accompanied by a report from GCS stating that the emerald is of Colombian origin with indications of minor clarity enhancement. Report number 81300-16, dated 6 April 2021.For further information on this lot please visit Bonhams.com
Lot 52
RUBY, PINK SAPPHIRE AND DIAMOND BRACELETSet with seven, oval and step-cut, ruby and pink sapphire clusters, between similarly set links, with single and brilliant-cut diamond spacers, length 18.5cmFootnotes:Accompanied by a report from GCS stating that a sample of 20 stones were tested as rubies and pink sapphires of Burmese origin with no indications of heating. Report number 81284-53, dated 20 November 2020.For further information on this lot please visit Bonhams.com
Lot 177
A fine and rare Charles II forged iron and brass turret clock movementWilliam Clement, London, dated 1672The posted wrought-frame with finely forged polyhedral finials and gothic ogee corbels to the widened upper and lower ends of each corner post, the rectangular horizontal top and bottom frames with lapped and screwed-tenon joints to the principal uprights at the angles and signed WILLIAM CLEMENT + LONDINI FECIT + 1672 + to the rail above the hammer pivot, the trains with brass wheels now reversed due to wear and laid out end-to-end opposing each other pivoted with brass bushes set into vertical movement bars applied to cross-members spanning between the sides of the frame, both incorporate key-wound wooden-cored longitudinal barrels and have a 2.75 inch space between them for a centre-swinging pendulum, the three-wheel going train with four-spoke wheel crossings, brass escape wheel engaging with pallets (incomplete) pivoted between extensions to the movement bars, with the centre fitted with a pendulum backcock and continuing upwards to form the top pivot of a vertical worm-gear incorporating short helix to facilitate lift-release of the strike train and terminating with a pinion driving angled take-off work, the strike train with countwheel facing the space between the trains, twin arbor warning via simple locking arm to the fly arbor fitted with a large twin-vane fly set outside the frame over the barrel winding square, the frame also applied with remote hammer lever engaging with pins set into the rim of the greatwheel, (no pendulum weights or other accessories), the frame measuring 67cm (26ins) long by 69 (27ins) wide by 41cm (16ins) high; 77.5cm 30.5ins high overall.Provenance: The property of a private collector. Sold at Christies, London Barometers, Fine Clocks & Watches Wednesday 7th October 1981 (lot 99) for £4,800 hammer with previous owners listed as A. Loveday of Hereford, Peter Mactaggart of Welwyn and The Hon. G.W. Bennett.In 1671 William Clement supplied a turret clock for Kings College, Cambridge, this clock was traditionally considered to be the earliest surviving timepiece to be regulated by anchor escapement and long pendulum supporting the possibility that Clement was the inventor. This view was further perhaps fortified by an entry in Smith, John Horological Disquisitions (1694) which states 'Mr William Clement, had at last the good fortune to give it the finishing stroke, he being indeed the real contriver of that curious kind of long pendulum, which is at this day so universally in use among us'. From this it would be fair to interpret Smith as not crediting Clement with the actual invention of the long pendulum, but perhaps is instead indicating that he devised the arrangement subsequently universally adopted which must be the recoil anchor. Two years later William Derham in The-Artificial Clock-Maker puts the case forward for Dr. Robert Hooke, who it is said demonstrated the long pendulum to the Royal Society soon after the Fire of London, however it is not clear whether this was with a form of recoil anchor escapement (although it is generally accepted that Hooke devised the spring pendulum suspension). Another contender for its invention is Joseph Knibb who, in early 1670, supplied a turret clock for Wadham College, Oxford, complete with anchor recoil escapement and long pendulum. But again there is no documentary evidence to support a view that Knibb actually devised this form of regulation. In 1677 William Clement was made a Free Brother of the Clockmakers Company and the following year was appointed Assistant by unanimous consent and approbation and for good reasons and especial esteem. He later served as Warden in 1690 and Master in 1694. In 1697 Clement signed the Oath of Allegiance and was from September of that year excused from attending meetings on account of his age. From April 1704 he received charity payments from the Company until his death in July 1709. The current movement is described in detail in an article written by The Hon. G.W. Bennett entitled A Turret Clock by William Clement published in the June 1956 issue of the HOROLOGICAL JOURNAL (VOL. XCVIII No. 1173 pages 348-51). In addition to this the clock was also discussed by Dr. F.A.B. Ward in his article A Turret Clock by William Clement published in at the same time Antiquarian Horology (Vol. I, N. 11 page 159). In his article The Hon. G.W. Beckett describes how the trains have been reversed in order extend the life of the mechanism by utilising the 'unworn' face of the teeth within the trains, and comments on how this was done whilst retaining essentially all of the original components. Indeed the only significant alterations required were to the operation of strike detents and repositioning of the bell hammer lever. In order to retain the correct operation of the helical gear for the strike lift-release and intermediate driving wheel was also introduced. The escapement is a replacement, almost certainly also due to wear, however its configuration is believed to essentially mirror that of the original. The take-off gear to the top of the vertical strike lift arbor has seen some alteration but again is correct in its location and functionality. One question raised by both Beckett and Dr. Ward relates to the general layout of the mechanism. The trains of the current lot are positioned end to end with the pendulum swinging between whilst other contemporary examples, including the celebrated eight-day clock made for Kings College, Cambridge, are laid-out with their trains side by side. The answer may simply lie in their differing applications/intended installations and pricing. The end-to end layout of the current lot mirrors that of the earliest posted-frame turret clocks (with the exception of the centre-swinging pendulum) including the Salisbury Cathedral clock. This design is efficient in its construction as it allows relatively straightforward positioning of strike detents as well as potential sharing of some of the frame members for carrying pivots; however the dial take-off is fairly basic and there is no motionwork or hand setting function incorporated into the mechanism. The Kings College clock on the other hand has motionwork and a hand setting dial, both of which have been easily incorporated into the side-by-side layout resulting in an arguably much 'cleaner', more sophisticated design. Although this configuration was clearly and evolutionary step forward from the end-to-end design, it is highly likely that such movements were more expensive.To read more, please refer to the full lot description in the page turning catalogue via the link here.Condition Report: Condition reports for this lot are available from the Clocks Department upon request (clocks@dreweatts.com). Condition Report Disclaimer
Lot 245
A quantity of cut table glass to include a Claret jug with silver plated top, a Georgian pillar and step cut water jug A/F, Edwardian acid etched finger bowl and water tumbler set, a bag light, various bowls, vases and drinking glasses including an octagonal brilliant cut bowl on four splayed legs
Lot 151
Set of three original vintage double sided education poster with nursery rhymes and tutorials. 1.The front of the poster depicts a line from the English nursery rhyme Humpty Dumpty - All the King's horses and all the King's men Couldn't put Humpty Dumpty together again. The illustration portrays the great fall from the wall - Humpty Dumpty is portrayed as an egg that cracked because of the fall. The King's horses are rushing to help, the King's men are holding pieces of Humpty Dumpty's eggshell trying to put him back together. Illustrated by Stanley Herbert. The reverse of the poster contains a story Birds Are Singing illustrated in black and white by Cicely Englefield. Common gull - kestrel - rook - tawny owl - magpie - wood-pigeon - jay and green woodpecker are portrayed on panes 17-24 of the story. Good condition, folds, tears, small paper losses, pin holes, double sided. Country of issue: UK, designer: Stanley Herbert / Cicely Englefield, size (cm): 62x46, year of printing: 1961; 2. The front of the poster depicts a line from the English nursery rhyme - Humpty Dumpty sat on a wall, Humpty Dumpty had a great fall. Illustration features Humpty Dumpty wearing a blue hat with yellow tassels, black shorts and white socks with shoes, is portrayed as an egg sitting on a red brick wall. The King's men are holding rifles and marching in the background. Illustrated by Stanley Herbert. The reverse of the poster contains a story Birds Are Singing illustrated in black and white by Cicely Englefield. The story describes some birds' songs. Sparrow - chaffinch - wagtail - robin - wren - tit - lark - nightingale - thrush - starling - swallow - yellowhammer - blackbird and cuckoo are portrayed on panes 1-16 of the story. Good condition, folds, tears, small paper losses, pin holes, double sided. Country of issue: UK, designer: Stanley Herbert / Cicely Englefield, size (cm): 62x46, year of printing: 1961; 3. Original vintage double sided art & craft education poster -The front of the poster includes two tutorials: How to make a stencilled frieze for the classroom - the tutorial by W. R. Dalzell features step by step explanation and brightly coloured animal shapes that can be traced. / Step by step constructional details of Viking ship - features full size templates of the ship as well as detailed instructions on the assembly. The reverse side of the poster features red orange white and black stencilled animals - penguin / giraffe / camel / monkey / rabbits / zebra / pelican / elephant / deer / bear / seal. Good condition, folds, tears, staining, small paper losses, double sided. Country of issue: UK, designer: Unknown, size (cm): 31x91, year of printing: 1939
Lot 148
Collier, Regenbogen-Verlauf, mit 30 Schmucksteinen im Treppenschliff, unter anderem Citrine, Blautopase, Amethyste und Peridots, an flacher Panzerkette mit Karabinerverschluss, 750/18K Gelbgold, Gewicht gesamt 14g, L 38cm, ein Glied gelockertNecklace, rainbow gradient, with 30 step-cut gemstones, including citrines, blue topazes, amethysts and peridots, on flat curb chain with lobster clasp, 750/18K yellow gold, total weight 14g, l 38cm, one link loosened
Lot 7013
Konvolut Rauchquarze von 11,2 (oval) + 8,49 (Kissenschliff) + 7,87 (Treppenschliff) + 42,58 (22,4×18,2×12,9 mm, Treppenschliff) ct, 1 Stein am Rand bestossen, sonnst guter Zustand. Alle Steine ohne detaillierte gemmologische Prüfung! | Bundle of smokey quartzes of 11.2 (oval) + 8.49 (cushion cut) + 7.87 (step cut) + 42.58 (22.4×18.2×12.9 mm, step cut) ct, 1 stone chipped at the rim, otherwise good condition. All stones without detailed gemological testing!
Lot 7022
Konvolut Granate von 2,54 (Spessartin, Treppenschliff) + 1,23 (Almandin, oval) + 0,30 (Grossular, Treppenschliff) + 0,25 (Leuko-Granat, oval) + 0,92 (Leuko-Granat, oval) ct, sehr guter Zustand. Alle Steine ohne detaillierte gemmologische Prüfung! | Bundle of garnets of 2.54 (spessartine, step cut) + 1.23 (almandine, oval) + 0.30 (grossular, step cut) + 0.25 (leuko-garnet, oval) + 0.92 (leuko-garnet, oval) ct, mint condition. All stones without detailed gemological testing!
Lot 7029
Konvolut Aquamarine von 1,81 zus. (Tropfen und oval) + 1,42 (rund) + 3,00 (Treppenschliff) ct, sehr guter Zustand. Alle Steine ohne detaillierte gemmologische Prüfung! | Bundle of aquamarines totalling 1.81 (pear and oval) + 1.42 (round) + 3.00 (step cut) ct, mint condition. All stones without detailed gemological testing!
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26534 item(s)/page