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Click here to subscribeA certified emerald and diamond cluster ring, central Zambian elongated octagonal step cut emerald, 12.74 x 8.83 x 6.10mm, 6.01ct, surrounded by sixteen round brilliant cut diamonds, total diamond weight 1.70ct, colour I-J, clarity SI2-I1, 18ct white gold shank, size M, 8.3g gross, WGI jewellery report
Natural History, Botany – Step (Edward, FLS), rev. Jackson (A Bruce), Wayside and Woodland Blossoms: A Guide to British Wildflowers, 3 Vols. London, Frederick Warne, 1st series, new edition, 1938, 2nd series New edition reprinted 1935, 3rd series 1929, 2nd imp. 1933, 12mo, bound brown boards, gilt titles; Step (Edward, FLS), rev. Jackson (A Bruce), Wayside and Woodland Blossoms: A Guide to British Wildflowers, London, Frederick Warne, 1st series, new edition, 1940, repr. 1948, 12mo, 20 colour plates, 151 monochrome, 58 dwgs. in text bound brown boards, gilt titles; Step (Edward, FLS), rev. Jackson (A Bruce), Wayside and Woodland Trees: A Guide to British Silva, London, Frederick Warne, new edition 1948; Redouté (Pierre Joseph, 1759-1844), Roses, London W & G Foyle,4th (limited) edition, 1955, 24 coloured prints by Remond after Couter, large 4to, printed boards, cloth spine; Lankester (Phoebe, Mrs.), Wild Flowers Worth Notice for their Beauty, Uses and Associations: A Selection of some Native Plants, new edition, London, W. H. Allen 1890, 12mo, xx + 159, 108 coloured plates after J. E. Sowerby, gilt edges, blue boards embossed black and gilt, gilt spine titles; Anonymous (Brook, Richard), New Cyclopaedia of Botany and Complete Book of Herbs Forming a History and Description of All Plants British or Foreign, which are known to be Useful to Man, Huddersfield & London, W M Clark, n. d. (?1824), vol. 1 only, small 8vo, lix +727pp, chromolithographic plates and engravings, bound half calf, gilt titles (8)
Collection of books about Churchill, to comprise Churchill, Winston, A History of the English Speaking Peoples, in four volumes, Vol 1 The Birth of Britain, Vol 2 The New World, Vol 3 The Age of Revolution Vol 4 The Great Democracies (4) together with Churchill, Winston, The Second World War, in six volumes, Vol 1 The Gathering Storm, Vol 2 Their Finest Hour, Vol 3 The Grand Alliance, Vol 4 The Hinge of Fate, Vol 5 Closing the Ring, Vol 6 Triumph and Tragedy, Cassell(6)Churchill, Winston, The Second World War, in six volumes, Vol 1 The Gathering Storm, Vol 2 Their Finest Hour, Vol 3 The Grand Alliance, Vol 4 The Hinge of Fate, Vol 5 Closing the Ring, Vol 6 Triumph and Tragedy, Cassell(6)Winston S Churchill - Vol 1 Youth: 1974 1900 Heinemann, Vol 2 Young Statesman: 1901 1914, both Randolph S Churchill Heinemann, Winston Churchill His Wit and Wisdom, Collins, Leaders of Britain in the War - Winston Churchill Man of War, Lewis Broad, Hutchinson & Co., The Young Churchill, Randolph S Churchill, First Sphere Books, The Wicked Wit of Winston Churchill, Dominique Enright, Michael O'Mara Books, Great Contemporaries, Odhams, Churchill His Life and Times, Malcolm Thomson, Odhams, Thoughts and Adventures, Odhams, Savrola, Longmans, Green & Co,Mr Churchill's Secretary, Elizabeth Nel, Hodder & Stoughton, My Darling Clementine, Jack Fishman, Pan Books, Mr Churchill: A Portrait, Philip Guedalla, Hodder & Stoughton, Great Contemporaries, The Reprint Society,Lady Randolph Churchill: A Biography - Vol 1 1854 1895, Ralph G Martin, Sphere Books LtdLady Randolph Churchill: A Biography - Vol 2 1895 1921, Ralph G Martin, Sphere Books Ltd, Clementine Churchill, Mary Soames, Penguin Books, Churchill - Images of Greatness, Ronald A Smith,Kevin Francis Publishing, The Unrelenting Struggle,The End of the Beginning, Onwards to Victory, The Dawn of Liberation, Secret Session Speeches, Victory, Charles Eade, Cassell, Into Battle, Randolph S Churchill, Cassell, Step by Step 1936 1939, Macmillan, My Early Life, Macmillan, I was Churchill's Shadow, W H Thompson, Christopher Johnson, The Life and Times of Winston Churchill, Malcolm Thomson, Odhams, The World Crisis 1911 1918, Macmillan, A Speech by the PM Winston Churchill in the House of Commons 20/8/40WSC, The Baynard Press, Tribute to Churchill, Gibbs & Bamforth, The Struggle for Survival, Lord Moran, Heron Books, The Last Lion: Winston Spencer Churchill Visions of Glory 1874 1932, William Manchester,Michael Joseph, Speaking for Themselves, Mary Soames, Doubleday, The Aftermath, Macmillan, Churchill by his Contemporaries, Charles Eade, Hutchinson, The Sinews of Peace, Randolph S Churchill, Cassell, A Thread in the TapestrySarah Churchill Andre Deutsch,Churchill in Parliament, Dennis Bardens, Robert Hale, The Churchill FactorBoris Johnson Hodder & Stoughton, In the Footsteps of Churchill, Richard Holmes, BBC Books
A COLLECTION OF DECORATING EQUIPMENT including an Earlex heat gun in case (PAT pass and working), an Aqua Vac easy stripper wallpaper steamer (untested), a Clark National Grip Master clamping system, Plasterers Hawk and feathering tool, timber sprayer, tile cutter, spirit levels, a Faithful platform step etc
THREE ACOUSTIC GUITARS, comprising a Hokada guitar model 3182 (some chips and knocks to edges, part of decal missing), a BM Clasico guitar (sd to top of fingerboard, requires restringing, some knocks) and a Leonora guitar model AG2069A, together with two soft cases and a 'Step One: Teach Yourself Guitar' book and VHS tape (3 + 2 cases + book set) (Condition Report: see description)
Officine Meccaniche Italiane Brass Railway Step sign (6) items including a cast 'Officine Meccaniche Italiane / Reggio Emilia' and 'A.3' and date '1925' on riser, referring to the Italian railroad manufacturing company, tread grooves to top surface; together with a British Train Rail Chair Assortment of (5) items including an 1877 LECR, an 1884 S&DJR, a 1916 S&DJR, a 1914 GWR / M&M / CK&N and an unmarked Property from: an Estate, Wilton, Connecticut Height: 4 3/4 inches, Width: 24 inches, Depth: 2 3/4 inches (step sign) Condition: overall moderate to heavy wear consistent with normal use, minor dents, scratches and scuffs, date ground down, light to moderate oxidation Category: Collectibles > Railwayana Estimated Sale Time: 10:18 am (America/Chicago) ** This lot is being sold for the United States Bankruptcy Court. The lot is Sold As-Is, Where-Is, with no warranties or guarantees. Leonard Auction is required to provide the buyer�s first and last name to the United States Bankruptcy Court. ** Shipping Status: Leonard Auction Shipping Quote Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6
A LARGE BERYL AND DIAMOND PENDANT Featuring a large emerald cut beryl, with a slight greenish blue tint, weighing approximately 35.0 Cts, mounted in a yellow gold setting marked '750' for 18K and '375' for 9K, accented with three rectangular step cut diamonds totalling approximately 0.40 Cts. 3.87 x 1.95 cm 14.6g Condition: Condition Report There are no cracks in the stone. The stone is eye-clean, loupe-clean clarity. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
AN AMETHYST AND DIAMOND RING Featuring a square step cut amethyst weighing approximately 9.5 Cts, mounted in an unmarked yellow gold setting flanked by baguette cut diamonds totalling approximately 0.80 Cts. US Size 7 10.6g Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
STEP EDWARD. Favourite Flowers of Garden & Greenhouse. 4 vols. Many good col. plates. Large 8vo. Half maroon morocco, some rubbing, some foxing & spotting particularly to titles & early leaves. Bookplate of McNair. 1896; also Henry Seebohm, Coloured Figures of the Eggs of British Birds, port. frontis & col. plates, orig. maroon cloth, Sheffield, 1896. (5).
Dame Laura KNIGHT (1877-1970) Dancers of the Ballet Russe Limoges enamel plaque, 5.3 x 4.9cmProvenance - From the Estate of Ella Naper, thence by family descent, the estate of Maryella Pigott, niece of Ella Naper, Trewoofe House, Lamorna. Catalogue note: This is one from a series of enamels that Knight made depicting the dancers of Diagalev's 'Ballet Russe'. The Russian ballet troupe had first performed in Paris in 1909 to rapt audiences. Their exoticism was unlike anything Western Europe had seen before; culturally, they influenced everything from dance, music and fashion to interior design. This plaque is likely to depict The Polovtsian Dance from Prince Igor, which Knight would have seen when the Ballet Russe performed in London in 1911.In 1958 Knight gave one of her enamels to her friend and patron Marjorie Averill (sold Bonhams 2017). It depicted Pavlova and her partner Mikhail Mordkin. It is a very similar work to lot 16 in this sale. In an accompanying letter to Mrs Averill, dated 7 April, Knight writes 'At Last! I do hope you will like it. The enamel is Limoges, it is one of about eight I did in the year 1914 with the help of the jeweller, Mrs Ella Naper.'Ella Naper was Laura's friend and near neighbour at Trewoofe, just above the Lamorna Valley in Cornwall. As well as modelling for Laura (she was the model in Knight's seminal 1913 work 'Self Portrait with Model') she was a talented jeweller who had studied under Frank Partridge. Naper and Knight collaborated on a very small number of these enamels, all themed with dancers and the ballet. Knight adored the spectacle of the ballet and particularly the ballerina Pavlova, who she wrote about extensively about her in her autobiography:'I first saw Pavlova dancing with Mordkin. During another season, at the Palace Theatre, when her partner was Novikov, so thrilled was I, I never missed a show; she held me to such a degree that I became almost completely absorbed in her art. I knew her every step and gesture in every dance she did.' They made such a strong impression upon Laura it is not surprising that in 1914 when draconian rules prevented artists particularly in coastal areas from sketching or painting outdoors, she used them as inspiration for creativity in a new medium. These gorgeously jewel-like little works are a testament to Knight’s versatility. Enamel is a notoriously difficult medium to master and yet under Naper’s skilful guidance, Laura has created these beautifully expressive pieces, which fully capture the elegant grace of Pavlova’s lithe figure and the exuberant movement and fluidity of both dancers.Naper made a particularly fine, stone-set piece, the central jewel of which was one of Naper and Knight's enamels depicting a ballerina, which is most likely to represent Pavlova in her most famous role Le cygne (The Swan). This enamel has been bequeathed to Penlee House Museum & Gallery. This historic enamel has multiple fine cracks. These are likely to be part of the creative process. The frame is likely to date from the date of the plaque. It is of three-ply and wormed to the back.
An Art Deco-style emerald and diamond panel ring in platinum, the head centred with an octagonal step-cut emerald of bright green colour, approximately measures 7.8 x 6.6 x 4.6 mm, in a diamond-set surround with an estimated total weight of 0.49ct, canted corners further calibré-set with emerald highlights, to a leading D-section shank, London hallmarked, 1996, ring head measures 1.8 x 1.6 cm, ring size L, total weight of item 7.4 grams.
An aquamarine and diamond set cocktail ring, the square step-cut aquamarine of light blue colour approximately measures 9.8 x 9.8 x 6.2 mm, set within a four-claws setting with diamond accents, unmarked white metal stamped '750' to the inside of the band, size K, total weight of item 16.0 grams.
AN 18 CARAT GOLD GEM SET BAND RING LONDON 1981 Set with various step cut stones, including amethyst, citrine, garnet, synthetic ruby and blue topaz Size/dimensions: finger size J Gross weight: 2.7 grams Condition Report: The ring has some light wear, there is a chip to one of the coloured stones, it isn't very obvious unless inspected with a loupe Condition Report Disclaimer
A DIAMOND DRESS RING The brilliant cut diamond within a polished white setting, estimated to weigh 0.70 carat total, to channel set graduated step cut diamond shoulders, with gold coloured borders, unmarked Size/dimensions: finger size R 1/2 Gross weight: 12 grams Condition Report: The diamond is bright and lively, colour estimated H, clarity VS. There is some wear to the setting commensurate with age and use Condition Report Disclaimer
A DIAMOND AND SAPPHIRE BOW BROOCH LONDON 1989 The 9 carat gold brooch set with eight cut diamonds, and step cut sapphires, approximately 0.90 carats total, stamped 17 OF 100 Size/dimensions: 3.9cm wide Gross weight: 6.8 grams Condition Report: minimal wear, the diamonds are bright and lively, sapphires well matched. The brooch fitting in good working order. Condition Report Disclaimer
TWO CITRINE DRESS RINGS AND A PAIR OF CITRINE EAR STUDS The first with an oval cut citrine within an 18 carat gold six claw setting, London 1991; together with a further citrine dress ring, in a 9 carat gold setting, partial hallmark; and a pair of citrine ear studs, the studs set with step cut citrines with canted corners, four claw settings Size/dimensions: first finger size N; second J; earrings 11mm long Gross weight: 17.7 grams Condition Report: The second ring has replaced claws, general wear commensurate with age and use to all pieces Condition Report Disclaimer
A 1930S SAPPHIRE AND DIAMOND BAR BROOCH The central oval cut sapphire between a section of old mine cut diamonds, approximately 1.10 carats total, to step cut sapphire terminals, scroll engraved sides, unmarked Size/dimensions: 8cm wide Gross weight: 8.9 grams Condition Report: The stones are all present and correct, bright and lively, The sapphire has a small window and some faint silk, approximately 8.3mm x 6mm x 2.4mm. The diamonds colour and clarity varying, colour mostly I-k, clarity mostly SI-I there is a added safety feature added to the clasp making the fitting safer to use. Condition Report Disclaimer
A MID 20TH CENTURY DIAMOND SPRAY BROOCH The spray with pierced trefoil leaves amongst foliage, with ribbon detail, set throughout with brilliant cut and eight cut diamonds, and a step cut diamond stalk, approximately 1.26 carats total Size/dimensions: 5.3cm long Gross weight: 12.5 grams Condition Report: The brooch has had adaptations and repairs, visible from the reverse, the diamonds are bright and lively, all present and correct. The trefoil leaves turn slightly in the settings. Condition Report Disclaimer
A PAIR OF RUBY AND DIAMOND CURVED EARRINGS The curved rectangular panels with a central channel set row of step cut rubies, between rows of brilliant cut diamonds, approximately 1.60 carats total, stud fittings Size/dimensions: 1.7cm x 1cm Gross weight: 5.9 grams Condition Report: The panels have some wear, stud fittings may not be original, the rubies are bright with some inclusions, the diamonds are bright and lively, the colour varying I-K, clarity mostly VS-SI. Condition Report Disclaimer
TWO GEM SET HALF ETERNITY RINGS The first with step cut sapphires in gold coloured channel settings, unmarked; the second with step cut rubies in gold coloured channel settings, stamped 18K Size/dimensions: finger sizes O and O 1/2 Gross weight: 10.7 grams Condition Report: There is some abrasion and nibbling to the crown facet edges, some general wear commensurate with use. Condition Report Disclaimer
AN AQUAMARINE AND DIAMOND DRESS RING The step cut aquamarine with canted corners to tapered shoulders each set with three brilliant cut diamonds, approximately 0.18 carats total, stamped 750; together with a three stone amethyst ring, stamped 750 with Italian control marks Size/dimensions: first finger size O 1/2; second finger size P Gross weight: 15.8 grams Condition Report: There are chips to the culet of the aquamarine, some nibbling to the crown facet edges, some general wear commensurate with use. The other ring has some general wear Condition Report Disclaimer
A SAPPHIRE AND DIAMOND CROSSOVER RING The gold coloured band with oval cut sapphire terminals, to step cut and brilliant cut diamond shoulders, approximately 0.76 carats total Size/dimensions: finger size V 1/2 Gross weight: 5.1 grams Condition Report: The ring has wear, rubbing to settings, some wearing through on the sapphire collets, but the stones are still secure, the sapphires have some nibbles, the diamonds are bright and lively colour mostly H, clarity mostly VS-SI. The shank has been replaced. The setting is 14 carat + Condition Report Disclaimer
A SMALL COLLECTION OF CITRINE JEWELLERY Comprising a citrine dress ring, the step cut citrine with canted corners, in a gold coloured four claw setting, the shank stamped P.C.S; together with a Victorian citrine and half pearl cluster brooch, the cluster within a scrolled surround, with glazed compartment verso; and a gilt silver coloured citrine set bracelet, the shaped scrolled panels each centred with a cushion cut citrine, stamped ITALY 800 Size/dimensions: finger size L 1/2; brooch 4.3cm long; bracelet 19.3cm long Gross weight: grams Condition Report: general wear commensurate with age and use. There is gilding worn off from the silver settings of the bracelet. the brooch has small holes to the setting, possibly from construction. Condition Report Disclaimer
A SINGLE STONE DIAMOND RING The step cut diamond with canted corners, estimated to weight 0.40 carats, in a broad matt suspension setting, stamped Plat Size/dimensions: finger size N 1/2 Gross weight: 12.5 grams Condition Report: There is some wear to the setting commensurate with use, the diamond colour estimated J, clarity SI2 Condition Report Disclaimer
A SMALL COLLECTION OF JEWELLERY AND COSTUME JEWELLERY The first an early 20th century blue zircon bar brooch, the setting stamped 15ct; a step cut amethyst bar brooch, stamped 15ct; a step cut smoky quartz pendant, stamped 14k; a brown enamelled orb watch, the bale stamped 14k, the circular dial with baton numerals and signed Ritma; a silver coloured charm bracelet, the various charms stamped 925, sterling or silver; a twisted silver baton link necklace; a silver coloured articulated fish pendant Size/dimensions: first brooch 5.5cm long Gross weight: 120 grams
A TWO STRAND CULTURED PEARL NECKLACE WITH A DIAMOND CLASP The two strands of uniform cultured pearls to a pierced geometric clasp, set with old European cut, brilliant cut and step cut diamonds, approximately 2.82 carats total, unmarked Size/dimensions: 37cm long, clasp 3.8cm long Gross weight: 47.2 grams Condition Report: The clasp has been adapted from a brooch, some repairs and signs of adaption. The diamonds are all present and correct, bright and lively. The cultured pearls fairly well matched, slight difference in orient and body colour, the strand is not knotted, it would benefit from bring restrung. Condition Report Disclaimer
A DIAMOND SEVEN STONE RING AND A SAPPHIRE AND DIAMOND RING The seven stone brilliant cut diamond ring with claw settings, approximately 0.42 carats total, to an 18 carat gold polished shank, London 2006; together with a sapphire and diamond ring, the step cut sapphires interspaced by two panels of four brilliant cut diamonds, approximately 0.08 carats, to a tapered 18 carat gold shank, London 1982 Size/dimensions: first finger size O 1/2; second M 1/2 Gross weight: 5.4 grams Condition Report: the settings have some light wear commensurate with age and use, the diamonds are all bright and lively Condition Report Disclaimer
A LACQUER SUZURIBAKO DEPICTING GENJI AND YOUNG MURASAKIJapan, 19th centuryOf rectangular form with rounded edges, the cover decorated with a central frame surrounded by gold and nashiji highlighted clouds encompassing a tall maple tree next to the palace pavilion of Genji. Genji is seated next to the young Murasaki, both dressed in voluminous robes, and worked in gold, silver, and red hiramaki-e, with kirigane flakes. The interior of the cover decorated in gold hiramaki-e with scholars caps and fans on a nashiji ground with gold fundame. The inside with a rich nashiji ground, containing six compartments, the original silver butterfly water dropper, and a rectangular inkstone.SIZE 6.2 cm x 21.9 x 24.3 cmCondition: Good condition with minor wear, signs of use, small nicks, light scratches, a few typical losses to the kirigane flakes.Provenance: From a Dutch private collection.With a fitted red tomobako box.The present lacquer box depicts a scene from Chapter 5, Wakamurasaki of Genji Monogatari (The Tales of Genji). While visiting Kitayama, a rural hilly area north of Kyoto, Genji meets Murasaki, ten-year-old niece of his step-mother, Lady Fujitsubo, with whom he is having an illicit affair. He falls in love with the girl and abducts her after her father refuses to grant his blessing. Here the young Murasaki sits on the veranda of Genji's palace with her abductor.
KEIUN: A FINE IVORY OKIMONO OF A PAIR OF CRANESBy Keiun, signed Keiun toJapan, Meiji period (1868-1912)Naturalistically carved as a pair of cranes, one pausing mid-step with its head turned as it looks on and the other standing flatfooted, drawing its head in towards its body. Their feathered bodies exquisitely defined in fine lines and accents of black pigment, supported on ribbed legs on webbed feet rendered in iron, the eyes inlaid in mother-of-pearl. Signed underneath the body of the larger crane KEIUN to [carved by Keiun].HEIGHT 13.7 cmCondition: Very good condition, the base with a large age cracks. Very light chipping to the edge of tail feathers of the smaller bird.Provenance: From a private collection in Belgium, published in the commissioned private catalogue 'The Nibajama collection' no. 17.Auction comparison:Compare a closely related ivory okimono of a single crane at Bonhams, Fine Asian Works of Art, 23 June 2008, San Francisco, lot 8351 (sold for USD 5,700).Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number 2022/BE04286/CE). This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
A GROUP OF FIVE NETSUKEJapan, 19th centuryThe first, an ivory carving of a frog seated atop a folded lotus leaf with dark bone inlaid eyes, the lotus step attached to the base of the leaf with a single bud issuing from it. Signed to the base.The second, an ivory netsuke depicting Daikoku riding a large rat across a bridge while holding a sack and below the bridge Shiei rides a large fish. A single himotoshi through the base. The base signed within a red lacquer rectangular reserve.The third consisting of a stained ivory netsuke of a recumbent ox. The ox naturalistically rendered with a lead rope attached to its nostrils. Two himotoshi along the base.The fourth, an ivory mixed metal kagamibuta depicting a beauty stirring the water with a stick. The disc is fitted into a superbly polished, shallow ivory bowl. Central himotoshi to the back, the cord attachment beneath the disc.The fifth, an ivory netsuke depicting a seated Hotei holding his fan, wearing checkered robes and a two-case inro attached to his belt by a manju netsuke. Two himotoshi to the base. The base incised with a signature.LENGTH 6.8 cmCondition: Good condition with wear, expected age cracks, chips, small nicks, and losses.Provenance: German private collection.Trade Certificate: The trade certificate for the sale of this lot within the EU has been granted (permit number DE-K-221108-386).This item contains ivory, rhinoceros horn, tortoise shell, and/or some types of tropical wood and is subject to CITES when exporting outside the EU. It is typically not possible to export such items outside of the EU, including to the UK. Therefore, after this item has the necessary trade certificate, it can only be shipped within the EU or picked up in our gallery in person.
Indie/Alterantive LPs and 12" Singles to include (1) Black Grape - It's Great When You're Straight... Yeah (2016 UK 180g Vinyl Reissue, 5373030); (2) Alabama 3 - Exile On Coldharbour Lane (2016 UK Reissue, ELM40LTD, Green/Orange Vinyl); (3) Black Grape - Pop Voodoo (2017 Europe, 5757998, Gatefold sleeve and inserts); (4) Happy Mondays - Step On (1990 UK 12", FAC 272); (5) Happy Mondays - WFL (Wrote For Luck) [The Vince Clark Remix] (1989 US 12", 0-66691); As well as titles by artists; The Killers, The Heavy, Primal Scream, Happy Mondays, Paul Weller, The Charlatans, James and The Soup Dragons; All conditions from Very Good to Excellent including sleeves. (18)
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