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A 4M DOUBLE EXTENSION ALUMINIUM LADDERS together with a set of step ladders and a quantity of garden tools in a black bin (2)

A GALVANISED FIRE TUB together with a metal wheel barrow, push along scarifier, wooden step ladders etc (9)

A QUANTITY OF GARDEN TOOLS to include forks, spades, rakes etc, metal wheel barrow, single wooden slatted garden chair and three step ladders (20+)

A traditional set of wooden step ladders

Three wooden stools, comprising a bench, 158 by 33.5 by 49cm high, a one step stool, 45.5 by 56 by 48cm high, together with another small stool, 40.5 by 24 by 31cm high. (3)

White anglepoise lamp on a two step square base by Herbert Terry

A Windsor elm and beechwood lathe back kitchen chair together with an ebonised single chair and a vintage folding wooden step ladder (3)

A set of mid 20th century folding step ladders, stand approx 140cm in height.

Two kitchen step stools, assorted cases, a vintage radio, etc.

Art-déco Aquamarin-Anhänger. Um 1925. Platin. Hochfeiner, farbintensiver Aquamarin im Scherenschliff ca. 23,75 ct. (ca. 22 x 15 mm) mit 9 Diam. in Millegriffesfassungen im 8/8 und 16/16--Schliff zus. ca. 0,17 ct. Leicht Getöntes Weiß(I-J).vs-si. Angaben und Wiederbeschaffungswert von 12.500 Euro laut Bericht Gemmologisches Institut Hamburg von Dezember 2021. - An Art-déco Aquamarine Pendant. Around 1925. Platinum. Highquality, colour-intensive aquamarine in radiant shaped step cut approx. 23,75 ct. (approx. 22 x 15 mm) with 9 diam. in millegriffes setting in 8/8 and 16/16 cut in total approx. 0,17 ct. Slightly Tinted White(I-J).vs-si. Details and replacement value of 12.500 Euro according to report of Gemmologisches Institut Hamburg dated December 2021. -

Actor, Adam Scott signed 10x8 colour photograph. Scott (born April 3, 1973) is an American actor, comedian, producer, and podcaster who is known for his role as Ben Wyatt in the NBC sitcom Parks and Recreation for which he was twice nominated for the Critics' Choice Television Award for Best Actor in a Comedy Series. He has also appeared as Derek in the film Step Brothers, Johnny Meyer in The Aviator, Henry Pollard in the Starz sitcom Party Down, Ed Mackenzie in the HBO series Big Little Lies, Adam Yates, Jr. in Hot Tub Time Machine 2, and Trevor in the NBC series The Good Place. In 2022, he began starring in the Apple TV+ psychological drama series Severance. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Corgi - Hauliers Of Renown - 2 x boxed limited edition trucks, a DAF XF Super Space Cab curtainside in Macritchie Highland Distribution livery number 870 of only 1810 produced # CC13241 and a Foden Alpha Step Frame curtainside in William Armstrong Gretna FC livery number 1319 of only 2110 produced. Both models appear Mint with mirrors and certificates in Very Good boxes with storage marks. (This does not constitute a guarantee) (2)

Corgi - Eddie Stobart - 2 x limited edition trucks, a DAF XF Space Cab livestock transporter in Portsoy Livestock Haulage livery number 638 of only 2700 produced # CC13215 and a MAN TGA XL Step Frame curtainside trailer in Eddie Stobart livery number 2790 of only 3800 produced. Both models appear Mint with mirrors and certificates in Good boxes with storage wear. (This does not constitute a guarantee) (2)

Corgi - Hauliers Of Renown - 2 x limited edition trucks, a Scania Topline step frame curtainside in Archers Transport livery number 547 of only 1770 produced # CC12977 and a MAN fridge trailer in Pulleyn Transport livery number 588 of 4000 produced. Both models appear Mint with mirrors and certificates in Good boxes with storage wear. The inner lid for the Archers model has yellowed and the box has faded, the truck is unaffected. (This does not constitute a guarantee) (2)

A vintage three step display unit collection only

Italian School. Early 17th century "The Crowning with Thorns" Oil on canvas. 142 x 110 cm. After the flagellation ordered by Pontius Pilate, Jesus was tortured and mocked by the executioners and soldiers, who put a crown of thorns on his head to accredit Him, sarcastically, as the King of the Jews: “Then the governor’s soldiers took Jesus into the Praetorium and gathered the whole company of soldiers around him. They stripped him and put a scarlet robe on him, and then twisted together a crown of thorns and set it on his head. They put a staff in his right hand. Then they knelt in front of him and mocked him. “Hail, king of the Jews!” they said. They spit on him, and took the staff and struck him on the head again and again. After they had mocked him, they took off the robe and put his own clothes on him. Then they led him away to crucify him” (Matthew 27: 27-31). All the elements and actions narrated in the cited extract are those which appear in this superb painting, probably created in Italy, and which faithfully copies an engraving made in 1597 by Hendrick Goltzius (1558-1617), although in a more reduced version, considering that in the aforementioned print we see Christ situated before the steps of the praetorium, mocked by numerous people who are both standing and kneeling, besides others – one of whom could be Pilate himself – who observe the scene impassively from the praetorium. The anonymous painter of this picture, which is of exquisite style and quality, has focussed his creation on just three characters who have acquired greater monumentality that those in Goltzius’ engraving. The scene takes place in a sombre atmosphere lit only by an exterior beam of light which emanates from the left side. This is tenebrist illumination and is a distant reminder of the results obtained by Caravaggio (1571-1610) and his followers. This containment of the light contrasts vividly with the gesture and dynamism of one of the executioners, who appears to be engaged in beating Christ impetuously with the stick he holds in his left hand. At the same time, in his right hand he holds an element with which he braids the crown of thorns on the Lord’s head, along with his colleague. At the feet of this executioner, who is dressed in trousers hacked off to the mid-thigh, is a recipient which contains part of the set of tools with which this new torture of Christ is being carried out. The other executioner, dressed in clothes in different gradations of green which contrast with the reds of the other two characters, has a calmer and more passive attitude in the scene. Christ is seated on a stone step. He has his hands tied and is holding the staff with an expression on his face which is between relaxed and resigned. His calm attitude contrasts with that of the mocking soldiers who are making the crown of thorns. He wears a crimson tunic with some very rich gradations of colour that form a potent focal point of light, which also occurs with the footwear and smock of the executioner who is attacking him. The clothes that both executioners are wearing are those worn by men in the period that this canvas was painted, meaning the early 17th century. The painting is outstanding, not just because of its extremely rich colouring, in which the vivid reds contrast with the greens and blues, but also because of the careful drawing with which it has been conceived and the brushwork with which it has been carried out. It is difficult to establish an identity for the painter, but it could be from an Italian workshop, although without being able to specify a School, the most illustrious at the time were the Roman, Bolognese and Tuscan-Florentine Schools. We would like to thank Javier Baladrón, doctor in History of Art, for cataloguing this piece.

A three-stone emerald and diamond ring, the central square step-cut emerald approximately 6.60 x 6.57 x 4.64mm, weighing a calculated 1.35 carats with an old European-cut diamond set either side, weighing a calculated 1.05 carats and 1.02 carats, assessed colour/clarity G-H/VS2-SI1, claw set in yellow and white metal, carved shoulders on a yellow metal shank, size O, stamped 18ct, 4.51g

Victorian mahogany step commode with inset gilt tooled top, ceramic liner with lid

ANTONIO BEATO (1835-1906), Three Photographs of Egypt, albumen prints, c.1870s, unmounted, the temple at Karnak, a step pyramid, (both signed in the negative) with a print of tourists and guides scaling a pyramid (attributed to Beato) all approx. 27cm x 20cm

Gertrude Halsband (1917?1981) Three unframed watercolours. Two of silhouette profile pictures of ladies in formal dress, signed. The other of a young boy seated on a step with his dog, unsigned. H.28 w.20 cm (largest).

GREY METAL 2 STEP KITCHEN STEP

5 STEP ALUMINIUM 3 WAY LADDER

ALUMINIUM PLATFORM STEP & A FOLDING 2 STEP KITCHEN STEP

FAULKNER, William (1897-1962). Pylon. New York: Harrison Smith and Robert Haas, 1935.8vo. Half-title. Original blue cloth with horizontal black cloth band, upper cover and spine gilt-lettered (spine slightly faded); in unrestored unclipped dust jacket (some minor chipping to corners and spine ends, some overall toning). Provenance: Florence Luntz (signatures on title-page and pastedown).FIRST EDITION, TRADE ISSUE. Pylon is the story of a group of barnstormers whose lives are thoroughly unconventional. They live hand-to-mouth, always just a step or two ahead of destitution, and their interpersonal relationships are unorthodox and shocking by the standards of their society and times. The novel provided the basis for the 1958 film The Tarnished Angels, directed by Douglas Sirk. Petersen A17.1c.

An aluminium folding twin sided step ladder together with a site light

A set of three mid 20th century bent plywood chairs on metal legs together with two further similar stools and a stool step chair

Wooden extending ladder and step ladder both for display purposes only

An Aluminium Step Ladder

An aluminium step ladder

An aluminium step ladder

An aluminium step ladder and a bundle garden tools

BLUE PASTE AND DIAMOND BAR BROOCH,set with a step cut blue paste flanked by three old cut diamonds and one clear paste stone, marked 15CT, 4.7g

EMERALD AND DIAMOND RING,the step cut emerald of approximately 1.11 carats, within a halo of round brilliant cut diamonds totalling approximately 0.92 carats, in eighteen carat white gold, size O, 4.4g

SAPPHIRE AND DIAMOND RING,set with a central step cut sapphire to a diamond plaque, the round brilliant cut diamonds totalling approximately 0.40 carats, in platinum, size M, 5.2gSapphire = 5.7x3.6x3mmMedium - dark blue. No inclusions visible to the naked eye. Very slight yellow tint to the diamonds. Minor inclusions visible under magnification within the diamonds.

TOPAZ AND DIAMOND PENDANT,set with a step cut blue topaz within a diamond halo, marked 9K, 1.7g

§ Sir Peter Blake C.B.E. R.D.I. R.A. (British 1932-) for Aram Designs Limited Two 'Step' Lamps Finnish birch plywood(Taller lamp: 143cm high (56.25in high) (including shade); Smaller lamp: 110cm high (43.25in high) (including shade))Footnote: ‘When I was asked by Zeev Aram to design a piece of furniture for his exhibition, my first thought was, which is the ‘simplest’ furniture – a table. So I designed a table. I wanted it to be very basic, as though a child had drawn it, like a kitchen table. Then I chose to have it made from thick plywood, to make the legs from ply, and turn the ‘constructed’ surface to the front of the table, to show how it was made. The construction of the corners is always the same, as a table can be made to order by simply giving the size of the table top and the height. It can be plain wood, sealed, or stained white, black and primary colours, on their own or a combination – red, yellow and blue. Later I decided that a lamp which matched the table would be interesting, and designed that too.’ (Peter Blake, 1986 quoted in accompanying Aram Design Limited catalogue)

A pair of unusual bevel-edged and partial gilt-framed armorial pier-glass, English early 18th century, the shaped cresting bearing a coat of arms incorporating three leopard's heads below a further leopards head and a coronet, the step arched plate within narrow mirror borders.79 cm overall width x 198 cm & 197 cm overall height respectivelyDispersal of an old family collection.The mirrors have some degradation to the plates as can be seen from the images.There are slight losses from the extreme points of the plates in the shaped areas of the tops, see imagesI can not see any major damage to the plates or frames.

A 5 rung aluminium step ladder.

A Raleigh Cameo 3 speed step through bicycle.

A wooden step ladder.

EARLY 20TH CENTURY MAHOGANY LIBRARY STEPS,each step inset tooled leather, brass ball finial, 114cm high

18ct Yellow Gold and Emerald Pierced Ring, 4.4 grams18ct yellow gold ring, rectangular domed shape measuring approx. 20mm x 12mm set with a step cut emerald measuring approx. 5mm x 3mmSize 10 US | Size U UKGood condition

MAGUIRE (Gregory) Collection of mainly first editions with eight vols. inscribed by the author to Jill Paton Walsh and/or John Rowe Townsend, including: Wicked, Mirror Mirror [with printed dedication to Paton Walsh and Townsend], Confessions of an Ugly Step Sister, Making Mischief, etc; with an uncorrected proof of The Next Queen of Heaven (15)

Galvanised watering cans, terracotta pots and vintage step ladders.

Two pairs of vintage step ladders also with two scythes.

Ɵ FLEMING, Ian. (1908 - 1964). Three Works: First Editions. 1963-1965. comprising: On Her Majesty's Secret Service. Jonathan Cape, 1963. first edition, third printing, 8vo, (194 x 135mm) original cloth with white ski track design to upper cover, silver lettering to spine, dust-jacket clipped, priced 16s., design by Richard Chopping, 288pp; Fleming's tenth novel in the James Bond series, the 1969 film adaptation being the sixth in the franchise and the only film to star George Lazenby as fictional MI6 agent James Bond; You Only Live Twice. Jonathan Cape, 1964. first edition, first printing, 8vo., (195 x 140mm), original black cloth with Japanese characters in gilt to upper cover, sliver lettering to spine, dust-jacket clipped, priced 16s., design by Richard Chopping, bamboo patterned e/ps., half-title, 256pp. The author's eleventh novel in the James Bond series and Fleming's last novel to be published in his lifetime, the film 1967 film adaptation being the fifth in the franchise starring Sean Connery as fictional MI6 agent Bond; The Man with the Golden Gun. Jonathan Cape, 1965. first edition, first printing, 8vo, (194 x 136mm), original dark grey cloth, gilt lettering to spine, dust-jacket clipped, priced 18s., design by Richard Chopping, green and white patterned e/ps., half-title, 221pp. The twelfth and final novel in Ian Fleming's James Bond series, posthumously published eight months after his death, the 1974 film adaptation, loosely adapted from the book, being the ninth in the franchise starring Roger Moore as the fictional MI6 agent James Bond and Fleming's step-cousin, Christopher Lee, cast in the role of Francisco Scaramanga. (Qty. 3).    Condition Report: 1. On Her Majesty's Secret Service - clean bright cloth, spine a little bumped head/tail, dust-jacket with light foxing, corners scuffed with a clean edge tear to lower front corner, spine with chips head/tail and further light foxing to inside of wrapper and inner flaps, light foxing to foredge, o/w. internally clean.2. You Only Live Twice - clean bright cloth, spine bumped at tail, dust-jacket with light foxing and a small stain to rear panel, chipped at corners (with small loss) spine chipped head/tail (with some loss) toning to top edges of inner flaps, edges marked, o/w. internally clean.3. The Man With the Golden Gun - minor marks to cloth, dust-jacket bright with light marks, small chips to corners and head/tail of spine, toning and light marks to top edges of inner flaps, o/w, internally clean.Condition Report Disclaimer

An 18ct gold emerald and diamond rectangular cluster ring, set with emerald step-cut emerald and round brilliant-cut diamonds, total diamond content approx 0.25ct, setting height 13.7mm, size P, 6.1gNo damage or repairs, all stones present, emerald has typical inclusions, diamonds bright white and fiery, settings lightly abraded, hallmarks clear, stamped 750

An unmarked gold pink kunzite dress ring, set with emerald step-cut kunzite, setting height 10.4mm, size J, 5.8gNo damage or repairs, facet edges lightly worn and abraded, settings slightly worn, unmarked

An 18ct gold amethyst and diamond dress ring, set with rectangular step-cut amethyst and round brilliant-cut diamonds, total diamond content approx 0.18ct, setting height 7.5mm, size N, 4.2gNo damage or repairs, all stones present, diamonds bright and white, settings lightly abraded, hallmarks clear, stamped 750

DIAMOND-SET BRACELETOf fancy, mesh and ropetwist linking, with heart-shaped motifs, accented by an applied frontispiece of pierced annular form, circa 1925-30, set with brilliant, old brilliant, demi-lune, kite, marquise, single, step and trapezoid-cut diamonds, diamonds approximately 3.80 carats total, length 18.5cmFor further information on this lot please visit Bonhams.com

EMERALD AND DIAMOND THREE-STONE RINGThe step-cut emerald between two old brilliant-cut diamonds, weighing 1.67 carats and 1.73 carats, emerald weighing very approximately 4.22 carats, ring size QFootnotes:Accompanied by a report from The Gem & Pearl Laboratory stating that the emerald is of Colombian origin with no evidence of clarity enhancement. Report number 21051, dated 18th January 2022.For further information on this lot please visit Bonhams.com

DIAMOND RINGThe step-cut diamond, weighing 3.25 carats, between demi-lune-shaped shoulders, ring size NFor further information on this lot please visit Bonhams.com

DIAMOND DOUBLE-CLIP BROOCH, CIRCA 1950The openwork scrolling ribbons set throughout with brilliant and single-cut diamonds, accented by step-cut diamonds, diamonds approximately 12.00 carats total, length 6.6cmFor further information on this lot please visit Bonhams.com

DIAMOND RINGThe step-cut diamond horizontally set, weighing 3.12 carats, in a reeded mount with baguette-cut diamond shoulders, ring size OFootnotes:Accompanied by a report from GIA stating that the diamond is E colour, VS1 clarity. Report 5191848154, dated 28th November 2018.For further information on this lot please visit Bonhams.com

SAPPHIRE AND DIAMOND RINGThe step-cut sapphire, weighing 7.45 carats, in a rectangular mount inset with baguette-cut diamond shoulders, ring size M½Footnotes:Accompanied by a report from The Gem & Pearl Laboratory stating that the sapphire is natural and unheated. Report number 21171, dated 11th February 2022.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

CARTIER: EMERALD AND DIAMOND CLUSTER RING, CIRCA 1930The octagonal step-cut emerald within a surround of old brilliant-cut diamonds, signed Cartier London, emerald approximately 2.75 carats, diamonds approximately 2.00 carats total, ring size K (sizing beads)For further information on this lot please visit Bonhams.com

EMERALD AND DIAMOND RINGThe step-cut emerald, weighing 2.34 carats, in a brilliant-cut diamond bombé mount, with step-cut diamond accents, diamonds approximately 6.30 carats total, ring size S½ Footnotes:Accompanied by a report from The Gem & Pearl Laboratory. Please contact the department for further information.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com

SAPPHIRE AND DIAMOND RINGThe step-cut sapphire, weighing 11.47 carats, within a single-cut diamond surround, between baguette-cut diamond shoulders, ring size approx. L (sizing beads)Footnotes:Accompanied by a report from The Gem & Pearl Laboratory stating that the sapphire is of Sri Lankan origin with no evidence of heat treatment. Report number 21140, dated 8th February 2022.For further information on this lot please visit Bonhams.com

RUBY AND DIAMOND BRACELET, RING AND PENDENT EARRING SUITEThe articulating brilliant and step-cut diamond links accented by four oval-cut rubies within brilliant and baguette-cut diamond surrounds, the two rings and pendent earrings of matching design, rubies very approximately 28.26 carats total, diamonds approximately 18.10 carats total, lengths: bracelet 16.4cm, pendent earrings 4.4cm, ring sizes D½ and G (4)Footnotes:Accompanied by a report from The Gem & Pearl Laboratory stating that a sample of the rubies have tested as Burmese origin with no evidence of heat treatment. Report number 21306, dated 4th March 2022.For further information on this lot please visit Bonhams.com

ALEXANDRITE AND DIAMOND RING, CIRCA 1920The octagonal step-cut alexandrite within a surround of single-cut diamonds, the shoulders engraved with laurel leaves and the band incised, alexandrite approximately 3.40 carats, ring size M-M½Footnotes:Accompanied by a report from SSEF stating that the alexandrite is of Sri Lankan origin, with a distinct colour-change from green in daylight to brownish purple in incandescent light and no indications of treatment. Report number 119630, dated 19th November 2021.For further information on this lot please visit Bonhams.com