1970's Yamaha Chappy Registration Number: N/A Frame Number: IF3-160188 The Yamaha Chappy LB80 is a charming, compact scooter produced during the 1970s and early 1980s, designed as a versatile, practical bike-of-the-people featuring an 80cc two-stroke engine paired with a dual-range automatic transmission, allowing for both urban cruising and light off-road exploration. The LB80 features a reliable air-cooled single-cylinder engine, oil injection system, balloon tires, step-through frame and rugged simple design, the LB80 is a quirky and increasing collectible lightweight machine with plenty of character. The odometer shows 6,285 recorded miles. Offered for full restoration.
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Freshly rebuilt into OEM+ condition, just 32,800 miles from new and tastefully upgraded with new leather sports seats and a modern infotainment system. By the late 1990s, Land Rover had begun to realise that most of their range rarely strayed far from tarmac and fuel efficiency was at the forefront of the suburban driver’s mind, so development of a more refined diesel engine for the Range Rover and Discovery began in earnest. Ironically, during this time, the V8 Defender had begun to appeal to the 'lifestyle' end of the market and a number of limited edition cars were developed and marketed by the company, proving popular for occasional use in a similar way to a classic car. Over the past decade, this has led to a new sub-market for used Land Rovers, seeing upgrades, refinements, restorations, leather interiors and more powerful engines.The car on offer is a beautifully built and upgraded 2008 Defender 90, finished in the attractive colour combination of Nardo Grey with a Sand canopy. Having covered a mere 32,780 miles in the hands of its three owners from new, this icon of British engineering seamlessly marries Land Rover’s legendary off-road prowess with creature comforts and modern usability. Beneath the bonnet lies the venerable and trustworthy 2.4-litre diesel engine, mated to a 6-speed manual gearbox, a formula that needed no introduction or changes.This Defender 90 has undergone a meticulous restoration by its marque enthusiast private owner. Externally, the car is visually improved with larger steel wheels shod in brand new Renegade tyres and a brand new Sand-coloured canopy. Step inside the car and you’ll see that the cabin has been refined with leather sports seats, a quick-release steering wheel and a modern 'infotainment' system, a welcome upgrade over standard. Practical bench seating in the rear adds versatility, whilst side and rear steps ensure easy access. With a comprehensive service history including a recent service completed in July 2024, this Defender appears in peak mechanical condition, primed and ready for its next adventure.In a saturated sea of over the top 'resto-mods' that seem to lose the charm, character and charisma of the original donor car, this Defender perfectly encapsulates the principle that sometimes 'less is more' and subtle upgrades are all you need. The cherished registration number, R33 HUE, is a nostalgic 'nod' to HUE 166, the first ever Land Rover and will remain with the car, forming part of the sale.With its low mileage, subtle enhancements and stylish finish, this desirable Land Rover seems incredible value and a great opportunity.Specification Make: LAND ROVER Model: DEFENDER 90 Year: 2008 Chassis Number: SALLDVAS79A767429 Registration Number: R33 HUE Transmission: Manual Engine Number: 080711101655244DT Drive Side: Right-hand Drive Odometer Reading: 32780 Miles Make: RHD Interior Colour: BlackClick here for more details and images
Attributed to Diego Quispe Tito (Cuzco, Perú, 1611 - 1681)"The Visitation"Oil on canvas. Accompanied by an imposing carved and gilded wooden frame from the period.56,5 x 41,5 cm. A superb composition of the narrative passage found in Luke 1:39-45, attributed to Tito Quispe, considered to be one of the most prominent members of the Cuzco school.The scene fills the entire canvas. In a misty background, a tree in a garden is faintly suggested along with the house of Zechariah and Elizabeth depicted with an unreal architectural perspective. With carefully crafted details in the foreground, our gaze focuses on the two couples from this biblical encounter: Zechariah and Elizabeth on the left, and Joseph and Mary on the right. The men play secondary roles, positioned humbly, somewhat distant, "a step back," in reverence for this meeting.The love between the two women—cousins—takes center place. The two figures meeting here are based on the engraving The Visitation by Jean Leclerc (1587-1633): their joining of hands expresses welcome, as does the hand resting on Mary’s womb as she exclaims, "Blessed are you among women, and blessed is the fruit of your womb."The brushstrokes of the artist showcase his virtuosity through his depiction of intricate gold filigree and flowers scattered across the garments, as well as the trimming, lace, and edging that adorn them, symbolizing the importance of the characters in this scene. Serene, humble faces reflect affection and closeness, joy and respect. A blend of mysticism and tenderness brings this biblical event closer to a "simple family meeting," making it more relatable to the viewer so that they, too, "feel visited," invited as another member of this heavenly family.In a period frame, filled with overflowing leaves and flowers, highlighted by magnificent carving and gilding, rounding off this work of unsurpassed and delicate technical mastery and showcasing the artist's extraordinary skill in this painting. As we read in the Real Academia de la Historia Quispe Tito "Member of a family of the Inca aristocracy, is considered to be one of the main initiators of the Cuzco school of painting. He apparently came from the indigenous village of San Sebastián, where a significant part of his work can be found. It is centred on the decorative works for the parish church in that town, for which he worked intensively between 1634 and 1669. During those years he produced four large pictorial cycles: Life of Saint John the Baptist, The Passion, Martyrdom of Saint Sebastian and The Doctors of the Church.These groups of canvasses summarise Quispe Tito's maturity and originality, characterised by an ingenious reinterpretation of European prints and by a precise, agile brushstroke with lively colours.His fame soon spread beyond the confines of Cuzco, and in 1667 he was commissioned by the churches of Potosí to paint Jesus with the Doctors of the Church and The Betrothal of the Virgin, both of which are now in the Museo de la Casa de Moneda in Potosí.In the Inca capital itself, Quispe Tito's most ambitious work is the canvas of the Last Judgement, painted for the porter's lodge of the Convent of San Francisco in 1675.Here the Andean painter abandoned the dynamic formulas, in force until the High Renaissance and early Baroque periods in Europe, to return to the ordered scheme in depicting the Last Judgement, in the form of successive horizontal layers, common among medieval painters." Bibliographic reference:- Wuffarden, Luis Eduardo. (n.d.). "Diego Quispe Tito". https://dbe.rah.es/biografias/54757/diego-quispe-tito
T.A. Coward - 'The Birds of the British Isles', series I-III, the first two being early reprints, 1929-1930, and the third series being the first edition, 1926, with 'Life of the Wayside & Woodland', first edition, 1923, alongside Richard South, 'The Butterfllies of the British Isles' and Edward Step, 'Animal Life of the British Isles', all bound in cloth, published by Frederick Warne & Co., Ltd., London and New York (6)
An emerald and diamond cluster ring in 18ct white gold, the navette-shaped ring head centred with a step-cut emerald flanked by two circular-cut emeralds, encompassed by graduated brilliant-cut diamonds, leading to a D-profile shank, London 1970, maker's mark for Cropp & Farr, ring head 1.5 x 1.1 cm, size M, 4.7 grams.
An amethyst and diamond cluster ring in 9ct gold, centred with a light purple step-cut amethyst with canted corners, 8.0 x 6.0 x 4.0 mm, in a conforming surround set with round brilliant-cut diamonds, between ridged shoulders to a tapering shank, Birmingham assay marks, ring head 1.5 x 1.3 cm, size N½, 4.4 grams.
An emerald and diamond cluster ring, centred with a step-cut emerald of vivid green colour, of approximately 6.9 x 6.3 x 4.2 mm, flanked by a row of fourteen brilliant-cut diamonds with an estimated carat weight of 0.47ct, to an 18ct gold D-profile shank with stylized shoulder detail, ring head measures 14.3 x 13.5 mm, size M ½, 5.5 grams.
An aquamarine and diamond dress ring, featuring a rectangular step-cut aquamarine with canted corners, approximately measuring 12.0 x 9.0 x 5.1 mm, claw-set between six brilliant-cut diamonds with an estimated total weight of 0.48ct, bifurcated shoulders leading to a flat shank, in white metal marked '750', size N, 6.5 grams.
A 19th century Spanish Colonial style emerald dress ring, the lozenge shaped centre set with five mixed step-cut emeralds, the plaque with beaded accents, to an adapted and unmarked yellow metal shank. Combined emerald weight approximately 1.5 carats. Ring head 1.9 cm wide, size O½, 5.6 grams.
Emerald and diamond three-stone ring with a rectangular step cut emerald estimated to weigh approximately 4.77 carats, flanked by two princess cut diamonds estimated to weigh approximately 0.45 carats in total, on white gold shank. Ring size NThe ring is in very good condition commensurate with age. The shank is not hallmarked but stamped '750'. The emerald has not been tested for any enhancement, it is a vibrant green and appears to be of reasonably good clarity. The diamonds are estimated H/I colour and SI2 clarity.
Aquamarine and diamond ring with a rectangular step cut aquamarine, measuring approximately 10.8mm x 8.4mm x 5.3mm, surrounded by a border of eighteen brilliant cut diamonds, with platinum split shoulders on 18ct yellow gold shank. Ring size P½ Good condition commensurate with age. Very light surface abrasions to the aquamarine. Diamonds are generally of good colour colour and clarity. Not hallmarked but the shank is stamped "18" and "Plat". Needs a clean. Weight 5.3 grams
Sapphire and ruby ring with a central oval blue sapphire cabochon with eight rectangular step cut rubies to the shoulders in 18ct gold channel setting. Ring size NGood condition, no chips or abrasions to the stones, no damage or repairs. Would benefit from a clean. Not hallmarked but stamped 750. Gold has light surface scratches commensurate with age. Weight 6.3 grams
Emerald and diamond ring with step cut emeralds and a square border of brilliant cut diamonds flanked by further emeralds to the shoulders on 18ct gold shank. Ring size LWeight 3.8 grams. Good condition commensurate with age. Not hallmarked but shank is stamped 18k. One emerald on the shoulder is chipped and the other have light surface abrasions commensurate with wear. Setting is in good condition commensurate with age.
After William Samuel Howitt (British c.1765-1822) a set of four engravings 'Partridge Hawking', 'Pheasant Hawking', 'Heron Hawking', 'Duck Hawking', signed in plate lower left and dated 1812, within green and off white step mount, and modern black frame, under glass. 18cm x 22cm, 32.5cm x 36cm overall.

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26534 item(s)/page