MANSON CHARLES: (1934-2017) American Criminal who led the cult-based Manson Family, responsible for multiple deaths (including the murder of Sharon Tate) and the subject of Quentin Tarantino’s film Once Upon a Time in Hollywood. A.L.S., E Z, to one side of a plain postcard, California, n.d. (6th January 1987), to Nuel Melton Emmons. Manson writes in bold pencil and states, in part, ‘When you bring your vedio (sic) crew bring the box & we will do a vedo (sic) for your next step to rich……a vido (sic) should sell as good as books. Nechuata……offered 50 grand + 9% - if you want to play. Your books may make 2 or 3 million but music is a lot more…..’ . Hand addressed by Manson to the verso and signed (‘Manson’) in the return address panel. VG Nuel Melton Emmons (1927-2002) American photojournalist and biographer of Charles Manson.
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MOULIN JEAN: (1899-1943) French civil servant who served as the first President of the National Council of the Resistance during World War II and is remembered as one of the main heroes of the French Resistance. A rare, brief World War II date A.N.S., Jean Moulin, to one side of his printed correspondence card as Prefect of the Eure-et-Loir department, n.p. (Chartres?), 9th January 1940, to a friend, in French. Moulin writes, in full, 'Entendu, cher ami, je fais une nouvelle demarche' (Translation: 'Understood, dear friend, I'm taking a new step'). With a pencil annotation and date in an unidentified hand to the lower left corner. Some light ink brushing to the text and signature and with a paperclip rust stain to the upper left corner, about VG
HULME, Edward F. 'Familiar Wild Flowers,' Ninth series, nine volumes, uniform green cloth with embossed decorations, colour illustrations throughout, vg, Cassell and Company, 1910; Edward Step. 'Wild Flowers Month by Month in Their Natural Haunts,' two volumes, uniform green cloth with gilt decorations, plates and illustrations throughout, Frederick Warne & Co, London, 1905; With two other works on botany. A tidy collection. (13)
Japanese woodblock printing. 'Process of Wood Block Printing,' concertina book, twenty one leaves as step by step process, original decorative cloth with front board debound, scarce, Nishinomiya, Tokyo, [Undated, likely from the late 1940s or early 1950s]; With three other Japanese woodblock works, all vg. (4)
![Edward Walker Slade: 'The Skull, and Other Poems', Bristol, printed and published for the author, 1829, 1st edition, vi,[2],2](https://cdn.globalauctionplatform.com/b3c2c738-19d0-4d60-8532-b0c100bdc003/062df7a9-36cb-4410-bcce-b0c10108df42/468x382.jpg)
Edward Walker Slade: 'The Skull, and Other Poems', Bristol, printed and published for the author, 1829, 1st edition, vi,[2],220pp, list of subscribers at end, old boards worn, scarce, plus James Storer & John Greig: 'Views in North Britain, Illustrative of the Works of Robert Burns', London, 1805, engraved frontis, added engraved title page + 18 engraved plates as called for, old boards worn, lacks backstrip, [John Baldwin Buckstone: 'The Green Bushes; Or, A Hundred Years Ago. A Romance', London, E. Lloyd, 1847, folding hand coloured frontis, engraved ills. in text, 64pp, bound together with Victorian Penny Dreadful 'The Bottle; or, the First step to crime. A romance.', L, E. Lloyd, [1847], parts 1-7, each part with full page engraved illustrated title page, appears incomplete, 64pp (of 94pp?), leaves toned/foxed throughout, old half cloth worn (3)
A box of 29 assorted natural history volumes, 15 of which Wayside and Woodland series titles including Coward: 'Birds of the British Isles and Their Eggs', 1936, 3 vols, numerous colour plates, uniform orig. cloth gilt, Cynthia Longfield: 'The Dragonflies of the British Isles', 1949, 2nd edition enlarged, colour and b/w plates & ills., ownership signature of Ted Ellis (1909-1986), Norfolk writer, broadcaster and naturalist, on FFEP, orig. cloth gilt, 'The Caterpillars of the British Butterflies', 1944 reprint, numerous colour and b/w ills. and plates, orig. cloth gilt, dust wrapper, 'The Caterpillars of British Moths', 1948, 1st edition, 2 volumes, ills. as called for, uniform orig. cloth gilt, d/w's, etc; Edward Step: 'Wild Flowers Month by Month in Their Natural Haunts', L, Warne, [1905], 2 volumes, illustrations from photographs throughout, uniform original decorative art nouveau style cloth gilt, top edges gilt; W.B. Tegetmeier: 'Pheasants Their Natural History and Practical ManagementL, Horace Cox, 1911, 5th edition enlarged, 6 colour plates + 16 b/w plates as called for, orig. cloth gilt, dust wrapper (worn with part losses); M.K.M.: 'With the birds; or, the homes and habits of our feathered friends', L, Nelson, 1875, 3 coloured litho. plates as called for, original cloth gilt, mounted coloured litho. illustration to front cover. Scarce; H. Guard Knaggs: 'The Lepidopterist's Guide, Intended for the Use of the Young Collector', L, John Van Voorst, 1869, 122 + [6]pp ads at end, orig. cloth, printed paper label to front cover; H. Noel Humphreys: 'River Gardens; Being an Account of the Best Methods of Cultivating Fresh-Water Plants in Aquaria', L, Sampson Low, 1857, 8 hand coloured plates as called for, original blindstamped cloth gilt, later rebacked; plus 8 others (29)
No reserve - 18K Yellow gold 'plus qu'hier, moins que demain' ring by Alphonse Augis. Set with one single cut diamond approx. 0.005 ct. and two step cut synthetic rubies. In good condition, two reducers in the shin. Hallmarks: 750 Dutch assay mark, Belgian maker's mark BTF: Beheijt, Kortrijk, 2001 - 2012, signed A. Augis. Ring size: 17.25 mm / 54 mm. Center piece: approx. 1.7 cm. Weight: 6.25 grams. This lot is auctioned without reserve price. This lot will be auctioned without reserve price.
A Large Victorian Binocular Microscope By Parkes, With Provenance, English, dated on the original invoice May 22 1860, signed 'J Parkes & Son, Birmingham' the microscope on a a large 'Y' shaped base with tall uprights supporting the main body on arge trunnions, large diameter plano-concave mirror in gimbal on sliding collar, mechanical substage with X_Y control crown gear and pinion for rotation and rack and pinion focusing, mechanical stage with X-Y control via rack and screw, course focus to rear of bar with screw fine focus on limb to nosepiece, with PreRMS Ross thread to objectives, complete with a large fitted case of accessories and slides with many prepared by the original owner, James Watsom MP, the set contains 6 objectives and cans all signed Parkes, 2 eyepieces, substage accessories, a large frog plate a selection of fine tools and other items, a drawer at the bottom contains the slides, microscope height 55cm, case width 47cm Provenance: From a sale of items from Berwick House, Shropshire James Watson was a man of many talents - an English merchant, dairy herdsman, and Conservative politician who served as a Member of Parliament from 1885 to 1892. Born in 1817, Watson lived a long and productive life, making significant contributions to both the economic and political spheres of England during his time. Watson was born in the small town of Bowes in County Durham, where he spent much of his early life. As a young man, he worked as a farmer and dairy herdsman, honing his skills in animal husbandry and developing a keen eye for business. He eventually moved to London, where he set up a successful wholesale grocery business, importing goods from all over the world and selling them to local merchants and consumers. In addition to his business pursuits, Watson was deeply involved in politics, particularly in the Conservative Party. In 1885, he was elected to the House of Commons, representing the constituency of Stockton-on-Tees. During his time in Parliament, Watson was a strong advocate for the interests of the working class, particularly those in the agricultural sector. He was a vocal proponent of measures to improve the conditions of farmers and to increase the availability of affordable food for the poor. One of Watson's most notable achievements as a politician was his work on the Agricultural Holdings Act of 1883. This piece of legislation, which Watson helped to draft and promote, provided important protections and rights for tenant farmers, including the ability to negotiate longer leases and to receive compensation for improvements made to their land. The Act was a significant step forward for the agricultural sector, helping to secure the livelihoods of countless farmers and their families. Throughout his life, Watson remained committed to his values of hard work, fairness, and service to his community. He was a generous philanthropist, supporting a variety of charitable causes and institutions throughout his lifetime. He was also deeply committed to his family, and was known for his devotion to his wife and children. James Watson died in 1895, at the age of 78. He left behind a legacy of hard work, dedication, and service to others, both in his business and political pursuits and in his personal life. His contributions to the agricultural sector and to the Conservative Party continue to be felt today, and his example of integrity and commitment to community remains an inspiration to many. Footnote: This lot contains ivory and has been registered in accordance with the Ivory Act (Section 10), Ref.1H86QWG6 Flints Auctions CANNOT ship this item out of the UK. Please arrange your own courier or contact Oxford Pack & Send to see if they can offer shipping. Prospective purchasers are advised that several countries prohibit the importation of property containing materials from endangered species, including but not limited to ivory and tortoiseshell. Accordingly, prospective purchasers should familiarize themselves with relevant customs regulations prior to bidding if they intend to import this lot into another country.
Ladies - Excellent Quality Contemporary Designed 18ct Gold Diamond Set Dress Ring, Full Hallmark to Interior of Shank. The Central Step-cut Diamonds of Excellent Colour / Clarity. Est Diamond Weight 0.35 pts, Total Diamond Weight 0.45 pts. Ring Size N. Weight 4 grams. Shank / Setting Very Good Condition.
A mid-20th Century citrine, ruby and diamond fur clip brooch, of Art Deco style, the rectangular step-cut citrine measuring 14.6 x 12.4 x 8.3mm, flanked by ten graduated rubies and above three graduated eight-cut diamonds, in 18ct yellow gold bow pattern mount, stamped '750 18ct', 4.8 x 3.0cm, 18.3g gross.
A Christian Hacker wooden Dolls House, German circa 1900, on a red painted base, step to nicely painted green panelled glazed door with metal handle and portico, the paper lithographed brick exterior with double bay and ten glazed windows all with painted window bars, surrounds and sills, paper blue slate mansard with balustrade top (not illustrated) and pitched roofs with two chimneys, front opens in two wings to four rooms on two levels with painted interior doors, good original papers to walls and floors and original metal door bell, 33” (84cm) tall, 30” (76cm) wide, 22” (56cm) deep, (condition: restoration to two bay windows, general wear and discolouration, paper to roof with some loss, lacks roof balustrade and one chimney stack, lacks top to mansard roof). Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.
A good Victorian wood and metal model of a horse Drawn Carriage, English circa 1860, the stained wooden carriage with step and hinged doors to passenger compartment, with leather upholstered seats, twin folding leather canopies, open padded driver’s seat with foot-well, spring suspension and metal spoke wheels, 16” (40cm), 30” (76cm) long, (condition: good, normal wear to leather).
A Moritz Gottschalk blue roof dolls house with Garden room, German circa 1905, the paper brick effect exterior, standing on a blue wooden base, step to covered portico with painted green panelled, glazed front door with balcony and further door above, steps leading to side door with painted shutters, glazed windows to façade including double bay and detachable side garden room, painted blue pitched roof with attic window and tall chimney. Front opening in two wings with three larger rooms on three levels and a further two smaller rooms on two levels, with interior doors and part wooden staircase, with some original wall and floor papers, interior with a small selection of furniture including paper lithographed table, sideboards, chair, settee and fireplace, various light wood salon furniture, wooden bed, wardrobe, tinplate fireplace and four dolls (one parian-type with one foot restored), 40 ½” (103cm) tall, 32” (81cm) wide, 17 1/2” (44cm) deep, (condition: general wear throughout, some restoration/repainting to facade mainly to window frames, lacks glazing to upper door and part of first floor balcony needs repair, doors and some parts to façade loose). Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.
A good painted wooden dolls house and contents, English circa 1860, the painted brown exterior with step leading to brown panelled front door with glazed fanlight and moulded surround, having five glazed windows with moulded window bars and sills, black pitch roof and chimney, front lifts of in one wing to four rooms on two levels, kitchen with painted washed blue walls and built in stove, other rooms with replaced old wallpapers and built in fireplaces, contents include wooden kitchen dresser, table, chairs, sideboard, four red upholstered chairs, ornaments, two Parian dolls (a/f) and more, 36” (92cm) tall, 30” (76cm) wide, 40” (39cm) deep, (condition: brown paint to exterior not original, mother lacks feet, child lacks one arm). Please note: For viewing, shipping and collection of this lot please contact Leigh Gotch at C&T Auctioneers direct.
Two Victorian gold memorial brooches,comprising a gold foiled glass cabochon memorial brooch, a circular foiled glass cabochon, to a circular hollow gold mount with millegrain wire and granulations, to a glazed panel verso, with a 'C' catch and base metal pin, 37mm diameter, and a gold split pearl ogee shaped memorial brooch, with a central cluster of split pearls, grain set to a raised star shaped panel, to a plain raised oval step with an ogee shaped surround with graduated granulations, with a glazed panel verso and 'C' catch and pin, 34mm x 47mm, 23.75g totaltogether with a rolled gold amethyst brooch,an oval cut amethyst, claw set to a hollow openwork mount, pin vacant, 55mm x 41mm, 17.46g (3)Condition ReportCircular gold glass cabochon brooch showing compressions and perforations to one side of front. Spot discolouration. Corrosion to pin hinge. Rolled gold brooch showing multiple base metal soft solder repairs to back. Pin vacant.Marks and scratches.Tarnish.
A mid 19th century opal and green tourmaline ring,with a flowerhead cluster of six round cabochon opals around a step cut green tourmaline with two more similar, one each side, to a shaped mount, shoulders and shank, all bright cut foliate engraved, gold tested as 15-18ct.Finger size approximately N (shank not round)and a vintage ring, with a marquise cut blue stone, in a border of round cut white stones, bifurcated wire shoulders joining to a reeded shank of rose metal. Combined weight 4.49g.Finger size L
Tarema: an Art Deco ruby and diamond set manual wind cocktail watch, the Arabic and dot dial fitted 15-jewel antimagnetic movement, the gold case unmarked but tests at approximately 14-18ct gold of scrolling design, set with eight-cut diamonds and square step-cut rubies, on snake link chain, 16cms long, 32.2g gross excluding dial and movement.
A sapphire and diamond brooch, circa 1930, the pierced lozenge-shaped brooch set throughout with old brilliant-cut and baguette-cut diamonds, with a central step-cut sapphire, French assay mark, total diamond weight approximately 8.00 carats, length 5.5cm. £3,000-£5,000 --- According to a verbal report from GCS, the sapphire is of Basaltic origin with no indications of heating. Verbal report number 5783-3747. Condition Report General surface wear commensurate with age and use. The sapphire is a deep medium blue hue with some very minor nicks to the facet edges, and inclusions typical to the nature of the stone observed under 10x magnification. Lead solder visible to the brooch frame in parts. The diamonds bright and lively with very good scintillation. All diamonds now present. Gross weight 15.6gm.
An Art Deco carved emerald, sapphire and diamond jardinière brooch, circa 1930, the vase formed from a pear-shaped emerald bead, weighing 13.60 carats, carved to both sides with an undulating pattern, with vari-shaped step-cut diamond detailing, the whole issuing a tree with brilliant-cut diamond foliage and fruits set with buff-top sapphires and vari-cut diamonds, mounted in platinum, unsigned, French assay mark, numbered ‘3563’, cased by Boucheron, total diamond weight very approximately 8.00 carats, length 6cm. £10,000-£15,000 --- Accompanied by a report from The Gem and Pearl Laboratory. Please contact the department for further details. During the early decades of the 20th century the use of carved Mughal emeralds in contemporary jewellery reflected the growing fascination of master jewellers with the decorative arts of India. Louis Boucheron and Jacques Cartier, amongst others, were charmed by the ‘exotic’ arts and splendour of India and frequently visited seeking commissions and purchasing gemstones for their Western clients. These Indian-inspired jewels were particularly popular amongst British clientele due to the Imperial interests of the country at the time. The cultural fascination between the two continents was, however, reciprocal and the Indian nobility regularly travelled to Europe, visiting Boucheron, Cartier and other firms, to have their historical jewels remodelled into contemporary designs. This brooch encapsulates several influences and innovations of the period, not only through the use of an Indian carved emerald bead but also in the Japanese-inspired motif of the Bonsai tree. The fascination with non-European cultures also extended to the arts of China and Japan. Oriental motifs were readily incorporated into designs and the brooch offered here exemplifies the Japanese influence on the traditional European giardinetto brooch. Advancements in cutting techniques also enabled the fine jewellery houses of the period to combine vari-cut gemstones and create the defining geometric shapes of the era. Literature: Nadelhoffer H., ‘Cartier’, London 1984, pub. Thames & Hudson. Néret, G., ‘Boucheron, Four Generations of a World-Renowned Jeweler’, New York, 1988, pub. Rizzoli. Condition Report Accompanied by a report from The Gem and Pearl Laboratory stating that the emerald, weighing 13.58 carats, is of Colombian origin with evidence of moderate clarity enhancement. Later clip fitting. Some spot repairs to reverse - likely as a result of neat removal of original brooch fitting. Later added spikes to reverse to aid clip fitting. Clip with good tension, side-to-side movement of pins when closed. Diamonds bright and lively. Sapphires well matched. Emerald with good transparency, some eye visible inclusions as typical for material, iridescent patch bottom left (from front). Light wear to platinum. Gallery with French dog’s head assay mark for platinum. Base of jardiniere numbered ‘3563’. Unsigned. Overall good condition. Gross weight 24.2gm. Case in good condition.
An 18ct gold garnet pendant and earring suite, the pendant comprising a step-cut garnet beneath a brilliant-cut diamond set bale (one deficient), and suspended by an unassociated snake-link chain, together with a pair of garnet ear studs of conforming design, the pendant stamped ‘750’, guarantee mark for former Czechoslovakia, length 15mm. £180-£220 --- Condition Report General light surface wear commensuarte with age and use. The garnets are a deep brownish red hue with excellent transparency. Chain length approximately 41.5cm, stamped ‘585’. Gross weight 7.4gm.
An Art Deco diamond brooch, circa 1925-1930, the stylised buckle of openwork geometric design, set throughout with baguette, step, old brilliant and brilliant-cut diamonds, with old pear-shaped diamonds to either side, millegrain detail throughout, mounted in platinum, unsigned, numbered ‘T232’ or ‘7232’, total diamond weight approximately 15.00 carats, diameter 6.5cm. £6,000-£8,000 --- The workmanship and style of this belt buckle brooch is comparable to the jewels of Cartier during the Art Deco period. The scalloped central section reflects the fascination that Cartier in particular had with the decorative arts of Persia and India, with inspiration taken from the patterns of Islamic architecture and textiles. The old pear-shaped diamonds in this brooch may have also come from an earlier jewel that a client wished to have remodelled; a practice that Cartier and other firms regularly undertook. Literature: Nadelhoffer, H., 'Cartier', Thames and Hudson, 1984. Rudoe, J., ‘Cartier 1900-1939’, British Museum Press, 1997. Condition Report Principal step-cut diamond approximately 1.00. Diamonds very bright and lively - ,graded in settings as mostly G-I colour, VS1-VS2 clarity. Light surface wear commensurate with age and use. Overall very good condition. Gross weight 23gm.
A blue topaz and diamond ring, the step-cut topaz between trios of bezel-set brilliant-cut diamonds, to a tapered band, stamped ‘750’, ring size M½. £300-£400 --- Condition Report General light surface wear to the mount and settings commensurate with use. The topaz is a pale yet vibrant blue hue with excellent transparency . The diamonds bright and lively. Gross weight 5.9gm.
A citrine dress ring, the step-cut citrine collet-set within a pierced ropetwist surround, to bifurcated shoulders, partially stamped ‘750’, ring size O. £600-£800 --- Condition Report General light surface wear to the mount and settings commensurate with use. The citrine is medium golden yellow hue with excellent transparency. There is a large conchoidal fracture to one of the pavilion facets, and a slight nick to one of the table facets. Citrine dimensions approximately 23 x 12mm. Gross weight 23gm.
A late 19th century emerald and diamond three stone ring, the step-cut emerald claw-set between two old brilliant-cut diamonds, to a pierced scrollwork gallery, mounted in gold, the band stamped ‘18ct’, total diamond weight approximately 0.65 carat, ring size L. £400-£600 --- Condition Report General light surface wear to the mount and settings commensurate with age and use. The emerald is medium green hue with some small nicks to the facet edges and surface reaching fissures. The emerald and at least one of the diamonds with inclusions typical to the nature of the stone when observed under 10x magnification. Both diamonds bright and lively. Gross weight 3.6gm.
Two pages (approx A4) with typed lyrics and handwritten chord structures for 'Hurricane #1' songs inc 'Step Into My World' and 'Just Another Illusion'. Originally from the collection of Andy Bell who supplied a signed COA to the vendor. Winning bidder will be provided with a copy from the original COA for this lot.
A PAIR OF 28-BORE FLINTLOCK DUELLING PISTOLS BY WOGDON, no visible serial numbers, circa 1780, with slightly swamped round 9in. barrels, short flat sections to the top of breech signed 'WOGDON', plain solid top-tangs, no provision for sights, London proofs and 'R.W.' maker's stamps, plain bevel-edged step-tailed locks signed 'WOGDON' below the pans, swan-necked cocks, plain walnut full-stocks with bag-shaped grips, plain brass furniture except engraved sidenail cups and horn tipped worm-ended ramrods.
A .650 FLINTLOCK CONSTABULARY-STYLE PISTOL, SIGNED BRANDER & POTTS, no visible serial number, circa 1815, with round 6in. barrel, bead fore-sight, solid top-tang with rounded tip, London proofs, flat plain step-tailed lock signed 'BRANDER & POTTS, 70 MINORIES, LONDON' below the semi rain-proof pan, ring-necked cock (fixing screw absent) with bolted safe (thumb-piece absent), walnut full-stock with smooth grip of Irish form, brass furniture and captive iron swivel ramrod.
A .577 PERCUSSION TOWER COASTGUARD or CONSTABULARY BELT PISTOL, serial no. 22, dated for 1844, with 6in. barrel in the white, ordnance marks to top and side, solid top-tang, flat step-tailed borderline engraved lock marked with a crown over 'V.R. TOWER' and the date, borderline engraved hammer, walnut full-stock (gouged behind belt-hook) with brass furniture except fixed lanyard ring, belt-hook and stirrup swivel ramrod, the top back of wrist with an applied button-style escutcheon engraved '22'.
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