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Lot 252
A GROUP OF JEWELLERY ITEMS AND LOOSE STONES. To include a boxed Baccarat blue crystal heart pendant with silver mount and clasp together with a pair of red crystal heart earrings. With amber bead necklace, bracelet and amber silver mount earrings. With a loose rectangular step cut aquamarine with authentication card from Gem & Rudraksh Testing Laboratories. And a losse emerald oval cabochon cut with authentication card. (7)Overall good general condition.
Lot 1000
A mixed group of jewellery, comprising: a garnet bracelet; a hardstone cameo stick pin depicting Achilles, the reverse inscribed 'Rose'; a garnet ring and brooch; a chrysoprase and paste cluster ring; a gold and nephrite cabochon ring; a sapphire eternity ring; a 9ct gold and synthetic blue spinel ring; a silver, marcasite and enamel pendant with a French inscription to the reverse; a mid 20th century step-cut citrine ring; a charm depicting a horse and jockey; a 9ct fancy link bracelet; a silver, amethyst and marcasite cicada brooch; a 22ct gold wedding band; a 9ct gold wristwatch; an 18ct gold and rock crystal compass charm; a blue enamel ship's wheel charm inscribed QE2 MAY 1973; three fine bangles, one suspending a lantern charm, the other suspending chrysoprase and seed pearl heart charms; a set of six paste buttons; an Art Deco-style paste bracelet; a green and white paste brooch and a floral spray brooch set with red and colourless paste stones; a silver pocket watch by Elgin National Watch Co.; and a gilt metal pocket watch by Waltham; twelve cases
Lot 1026
A collection of jewellery, comprising: a single row cultured pearl necklace, the clasp set with circular-cut sapphires, stamped 585; a ring set with step-cut blue topazes and accented with single-cut diamonds, size M1/2, British import hallmarks for 9ct gold; a 9ct gold band of ridged design, size J1/2, British hallmarks; and a ring set with a cushion-shaped citrine within a rope twist border, size N1/2, British hallmarks for 9ct gold
Lot 1105
A pair of emerald and diamond earrings, each of day and night design, composed of a square surmount suspending a detachable tassel, set with brilliant-cut diamonds and step-cut emeralds, post fittings, butterfly fittings stamped 750, length 6.4cm; together with a small bar brooch set with brilliant-cut diamonds, allowing one of the tassels to be worn as a brooch, case stamped La Création
Lot 1117
A group of three rings, including a ring set with a cabochon opal between shoulders set with circular-cut peridots, size N, British hallmarks; a half eternity ring channel-set with square step-cut diamonds and emeralds, partial British hallmarks, size N 1/2; and a ring set with three single-cut diamonds in star borders, size R 1/2, total weight 11.6 grams, case
Lot 1192
A pair of gilt metal earrings and an emerald mourning pendant, 19th century, the earrings of articulated wheat sheaf design, culminating in an amphora-shaped drop, length 60mm, screw fittings; the mourning pendant of padlock design with scrolled borders, set with a step-cut emerald, a glazed compartment containing a lock of hair to the reverse, length 27mm
Lot 1629
An Edwardian emerald and diamond negligée necklace, circa 1910, the fine link chain suspending four step-cut emeralds from circular-cut diamond surmounts, the centre composed of a larger step cut emerald suspending a pair of asymmetrical knife wire pendants set with circular-cut diamonds and step-cut emeralds in platinum and gold, length 3.9cm, pendant length 4.6cm
Lot 11
DIAMOND, SAPPHIRE AND RUBY-SET NECKLACEThe pendant set with a pear-shaped sapphire cabochon, brilliant and baguette-cut diamonds, and step-cut rubies, on a flattened curb-link chain, diamonds approx. 1.85cts total, lengths: pendant 4.2cm, chain 41.5cmFor further information on this lot please visit Bonhams.com
Lot 135
NATURAL PEARL AND DIAMOND RING, CIRCA 1925Set with a 9.9-10.1mm natural pearl between step-cut diamond shoulders, French assay mark, ring size approx. JFootnotes:Accompanied by a report from The Gem & Pearl Laboratory stating that the pearl is natural, saltwater. Report number 21746, dated 4 June 2022.For further information on this lot please visit Bonhams.com
Lot 14
SAPPHIRE AND DIAMOND BANGLE, RING AND EARRING SUITEThe hinged bangle set with a row of step-cut sapphires between rows of baguette-cut diamonds, the ring and earrings of matching design, diamonds approx. 4.75cts total, bangle inner circumference approx. 16.0cm, ring size approx. P (leading edge), earrings 2.5cm (3)For further information on this lot please visit Bonhams.com
Lot 273
EMERALD AND DIAMOND NECKLACEThe step-cut emerald set within a brilliant-cut diamond surround, suspended from a curb-link chain, length 38.7cmFootnotes:Accompanied by a report from GCS stating that the emerald is of Colombian origin, with indications of moderate clarity enhancement. Report number 5782-2166, dated 23rd June 2022.For further information on this lot please visit Bonhams.com
Lot 274
THREE GEM-SET AND DIAMOND RINGS1st: The five-stone ring set with step-cut emeralds and old brilliant-cut diamonds 2nd: The step-cut blue zircon within a single-cut diamond surround, 3rd: Set with brilliant-cut diamonds, ring sizes approx.: 1st P1⁄2, 2nd P 1⁄2, 3rd Q (3)For further information on this lot please visit Bonhams.com
Lot 31
EMERALD AND DIAMOND CLUSTER RING; AQUAMARINE AND DIAMOND CLUSTER RING1st: The step-cut emerald within a cushion-shaped diamond surround, mounted in 18 carat gold, 2nd: The step-cut aquamarine within a brilliant-cut diamond surround, mounted in 18 carat white gold, diamonds approx. 1.60cts total, 1st with UK hallmark, 2nd with London hallmark, ring sizes approx. M½ and N (2)For further information on this lot please visit Bonhams.com
Lot 330
DIAMOND ETERNITY RING AND UNMOUNTED SAPPHIRE1st: Set with alternating step-cut sapphires and diamonds, 2nd: The cushion-shaped sapphire, weighing 2.05cts, ring size approx. J½ (2)Footnotes:Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 331
SAPPHIRE AND DIAMOND RING, CIRCA 1950The octagonal step-cut sapphire, weighing 19.33 carats, between brilliant-cut diamond accents, within radiating courses of baguette-cut diamonds, in a raised wirework setting, diamonds approximately 1.20cts total, French assay mark, ring size approx. MFootnotes:Accompanied by a report from The Gem & Pearl Laboratory stating that the sapphire is of Sri Lankan origin with no evidence of heat treatment. Report number 19751, dated 7th April 2021.Accompanied by a report from Laboratoire Français de Gemmologie stating that the sapphire is of Sri Lankan origin, with no indications of heat treatment. Report number 156924, dated 28th September 2001.Please note this lot has VAT at the prevailing rate on both Hammer Price and Buyer's Premium.This lot is subject to the following lot symbols: ΩΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 363
AQUAMARINE AND DIAMOND BANGLE/WATCH, CIRCA 1945The bicoloured hinged bangle of geometric and scrolling design, of engine-turned and polished finish, set with step-cut aquamarines and single and old brilliant-cut diamonds, with concealed watch beneath central section, diamonds approx. 1.55cts total, inner circumference approx. 16.0cmFor further information on this lot please visit Bonhams.com
Lot 841
Thomas Tuxford of Boston. A 19thC oak cased longcase clock, with swan pediment top, with painted bulbous step, and a painted floral dial with eight day movement above single trunk door, with cross banded inlaid and shell and marquetry banking on bracket feet, 222cm high, 48cm wide, 25cm deep.
Lot 100
JULIO BAUZA (Uruguay, 1936)."Geométricas cromáticas, Primavera".Wood and acrylic on Fabriano paper.Signed and titled in the lower area.Measurements: 44,5 x 44,5 cm.The piece presents forty-nine cubes whose colour degrades from the outside to the inside, starting from a more intense shade of green to a lighter one. The piece shows a great interest in the volumetric study and the incidence of colour on form. Thus creating a sculptural image.Painter, ceramist, writer and sculptor Julio Bauza received his doctorate in architecture from the University of Montevideo in 1974. In 1975 he travelled to France where he studied Archaeology at the University of Aix and in 1976 he went on holiday to Ibiza, where he has lived for the last 40 years. His early artistic research was characterised by his work in ceramics, and later, in the 1990s, he began to work on planes. About his work, the writer Carlos García-Osuna has commented: "Those who approach Bauzá's work will become aware that his break with figurative art is indisputable, as well as his use of waste materials to which he gives a new formulation, a brand new language that determines a step forward in a poetics of apparent vulgarity, which he imbues with a symbolism in which the imagination is a form as multiple as the thoughts that have determined it in the artistic sphere since the beginning of the 20th century". Since 1980 he has exhibited in various galleries in Ibiza, Barcelona and Madrid, with the exhibition 'Geometrías cromáticas', held at the Madrid gallery Marita Segovia in 2015, standing out.
Lot 859
MOONWALKERS: An excellent selection of signed colour 8 x 10 photographs by various American astronauts, each of them moonwalkers, comprising Alan Bean (1932-2018, Lunar Module Pilot of Apollo XII, the fourth man to walk on the moon) signed colour 10 x 8 photograph depicting Bean descending the steps of the Apollo XII lunar module as he prepares to step on to the moon, signed by Bean in bold gold ink to the image, adding Apollo 12 in his hand beneath his signature; Edgar Mitchell (1930-2016, Lunar Module Pilot of Apollo XIV, the sixth man to walk on the moon) signed colour 10 x 8 photograph, the image depicting the Saturn V rocket preparing for launch, signed by Mitchell in bold silver ink to the image, adding Apollo 14 in his hand beneath his signature; Dave Scott (1932- , Commander of Apollo XV, the seventh man to walk on the moon) signed colour 8 x 10 photograph of Scott standing in a three-quarter length pose wearing his white spacesuit and with a model of a Lunar Roving Vehicle before him, signed by Scott in bold black ink to a clear area at the centre of the image, adding Apollo 15 CDR in his hand beneath his signature; Jim Irwin (1930-1991, Lunar Module Pilot of Apollo XV, the eighth man to walk on the moon) signed and inscribed colour 10 x 8 photograph of Irwin standing in a full-length pose wearing his spacesuit, on the surface of the moon, as he salutes the United States flag at the Hadley-Appennine landing site, signed by Irwin in black ink to a clear area of the image, beneath a facsimile sentiment, 'Reach for your dreams, Aim high!'; Charlie Duke (1935- , Lunar Module Pilot of Apollo XVI, the tenth man to walk on the moon) signed colour 8 x 10 photograph of Duke standing in a three-quarter length pose, wearing his white spacesuit and resting his hands on a globe of the moon before him, signed by Duke in bold black ink to a clear area of the image, adding Apollo 16 in his hand beneath his signature; Gene Cernan (1934-2017, Commander of Apollo XVII, the eleventh man to walk on the moon) signed colour 8 x 10 photograph of the Apollo XVII lunar module Challenger in the ascent stage into lunar orbit, signed by Cernan in bold silver ink to the image, adding Apollo XVII in his hand beneath his signature. The Irwin photograph is neatly mounted to a white board, otherwise VG to EX, 6
Lot 1043
NAPOLEON I: (1769-1821) Emperor of France 1804-14, 1815. An excellent L.S., `Napol´, a bold and large good example signature, one page, 4to, Saint Cloud, 11th August 1807, to Prince Eugene Napoleon, in French. Napoleon states `My son, I receive your letter dated 6th of August. I do not see any inconvenient that you pay 500.000 francs, taken from the funds for works in Venice, into the Osopo one.´ further saying `I do not think that funds for Mantua need to be increased. Each step has to be taken smoothly. The main matter at Mantua is to employ the funds..´ Letter in the hand of Meneval. With blank integral leaf. The front page bearing an extremely attractive watermark, showing a seal stating "Napoleon Emperor of the French, King of Italy". About EX Eugene de Beauharnais (1781-1824) French Prince, son of Josephine de Beauharnais, Viceroy of Italy 1805-14 and Grand Duke of Frankfurt.Claude François de Méneval (1778-1850) Baron of the Empire. Memoirist of the 19th century. Napoleon´s private secretary and his closest collaborator.
Lot 550
Clarice Cliff Bizarre - A vintage 20th Century Art Deco ceramic hand painted double barrell inkwell having a two step raised inwell section back with pen rest. Geometric and poppy painted decoration throughout with each section having a painted ceramic cover. Makers marks to the underside. Wear commensurate with age mostly to the paint work. Measures approx; 9cm x 11cm x 8cm.
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