BAGUE SAPHIR ET DIAMANTSOrnée au centre d'un saphir de forme rectangulaire à pans coupés, épaulé de deux diamants de forme poire et deux de taille baguette, poinçon français d'import pour l'or 18K (750°/00), tour de doigt 52, anneau de rétrécissement, poids brut 8.42 g.Footnotes:SAPPHIRE AND DIAMOND RINGSet to the centre with a cut-cornered rectangular step-cut sapphire, between shoulders set with two pear-shaped and two baguette-cut diamonds, French import mark for 18 carat gold, ring size L½, presence of a sizing ring, gross weight 8.42 grams.For further information on this lot please visit Bonhams.com
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BROCHE DIAMANTS, CIRCA 1930Formant une plaque ajourée, sertie sur l'ensemble de diamants de forme rectangulaire, de taille brillant et de taille 8/8, poinçons français d'import pour le platine (850°/00) et l'or 18K (750°/00), dimensions 5.30 x 1.80 cm, poids brut 11.23 g.Footnotes:DIAMOND BROOCH, CIRCA 1930Of openwork design, set throughout with step-, brilliant- and single-cut diamonds, French import marks for platinum and 18 carat gold, measurements 5.30 x 1.80 cm, gross weight 11.23 grams.For further information on this lot please visit Bonhams.com
ATTRIBUE A CHARLES HALET: COLLIER EMERAUDES ET DIAMANTS, FIN DU 19E SIECLEFormant trois rangs en chute composés d'une succession de motifs sertis d'émeraudes de taille rectangulaire à pans coupés, de taille carrée et losangée, dans un entourage de diamants de taille ancienne et de taille rose, alternés de motifs ronds sertis de diamants de taille ancienne, poinçons français d'import pour l'or 18K (750°/00) et l'argent (800°/00), longueur approx. 39.50 cm, poids brut 106.96 g, accompagné d'un écrin à la forme signé Charles Halet, 4 rue de la Colline, Bruxelles, manque un diamant de taille rose.Footnotes:Provenance: De la collection privée d'une famille issue de la noblesse belge.ATTRIBUTED TO CHARLES HALET: EMERALD AND DIAMOND NECKLACE, LATE 19TH CENTURYDesigned as three graduated rows composed of clusters of cut-cornered step-cut emeralds, within surrounds of cushion-shaped, old brilliant- , single- and rose-cut diamonds, connected by knife-edge links punctuated with collet-set old brilliant-cut diamonds, continuing to two openwork motifs set with lozenge-shaped emeralds and old brilliant-cut diamonds, the back designed as a single row of square step-cut and old brilliant-cut diamond clusters, French import marks for 18 carat gold and silver, approx. length 39.50 cm, gross weight 106.96 grams, accompanied by a fitted case stamped Charles Halet, 4 rue de la Colline, Bruxelles, one rose-cut diamond deficient.Provenance: From the private collection of a Belgian noble family.For further information on this lot please visit Bonhams.com
PARURE A TRANSFORMATION EMERAUDES ET DIAMANTSComprenant un collier, une paire de clips d'oreilles et une bague, l'ensemble serti de diamants de taille brillant, de taille navette et de taille poire, les boucles d'oreilles et le collier retenant trois éléments détachables, chacun centré d'une émeraude de forme rectangulaire à pans coupés, poinçons français d'import pour l'or 18K (750°/00), longueur approx. du collier 51.00 cm, tour de doigt 53, hauteur des clips d'oreilles 5.60 cm, poids brut total 153.01 g.Footnotes:EMERALD AND DIAMOND TRANSFORMABLE PARUREComprising a necklace, a pair of day to night earclips and a ring, set throughout with brilliant-, marquise-cut and pear-shaped diamonds, the earclips and the necklace suspending three removable pendants, each centring on a cut-cornered rectangular step-cut emerald, French import marks for 18 carat gold, necklace approx. length 51.00 cm, ring size M, earclips height 5.60 cm, combinated gross weight 153.01 grams.For further information on this lot please visit Bonhams.com
BAGUE EMERAUDE ET DIAMANTSDe forme octogonale, sertie au centre d'une émeraude de taille rectangulaire à pans coupés, dans un entourage de diamants de taille baguette et de taille brillant, poinçon français pour l'or 18K (750°/00), poinçon de maître partiellement effacé, tour de doigt 52, poids brut 10.31 g.Footnotes:Accompagnée d'un rapport d'analyse du GEM PARIS (Laboratoire Gemmologique de Paris) attestant l'origine colombienne et la présence mineure d'huile pour cette émeraude. Rapport no.20191974502-2 en date du 14 avril 2019.EMERALD AND DIAMOND RINGOf octagonal design, set to the centre with a cut-cornered rectangular step-cut emerald, within a surround of baguette- and brilliant-cut diamonds, French assay mark for 18 carat gold, maker's mark partially illegible, ring size L½, gross weight 10.31 grams.Accompanied by a report from GEM PARIS (Laboratoire Gemmologique de Paris) stating that the emerald is of Colombian origin, with indications of minor oil treatment. Report no.20191974502-2 dated 14th April 2019.For further information on this lot please visit Bonhams.com
Französische Laufpuppe. Bru Jeune. Kopfmarke: Bru J Ne R 9. Um 1880/90.Biskuitporzellan, Masse. L 55 cm. Kurbelkopf, blaue Schlafaugen, gefiederte Augenbrauen, Ohrlöcher, originale rotblonde Lockenperücke. 7-teiliger Laufpuppenkörper mit Kusshand und intakter Stimme, die bei jedem Schritt erklingt. Altes blaues Kleid mit schwarzen Borten, alte schwarze Schuhe, helle Haube. Haarriss-Spinne an der Stirn, Augen etwas tief liegend. Körper berieben, Hände wohl überarbeitet.Aufrufzeit 24. | Okt. 2024 | voraussichtlich 10:00 Uhr (CET) Französische running doll. Bru Jeune. Head mark: Bru J Ne R 9. around 1880/90.Biscuit porcelain, mass. L 55 cm.Crank head, blue sleeping eyes, feathered eyebrows, earlobes, original red-blonde curly wig. 7-piece walking doll body with kissing hand and intact voice that sounds with every step. Old blue dress with black trim, old black shoes, light-colored hood. Hairline spider on forehead, eyes somewhat deep-set. Body rubbed, hands probably reworked.Call time Oct. 24, 2024 | probably 10:00 am (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
λ GLUCK (BRITISH 1895-1976) SULKY SPRING, SOUTHEASE Oil on board Signed (lower left) 26 x 36.5cm (10 x 14¼ in.) Presented in artist's three tier painted frame. Provenance: The Fine Art Society Ltd., London (by December 1937) Exhibited: London, The Fine Art Society Ltd., 1937, no. 23 London, The Fine Art Society Ltd., Memorial Exhibition, 1980-81, no. 33Literature: Diana Souhami, Gluck, Her Biography, London,1988, p.175 In February 1937 Gluck and Nesta Obermer visited Southease, a village in East Sussex in the valley of the river Ouse. The pair had a picnic from the car as Gluck began painting the vast landscape. Gluck captured the point at which the river changes its course and flows onwards to the sea. Gluck designed and painted many of her frames including the one used in the present lot. Gluck's distinctive 3 stepped symmetrical painted panels were designed to match the colour of the wall on which they were hung. It was also encouraged that the outer step could be covered in the same wallpaper to match the walls. This effect was patented in 1932 and used in all of her subsequent exhibitions. The concept became known as 'The Gluck Room'. Condition Report: There is a light surface scuff to the upper edge at the left hand side and a small spot of paint loss to the extreme edge at the centre of the lower edge. Otherwise the work appears to be in good original condition. No evidence of retouching visible under ultraviolet light. There are some dirt marks, small losses and fine cracks to the artist's painted frame. Condition Report Disclaimer
Jacques Kallis signed limited edition print with signing photo. Jacques Kallis has blossomed into one of the world's leading batsmen. His Test match average is now comfortably in the 50s (54.07) and 45.90 in One Day International She is a great all-rounder, presently with 163 wickets from 78 Test matches, able to swing the ball sharply at surprising pace off a relaxed run-up Kallis took a step up in the West Indies series in 2003-04, scoring a record number of runs for a four-Test series and making six centuries in the Test and one-day series This stunning print shows Jacques on his way to his 4th consecutive century against the West Indies. He has personally signed each print and you will receive a photo of the signing (as shown in inset image)Actual Size 560mm x 410mm - limited edition of 250 and part of the Sporting Masters editions - Photo printed on 250gsm, high quality art board - The accompanying photo of the personality signing this item will include a copyright over the image. Edition number may vary. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Hornby China OO R2920 & R3424 Pair of boxed Steam Loco's. Comprising R2920 4-6-0 LNER Green 2800 "Sandringham" (1x front side step detached & present, comes with incorrect box) & R3424 0-8-0 LNER black Class Q6 3418. Conditions: Excellent to Near Mint in Fair to Excellent boxes & outer sleeve. (2)
4 WHEEL EXERCISE CART to suit 12.2-13.2hh, and with a 125cm axle is suitable for driving trials. It has painted black metal bodywork and wheels with rubber tyres, adjustable independent shafts, back step, and a foot break. Width 46", height 63", length 72", space between shafts 38.6" at widest point and 27" at thinnest , height of wheels 28" front, rear 27".
MARATHON VEHICLE built by Van den Heuvel to suit single/pair/tandem 15-16.2hh. The undercarriage is painted red with black lines to a blue body with black leatherette seat. Features wide back step and disc brakes. Maker's name features prominently on rubber tyred metal wheel hubs. Pole and shafts included.
4 WHEEL PLEASURE VEHICLE to suit 15 -16.2hh, pairs and teams, built by German makers. Metal body work painted green with yellow lines. Wide back step, 2 seats behind coachmen and grooms seats, complete with disc brakes, and black covered seats. Includes sprung pole, fixed metal shafts and team bars. In excellent condition.
SPINDLE BACK GIG to suit 14-15hh. Painted black with red cloth seat cushions. Includes brass whip holder, rein rail, tug stops, leaf springs, and step both sides. Wheel hub to hub 157cm, wheel to wheel 133cm. 58cm between shafts at tug stops. Driver's floor to ground 83cm, overall height 147cm. Carriage length 300cm tip of shaft end to end of shaft at rear. Height of wheels 113cm. Needs attention.
MARATHON HDT VEHICLE built by Van den Heuvel of the Netherlands to suit a pair or team. Featuring wide back step, sprung pole, and metal work painted black with red lines. To suit pony team or small horse pair, and is the correct weight for horse driving trials. Includes team bars, adjustable pole, waterproof carriage cover, 2 upholstered seat / knee pads for back stepper, and unicorn attachment for pole head. Disc brakes all round, boot, leaf springs, safety straps for back steppers, and turntable brake. Dimensions: outside of running boards 125cm, driver's floor 80cm from ground, overall height 150cm, length 205cm, height of wheels 69cm to rear and 80cm to front.
Patek Philippe. A fine 18K gold automatic perpetual calendar wristwatch with moon phasePatek Philippe. Belle montre bracelet en or jaune 18K (750) calendrier perpétuel et phase de lune mouvement automatique Model: Grand Complications Perpetual CalendarReference: 5140J-001Date: Purchased April 2008Movement: 27-jewel Cal.240Q automatic, adjusted to heat, cold, isochronism and 5 positions, stamped with the Seal of Geneva, Gyromax balance, 22K gold micro-rotor, No.3677372Dial: Silvered, applied 18K gold pointed baton hour markers, dot outer minute markers, subsidiary dials at 3, 6 and 9 indicating day combined with 24-hour display, month combined with leap year indication, and phases of the moon combined with date, gilt dagger handsCase: Brushed and polished round, solid snap on exhibition back, quick set buttons in the band at 6, 9 and 12, No.4412151Strap/Bracelet: Black Patek Philippe alligator leatherBuckle/Clasp: Signed 18K gold folding claspSigned: Case, dial & movementSize: 37mm Weight: 73,90 + 13,13gr Accompaniments: Patek Philippe box, outer card, rotating watch support, adapter, Certificate of Origin, additional spare 18K gold caseback, quick set tool, Instructions for use booklet, brochuresFootnotes:The 5140, introduced in 2006, was the next step in the evolution of the 3940. The design altered the case of the 3940 making it marginally bigger and adapted the dial to have greater legibility.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A SYNTHETIC BLUE SPINEL, RUBY AND DIAMOND DRESS RING The step cut synthetic blue spinel between tapered baguette cut ruby and pavé set brilliant cut diamond shoulders, approximately 0.50 carats total, to a tapered broad shank, unmarked Size/dimensions: ring size L Gross weight: 12.2 grams Condition Report: There is rubbing and abrasion to the blue synthetic spinel and the ruby, the diamonds are all present and correct, bright and lively, the ruby and the synthetic spinels settings are replaced Condition Report Disclaimer
AN EMERALD SET FANCY LINK BRACELET Composed of eight tapered textured panels with collet set step cut emerald accents, stamped 18K and GK Size/dimensions: 19.8cm long Gross weight: 39 grams Condition Report: Two stones are missing, some general wear commensurate with use, the clasp in good useable order. Condition Report Disclaimer
A SAPPHIRE AND DIAMOND CLUSTER RING SHEFFIELD 1994 IMPORT MARK The step cut sapphire within a surround of brilliant cut diamonds, to a tapering 18 carat gold polished shank, diamonds approximately 0.95 carats total Size/dimensions: ring size S 1/2 Gross weight: 9.6 grams Condition Report: Some light wear commensurate with use, some light scuffs, the diamonds all present and correct, bright and lively, the sapphire has some abrasion to some crown facet edges. The shank numbered 164, partial Italian control marks. Condition Report Disclaimer
Two OO gauge highly detailed Bachmann electric steam locomotive models in LNER black livery to include 32-254 07/WD 2-8-0 Austerity 3085 (please note 2 step ladders loose in box, possibly originally part of accessory pack, box good) and 32-275 K3 2-6-0 2934 (with unused/sealed accessory bag, box excellent), models a little dusty in places but otherwise in at least excellent little used condition, both with instructions
Hornby R3810 OO gauge Stephenson's Rocket Liverpool & Manchester Railway electric steam train model with 3 passenger coaches (some damage, 2 buffers snapped of one coach with one buffer missing, cables to tender cut/snapped, some damage to delicate photo-etch and plastic foot steps) plus R40102 3rd class open carriage set (2 buffers snapped off but present, some foot step damage, with unused/sealed accessory pack) and R60014 flatbed wagon set (1 buffer missing, with unused/sealed accessory pack). These are very delicate models let down by poor packaging choice from Hornby, overall external condition otherwise excellent with damage noted above, boxes excellent
Esther Mahlangu (South African, born 1935)Abstract 2016 signed and dated 'ESTHER MAHLANGU 2016' (lower left under edge of canvas)acrylic on canvas50.5 x 70.5cm (19 7/8 x 27 3/4in).Footnotes:ProvenanceThe artist's studio;34FineArt, South Africa/London;Private collection, UK.ExhibitedLondon, BMW Pavilion, Frieze (2016).IllustratedEsther Mahlangu 80, Catalogue, (second edition) ISBN 9780620670319, p. 61(A copy of the catalogue will accompany the present lot).Through painting, Esther Mahlangu displays abstraction born out of the South African resistance culture which became free of didactic principles at the turn of the century. This new era of political liberty, given the release of Nelson Mandela and the legalisation of the African National Congress within politics, gave way to the ethos that conceptual art could be explored beyond the modal thematic examination of the human figure. This concept of the human experience, as Mahlangu explores, extends beyond the confines of the physical body, and is indeed entrenched in the historical and cultural fabric relative to identity. It is Esther Mahlangu's unique way of responding to colonial and Apartheid history that distinguishes her work in a post-Apartheid climate.Described by Ashraf Jamal as 'utopian', Mahlangu's art can be widely considered as a look to the future of South African aesthetics in what he argues is a step away from the dominating figurative aesthetic generated by South African artists. While her artistic practice is a clear display of the Ndebele traditional aesthetics, Jamal also observes that the influence of European minimalism and constructivism has been reclaimed by Mahlangu, given cubist artists such as Pablo Picasso appropriating traditional African aesthetics in developing such movements. It is Mahlangu's exploration of colour, surface, and line that acts as a liberating and progressive immaterial exploration of herself and her culture.Continuing to excel in her popularity and significance as an artist, Esther Mahlangu featured in Foreigners Everywhere, the main exhibition at this year's 60th International Art Exhibition, La Biennale di Venezia. Furthermore, a major retrospective exhibition of Esther Mahlangu's work titled, Then I Knew I Was Good at Painting: Esther Mahlangu, opened at the Iziko South African National Gallery in Cape Town in February 2024 and will continue to tour global museums throughout the year. Mahlangu recently held two international solo exhibitions in 2023 at Almine Rech Gallery in London and Paris. Mahlangu has most recently been honoured by BMW by presenting her oeuvre at Frieze London 2024 and has further unveiled her site-specific work 'Umuntu ngumuntu ngabantu' ('I am because you are') at the Serpentine North gallery in September 2024, running until September 2025.For further information on this lot please visit Bonhams.com

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26534 item(s)/page