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Click here to subscribeSet of mid 19th century mahogany commode library steps, the hinged top step revealing storage box, over pull out commode with original cover and ceramic bowl, with ebonised string inlay and inset skivered treads, raised on turned supports Dimensions: Height: 69cm Length/Width: 53cm Depth/Diameter: 72cm
FOUR CORGI DIECAST MODEL COMMERCIAL VEHICLES comprising a No.74904, E.R.F. EC Powder Tanker 'W.R. Wood (Haulage) Ltd'; No.CC13407, M.A.N. TGA XL Feldbinder Tanker 'Tarmac'; No.CC13811, Mercedes-Benz Actros Step Frame Curtainside 'D. Curran & Sons Ltd'; and No.75101, E.R.F. EC Tanker 'Gulf Oil', each mint or near mint and boxed.
FOUR CORGI DIECAST MODEL COMMERCIAL VEHICLES comprising a No.CC12111, Renault Premium Step Frame Box Trailer 'TNT'; No.CC13106, Volvo F88 Fridge Trailer 'H.E. Payne (Transport) Ltd'; No.CC13238, D.A.F. XF Super Space Cab 'Tinnelly Transport'; and No.CC13830, Mercedes-Benz Actros Cab 'Intake Transport'; together with a WSI Collectibles No.03-1027, D.A.F. XF 105 SSC 6x2, each mint or near mint and boxed, (5).
A group of vintage Madness vinyl LP records to include Madness; Work Rest & Play (Stiff ZPGSF 33402), One Step Beyond (Stiff SEE17, 740 522), Shut Up (Stiff BUYIT 126), It Must Be Love (Stiff S-BUT 134), 7 (Stiff SEEZ 39), Absolutely (SEEZ 29B), My Girl (Stiff BUYIT62), the Nutty Boys (BUYIT 108). Some missing interior sleeves, various conditions.
Hamed Abdalla (Egypt, 1917-1985)The Workers oil on panel, framedsigned 'H. Abdalla' (lower right)45 x 55cm (17 11/16 x 21 5/8in).Footnotes:Provenance:Property from a private collection, CairoBonhams are honoured to present these two lots by the pioneer of the Creative word and a prolific figure in Egyptian Modernism, Hamed Abdullah. Abdullah took his artistic focus one step further than the rest of his counterparts with his expansion into what he labelled the 'Creative Word.' The result was a series of written words expressed in paint, combining abstract concepts and human forms to bring radically different cultures, religions, and philosophies together on canvas. He was a self-taught artist from a modest peasant family of upper Egypt who gained recognition early in his life for this artist talent. At the age of 24 he had his first solo exhibition and from there showcased his works all over Egypt and was honoured a solo exhibition at the Museum of Egyptian Art in Cairo in 1949. Over the next decade he showcased his works worldwide and in 1956 he participated in a group exhibition at the Metropolitan Museum of Art in New York. He left Egypt to Denmark in 1956 and then moved to France in 1966.Abdullah refused to decide between figuration and abstraction, and the attraction he had for the experimentation of forms with various materials, brought Abdalla closer to the Cobra movement he was introduced to in the 1950s. This series defines one of the most original and radical moments in his diverse practice. Initially trained in calligraphy in Egypt but frustrated by the political and social situation in his home country, Abdalla settled in Copenhagen, where he experienced a period of intense experimentation and discovery. The ideas that had pervaded the work of the CoBrA artists (based in Copenhagen, Brussels and Amsterdam) were still prominent at this time in the local and international context. Their concepts of freedom of form and colour had a significant impact on Abdalla, who shared CoBrA's fascination with scrutinising familiar methods and radically exploring new artistic forms.Abdalla was an autodidact who loved to experiment by himself to find his own voice and claimed his Arab and Oriental heritage: 'my main rule - like the Oriental artist - is to paint nature as I see it in my mind and not as it appears to the eye. ' Having migrated from his country in March 1956, fleeing the regime's slavish art-propaganda and no longer in immediate contact with the physical realities of his people, Abdalla found inspiration in the Arabic letters with which he invented new forms, unique in their kind, even suggesting 'the Arab being', in line with the emancipation projects of his time.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
STEP, Edward, Favourite Flowers of Garden and Greenhouse, 4 vols 1896. With 316 chromo plates. Half calf. With LANDSBOROUGH, D, A Popular History of British Sea - Weeds, 2nd edition 1851, coloured plates; MOORE, Thomas, A Popular History of British Ferns, 1851, colour plates; and other natural history books (10) (box)
Konvolut von ca. 70 Elastolin- und Lineol-Heeressoldaten mit Stechschritt-Fahnenträger, Reitern und einem Karl Bub-GeschützKonvolut Soldaten und ein Geschütz, 30er Jahre, Elastolin/Lineol/Karl Bub, 6/7 cm-Serie, Masse-Blechausführung; dabei Soldaten des Heeres in verschiedenen Darstellungen, kämpfend, Fahnenträger und Offizier im Stechschritt, stillgestandene, Musiker, Soldaten im Marsch, einige zu Pferd (beim Offizier Arm mit Degen ersetzt), ein SMG in mimikry, Abzug gut, aber rostig, ein Geschützeinschlagfeuer, ein Kesselpauker usw.; dazu ein Karl Bub-Festungsgeschütz, mimikry, elektromagnetisch zündbar (nicht geprüft), Abzug gut. Insgesamt guter Zustand mit Spiel- und Altersspuren, die Figuren teilweise farblich ausgebessert oder neu bemalt. Zustand: II -A group of circa 70 Elastolin and Lineol soldiers with a flagbearer in goose-step, soldiers on horses and a Karl Bub cannon Konvolut Soldaten und ein Geschütz, 30er Jahre, Elastolin/Lineol/Karl Bub, 6/7 cm-Serie, Masse-Blechausführung; dabei Soldaten des Heeres in verschiedenen Darstellungen, kämpfend, Fahnenträger und Offizier im Stechschritt, stillgestandene, Musiker, Soldaten im Marsch, einige zu Pferd (beim Offizier Arm mit Degen ersetzt), ein SMG in mimikry, Abzug gut, aber rostig, ein Geschützeinschlagfeuer, ein Kesselpauker usw.; dazu ein Karl Bub-Festungsgeschütz, mimikry, elektromagnetisch zündbar (nicht geprüft), Abzug gut. Insgesamt guter Zustand mit Spiel- und Altersspuren, die Figuren teilweise farblich ausgebessert oder neu bemalt. Condition: II -
MORGANIT-RING. Material: 585/- Weißgold, Punze. Gesamtgewicht: ca. 21,4 g. EU-RM: 53. Diamanten: 8 Brillanten zus. ca. 0,2 ct. Edelsteine: 1 Morganit im rechteckigen Treppenschliff ca. 8,0 ct. Erläuterungen zum KatalogSchmuck Ring Weißgold Morganit MORGANITE-RING. Material: 585/- white gold, with mark. Total Weight: ca. 21.4 g. EU Ring Size: 53. Diamonds: 8 brilliants in total ca. 0.2 ct.. Gemstones: 1 morganite in rectangular step-cut ca. 8.0 ct. Explanations to the Catalogue
AMETHYST-BRILLANT-COLLIER. Material: 585/- Gelbgold, Punze. Gesamtgewicht: ca. 54,2 g. Maße: Länge 39,0 cm. Diamanten: 10 Brillanten zus. ca. 0,2 ct. Edelsteine: 1 Amethyst im oktogonalen Treppen-Schliff ca. 25,0 ct., 38 facettierte Amethyst-Kugeln Ø ca. 6,08 - 13,45 mm. Beschreibung: . Erläuterungen zum KatalogSchmuck Collier Gelbgold Amethyst AMETHYST-BRILLIANT-NECKLACE. Material: 585/- yellow gold, with mark. Total Weight: ca. 54.2 g. Measurement: Length 39.0 cm. Diamonds: 10 brilliants in total ca. 0.2 ct.. Gemstones: 1 amethyst in 8/8-, step-cut ca. 25.0 ct., 38 faceted amethysts-balls Ø ca. 6.08 - 13.45 mm.. Description: . Explanations to the Catalogue
CITRIN-DIAMANT-RING. Datierung: Um 1950. Material: 585/- Gelbgold, getestet. Gesamtgewicht: ca. 11,5 g. EU-RM: 57. Diamanten: 10 Brillanten zus. ca. 0,4 ct. Edelsteine: 1 Citrin im oktogonalen Treppen-Schliff ca. 15,0 ct., sehr schöne honiggelbe Farbe. Beschreibung: Ringschiene wurde verkleinert. Erläuterungen zum KatalogSchmuck 1950er Ring Gelbgold Citrin CITRINE-DIAMOND-RING. Date: ca. 1950. Material: 585/- yellow gold, tested. Total Weight: ca. 11.5 g. EU Ring Size: 57. Diamonds: 10 brilliants in total ca. 0.4 ct.. Gemstones: 1 citrine in octagonal step-cut ca. 15.0 ct., very nice honey yellow colour.. Description: Rail was downsized. Explanations to the Catalogue
A PAIR OF PLATINUM, DIAMOND AND SOUTH SEA PEARL EARRINGS South Sea pearls set as drop earrings and divided by a customised step cut diamond and a diamond studded mount for the drop pear, all set in platinum The pearls are perfectly round, a pale gold body colour with an undertone of silver grey, the sizes are 12.23mm for the stud pearl diameter and 16.09mm for the drop pearl, diamonds are clear, colourless and well matched Stamped P 950 for platinum total 29g For condition reports and further images, please contact the sale room via hello@hotlotz.com Provenance: A pair of custom-made earrings for the former wife of the Aga Khan
A 38 CARAT EMERALD SINGLE STONE RING To be sold with no reserve, from an estate collection of jewellery Of Art Deco style, set in platinum, the large cut-cornered rectangular step cut emerald in claw setting, to diamond set gallery and shoulders, the diamonds totalling approximately 2ct Accompanied by a NanYang Gemological Institute Report, dated 23 March 2021, stating that the emerald is a natural emerald, with characteristics consistent of Colombian origin, weighing an estimated 38ct, measuring 25.07 x 19.78 x 10.19mm, and with indications of minor clarity enhancement Condition: one black diamond missing in the shoulder of the ring as shown in images. UK Size N 19.7g Condition: For condition reports and further images, please contact the sale room via hello@hotlotz.com Additional Information: Nett proceeds from the sale of this lot will be donated to Beyond Social Services, Singapore
Billy Smart's Circus - 1950s (1959) - an original vintage promotional advertising poster for Billy Smarts Circus, with ' Watch My Step 3 1/2 Tons Of Elephant ' notation, featuring a pictorial of a showgirl underneath an elephant's foot. Folded. Printed by W. E. Berry of Bradford. Total size approx; 76cm x 51cm.
Follower of Andrea del SartoCupidOil on canvas118 x 75 cm. (46.1/2 x 29.1/2 in.)Provenance:Berwick House, ShropshireThe Greek inscription on the step on which Cupid is standing are from lines 20-21 of Moschus's first idyll and describes the content of Cupid's (Eros's) quiver, `inside there are bitter reeds (i.e. shafts)'. The word for reeds is cut off: kalam[oi] and the unseen line would go on to say "with which he often wounds even me (it is Kypris=Aphrodite speaking).We are grateful to Professor David Ekserdjian for his help in preparing this catalogue entry.
Various Vinyl LPs including Dance With The Shadows; Herbie Hancock - Head Hunter and VSOP; ELO - Out of the Blue; Eurythmics - Touch; Hazel O'Connor - Breaking Glass; Talking Heads - Life During Wartime (12'' Single); Thompson Twins - Quick Step (approx. 80)Sleeves and sample of vinyl show wear consistant with use
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