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Click here to subscribe18ct White Gold Stunning Quality Emerald and Diamond Set Cluster Dress Ring of Wonderful Proportions. The Central Step-cut Natural Colombian Emerald of Wonderful Colour. Surrounded by 12 Round Brilliant Cut Diamonds Also of Top Colour and Clarity. Est Weight of Emerald 6.00 cts. Est Diamond Weight 3.00 cts. Est Diamond Colour G-H, Est Clarity VSI. Ring Size - Q. Low Estimate, Retails over £10,000 - £12,000.
Ladies Platinum - Attractive Contemporary Designed Emerald Cut Diamond Set Dress Ring, The Central Step Cut Diamond of Excellent Colour with Four Smaller Step Cut Diamonds to Shoulders of Matching Colour. The Central Diamond Est 0.80 pts, The Four Diamonds to Shoulders Est 0.60 pts. Total 1.40 cts. Ring Size I - J. Retail Cost £4.000.
Rugby Union Jason Robinson signature piece includes 6x4 colour photo and a 6x4 signed album page. Jason Thorpe Robinson OBE (born 30 July 1974) is an English former dual-code international rugby league, and rugby union footballer who played in the 1990s and 2000s. Playing as a wing or fullback, he won fifty-one rugby union international caps for England, and in rugby league he won twelve caps for Great Britain, and seven for England. Throughout his career Robinson was noted for his acceleration, side step and ability to beat defenders. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
A 9ct gold amethyst ring, with a cabochon amethyst rub set to tapering shoulders with scroll decoration and a plain shank, 5.50g, finger size R, together with a square step cut synthetic colour change sapphire ring, four claw set to scrolling gallery, split shoulders and a plain shank, tested as approximately 9ct gold, 7.11g, finger size M, and an octagonal mixed cut tourmaline ring, four claw set to tapering shoulders and a plain shank, tested as approximately 9ct gold, 1.69g, finger size N (3)
A 19th century Middle Eastern yellow metal and diamond set oval pendant, the centre set step cut oval clear stone surrounded by lobed border set ten rose cut diamonds (each approx. 5mm diameter), the back chased scrolling stylised leaves, (yellow metal assessed as gold of at least 18ct.). (gross weight 10.3g)
A pair of Art Deco style 18ct. gold, emerald and diamond earrings, each having large step cut emerald to raised centre in rub over (approx. total emerald weight 5.2 carats), surrounded by two-tier stepped border of square, baguette and tapered baguette cut diamonds, with foliate spray of marquise cut diamonds beneath, (total diamond weight approx. 7.0 carats), post fitting, stamped "750", height 33mm x width 21mm, (gross weight 20.6g)
Richard Raffan (Australia) burr oak bowl 4x11cm. Signed I met Ray when he came to my workshop in Topsham in Devon in 1973. We remained in regular contact as our careers developed, having long discussions on design, making, and marketing; this was long before the craft became the popular hobby it is today. Since 1982 I usually saw Ray and Liz when in Britain, relying on Ray to keep me up to date with all the woodturning gossip and the latest in woody fads and tools. And we met regularly at American and European woodturning symposiums. To the Ray Key I knew a split was a defect and not something to be glorified. So I suspect Ray wouldn’t have had the little oak bowl that came my way for completion back on his lathe: far too much messing about for a less-than-perfect result and not much money. I opted to mess about using epoxy mixed with African Blackwood dust to fill the splits, mostly because of the weak rim, but also because there weren’t quite enough splits to create a sieve. I do like bowls to be useable. RR Ray Key has been a ‘big name’ for so long that it’s easy to forget he was well known in the broader crafts community long before woodturning became the aspiring art form it is today. He is known particularly for his boxes and platters. Ray was in the vanguard that in the late 1970s and early 1980s took the craft of woodturning out of hobby sheds and production workshops into galleries, at the same time setting new benchmarks for the design and quality of turned domestic woodware — which was the foundation of his woodturning business. The mastery of his craft came from the solid days spent at the lathe making a living. Ray’s formidable body of work is firmly grounded in the traditions of creating functional bowls and platters and other items designed for daily use. His ability to churn out top quality work without compromising quality of either design or finish flowed on into his less functional pieces. In the late 1970s Ray was one of only four turners listed by the British Crafts Council as a Craftsman of Quality. Ray’s simple tall open vessels were amongst the first pieces of serious decorative art to come off a lathe and into prestigious craft galleries. After I met Ray in 1973 we maintained regular contact both face to face and by phone until I moved to Australia in 1982. Then it was snail mail until we had email. Usually we talked shop (marketing, techniques, teaching, marketing, more marketing) as we caught up with the latest craft and woodturning gossip. Always jovial, Ray was a fountain of knowledge regards turning techniques and the latest fads, and he was always willing to share what he knew, confident he’d always be a step ahead of plagiarists — as he always was, given his innate and particularly good eye for form. RR The Ray Key Collaboration Auctionn
F. G. Taylor & Sons Electric Fire four in green and forty-seven in blue (Condition Excellent) with thirteen riders for Morestone tandem, seven kitchen boiling utensils with lids (two damaged), eight street lamps with traffic islands, eleven post boxes, eight petrol pumps. two step ladders, four road rollers, six signs, fifty figures (mostly 00 scale, and forty-two 00 scale feeding troughs (Condition Excellent-Fair, some damage) (220 approx.)
PAIR OF SAPPHIRE AND DIAMOND EARRINGS, the step cut sapphires within a diamond halo, suspended from a diamond set post, the round brilliant cut diamonds totalling approximately 0.49 carats, with accompanying WGI report number WGI9624117822 stating colour grade vivid blue, clarity grade included, marked 585 to the butterflies, 3.5g
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