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A pair of 1980’s silver hallmarked candlesticks having beaded decoration to the sconce, tapered capital, tapered column with a knob to the centre raised on a two step circular base. Hallmarked Birmingham 1981 by W I Broadway & Co and stamped “Filled. Measures: 18cm tall. Total gross weight: 526g
A quality selection of 23 7" singles/ EPs by the great Bob Dylan. Titles include Leopard Skin Pill-Box Hat (CBS 2700, strong VG+), Dylan (x3) inc (EP 6051, solid centre) (x2 EP 6051, 4-prong centre), One Too Many Songs (EP 6070), I Want You (4-43683), Bob Dylan/ David Bowie - What's It All About? (MA 1791), Can You Please Crawl Out Your Window? (x2 - 88697 97711 7, 4x7" box-set, both new and sealed), Melancholy Mood (x2, 889853067770, both new and sealed), Duquesne Whistle (x2, 887654053374, both new and sealed), Must Be Santa (88697624387, new and sealed), Unbelievable, I Want You, Heart Of Mine, Various - Step Lively With (CS 319), Tight Connection To My Heart. Condition is generally VG+ to Ex+/ Brand new and sealed.
A quality selection of 23 LPs & 12" from Manchester area related bands. Artists/ titles include The Verve inc Urban Hymns (HUTLP 45, UK original pressing, printed inner's, band image on all labels, records have some surface marks, VG. Gatefold sleeve VG+), The Fall inc I Am Kurious Oranj (BEGA 96, VG+/ VG+), The Frenz Experiment (BEGA 91), Shift-Work (848 594-1), High Tension Line. DOSE feat Mark E Smith - Plug Myself In (TOGA 001T), The Chameleons - The Fan And The Bellows (CHAM LP1), Happy Mondays inc Pills N Thrills And Bellyaches (FACT 320, reissue), HM & Karl Denver, Bummed (FACT 220), Step On, Madchester, The Peel Sessions (SFPS077). New Order inc Low Life (FAC 100, Ex/ VG+), Thieves Like Us, Brotherhood, Temptation. The Mock Turtles, Inspiral Carpets inc Joe, Move & Then. Condition is generally VG to Ex+.
PYE/PICCADILLY 7" COLLECTION (60s). Superb collection of 41 x Pye/Pye International and Piccadilly 7" including many 60s rarities. Artists/titles/cat. numbers include The Breakaways - That's Who It Goes (7N 15618 - Ex nice clean copy), Antoinette - Why Don't I Run Away From You (7N 35293 - archive condition), Maxine Brown - One Step At A Time (7N 25317 - Ex+), Bobby Wood - If I'm A Fool For Loving You (7N 25264 - Ex+), Sandra Barry - Question (7N 15840), Barbara Ruskin - Halfway To Paradise (7N 35224), Billie Davis - No Other Baby (7N 35266), Lana Jean - It Hurts To Be Sixteen (7N 25214), Guess Who? - Shakin' All Over (7N 25305), The Lovin' Spoonful - Do You Believe In Magic (7N 25327), Long John Baldry, Brendan O'Brien & The Dixies, The Honeycombs, Mark Wynter, Kay Kennedy, Donovan, James Darren, Four Esquires, Shelley Fabares, Ronnie And The Hi-Lites and Jamie Horton. All complete with often clean condition original company sleeves. Condition is primarily lovely Ex to Ex+/archive.
PYE/PICCADILLY 7" - 60s COLLECTION 30 x 7" representing another superb collection from Pye/Piccadilly - largely from the 60s this lot comesfully loaded with in demand Mod/Psych/Pop cuts! Artists/titles/cat. numbers include The Searchers - Secondhand Dealer c/w Crazy Dreams (7N 17424 - Ex a couple of very light, minor and easily cleaned storage marks), The Montanas (x3) - Roundabout (7N 17697 - lovely Ex+), A Step In The Right Direction (7N 17499 - Ex+) and Run To Me (7N 17597 - Ex a few light surface scuffs), Antoinette - Thank You For Loving Me (7N 35223), Tammy St. John - He's The One For Me (7N 15762), The Undertakers - What About Us (7N 15562), The Beatmen - You Can't Sit Down (7N 15659), Otis Redding - She's All Right (x2 copies), Susan Terry, Simone Jackson, Nina Simone, Donovan, The Chants, Status Quo, Sue Nichols and Joe Brown. Condition is often clean VG+ to Ex+/archive with almost all original company sleeves present.
ANTIQUE PINE CHEST COMMODE, Victorian mahogany step commode and a mahogany towel airer, 61.5cms H, 67.5cms W, 57cms D, 44cms H, 47.5cms W, 47cms D and 88.5cms H x 68cms W, measurements respectively Condition Report: Pine commode has old visible signs of worm, one knob requires reattaching, mahogany commode needs repolishing in parts
Postcards, Sussex, an RP selection of 23 topographical cards, mostly street scenes and villages inc. St Peter's Church Bexhill, Staplefield Church and common, Pavilion on the Green Littlehampton, Beacon Hotel Crowborough, Dog and Duck Hotel Wittering, Walberton, Elm Lane West Wittering, Old Cottages Wadhurst, Step Stile Wadhurst, Gossamer Lane Aldwick, Arcade Bognor, Pagham Village, Willingdon, Old Forge West Dean, Birds eye view of Newhaven Harbour, Pond Rottingdean. Also Upfield's Dance Band and printed shop front for Harnett Butcher Bognor (mixed condition, fair/gd)
Postcards, a good selection of approx. 24 Theatre advertising cards for plays performed at London & Provincial theatres. Plays inc. 'A little bit of fluff', 'Gipsy Love', 'Robinson Crusoe', 'Our Miss Gibbs', 'The Bear Leaders', 'Mind the step' etc. Artists inc. Tom Browne, Hassall, Morrow, Quinnell, Pillard, Tony Gibbons, Barribal, etc, 15 cards published by David Allen (mainly gd)
Art Deco 1940s diamond and pink stone dress ring of 'Odeonesque' design, the rectangular step cut pink stone flanked by rose cut diamonds and exaggerated domed gold disc shoulders on tapered shank. Ring size approximately QCondition report: The ring is in good condition commensurate with the age of the piece. Continental hallmark to the outside of the shank. Tests as approximately 9ct - 14ct gold. The pink stone is believed to be synthetic but has not been tested, it measures approximately 10.75mm x 8.85mm x 4.9mm and is in good condition. Gross weight approximately 8.5grams
Aquamarine and gold line bracelet with a continuous row of 24 rectangular step cut aquamarines measuring approximately 7mmx 5mm,,in 9ct gold four-claw setting, length approximately 20cm.Condition report: Good condition commensurate with age and wear, one stone near the clasp has a small chip, light surface scratches to the stones, hallmarked Birmingham 2006. Gross weight approximately 20.5 grams.
Emerald and diamond cluster cocktail ring with an asymmetrical cluster of brilliant cut an baguette cut diamonds, and rectangular step cut emeralds, all in tiered claw setting on 18ct white gold shank. Estimated total diamond weight approximately 1.9cts, ring size M½Condition report: Good condition commensurate with age, the diamonds are all well matched stones and of good colour and clarity (estimated G-I colour grade, estimated clarity SI1). Shank stamped Kt18, and also stamped 1.90. Gross weight 6.9 grams
Edwardian style emerald and diamond pendant necklace with a rectangular step cut emerald and diamond cluster suspended from openwork diamond scrolls with further emeralds, old cut and single cut diamonds in millegrain setting on trace chain, the two principal emeralds measuring approximately 5.0mm x 3.6mm x 3.7mm and 4.3mm x 3.8mm x 1.6mm, accompanied by a Gemmological Certification Services report stating that the two principal emeralds are of natural Columbian origin with indications of minor clarity enhancement. Estimated total diamond weight approximately 0.70cts, length of drop approximately 50mm, length of necklace approximately 460mm. In a fitted red leather box.Condition report: Very good condition commensurate with age. No obvious signs of any damage or repairs. Continental control marks, probably platinum and/or 18ct white gold. Gross weight approximately 7.9 grams.
Rose gold and multi-gem bracelet with rectangular step-cut semi-precious stones in rose gold setting, 18cmCondition report: Very good condition commensurate with age. No obvious signs of any damage or repairs or alterations. No hallmarks, clasp is stamped '18' . The gem-stones are all in good condition. Gross weight approximately 19.2 grams
Ebenezer Coker, London 1769, each of traditional Corinthian form, the slightly tapered reeded columns to a stepped square base with embossed bead decoration and leaf clasped corners, the initials CJ engraved to middle step, the pull off sconce with similar decoration and foliate engraved initials, (loaded); together with a pair of plated two scroll branch candelabra fittings (associated)(Height: 35cm)
A pair of gold and emerald single stone ear studs, each claw set with a cut cornered rectangular step cut emerald, the backs with post and butterfly clip fittings, detailed 18KT and a pair of gold and emerald single stone ear studs, each claw set with a circular cut emerald, the backs with post and butterfly clip fittings, detailed 14K, with two boxes.
An 18ct gold, peridot and pink sapphire set heart shaped cluster ring, claw set with a heart shaped peridot at the centre, in a surround of circular cut pink sapphires, detailed Cavill 750, gross weight 7.2 gms, ring size O and a half and a gold, amethyst, diamond, green and blue gem set ring, claw set with the square step cut amethyst at the centre, detailed 14 K 585, gross weight 5.7 gms, ring size P, (2).
A gold ring, claw set with a cut cornered rectangular step cut amethyst, detailed indistinctly 14 K, ring size S and a half, gross weight 7.3 gms, with a case. Condition Report There are a few very minor surface nicks to the edge, one or two scratches including one to the table facet of the amethyst. This table facet scratch is visible to the naked eye, claws starting to show signs of wear, shank in good condition. Amethyst is of medium colour saturation.
A pair of gold and amethyst single stone pendant earrings, each drop claw set with a cut cornered rectangular step cut amethyst, otherwise with pierced decoration, the backs with post and butterfly clip fittings, gross weight 4.8 gms and a pair of Clogau silver and gilt earstuds, each designed as a daffodil, the backs with post and butterfly clip fittings, with two cases, (2).
Barry Leighton- Jones ( 1932-2011) Oil on canvas ? Group of Urchins? Three young children and a dog Bears Barbican Gallery label verso with artist title price etc. 32 x 24? ( 81.3 x 61 cms) Ref. Leighton-jones.com ?These unique, and instantly recognizable paintings of children 'dressed down', always with 'serious' expressions, are the most rare and sought after by collectors. The images capture street kids and children dressed as adults. These works celebrate the spirit of children of all ages and from all backgrounds. These pictures have a universal appeal, capture the spontaneity and freshness of their make-believe worlds, and at the same time reawaken the viewer?s personal memories of childhood with their simplicity, honesty and sincerity. They evoke the fantasy, mischief and pleasure that children derive from their endless imaginations. Children at play try to know what it?s like to be grown up, older, wiser, braver and independent, and by putting on mummy?s dress and high-heeled shoes, or daddy?s uniform, they step into the adult world which then becomes safe, harmless, less intimidating.?
Ring mit großem Smaragd ca. 20 ct, 8-eckiger Treppenschliff, Wachstumsmerkmale, seitlich kleine Brillanten zus. ca. 0,6 ct, ca. FW-WEISS (G-H)/VS-SI, Platin, 23,8 gr, RW: 62, 20./21. Jh., leichte Tragespuren, Smaragd Tafel leicht verkratzt, Einzelanfertigung. (51) | Ring with large emerald ca. 20 ct, octagonal step-cut, growth lines, laterally small brilliant-cut diamonds totalling ca. 0.6 ct, ca. RW-WHITE (G-H)/VS-SI, platinum, 23.8 gr, ring size 62, 20th/21st century, minor signs of wear, emerald table slightly scratched. Gewicht 23,8g Legierung Pt
VICTORIAN CAST IRON STREET LAMP, large tapering square lantern on four scrolled supports on fluted column with acanthus leaf base, 403cms to base, including cylindrical footing 505cms Condition Report: lantern with glass replaced, later painted.The glass has been replaced, with modern glass, it has images of boats on it. The putty around the glass looks very messy. The glass is intact, no damage.There are lots of dents and scratches all over.There is wiring within.Could not see any cracks, but the lantern has been heavily re-painted.The post does have some scuffs and paint peeling in a few places, otherwise all good, extremely heavy.The total height of the post is 420cm’s.It would sit in the ground/concrete up to the step (see photos) The step height is 102cm’s.There are two small holes, I’m guessing for the wiring, I’m not sure. There is one just under the step and one about half way up. There is no wiring currently inside the post.The wiring has been cut just under the lantern.The lantern collar would slide over the top section of the post and there are two bolts which tighten holding it in place.
A LARGE QINGBAI SHRINE, SOUTHERN SONG DYNASTYChina, 1127-1279. The thick-walled body supported on a slightly splayed foot, the exterior covered entirely with a pale bluish-white glaze. An opening cut into one side has a protruding shelf at the bottom, with applied scroll decoration above, and loops at either side to fasten a door, all surmounted by a domed roof decorated with further applied scrolls and with a bud-shaped finial.Provenance: Parthenon Gallery, London, 2003. Dr. Koos de Jong, acquired from the above (invoice not available). Dr. de Jong is a Dutch art historian and has been privately collecting Chinese art over decades. He has authored hundreds of articles and several books on Dutch fine and decorative arts spanning from the Middle Ages to the modern era. In 2013, he published an extensive study of Chinese riding gear in “Dragon & Horse, Saddle Rugs and Other Horse Tack from China and Beyond”. Between 1976 and 2009 he worked for numerous museums across the Netherlands and was the director of the European Ceramic Work Center in Den Bosch.Condition: Superb condition with minor wear and firing flaws, such as glaze pooling, glaze recesses, and fritting, minimal chipping to the step below the frontal aperture, some nibbling to foot.Weight: 1,735 gDimension: Height 29.5 cmLiterature comparison: Chinese Ceramics Song-Yuan, Taipei 1997, p. 388. Song Ceramics from the Kwan Collection, Hong Kong Museum of Art, Hong Kong 1994, no. 96, p. 229.Auction result comparison: Compare with a closely related Longquan shrine at Christies New York on March 22, 2019, in Fine Chinese Ceramics & Works of Art, lot 1618, sold for USD 18,750.南宋白釉龕中國,1127-1279年。圈足外撇,外壁上下稍小中間鼓,分爲三節,中間有一個矩形孔,在上方和兩側各有一個應用的建築元素,頂部成屋頂形,外部覆蓋著淡青白色釉。來源:倫敦Parthenon Gallery藝廊, 2003年。Dr. Koos de Jong收藏,購於上述收藏(發票已丟失)。Dr. de Jong是一位荷蘭藝術史學家, 幾十年來他一直私人收藏中國藝術品。他撰寫了數百篇文章和幾本書,內容涉及從中世紀到現代的荷蘭美術和裝飾藝術。2013年,他在《Dragon & Horse:Saddle Rugs and Other Horse Tack from China and Beyond》中發表了有關中國騎馬裝備的詳盡研究。1976年至2009年間,他曾在荷蘭的許多博物館工作,並曾擔任登博世歐洲陶瓷工作中心的主任。圖片:Dr. Koos de Jong 與Ingeborg de Roode (照片來自於Stedelijk Museum Amsterdam)圖片:倫敦Parthenon Gallery藝廊 品相:狀況極佳,有輕微的磨損和燒制缺陷,例如釉堆積,凹痕和熔結,在正面孔下方的邊緣上有輕微碎屑,足部有輕微缺損。重量:1,735克尺寸:總高29.5厘米

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26534 item(s)/page