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Queen’s South Africa 1899-1902, 5 clasps, Cape Colony, Orange Free State, Transvaal, South Africa 1901, South Africa 1902 (34655 Pte. W. C. Bain. 70th Coy. I.Y.) nearly extremely fine £100-£140

Queen’s South Africa 1899-1902, 5 clasps, Cape Colony, Orange Free State, Wittebergen, Defence of Kimberley, Johannesburg, the last three clasps all tailor’s copies (4232 Pte. J. Smith, Rl: Lanc: Regt.); King’s South Africa 1901-02, 2 clasps, South Africa 1901, South Africa 1902 (6642 Pte. J. Moore. Durham L.I.); 1914-15 Star (171598, T. Wilson, L.S., R.N.); British War Medal 1914-20 (J.47197 J. Lamond. A.B. R.N.) together with the related miniature award; War Medal 1939-45, together with the related miniature award; Memorial Plaque (William Atkin) with traces of adhesive to reverse; United States of America, Korea Medal, unnamed as issued; together with a copy South Africa 1877-79, 1 clasp, 1877; a copy Khedive’s Sudan 1910-21, 2nd issue, no clasp; and an erased 1914-15 Star, generally good very fine (10) £180-£220 --- William Atkin attested for the Nottinghamshire and Derbyshire Regiment and served with the 1st Battalion during the Great War on the Western Front from 11 December 1914. He was killed in action on 11 March 1915; he has no known grave and is commemorated on Le Touret Memorial, France.

Three: Private W. Waghorn, East Kent Regiment, later Royal Artillery Queen’s South Africa 1899-1902, 5 clasps, Cape Colony, Orange Free State, Transvaal, South Africa 1901, South Africa 1902 (7488 Pte. W. Waghorne [sic], Vol. Coy. E. Kent Regt.); British War and Victory Medals (2429 Gnr. W. Waghorn. R.A.) with lid of named card box of issue and torn outer OHMS transmission envelope, nearly extremely fine (3) £120-£160 --- Wilfred Waghorn was born in Hunton, Kent, on 11 July 1881 and served with the Volunteer Company, East Kent Regiment in South Africa during the Boer War, and with the Royal Garrison Artillery and later the Labour Corps during the Great War. He died in Hever, Kent, on 28 January 1943.

Queen’s South Africa 1899-1902, no clasp (7352 Pte. H. Stevens, East Kent Regt.) good very fine £60-£80 --- Henry Howard Stevens was born at Stoke Poges, Buckinghamshire, in 1871 and attested for the East Kent Regiment on 1 February 1900, having previously served in the Regiment’s 2nd Volunteer Battalion. He served with the Second Battalion in South Africa during the Boer War from 16 February 1900 to 9 June 1901, and was discharged on 15 June 1901, after 1 year and 135 days’ service. Sold with copied record of service and medal roll extracts, which show that the recipient is entitled to the clasps Cape Colony, Natal, Orange Free State, Transvaal, and South Africa 1901 (the roll annotated ‘Medals issued 2-9-01; clasps [excluding the date clasp] issued 7-4-02; clearly the recipient never got around to affixing the clasp to his medal).

The mounted group of four miniature dress medals worn by Nursing Sister J. E. Girvan (née Sword), Canadian Army Medical Corps, wife of Lieutenant-Colonel J. P. Girvan, C.B.E., D.S.O., M.C., V.D., Commanding the 15th (48th Highlanders of Canada) Battalion Canadian Infantry Royal Red Cross, 2nd Class (A.R.R.C.), G.V.R.; 1914-15 Star; British War and Victory Medals, mounted as worn, together with an unidentified miniature (nursing cape badge?) silver-gilt and enamelled badge, GR cypher, with motto ‘Ducit Amor Patriæ’, the reverse stamped ‘Wanless Sterling’, mounted on brooch pin, good very fine (5) £60-£80 --- A.R.R.C. London Gazette 21 June 1918: ‘Miss Jean Elizabeth Sword, Nursing Sister, Can. Nursing Service, No. 12 Can. Gen. Hospl., Bramshott, Hants.’ On 24 October 1916, Nursing Sister Jean Elizabeth Sword returned to England from No. 2 Canadian General Hospital, Le Treport, France. On 3 November 1916, she was posted to Canada, where, during the following three months it is presumed she and Major John P. Girvan came to know one another. Jean returned to England, before John, on 2 February 1917. Nursing Sister Sword had acted as a blood donor on 22 April 1918, but due to general weakness and an irregular heartbeat, she was hospitalised following the transfusion until 26 April, and then granted sick furlough until 6 May 1918. She married Major John P. Girvan, M.C., 15th Battalion, Canadian Infantry, in London on 6 July 1918, whilst he was attending a Command Officers Course at Aldershot and shortly before he returned to France to take command of his battalion, going on to win the D.S.O. and Bar. Sold with copied research including Marriage Certificate dated 6 July 1918; Buckingham Palace Telegram and War Office letter concerning award of the Royal red Cross; two photographs of Nursing Sister Sword in nursing uniform, one with R.R.C. medal ribbon; a news cutting announcing the death of their elder son, John Maybin Girvan, late Captain and Adjutant, 1st Canadian Parachute Battalion, who jumped into Normandy before the landings, was wounded and taken prisoner, continued his profession as a mining engineer after the war until killed instantly by a falling rock at El Aguilar, Argentina, where he was superintendent of a mine; and a letter of condolence from the High Commissioner for Canada, London, upon the death of her husband in 1961. For the recipient’s husband’s medals and his related miniature awards, see Lots 80 and 551. For the recipient’s related full sized awards, see Lot 103.

A German Second World War Army Zeltbahn. A splinter pattern camouflage armed forces zeltbahn, these were utilised either individually as a rain cape or with three button together acted as a tent, this example having all of its zeltbahn buttons present. Some period patching and stitching. Maker marked Berlin date 1938 stamped to one corner of the zeltbahn, reasonable condition £50-£70

A rare ‘Sierra Leone’ C.M.G. and ‘Boer War’ D.S.O. group of four awarded to Lieutenant-Colonel A. F. Tarbet, South Lancashire Regiment, late Inspector-General of the Sierra Leone Frontier Police The Most Distinguished Order of St. Michael and St. George, C.M.G., Companion’s, breast badge, silver-gilt and enamels, complete with ribbon buckle; Distinguished Service Order, V.R., silver-gilt and enamels, with integral top ribbon bar; East and West Africa 1887-1900, 2 clasps, 1892, Sierra Leone 1898-99 (Asst. Inspr. A. F. Tarbet, Lagos Hausa Force) officially engraved naming; Queen’s South Africa 1899-1902, 3 clasps, Cape Colony, Orange Free State, South Africa 1901 (Major A. F. Tarbet, C.M.G., D.S.O. S. Lanc. Regt.) officially engraved naming, mounted court-style as worn, somewhat tarnished, otherwise very fine and better (4) £2,800-£3,400 --- C.M.G. London Gazette 9 January 1900: ‘In recognition of services in connection with the Military operations in 1898-9 in the Sierra Leone Protectorate: Major Alexander Francis Tarbet, 3rd Battalion the Prince of Wales’s Volunteers (South Lancashire Regiment), late Inspector-General of the Sierra Leone Frontier Police.’ Only 5 awards of the C.M.G. for Sierra Leone: two Naval officers and three Army officers. D.S.O. London Gazette 27 September 1901: ‘In recognition of services during the operations in South Africa.’ Alexander Francis Tarbet was born on 29 December 1860, son of William Tarbet, of Bedford. He was educated at Wellington College, and joined the 4th Royal Lancashire Militia in 1881. He served in Methuen’s Horse, with the Bechuanaland Field Force in 1885, and with the Lagos Hausa Force, 1887-94. He held the appointment as Private Secretary to the Governor of Lagos, Sir Gilbert Carter, K.C.M.G., from 1892-94, during which time he commanded the Lagos Hausas in the Jebu Expedition of 1892 (despatches London Gazette 1 July 1892; Medal with clasp). In 1894, Tarbett was appointed Inspector-General to the Sierra Leone Frontier Force, and helped to quell the disturbances in Sierra Leone during 1897-99, when he commanded the Frontier Police on the Karene Expedition (despatches London Gazette 29 December 1899; Clasp; created C.M.G.). He served during the South Africa War 1900-01, as a Railway Staff Officer (graded as a D.A.A.G.), Lines of Communications, and afterwards as Commandant, Jagersfontein Road. He took part in operations in Orange River Colony, May to 29 November 1900; in Cape Colony, south of Orange River, February to April 1900; and operations in Orange River Colony, November 1900 to July 1901 (despatches London Gazette 10 September 1901; Queen’s Medal with 3 clasps; created D.S.O.) Tarbet resigned his commission in 1907 but rejoined the 3rd Battalion, South Lancashire Regiment as Honorary Lieutenant-Colonel in 1914 and served with that regiment at Home until the end of the war.

A Great War C.M.G. group of three awarded to Lieutenant-Colonel J. F. Humby, D.S.O., Nottinghamshire and Derbyshire Regiment, late commanding Dublin Imperial Yeomanry The Most Distinguished Order of St. Michael and St. George, C.M.G., Companion’s, neck badge, silver-gilt and enamels; Queen’s South Africa 1899-1902, 3 clasps, Cape Colony, Orange Free State, Transvaal (Major J. F. Humby, Imp: Yeo:); King’s South Africa 1901-02, 2 clasps, South Africa 1901, South Africa 1902 (Major J. F. Humby, Imp. Yeo.) mounted for display together with a good quality copy D.S.O., V.R. cypher, silver-gilt and enamels, light pawnbroker’s graffiti in obverse field of Q.S.A., otherwise good very fine (4) £1,000-£1,400 --- C.M.G. London Gazette 3 June 1916. D.S.O. London Gazette 31 October 1902: ‘James Frederick Humby, Captain, 8th Battalion Imperial Yeomanry; Major, 3rd Battalion The Royal Irish Rifles. In recognition of services during the operations in South Africa.’ M.I.D. London Gazette 15 June 1916. James Frederick Humby was born on 21 July 1860, son of Fred Peter Humby, of Southbroom, Devizes, Wiltshire. He was educated in Paris. He joined the 3rd Battalion, Royal Irish Rifles, as Second Lieutenant, in 1891, and became Captain in 1896. He served in the South African War, 1900-2; commanded the 54th (Ulster) Imperial Yeomanry from February 1900. He took part in the operations in Orange Free State, February to May 1900; operations in the Transvaal, east of Pretoria, July to 29 November 1900; operations in Orange River Colony and Cape Colony 30 November 1900 to 31 May 1902. He was taken prisoner at Lindley with the 13th Battalion, but escaped 30 August 1900. He became Major in 1901, and commanded the 74th (Dublin) Imperial Yeomanry from June 1901; 8th Battalion Imperial Yeomanry from May 1902. He was twice mentioned in despatches; received the Queen's Medal with four clasps; the King's Medal with two clasps, and was created a Companion of the Distinguished Service Order. Lieutenant Colonel J. F. Humby served in the European War in command of the 12th Battalion, Nottinghamshire and Derbyshire Regiment in France from 30 August 1915, and was created a C.M.G. in 1916 for his services.

An extremely rare ‘Sudan Campaign’ R.R.C. and Order of St. John group of four awarded to Superintendent Sarah E. Webb, Army Nursing Service, later Queen Alexandra’s Imperial Military Nursing Service, who was erroneously awarded the Royal Red Cross First Class a second time - this before Second Award Bars were possible - and was Mentioned in Despatches for her services in the Boer War Royal Red Cross, 1st Class, V.R., silver-gilt and enamel, on lady’s bow riband, in Garrard, London, case of issue; The Order of St. John of Jerusalem, Associate’s shoulder badge, silver, with heraldic beasts in angles; Queen’s South Africa 1899-1902, no clasp (Superintendent S. E. Webb); King’s South Africa 1901-02, no clasp (Supt. S. E. Webb) cleaned and mounted for display; together with a Queen Alexandra’s Imperial Military Nursing Service cape badge this fine, and related miniature cape badge, good very fine (5) £2,400-£2,800 --- R.R.C. London Gazette 15 November 1898: Miss Sarah Emily Webb, Army Nursing Service ‘In recognition of her services in tending the sick and wounded in Egypt, in connection with the recent operations in the Soudan.’ Miss Sarah Emily Webb was born in Ireland on 30 April 1856 and joined the Army Nursing Service at Netley on 1 May 1886. She served with them in Egypt and the Sudan, and was awarded the Royal Red Cross 1st Class for her services in tending the wounded and sick following the Sudan Campaign. As a Superintendent she saw further service in the Boer War, was Mentioned in Lord Roberts’ Despatch (London Gazette 10 September 1901) and was erroneously awarded the Royal Red Cross 1st Class a second time (London Gazette 27 September 1901). As Second Award Bars to the Decoration were not introduced until 1917, Miss Webb was instead created an Honorary Associate of the Order of St. John (London Gazette 26 June 1902). Appointed a Matron in the Queen Alexandra’s Imperial Military Nursing Service on 17 February 1903, Miss Webb resigned from the service on 17 June 1904. Then aged 44 years, she married Major Andrew Hosie, R.A.M.C., at St. John’s, Waterloo Road, London, on 7 June 1904. After their marriage they made their home at Barsham Lodge, Sandown, Isle of Wight. With the outbreak of war in August 1914 she offered her services and was appointed Matron of Parkhurst Hospital, Isle of Wight - a position she held until her resignation due to ill-health in April 1916. Following on from this she was subsequently awarded the Silver War Badge. She died at her sister’s home at 47 Garville Avenue, Rathgar, Dublin, on 29 July 1944. Sold with a copy of The Tale of a Field Hospital by Sir Frederick Treves; and copied research.

A Great War ‘Western Front’ R.R.C. group of four awarded to Sister Miss Isabel G. Eveleigh, Territorial Force Nursing Service Royal Red Cross, 1st Class (R.R.C.), G.V.R., silver-gilt, gold, and enamel, on lady’s bow riband, in Garrard, London, case of issue; 1914-15 Star (Sister I. G. Eveleigh T.F.N.S.); British War and Victory Medals (Sister I. G. Eveleigh) mounted as worn; together with the recipient’s related miniature awards (the Star a 1914 Star); a British Royal Red Cross Society Honorary Life Member’s badge, gilt and enamel, the reverse number ‘71’; and a miniature Territorial Force Nursing Service Tippet cape Badge, generally good very fine (4) £500-£700 --- R.R.C. London Gazette 3 June 1918: ‘In recognition of valuable services with the Armies in France and Flanders.’ Miss Isabel Georgina Eveleigh was born in Horncastle, Lincolnshire, on 10 August 1877, where her father was the Station Manager, and trained at King’s College Hospital, London, being subsequently employed as a Nurse at Paddington Infirmary. She joined the Territorial Force Nursing Service in 1911 as an original member of the 2nd London General Hospital, Chelsea. She served during the Great War initially in the Hospital Ship Aquitania from July 1915, before proceeding to the Western Front in March 1916. She served successively at 14 General Hospital, Wimereaux; No. 4 Casualty Clearing Station, Varennes; 83 General Hospital, Boulogne; 72 General Hospital, Trouville; and 8 General Hospital, Rouen. Miss Eveleigh was recommended for the R.R.C. for her services at 83 General Hospital, Rouen, where she served as a Sister and Night Superintendent from 27 June 1917 to 8 April 1918, and would have received great numbers of casualties resulting from the Battle of Messines and Third Ypres. She was demobilised on 3 July 1919, and was presented with her decoration by H.M. The King at Buckingham Palace on 17 December 1919. She died in Horncastle on 17 January 1966. Sold with copied research.

France to London 1843 EL St. Germaine London Inn, Contents of the Cape' Divorce case, (heard in Parliament), The two gentlemen called yesterday and brought a servant with them to identify Mrs Cape'

Cape of Good Hope 1882-1902-1/2d definitive group-SG47 m/m-SG40 used-SG48 used x2-SG61 used pair-SG61 used-SG61a x2 used-SG70 used-Cape of Good Hope 1896-Pre-paid envelope posted to England cancelled 20.11.1896 Port Elizabeth on 1d red postal rate and SG48 and SG59 definitives - back cancelled received

1 X 70CL BOTTLE - BAIN'S CAPE MOUNTAIN WHISKY

Eight bottles of red wine, Ruffino Riserva Ducale Chianti Classico 1979, Beaujolais de L'annee 1973, Les Laquets Cahors 2001, Barbi Brunello Di Montalcino, Brunello Di Montalcino Henriques and Henriques Madeira, and Cape Mentelle each 75cl

A fine example of a 1962 first edition of 'The Spy Who Loved Me', Ian Fleming, pub Jonathan Cape. Dust jacket clipped. Very good condition, pages clean, dust jacket intact.

A 1963 first edition of 'On Her Majesty's Secret Service', Ian Fleming, pub Jonathan Cape/Glidrose Productions. Dust jacket clipped, some evidence of staining/water damage to dust jacket, some wear to boards, price in pencil to first page.

A 1965 first edition copy, published by Jonathan Cape of Ian Fleming's 'The Man With The Golden Gun'. Very good condition, some age wear and light yellowing to dust jacket.

A 1966 first edition of Octopussy and The Living Daylights, Ian Fleming, pub 'Jonathan Cape'. Dust jacket clipped.

A 1964 first edition of 'You Only Live Twice', Ian Fleming, pub 'Jonathan Cape'. Dust jacket clipped. Age wear, discolouration, some staining to dust jacket.

A 1964 first edition of 'You Only Live Twice', Ian Fleming, pub 'Jonathan Cape'. Dust jacket clipped.

Cape Colony National Rifle Association prize shield, ornate HM silver plaque showing crowned stand of flags above association title, crossed Zulu type shields and assegais either side of central device of Cape Crest supported by 2 trumpeting Victory figures, below a scene of a shooting competition with the final part bearing title "Inter Colonial Grand Challenge Shield". The silver plaque bearing Mappin & Webb hallmarks for Birmingham 1910. Wooden shield backing, with prop up stand, also bearing a small silver shield "Western Branch" with the engraved date 1910. VF £75-100

Cape Colony National Rifle Association prize shield (as previous lot), also bearing Mappin & Webb hallmarks for Birmingham 1907, the reverse lacking stand prop and with modern hinge fitted. The presentation shield on the reverse of "Western Branch Transvaal Team" and engraved 1906. Generally GC stand prop missing £75-100

Cape Colony National Rifle Association prize shield, as lot 151 , bearing hallmarks for Birmingham 1913, the wooden shield backing, with stand, also bearing small silver shield "Western Branch" and dated 1913. The wooden shield showing a little wear, the silver plaque generally VF with just a tiny repair to one edge chip. £75-100

The Fifth James Bond Novel Fleming (Ian) From Russia with Love, 8vo, L. (Jonathan Cape) 1957, First Edn., black cloth with silver modified Smith and Weston .38 revolver with sawn off barrel and red rose on front cover, titled on spine in red and silver text, d.j. devised by the author and executed by Richard Chopping, clipped (not priced & some wear) previous owner on f.e.p. Good copy. (1)

Fleming (Ian) Dr. No, 8vo, L. (Jonathan Cape) 1958, First Edn. black cloth (Second Binding) with silver lettered spine, d.j. design by Pat Merriott depicting a silhouette of an elegant female with black and white text, d.j. (Clipped not price) some wear, previous owner on f.e.p. Good Copy. (1)

Fleming (Ian) Goldfinger, 8vo L. (Jonathan Cape) 1959, First Edn., black cloth with stamped skull and gold coins as eyes in gilt, gilt lettered spine, d.j. designed by Richard Chopping, similar design with red rose, titled in black, d.j. clipped (some spotting) not priced, previous owner on f.e.p. Good copy. (1)

Fleming (Ian) For Your Eyes Only, 8vo, L. (Jonathan Cape) 1960, First Edn., black cloth with painted eye on front cover, gilt lettered spine, d.j. designed by Richard Chopping with eye looking through hole in door, titled in red & black (only one of the Bond Series to be issued with glossy d.j.), clipped price, previous owner on f.e.p. Good copy. (1)

Fleming (Ian) Thunderball, 8vo L. (Jonathan Cape) 1961, First Edn., black cloth with blind stamped skeleton hand and wrist on front cover, gilt lettered spine, d.j. design by Richard Chopping with skeleton hand, dagger and playing cards clipped (not priced), previous owner on f.e.p. Good copy. (1)

Fleming (Ian) You Only Live Twice, 8vo, L. (Jonathan Cape) 1964, First Edn., black cloth, Japanese characters in gilt on front cover, silver lettered spine, d.j. designed by Richard Chopping with flower, toad and dragon fly, d.j. (clipped & priced), previous owner on f.e.p., some wear to d.j., otherwise good copy. (1)

Fleming (Ian) The Man with the Golden Gun, 8vo L. (Jonathan Cape) 1965, First Edn., (Second Binding), plain black cloth, gilt lettered spine, d.j. by Richard Chopping with skull, gun and flies, worn, d.j. clipped (price), previous owner on f.e.p., otherwise good copy. (1)

Fleming (Ian) Octopussy and The Living Daylights, 8vo L. (Jonathan Cape) 1966, First Edn., brown cloth, gilt lettering, decorated d.j. by Richard Chopping with shell flies and fish, d.j. clipped (not price). Good copy. (1)

Inscribed by the Author O'Flaherty (Liam) The Martyr, 8vo L. (V. Gollancz) 1933, First Edn., inscribed on f.e.p. 'To Kathleen in Whose .. one gets always a warm welcome Liam O'Flaherty, or the wrong way round 25/5/33, black cloth, yellow d.j., (some wear); The Puritan, 8vo L. (J. Cape) 1931, First Edn., inscribed "To the Pure, all is Pure Here O Cheers, Liam, 25.5.33," decor orange cloth, decor d.j. (some wear). (2)

CLIFFORD, Sir Hugh - The Gold Coast Regiment in the East African Campaign : plates, maps inc. large folding map at the rear. Org. cloth a little damp faded on complete d/w. John Murray. 1920. With - Buchanan, Capt. Angus, Three Years of War in East Africa, 3 folding maps, plates. Inner hinges a little weak, 8vo, org. pictorial cloth in slipcase, John Murray. 1919. With - Cifford, Capt. Ivor D. The Story of the 1st Battalion Cape Corps (1915-1919). With one more same subject.(4)

BRADLEY, Helen - And Miss Carter Wore Pink: colour illustrations, oblong large 4to. org. cloth in price-clipped d/w, Cape, reprint. 1974. * large humorous inscription from Helen Bradley on the endpaper. With - ' In the beginning' said Great-Aunt Jane, org. cloth in price-clipped d/w, oblong large 4to, Cape, First edition, 1975.(2)

A 1930s gold metallic knit short shoulder cape covered in black lace embellished with large black sequins and gold fleur-de-lis shaped design, gold sequinned collar with a front ribbon tie.Additional InformationThere are no sequins missing and the gown is in excellent condition. There are a couple of repairable tears.

A Victorian black jet bead shoulder capelet with handmade black lace detail and fringing, a 1920s black velvet sleeved cape lined with pink patterned silk, with a front tie and a 1920s black velvet jacket with black and white silk trim later added by hand (3).Additional InformationAll three capes are in good vintage condition.

LOUIS FERAUD; a wool and cashmere full length black cape coat with button top slit pockets and a wrap scarf with faux fur trim, size UK 12. 

SPEECHES AND REPLIES TO ADDRESS BY HIS MAJESTY KING GEORGE VI, December 1936 - February 1952, with a types and signed letter from Henry Brooke on Buckingham Palace headed paper dated 14th July 1958; with fifteen other books including JACKDAW OF REMIS, with illustrations by Ernest Marvice; NESBO (J), THE SNOWMAN, signed by the author and dated 7-3-11, Harvill Secker, 2010 LITTLE GOES A LONG WAY, signed by Sid Little and FIENNES (R), MIND OVER MATTER, signed and dated 2000, paperback; FLEMING (I), ON HER MAJESTIES SECRET SERVE, lacking Jacket, Cape, 1963 (14)

MARK SPAIN (born 1971); oil on canvas, 'Red Cape Held', signed, inscribed verso, with Washington Green label verso, 76 x 61cm, framed. (D)Additional InformationPresented in good condition.This lot qualifies for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.org

6 bottles of red wine – Beaune Parent Pommard 1978, 2 x Le Petit Train Syrah 2013, Louis Jadot Beaujolais-Villages 2014, Marques de Carano Gran Reserva 2001 & Moerbei Western Cape Redridge Pinotage 2019

Feuervergoldete Bronzefigur, möglicherweise MandavaraTibet, 18./ 19. Jh.H. 20 cmIn lalitasana auf einem separaten, geprägten Lotussockel sitzend, die rechte Hand zeigt das vitarkamudra, während die linke erhoben ist und eine Schale trägt, sie trägt einen Sari, ein Cape ist um ihre Schultern drapiert, sie ist mit Juwelen geschmückt, ihr Gesicht zeigt einen ernsten Ausdruck mit offenen Augen unter gewölbten Augenbrauen, eine erhobene urna an der Stirn, verlängerte Ohrläppchen mit großem Ohrschmuck, ihr blaues Haar ist zu einem Dutt gekämmt und mit einem Diadem gesichert, wieder verschlossen.Alte Münchner Privatsammlung, vor 2000 gesammeltMinim. best. und berieben

Friedländer, Hamburg, ca. 1895. 85 x 65 cm. Lith. no. 790.Folded. *Fillis Circus, owned by Frank Fillis, was the most famous circus of South Africa at the end of the nineteenth century. The circus owned very impressive circus buildings in Johannesburg and Cape Town. He used the country's political climate, The Boer Wars and Zulu Wars, and any upcoming interest in ethnological exhibitions, eventually touring London (1899) and the World Fair (1904) in St. Louis, to show the "true" South African way of life.

12 BOTTLES SOUTH AFRICAN RED WINERijk's Pinotage Reserve 2015; Meerendal Wine Estate The Loft Cape Blend 2020; The Cattleman's Club Red Blend 2020; Endura Winemaker's Selection Cape Blend 2017; Saronsberg Provenance Shiraz 2019; Franschhoek Cellar Baker Station Shiraz 2019; Van Lovern African Java Pinotage 2020; The Mentors Perold 2018; Beyerskloof Faith 2016 and 2017; Rosendal Reserve Hilltop Shiraz Barrel Selected 2018; Post House Missing Virgin 2019

12 BOTTLES SOUTH AFRICAN WHITE WINEVan Wyk Olivia Grace 2019; Old Road Wine Co Chenin Blanc 2018; Saronsberg Viognier 2019; Christoffel Hazenwinkel The White Blend 2019; Kleine Zalze Cellar Selection Chenin Blanc 2021; Rijk's Reserve Chenin Blanc 2018 and Touch Chenin Blanc 2019; Arabella Viognier 2021; Western Cape Pinot Grigio 2021; Spier The Yellow Wood Organic White Blend 2021; Beau Constantia Cecily 2020; Vrede en Lust Viognier 2020

12 BOTTLES SOUTH AFRICAN RED WINENederburg The Motorcycle Marvel 2017, The Manor House Shiraz 2018 and Shiraz 2019; Old Road Wine Co The Spotted Hound Red Blend 2019; Carmen Stevens Catoria Western Cape Shiraz 2019; Van Wyk Family Wines Rebecca May 2019; Quest One 2018; Spier The Yellow Wood Organic Red Blend 2019; Babylonstoren Cabernet Sauvignon 2019; Allesverloren Tres Vermelhos 2019; Kanonkop Cabernet Sauvignon 2005 and 2017

12 BOTTLES SOUTH AFRICAN WHITE WINEHazendal Chardonnay 2018; Lutzville Vineyards Diamond Collection Sauvignon Blanc 2020; Boschendal Sauvignon Blanc; Durbanville Hills The Cape Mist Sauvignon Blanc 2019, Cool Climate Sauvignon Blanc 2021 and Chardonnay 2020; Bartinney Hourglass Chardonnay 2019; Waitrose No 1 Cederberg Chenin Blanc 2021; Lutzville Vineyards Sauvignon Blanc 2021; La Motte Pierneef Collection Sauvignon Blanc 2020; Journey's End Vineyards Honeycomb Chardonnay 2020; Groote Post Darling Hills Unwooded Chardonnay 2020

12 BOTTLES SOUTH AFRICAN WHITE WINESpier Seaward Sauvignon Blanc 2021; Old Road Wine Co Grand-mere Semillon 2018; The Beekeeper's Pinot Grigio 2021; Boschkloof Montagu Chenin Blanc-Colombard 2021; Hazendal Semillion-Sauvignon Blanc 2018; Durbanville Hills The Tangram 2018; Vergelegen GVB 2018; Wildberg Coterie Semillon + Sauvignon Blanc 2020; Paul Cluver Elgin Riesling 2020; Laarman Wines Cluster Series Pinot Gris 2021; Retief Reserve Cape White Blend 2019; Constantia Glen Two Sauvignon Blanc, Semillon 2019

12 BOTTLES SOUTH AFRICAN RED WINEFocal Point 3 x Cabernet Sauvignon 2019; The Cutter GSM Blend 2019; The Dry Land Collection Cabernet Sauvignon 2018; Mt Vernon Cabernet Sauvignon 2015; Saronsberg Seismic Cabernet Blends 2019; Flagstone Dark Horse Shiraz 2018; Jason's Hill Izak Reserve 2016; Boland Cellar Barrel Matured Reserve Cabernet Sauvignon 2019; Retief Reserve Cape Blend 2019; Plaisir de Merle Cabernet Sauvignon 2017

EDWARD ROWORTH (1880-1964). SOUTH AFRICA. OIL ON CANVAS. “MUIZENBERG AND CAPE POINT”. SIGNED.MEASURES 36CM X 46CMCONDITION REPORT – HAS BEEN RELINED. VERY NICE HANGING CONDITION.

A Roman terracotta figurine depicting venus with two smaller female figures resting on shoulders. The partially clad figurine modelled kneeling holding cape / robe. Measures approx; 20cm tall.

Star Wars - Kenner - Hasbro - In excess of 20 Star Wars: The Power of The Force, Carded blister packs to feature: Han Solo in Hoth Gear, Darth Vader with Lightsabre and removable cape, Tie Fighter Pilot with Imperial Blaster Pistol and Rifle plus similar. Card and bubble appear to be in very good to excellent condition. Please see photographs. (This does not constitute a guarantee).

A BOX AND LOOSE FUR ITEMS AND OTHER CLOTHING, comprising a blonde fur jacket, length 66cm approximate size 10, a grey fur trimmed knitted cape, a grey fur trimmed waistcoat by Jayley, a suede RR Serra jacket, together with two fur hats and assorted fur collars (1 box + loose)

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting.Titled: "Yellow Menagerie"Dated: '89 / '96Oil on Canvas. Signed and dated verso, twice. Overall Size: 52 x 42 in. (224 - 4265)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting.Titled: "Wind in the Essence" Dated: '71 Oil on Canvas. Signed and dated verso. This item was restretched in 2018.Overall Size: 32 x 25.75 in. (4320)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Like Dancing" Dated: '87 Oil on Canvas. Signed and dated lower right and verso. Size: 57.5 x 49.5 in. (90 - 4571)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Red Progression 3" Dated: '89 Oil on Paper. Signed lower right. Image Size: 8.75 x 11.75 in. Overall Size: 13.75 x 16.75 in. Unframed. (255 - 4946)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Joel Meyerowitz (New York 1938 – lebt in New York und Italien). „Porch Series“, Provincetown. 1977C-Print, 1987. Kodak-Papier. 59,2 × 47 cm (60,8 × 50,6 cm) (23 ¼ × 18 ½ in. (23 ⅞ × 19 ⅞ in.)). Rückseitig mit schwarzem Kugelschreiber signiert, datiert (Aufnahme sowie Abzug) und betitelt sowie Aufkleber, darauf mit schwarzem Kugelschreiber beschriftet.[2025]Literatur und Abbildung: Cape Light. Color Photographs by Joel Meyerowitz. Boston 2002, T. 5 (dort betitelt: Porch, Provincetown)Zustandsbericht: In gutem Zustand, mit leichten Gebrauchsspuren. Seidenmattes dünneres Papier. Weißer Blattrand. Am oberen Bildrand mittig und rechts, ca. 3,5 cm bzw. 7,5 cm von oben, zwei kleine Knickspuren, je ca. 1 cm lang. Im Streiflicht vereinzelt leichte kleine Griffspuren, je ca. 1 cm lang. Im oberen Schattenbereich sowie am rechten Bildrand einige matte vertikale Linien, evtl. Retuschen, sichtbar im Streiflicht. Vereinzelt weitere matte kleine Flecken und Wischspuren im Streiflicht. Im Bildrand sowie stellenweise im Bild (Himmel, Wasser) leicht gelbliche, unauffällige Verfärbungen. Ecken und vereinzelt Kanten im Blattrand bestoßen, die untere rechte Ecke mit Knick, ca. 1 cm lang.Wir berechnen auf den Hammerpreis 25% Aufgeld und auf Hammerpreis und Aufgeld die zum Auktionszeitpunkt geltende Umsatzsteuer.

Ohrringe: vintage Diamantohrringe, ca. 0,9ct: Ca. 30mm lang, ca. 6,6g, 14K Gold, bewegliche Unterteile, zwei Brillanten von jeweils ca. 0,45ct, massiv gefasst, Cape Si-I.

BIHO: A LACQUER TWO-CASE INRO DEPICTING MOMOTARO WITH HIS ANIMAL COMPANIONS AND TREASUREBy Biho, signed BihoJapan, Meiji period (1868-1912)Of rounded rectangular form, bearing a roiro ground richly decorated in iro-e takamaki-e with aogai and kirikane to depict Momotaro standing and holding a fan, as his animal companions move along their cart filled with numerous precious treasures including coral branches, a magic mallet, a large hat, and a chest, the dog and pheasant pulling the cart from the front while the monkey pushes it from behind. The interior of roiro with gold edges. The reverse with the gold-lacquered signature BIHO.HEIGHT 6.8 cmCondition: Good condition with minor wear, few minuscule nicks, tiny losses to lacquer. Provenance: French private collection.Momotaro was born from a giant peach, which was found floating down a river by an old, childless woman who was washing clothes there. The woman and her husband discovered the child when they tried to open the peach to eat it. The child explained that he had been bestowed by the Gods to be their son. The couple named him Momotaro, from momo (peach) and Taro (a name meaning 'eldest son in the family'). When he was just five years old, he was able to cut a big tree with just an old knife. When he matured into adolescence, Momotaro left his parents to fight a band of oni who marauded over their land, by seeking them out on the distant island where they dwelled (a place called Onigashima or 'Demon Island'). En route, Momotaro met and befriended a talking dog, monkey and pheasant, who agreed to help him in his quest in exchange for a portion of his rations (kibi dango or 'millet dumplings'). At the island, Momotaro and his animal friends penetrated the demons' fort and beat the band of demons into surrendering. Momotaro and his new friends returned home with the demons' plundered treasure and the demon chief as a captive Ozaki ('end of the cape').

Nomura, Batman, Japan, 30cm, Blech, RS am Batteriefach, dadurch Cape und Batteriefachabdeckung beschädigt, ohne Funktion, optisch sonst neuwertig, Okt Z 1-