SICILY, Lilybaion (as Cape of Melkart [Rash Melqart]), Tetradrachm, c. 330-305, charioteer, holding goad in right hand and reins in left, driving galloping quadriga right, crowned by Nike flying left, rev. head of Tanit left, wearing crown of grain leaves, pearl necklace and triple-pendant ear-ring, two dolphins in front, one below and behind, 1.99g (Jenkins O23/R49 [this combination unlisted]; BMC 8 and de Luynes 918, same obv. die). Good very fine, dark patina £900-£1,200
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Africa. Spilhaus (Margeret Whiting), Pan-Africa, The Cape Times, Cape Town, 1944, a large lithographic pictorial map of the African continent, surmounted by a five-line quotation and facsimile signature of the South-African Premier, General Jan Smuts, varnished and toned overall, slight surface abrasion, 1060 x 825 mm, framedQTY: (1)NOTE:Margaret Whiting Spilhaus 's decorative pictorial map stresses the industry of the inhabitants and natural resources of the continent. She would produce five pictorial maps (Africa twice, Australia, North America and South America) with the idea of fostering and improving geographical and historical education, as well as generating international cooperation and world peace. Ambitions, no doubt encouraged by her upbringing in the Quaker boarding school in Sibford near Banbury in North Oxfordshire. Her parents emigrated to South Africa and she would eventually follow them in 1904. She settled in South Africa and would produce and illustrate nine books, primarily for children as well as her maps. She lived until 1981, dying at the age of 91, leaving a legacy of vibrancy and vitality to the teaching of geography and history. She lived by a principle, that is encapsulated in her own words "Waterloo may have been won on the playing fields of Eton, but the effect of teaching geography and history intelligently and in correlation in the schoolroom would be far-reaching and would contribute substantially to the avoidance of Waterloos in the future".
Wathen (James). Journal of a Voyage, in 1811 and 1812, to Madras and China; Returning by the Cape of Good Hope and St. Helena, 1st edition, London: J. Nichols, 1814, 23 aquatint plates (of 24), tissue guards to plate, lightly spotted, a few leaves torn, original boards, boards detached, backstrip cracked, generally worn, 4toQTY: (1)NOTE:Abbey Travel 517.
STAMPS - COMMONWEALTH. A-Z Collection of VICTORIAN ISSUES housed in two large blue albums, From Classics to the end of the Victorian period, VOLUME 1 starting with AUSTRALIAN STATES, New South Wales with early imperfs with 1854 2d & 3d values, later values to 2/6d, & OFFICIAL stamps both overprinted and Perforated O.S., 1856-63 REGISTERED stamps, Postage Dues, QUEENSLAND from 1862- SOUTH AUSTRALIA from 1860 Imperfs & perf types, Official & Departmental Stamps. TASMANIA, VICTORIA from 1858 Imperfs, WESTERN AUSTRALIA from 1864 Swans, BARBADOS from 1860 Imperf, BECHUANALAND, BRITISH GUIANA from 1860-, CANADA from 1859 1c Perf, and large & small Head types, NOVA SCOTIA, NEW FOUNDLAND, from 1866. CEYLON from 1857 Imperfs, CYPRUS from 1880 GB 1d reds overprinted, EGYPT, FALKLAND ISLANDS 1891 values to 1/-. FIJI 1876- GAMBIA 1886-. GIBRALTAR 1886- VOLUME 2GOLD COAST, HONG-KONG from 1862 with values to 30c, some Treaty Port cancels, INDIA with 1854 1A, 4A & 2A green IMPERFS, later ranges, Service stamps, INDIAN STATES, JAMAICA from 1860-. BRITISH LEVANT. STRAITS SETTLEMENTS from 1867-. LABUAN, NORTH BORNEO. MALTA, MAURITIUS from 1858 Imperf. NEW ZEALAND from 1862 Imperf & Perf CHALON HEADS.& later ranges to 3/-. (9 pages), RHODESIA-BSA Co (4 pages), ST LUCIA from 1860-.ST VINCENT from 1863-. SAMOA, CAPE OF GOOD HOPE from 1855 Triangle stamps, NATAL, ORANGE RIVER COL. TRANSVAAL. TRINIDAD etc.
STATUE D'ATLAS SOUS FORME D'HERCULE EN SCHISTE GRISANCIENNE RÉGION DU GANDHARA, II/IIIE SIÈCLE 51 cm (20 1/8 in.) high Footnotes:A SCHIST ATLAS FIGURE IN THE FORM OF HERCULES ANCIENT REGION OF GANDHARA, 2ND/3RD CENTURY 犍陀羅 二/三世紀 片岩赫拉克利斯形象之阿特拉斯像 Published: Mario Bussagli, L'Arte del Gandhara, Torino, 1984, p. 55. Isao Kurita, Gandharan Art, Vol. II, Tokyo, 1990, p. 155, fig. 448. Provenance: With Claude de Marteau, Brussels, by 1970s Fewer subjects convey the intriguing Greco-Roman legacy in ancient Gandhara (modern-day Pakistan and Afghanistan) more clearly than such Atlas figures lining the bases of its Buddhist stupas. Epitomized by this superlative example, the bearded face, dramatic expression, athleticism, and male nudity nod unmistakably to Classical aesthetic ideals. In Greek mythology, Atlas fought on the side of the Titans against the Olympian gods, lost, and was condemned to support the spherical vault of the heavens for eternity. His myth inspired a leitmotif in Greek and Roman architecture of figures upholding architectural superstructures. During a period of heightened contact with the Mediterranean world, the figure of Atlas was adopted in Gandhara. Repeated images of composite Atlas-like figures surrounded the base of stupas, whose solid domes can be understood as symbols for the sky. With the skin of the Nemean lion worn as a cape over his head and shoulders, the imagery of this distinctive Atlas is conflated with that of Hercules. Hercules conquered the beast as the first of his Twelve Labors, and also briefly relieved Atlas of his duties during his penultimate Labor. While the subject of Hercules is represented in other forms of Gandharan material culture, such as a wrestler's weight now in the Metropolitan Museum of Art (1994.112), the only other known large stone Atlas in the form of Hercules is in the Cleveland Museum of Art (fig. 1). In comparison, the present example alludes more directly to the hero's depiction in Classical art, as the modelling of his high cheek bones, thick beard, and searching gaze draws remarkable resemblance to a monumental head of Hercules from Pergamon (fig. 2), a likeness that was also observed by Ingholt about an Atlas figurine with a similar countenance (Ingholt, Gandharan Art in Pakistan, 1951, p. 157, no. 387). In the Gandharan context, surviving Atlas figures sculpted from stucco line stupa bases at the sites of Taxila, Hadda, and Jualian. There is a considerable number of small stone panels and figurines, yet only a few large stone Atlas sculptures are broadly-known, and originate from two dispersed sets. The first set consists of three figures of smaller scale (each approx. 40 cm high) carved in a dark grey, almost black schist, comprising the aforementioned Cleveland Herculean Atlas, an Atlas in the Norton Simon Museum, Pasadena (F.1975.17.17.S), and another sold by Bonhams, New York, 17 March 2014, lot 66. Atlas figures from the second set survive as a pair carved in a lighter grey schist, consisting of the present sculpture and its mate in the Peshawar Museum (Kurita, Gandharan Art, Vol. II, 1990, p. 157, fig. 453). This second pair is larger, more expressive, and better carved—truer to the Classical aesthetics of naturalism—making the de Marteau Atlas one of the two most important Gandharan Atlas figures remaining.For further information on this lot please visit Bonhams.com
19th Century French School Miniatures: A large oval miniature, 'Portrait of Lady with low-cut lace dress and blue cape,' approx. 9 cms (3 1/2') with brass rim, inscribed on reverse 'Isabela de Orleans,' also 'Miniature Louis XVI;' and a small circular miniature 'Head and Shoulders of a Cavalier,' with brass rim, both above miniatures with ptd. labels, 'S & AM Dub./Loan/1055-7 Art & Ind.,'; also an attractive small oval miniature on ivory, 'Young Man by a Pilaster with bust of a woman, in a landscape,' in fine miniature carved wooden frame in the rococo style. As a lot. V. good. (3) Provenance: Dr. George Sigerson, Senator, from his dispersal sale by Battersby & Co., in July 1925, by descent to the Humphries Family
GILL WATKISS. 'A Walk to the Cafe, Cape Cornwall'. Oil on board. Signed. Signed, titled & dated '95 to the reverse. 30 x 26cm. Please note that all items in this auction are previously owned & are offered on behalf of private vendors. If detail on condition is required on any lot(s) PLEASE ASK FOR A CONDITION REPORT BEFORE BIDDING. The absence of a condition report does not imply the lot is perfect. WE CAN SHIP THIS LOT, but NOT if part of a large, multiple lots purchase.
(Ian Fleming, James Bond, You Only Live Twice), A rare Ian Fleming James Bond poster for the novel 'You Only Live Twice', first published Jonathan Cape Ltd, 1964, the poster presumably a promotional item produced for the launch of the book, approx size 75.5 x 50cm, on board, with the author's surname in block capitals at head of poster in the iconic 'Tea Chest' stencil typeface, first used with such stunning effect on the 'From Russia with Love' dust jacket, where the beautiful and classic Trompe L'oeil illustration by Richard Chopping is in stark contrast to the rough boldness of Tea Chest, thereafter becoming part of the house style in the Jonathan Cape UK first editions of the vast majority of Bond novels, including the Chopping designed dust jacket of 'You Only Live Twice'. The title of the book in English and Japanese characters vertically descending on the right hand side of the poster, the main image of the poster a montage consisting of a photographic portrait of a Japanese lady (presumably the main female character in the novel, "Kissy Suzuki"), a Chrysanthemum flower, an iconic Walther PPK pistol, and a toad sitting on a torn out newspaper obituary for Commander James Bond, and the text "Jonathan Cape 16s" to lower right. The toad and the pink chrysanthemum also echo the Richard Chopping designed dust jacket for the novel. You Only Live Twice was published in the UK on 16 March 1964, by Jonathan Cape and cost sixteen shillings. There were 62,000 pre-orders for the book, a significant increase over the 42,000 advance orders for the hardback first edition of On Her Majesty's Secret Service. Some wear to extremities and corners, slight toning and light waterstaining to the "L" & "E" of "FLEMING" at head of poster, corner mounted in a modern box frame. A very scarce Ian Fleming James Bond item
John Gardner: 'Licence Renewed', London, Jonathan Cape, 1981, 1st edition, signed to title page, original cloth gilt (FFEP & half title slight wear top corner of page, else no names/inscriptions, leaves generally clean/VGC, cloth generally VGC), dust wrapper (VGC/near fine). First edition of the first novel by John Gardner featuring James Bond, the first proper James Bond novel since Kingsley Amis's Colonel Sun in 1968
John Gardner: 'For Special Services', London, Jonathan Cape, 1982, 1st edition, signed to title page, original cloth gilt (internally no names/inscriptions, leaves generally clean/VGC, cloth slightly bumped top corner, else generally VGC), dust wrapper (very slight wear at corners, else near fine). The second James Bond novel by John Gardner
John Gardner: 'Icebreaker', London, Jonathan Cape, 1983, 1st edition, signed to title page, original cloth gilt (no names/inscriptions, leaves generally clean/VGC, cloth generally VGC), dust wrapper (not priceclipped, VGC/near fine). The third James Bond novel by John Gardner, Bond finds himself recruited into a dangerous mission involving an alliance of agents from the United States (CIA) , the Soviet Union (KGB) and Israel (Mossad).
John Gardner, two titles: 'Role of Honour', London, Jonathan Cape and H & S, 1984, 1st edition, signed to title page, 'Nobody Lives Forever', London, Jonathan Cape and H & S, 1986, 1st edition, signed to title page, both original cloth gilt (both no names/inscriptions, leaves clean/VGC, cloth VGC or better), both in dust wrappers (both unclipped, both near fine) (2)
John Gardner, two titles: 'No Deals, Mr. Bond', London, Jonathan Cape and H & S, 1987, 1st edition, signed to title page, 'Scorpius', London, H & S, 1988, 1st edition, signed to title page, both original cloth gilt (both no names/inscriptions, leaves clean/VGC, cloth VGC or better), both in dust wrappers (both unclipped, both near fine) (2)
Six James Bond 007 and related titles, comprising Robert Markham [i.e. Kingsley Amis]: 'Colonel Sun', London, Jonathan Cape, 1968, 1st edition, original cloth gilt, dust wrapper; Sebastian Faulks [as Ian Fleming]: 'Devil May Care', L, Penguin, 2008, 1st edition, signed to title page, original cloth silvered, dust wrapper; Jeffery Deaver: 'Carte Blanche', L, H & S, 2011, 1st edition, signed & inscribed to title page "Bond...James Bond Jeffery Deaver 26/May/11", original cloth, dust wrapper; Rymond Benson, 2 titles, each 1st editions, each published London, Hodder & Stoughton: 'The World is Not Enough', 1999, original cloth gilt, dust wrapper, 'Die Another Day', 2002, Raymond Benson signed publishers bookplate loosely inserted, original cloth silvered, dust wrapper; Robert Sellers: 'The Battle for Bond, the Genesis of Cinema's Greatest Hero', Sheffield, Tomahawk Press, 2007, 1st edition, signed to title page by author and signed by Sylvan Whittingham Mason to acknowledgements page, original pictorial wraps; John Gardner: 'The Man from Barbarossa', NY, Putnam's, 1991, 1st US edition, original cloth, dust wrapper (6)
A collection of Ian Fleming James Bond novels and other James Bond 007 related books, including 1st editions and later impressions of 'You Only Live Twice', 'The Spy Who Loved Me', 'The Man With the Golden Gun', 'OHMSS', some ex lib, all in facsimile wrappers, 'From Russia with Love', 1957 Book Club edition in facsimile wrapper; John Gardner: 'For Special Services', L, Jonathan Cape and Hodder & Stoughton, 1982, 1st edition, original cloth gilt, dust wrapper, first edition of the second Bond novel by Gardner; plus 5 others incl. 'The Art of Bond', 'James Bond the Legacy', etc (12)
Postage Stamps. A collection, mainly British Empire, mint and used, 19th c - George VI, generally fine, some useful earlier issues including Straits settlements, Australian States, Canada, Cape and Africa, GB 1d black (2, faults) and a contemporary album of foreign stamps including China, covers, etc
John Steinbeck, The Moon is Down, printed in the U.S.A., Copyright 1942, first published in March 1942, Alistair Maclean, Force 10 from Navarone, The Companion Book Club, Frederick Forsyth, The Dogs of War, this edition published 1975 by Book Club Associates, Richard Gordon, Doctor in the House, printed by Purnell & Sons, 30th impression, Ernest Hemingway, A Farewell to Arms, Jonathan Cape, London, Thomas Costain, The Darkness and The Dawn, Collins, St James's Palace London 1960, and F.A. Pouchet, The Universe or The Infinitely Great and The Infinitely Little, London, 1884, (7 in total)
Selected Writings Of Elbert Hubbard Anniversary Edition published by WM H Wise & Co New York 1922, Mary Threadgold "Discovery And Romance For Girls and Boys" 1st Edition published by Jonathan Cape 1946, James Bride "One Way Of Living" 1st Edition published by Constable & Co Ltd 1939, Agnes Rothery "The Joyful Gardener" published by Andrew Melrose Ltd 1951, Robert Pick "Guests Of Don Lorenzo" 1st Edition published by Secker & Warburg 1951, J F Rutherford "The Harp Of God" published by International Bible Students Association 1924, Howard Spring "The Houses In Between" published by the Reprint Society 1954, Berdan Schultz Joyce "Modern Essays" published by Macmillan Co 1916 (8)
12 BOTTLES DESSERT WINE - MIXED ORIGINBoschendal Vin D'Or 2018 (375ml); 3 x Seifried Estate Winemaker's Collection Anges Riesling 2021 (375ml); 2 x Durbanville Hills Cape Honey Bees Noble Late Harvest 2020 (375ml); Gieson The Brothers Late Harvest Sauvignon Blanc 2014 (375ml); 2 x Delheim Edelspatz Noble Late Harvest Botrytis 2019 (375ml); De Bortoli Deen Vat 5 Botrytis Semillon 2018 (375ml); The Ned Noble Sauvignon Blanc 2020 (375ml); Nederburg Noble Late Harvest 2019 (375ml)
12 BOTTLES SOUTH AFRICAN RED WINERosendal Private Cellar Collection Barony Freyja Malbec 2019; Allesverloren Tinta Barocca 2019; Swartland Bush Vine Pinotage 2019; Glen Carlou The Glen Carlou Collection Pinotage 2020; Warwick Three Cape Ladies 2017; Stellenrust Corner Stone Pinotage 2019; Lievland Vineyards Pinotage 2019; Tesco Finest Pinotage 2020; Survivor Reserve Pinotage 2019; Carmen Stevens Catoria Pinotage 2019; Vergelegen Cabernet Sauvignon Merlot 2018; Morrisons The Best Pinotage 2020
12 BOTTLES SOUTH AFRICAN RED WINESpier The Yellow Wood Organic Red Blend 2019, Seaward Shiraz 2019 and Cabernet Sauvignon 2020; Warwick The First Lady Cabernet Sauvignon 2017 and 2019 and Three Cape Ladies 2017; L'Avenir Single Block Pinotage 2018; Le Bonheur Wine Estate Cabernet Sauvignon Reserve 2019; Kleine Zalze Vineyard Selection Shiraz 2018; Franschhoek Cellar The Last Elephant Red Blend 2018; Lutzville Vineyards Diamond Collection Ebenhaeser 2018; Neethlingshof Estate Short Story Collection The Caracal Red Blend 2018
12 BOTTLES SOUTH AFRICAN WHITE WINEL'Avenir Wine Estate Single Block Chenin Blanc 2019; Kleine Zalze Vineyard Selection Chenin Blanc 2020, Chardonnay 2020 and Sauvignon Blanc 2021; Durbanville Hills The Tangram 2018, Collectors Reserve The Cape Garden Chenin Blanc 2018 and The Collectors Reserve The Cape Mist Sauvignon Blanc 2019; Le Bonheur Wine Estate Blanc Fume 2020; Lutzville Vineyards Diamond Collection Sauvignon Blanc 2020; Warwick The First Lady Chardonnay 2020 and 2021 and Professor Black Sauvignon Blanc 2021
11 BOTTLES SOUTH AFRICAN RED AND 1 WHITE WINEBeeslaar Pinotage 2019; The Mentors Pinotage 2019; Pederberg Wines Chenin Blanc 2020; Boschendal Nicolas 2017; The Dry Land Collection Joseph's Legacy 2018; Kleine Zalze Shiraz Mourvedre Viognier 2019; Roodeberg Dr Charles Niehaus 2018; Kanonkop Estate Wine Pinotage 2006 and 2017; Ernie Els Wines Big Easy Red Blend 2018; Badger Mountain Red Cape Blend 2019; Stormhoek Pure Organic Shiraz Cabernet Sauvignon
12 BOTTLES SOUTH AFRICAN RED WINESenectus Simelia Old Vine Reserve Syrah 2017; Glen Carlou Gravel Quarry Cabernet Sauvignon 2019 and Malbec 2018; Miles From Nowhere Shiraz 2020; Deux Freres Cabernet Sauvignon 2015; Rosendal Barony Freyja Malbec 2019; Hazendal Pinotage 2017; Bellevue Estate Tumara 2018; Land's End Cape South Coast Syrah 2018; Plaisir de Merle Grand Plaisir 2016; Nederburg Pinotage 2019; Darling Cellars Chocoholic Pinotage 2020
10 BOTTLES SOUTH AFRICAN RED AND 2 WHITE WINEMeerendal The Heritage Block Pinotage 2017 and The Loft Cape Blend 2020; Hazendal Semillon Sauvignon Blanc 2018; Rijk's Reserve Pinotage 2015; Hidden Valley Wines Hidden Secret 2016 and Hidden Gems 2017; Nederburg Sauvignon Blanc 2021; Reverant Wild Ferment Syrah 2020; Rhebokskloof Chenin Blanc 2020; Welbegund Grenache Noir 2019; La Vierge Wines Apogee Pinot Noir 2016; Fairmile Shiraz Malbec 2020
ARTIST: Frank T M Beatty (Illinois, Canadian, 1899 - 1984)NAME: Rockport HarborMEDIUM: oil on boardCONDITION: Minor paint losses along edges. No visible inpaint under UV light.SIGHT SIZE: 9 x 12 inches / 22 x 30 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: unsignedSKU#: 120244US Shipping $42 + insurance.BIOGRAPHY:Artist Frank T M Beatty had a long and varied career. He received his art training in Winnipeg, Canada, and then in Chicago, Illinois, the latter becoming his home base. Joining the Art Staff of the publication Popular Mechanics in 1931, he led the group as Art Director for twenty years. Upon his retirement in 1961, he devoted full time to his painting and sketching in oil, pastel and pencil, with occasional commercial art commissions. In Chicago his studio address was 6017 N. Nassau Avenue.Beatty exhibited at the Art Institute of Chicago and Winnipeg Galleries, had solo shows at many galleries in and around Chicago and won many awards. His work is included in a number of private collections.He was a member of the Artists Guild of Chicago, the Salmagundi Club in New York City, the North Shore Art Group of East Gloucester, the Canadian Club, the Chicago Art Club, the Northwest Art League, and a member and President of the Palette and Chisel Academy.He loved to travel throughout the sixties and nearly every year achieved prolific trips to paint "on the spot" (plein air) in farflung locations including New York, London, Paris, Rome and Lucerne, northeast to Cape Ann, Bar Harbor and Quebec, northwest to San Francisco, Seattle, Vancouver and Victoria, southwest to Texas, Acapulco and Mexico City, and south to Bermuda, Nassau, Palm Beach, Key West and Jupiter, Florida.
Original vintage movie poster for a biography film Rhodes of Africa / Rhodes l'Africain, directed by Berthold Viertel and Geoffrey Barkas, starring Walter Huston as Cecil John Rhodes, the poster features an illustration of Rhodes, indigenous African tribal people with drums, spears, and shields, and the title set over the outline of the African continent. The film tells the biographical story of Cecil Rhodes, a British diamond mining magnate and politician, who served as Prime Minister of the Cape Colony 1890-1896. Printed by Cine-Studio Brussels, Belgium. Good condition, folds, paper losses, pinholes, minor staining, backed on linen. Country of issue: Belgium, designer: Unknown, size (cm): 84x62, year of printing: 1930s.
Fleming [Ian]: Thunderball, pub by Jonathan Cape, issued by The Book Club, first edition 1961, with dustwrapper; Three Others, 'On Her Majesty's Secret Service', first edition 1963, 'You Only Live Twice', first edition 1964 and 'The Spy Who Loved Me', first edition 1962, all with dustwrappers. (4)
THE BEATLES - A COLLECTION OF BOOKS, MAGAZINES & EPHEMERA comprising The Beatles Monthly, Nos 2-17 & 19-31 inclusive (Sept. 1963 - Feb. 66); Lennon, John. In His Own Write, first edition, Cape, London, 1964; Lennon, John. A Spaniard in the Works, first edition, Cape, London, 1965; Beat Monthly, Nos 1-23 (May 1963 - March 1965); and other items.
Maruxa Fondevila (Pontevedra, 1978)Recreation of the outfits that appear on three different covers of "Vogue" magazine illustrated by Eduardo García Benito (Valladolid, 1881 - 1981).The images that illustrate this lot correspond to the wonderful photographs that Joan Tomás took for La Suite Subastas. They are part of a session made with the aim of bringing the dresses we auction to life.Three dresses. The detail of each of the dresses is:Dress 1: The body is made of white crepe on which three rows of fringes are sewn, forming waves. The neckline is formed by strips of rhinestones sewn on mink-coloured tulle; and the skirt comprises five sand-coloured crepe ruffles forming peaks in the front and back centre. On the peaks and on the side are tulle godets embroidered with pale pink sequins and the same fabric as the godets is affixed to the ruffles.The accessories include wristbands with three fringe ruffles each and a necklace of rhinestone strips to match the ones on the neckline of the dress.It is accompanied by a maroon velvet, double-breasted coat with great swing and wide sleeves. The neckline area and the edge of the cuffs are trimmed with imitation grey fox fur.Dress size 1: 38-40 Europe, 10-12 UK, 8-10 USA, 40-42 France. Due to the shape of the dress, it would fit a size 42 Europe, 14 UK, 12 USA, 44 France. Length measurements: 110 cm. The coat is adaptable to any size.Dress 2: The top part is a blouse and its skirt is in two sections that close like an apron, thus making it adjustable to several different sizes. It is made of very fine tulle dotted with dusky pink pearls on pink crepe that gives the dress body.It is accompanied by a cape made of mauve-pink wild silk embroidered with rhinestones and sequins in the same colour range. The neck is embroidered with crystal paillettes in a stronger shade of pink, with two strips of pink chiffon forming the bow that closes the cape. In the centre of the back, as well as on both fronts, feathers are affixed.Dress size 2: 38-40 Europe, 10-12 UK, 8-10 USA, 40-42 France. Due to the shape of the dress, it would fit a size 42 Europe, 14 UK, 12 USA, 44 France. Length measurements: 125 cm.Dress 3: Made of pearl grey beaded embroidered tulle over powder pink Italian satin, also called "angel skin”. It is a dress with wide straps at the back up to the waist and two draped strips on the front neckline that end in two long trains, with which you can play around to create different effects.Dress size 3: 38 Europe, 10 UK, 8 USA, 40 France. Length measurements: 110 cm.
Waugh (Evelyn) They Were Still Dancing, first American edition, original cloth, light surface soiling to spine, dust-jacket, light toning to spine, a few short closed tears with creasing to head of spine and joints, some light surface soiling, but overall a sharp and excellent example of a rare jacket, 8vo, New York, Jonathan Cape & Harrison Smith, 1931.⁂ An excellent example of the first American edition of Remote People, rare in this or any condition.Waugh fell out with Cape & Smith after they reneged on their agreed advance of $600, based on the poor sales of Labels (published in the U.S. as A Bachelor Abroad). Incensed, Waugh broke off relations with Cape & Smith and took They Were Still Dancing to Farrer & Rinehart. The print run had already taken place however, therefore the preliminaries of the Farrer & Rinehart edition had to be published as cancels, and the cloth binding still carried the Cape & Smith logo. It is impossible to know the exact number of the 1931 first edition that were sold, but it has been estimated that there might be as few as 150 copies in existence, including those without dust-jackets.
Vanhöfen, Jan -- "Mingo Junction # 2277"; "Michigan Central Station # 436", from the series "Disturbia" - Detroit. 2012/ 2013/printed 2014. 2 chromogenic prints on Fujicolor Crystal Archive paper. Each circa 39,5 x 49,5 cm (36 x 46 cm). Signed and dated by the photographer in ink on the verso. From an edition by Griffelkunst-Vereinigung Hamburg e.V.Jörn Vanhöfen's photographs address the absence of man, or his withdrawal from places that have become too inhospitable to live in. For the series "Aftermath", Vanhöfen photographed places around the world that have become self-destructing as a result of their maximum exploitation by the expansion society. Sober and at the same time apocalyptic, the individual photographs combine construction and environmental sins into an overall picture. In places as diverse as Bangkok, Cape Town, Chicago, Berlin and Duisburg, the dark sides of progress can be found, which the photographer tracks down and captures in monumental tableaus. One of his later series, "Disturbia", is dedicated to Detroit, which for decades was a symbol of the upswing brought about by the American auto industry. Due to the many empty houses, entire neighborhoods have become ghost towns, and is now one of the most dangerous cities in the USA. – In excellent condition.
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31923 item(s)/page