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Postage Stamps. A Great Britain and Commonwealth collection on leaves, QV-GV, in binder, including GB from 1840 1d black (2), Jubilee, EVII-GV, thereafter on reasonably full leaves, including many territories, West Indies, Australia ('roos to 2 shillings), Cylon, Cape, Canada (Cents and Jubilee), Cyprus, Egypt, Hong Kong, India and others Some condition issues but many useful

Royal Red Cross, GVR, Second Class and Overseas Nursing Association Silver Cape badge and two clasps, attributed to Staff Nurse Miss J Frewin of Queen Alexandra's Imperial Military Nursing Service, the first in (damaged) case of issue and a miniature of the RRC

Africa Interest. Cape of Good Hope Agricultural Society silver medal, the reverse engraved Presented to J C Holding Esqre, late secretary to the Cape of Good Hope Agricultural Society by the members of that institution in grateful remembrance of his long and valuable services to the agriculturalists of South Africa 1871, 49mm, ring suspender, morocco case (Laidlaw 1247)

A Collection of Eleven Arthur Ransome Novels Published by Jonathan Cape

Victorian satin baby's cape,trimmed with bobbin lace, pale blue organza child's dress, with flounced skirt, another, and two other dresses

Vintage 1950's satin dress with sequin and bugle bead embroidered detail, halter neck, a vintage white satin evening dress with embroidered bodice with a matching cape and embroidered shawl detail, a vintage cream linen dress with asymmetric neckline and bow, a Rhona Roy of London moygashel fitted dress with peplum and drop waist, a vintage short summer dress with side fastening and buttons, hat-pattern detail, a gold lame cocktail dress, a blue lace cocktail dress labelled Alice Edwards, blue lace over a pink lining and an Alice Edwards silk cocktail dress with side ribbon detail (8) 

Victorian peignoir,  figured cotton with attached cape, single button fastening, tie belt, full-length

Victorian lace cape 

An early 20thC fox fur cape.Condition ReportGood condition apart from hanger has become detached at one side.

A Victorian quilted black silk cape and a Victorian shawl.Condition ReportVery slight wear to quilted cape.

A 19thC Honiton ? lace hooded cape/veil. Top seam (base of hood) to bottom hem approx. 126cms.Condition ReportSome small holes and odd rust marks.

A quantity of costume to include; black velvet cape, large black lace shawl, long broderie anglaise petticoat, short petticoat, a very fine 19thC yellow scarf and a butterfly embroidered cloth.Condition ReportCape with tiny hole to lining, shawl with small hole and edging coming away, slight damage to long broderie anglaise petticoat and staining to waistband. Small petticoat with some staining and slight marks on yellow scarf.

A good example of a Victorian pedlar doll on a circular ebonised base under a glass dome. Doll with a bisque head and brown glass eyes wearing a red cloak over black dress. The basket displaying numerous items. Size approx. 37cms and dome approx. 50cms h on base.Doll with faded colour to cape and hat and velvet of hat shredded in places. Head in good condition. Dome damaged at base.

A Queen's South Africa medal to 576 Pte. C. James, A.S.C., with Cape Colony and 1902 clasps

A Queen's South Africa medal, 1173 3rd CL: Tpr: P.R. Rodgers S.A.C., with Orange Free State and Cape Colony clasps

3rd type Queens South Africa medal three bars, OFC, Joburg and cape colony, to 3391 Pte w Jones Nth Staffs Reg.

Asian interest, a large pink and yellow silk kimono style cape.

1 bt First Cape Special Cuvée Cabernet Sauvignon NV 1 bt Clos Malverne Basket Pressed Pinotage 1998 Stellenbosch hf, bs 1 bt Kumala Eternal Merlot Cabernet Sauvignon Shiraz 2011 Western Cape Above three bottles

1 bt André Jalbert 2002 Bordeaux ts, bs 1 bt Ernest & Julio Gallo Sierra Valley Chenin Blanc 2004 sl bs 1 bt McWilliams Hanwood Estate Riesling 2005 S E Australia vsl bs 1 bt Jacobs Creek Chardonnay 2007 S E Australia 1 bt Nederberg Rosé 2009 Western Cape 1 bt Wolf Blass Yellow Label 2012 Limited Edition 1 bt Sauternes par Les Chais du Pré NV sl bs 1 bt Stowells Merlot Vde P d'Oc NV bs 1 bt Fiontavines Muscat Cuvée NV Henry Peyrottes 1 bt Seven Hills Vino da Tavola NV 1 bt Merlot Delle Venezie Cantina del Bacco-Ora NV bs 1 bt El Labrador Vino de Lanzarote Moscatel NV Bod. Barreto vsl bs 1 bt Vincente Gandia Moscatel de Valencia NV 1 bt Mateus Rosé NV bs 1 bt Offley Lacrima Branco-Muito Doce NV vsl bs Above 15 bottles

Theroux (Paul) Picture Palace. A Novel, first trade edition, signed presentation inscription from the author 'To Monica Dickens, who is a much better writer than I am, With love, Paul Theroux' to half-title, original cloth, lettered in silver, edges foxed, dust-jacket, rubbed at extremities with minor chipping to head of spine, spotted verso, creased, Boston, Houghton Mifflin, 1978 § Dibdin (Michael) The Last Sherlock Holmes Story, first edition of the author's first book, original boards, a few very small spots to fore-edge leading on to rear endpaper, dust-jacket, slightly rubbed at foot, a very good copy, Jonathan Cape, 1978 § Barnes (Julian) Staring at the Sun, first edition, signed by the author on title, original boards, top edge a trifle dust-soiled, dust-jacket, lightly rubbed and creased at extremities, Jonathan Cape, 1986; and 18 others, most Modern Literature, some signed or inscribed, v.s. (21).

Cavendish Vintage 1949 Bottle of Port, Produce of South Africa, outstanding vintage in the Cape which has been late bottled in this country after over thirty years maturation in oak wood; 73cl, seal intact

Cavendish Vintage 1949 Bottle of Port, Produce of South Africa, outstanding vintage in the Cape which has been late bottled in this country after over thirty years maturation in oak wood; 73cl, seal intact

Victorian school A portrait of lady with red cape reading book ( 30 x 24 )

GB mint Stamps approx £28+ face value 4 Cylinder Blocks of 6 Stamps 3 of each Stamp, Includes Battersea Shield London 350-50 BC, Skara Brea Village Orkney Islands 3100-2500 BC, Grimes Graves Flint mines Norfolk 2500 BC, Mantell yr Wyddgrug Mold cape sir y Fflint / Flintshire 1900-1600 CC/BC, Avebury Stone Circles Wiltshire 2500 BC, Drum best Horns County Antrim 800 BC, Star Carr Headdress Yorkshire 9000 BC, Maiden Castle hill fort Dorset 400 BC, 2017. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

5 boxed pairs of ladies shoes, a fur cape, leather gloves, linen, lace, etc.

A collection of books relating to T E Lawrence (Lawrence of Arabia) to include T E Lawrence; Volumes I & II of the trade edition of 'Seven Pillars of Wisdom', The Reprint Society London, first published 1935, new edition 1939, printed in Great Britain in the city offices at the Alden Press, 'Selected Letters of T. E. Lawrence' edited by David Garnett, The Reprint Society London, first published 1938, new edition 1941, printed in Great Britain in Oxford, at the Alden Press, Michael Asher; 'Lawrence the Uncrowned King of Arabia', Michael Korda; 'Hero: The Life and Legend of Lawrence of Arabia' and edited by David Garnett; 'The Letters of T. E. Lawrence' with various pull-out maps and black and white plates, published London Jonathan Cape 30 Bedford Square and at Toronto, etc.

British Army WW1 Gloucestershire Regiment Military medal group of five awarded to 2628 Cpl F W Robbins, comprising Military Medal, Queen's South Africa Medal 1899 with clasps for Cape Colony, Orange Free State and South Africa 1902 (Pte), 1914 'Mons' Star with clasp for 5th August - 22nd November 1914 (Pte), War Medal, Victory Medal and copy records and paperwork. Cpl Robbins from Cheltenham served with the 1st Battalion and saw service in St Helena, South Africa, India, the Home Front and Western front. He was one of seven brothers who served in WW1 which he survived.

British Army Boer War and WW1 medals comprising Queen's South Africa 1899 and King's South Africa 1902 with clasps for Cape Colony, Orange Free State and South Africa 1901 and 1902, named to 5817 Pte A Groombridge together with his WW1 War Medal and Victory Medal, all Gloucestershire Regiment (33253 to WW1 medals) and his Imperial Service Medal

British Army Queen's South Africa Medal 1899 and King's South Africa Medal 1902 with clasps for Cape Colony, Orange Free State, Transvaal and South Africa 1901 and 1902, named to 1818 Private W H Benfield Gloucestershire Regiment, Corporal to King's South Africa Medal 

British Army Queen's South Africa Medal 1899 and King's South Africa Medal 1902 with clasps for Cape Colony, Orange Free State and South Africa 1901 and 1902, named to 6136 Private F Billingham Gloucestershire Regiment, J Billingham on King's South Africa Medal 

British Army Queen's South Africa Medal 1899 and King's South Africa Medal 1902 with clasps for Cape Colony, Orange Free State, Transvaal and South Africa 1901 and 1902, named to 1508 Private T Wilson Gloucestershire Regiment, QSA named to T E Wilson

British Army Queen's South Africa Medal second type with clasps for Cape Colony and Orange Free State, named to 1865 Private H Brown Gloucestershire Regiment

British Army Queen's South Africa Medal with clasps for South Africa 1901, Cape Colony and Orange Free State, named to 870 Private W Willis Gloucestershire Regiment

British Army Queen's South Africa Medal 1899 with clasps for Cape Colony, Orange Free State and South Africa 1902, named to 5733 Private F Dodd Gloucestershire Regiment

British Army Queen's South Africa Medal 1899 with clasps for Cape Colony, Orange Free State and South Africa 1901 and 1902, named to 896 Private T W Hayward Gloucestershire Regiment

British Army Queen's South Africa Medal 1899 with clasps for Cape Colony, Orange Free State, Transvaal and South Africa 1901 and 1902, named to 27639 Pte T H Westbury, 1st Company Imperial Yeomanry together with two Wiltshire Yeomanry hat badges

British Army Queen's South Africa Medal second type with clasps for Transvaal and Cape Colony named to 5156 Private J Peart Gloucestershire Regiment

Queen's South Africa Medal 1899 with clasps for Cape Colony and South Africa 1902, named to Captain R H W Tulloh A P D, brother of Lt.Col G S Tulloh whose medals are lot 1172 in this auction  

Two WW1 South African nursing/hospital autograph or sketch books, one for E Daly South African Medical Nursing Service, the other H.Daly No. 1 Military Hospital Lynberg Cape Town, both with messages and drawings etc from patients including those serving with the Royal Flying Corps, 4th Scottish, South African Rifles and 1st Duke of Wellington's etc

A VINTAGE POLICEMANS CAPE

STAMPS - Cape of Good Hope, Zegelregt, Province of Griqualand West, Orange Free State also British Colonies ETC

*Philip Sutton RA (b.1928) 'Cape Flowers'; 'Hibiscus' lithograph in colours, each signed and dated 'Philip Sutton/1976' in pencil l.r. inscribed as titled and numbered 9/150 and A/P (artist's proof) respectively each sheet 64 x 44cm, unframed (2) *Artist's Resale Right may apply to this lot.Condition report: Cape Flowers: some surface dirt/marking midway up right side and top-left, also red smudge (possibly from time of execution) lower left. Some handling creases. Please see illustrations for detail. Hibiscus: some surface dirt and handling marks at the extremes, a speck of foxing emerging lower left, two indents to the paper below the image, a tiny mark/speck above top of image. A few minor handling creases. Please see illustrations for more detail.

*Philip Sutton RA (b.1928) 'Cape Point'; 'Kalk Bay'; 'Muizenberg' (South Africa) lithograph in colours, each signed and dated 'Philip Sutton/1976' in pencil l.r., inscribed as titled and numbered 107/150, 143/150 and 52/150 respectively each sheet 44 x 64cm, unframed (3) *Artist's Resale Right may apply to this lot.Condition report: Cape Point: a few minor handling creases, tiny orange speck top extreme edge, overall in generally good condition. Kalk Bay: a few slight handling creases/marks, corners slightly creased, overall in generally good condition. Muizenberg: foxing emerging throughout especially at centre of image, dirt to the corners, splash of tea/water lower right. Please refer to images for additional detail.

Charles J Lundgren (New York, Connecticut, 1911 - 1988) "U.S.S. Rhode Island" Signed lower right. Original Oil on Masonite painting. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting appeared on the Fleetwood Commemorative Cover for the U.S.S. Rhode Island. One of the fastest ships of her day, the U.S.S. Rhode Island - a side-wheel steamer - was commissioned by the Union Navy on 29 July 1861 with Commander Stephen D. Trenchard in command. She first served as a supply and paymaster ship, but the U.S.S. Rhode Island's speed enabled her to capture several Confederate schooners while performing these duties. Thus, as one of the few Union cruisers swift enough to overtake the Confederate blockade runners, the U.S.S. Rhode Island was re-assigned to the Gulf Blockading Squadron on 17 April 1862. She chased and forced ashore the British schooner Richard O'Bryan on 4 July 1862. Later, she was called north for her next duties which involved towing the revolutionary ironclad U.S.S. Monitor from Hampton Roads to Beaufort, North Carolina. On 29 December 1862, with the famous U.S.S. Monitor in tow, she departed Hampton Roads. As the ships rounded the treacherous Cape Hatteras on the evening of 30 December 1862, they encountered a typically heavy winter storm. The violent weather and heavy seas were too much for the U.S.S. Monitor's pumps; she began to flood. As the ironclad began to sink the U.S.S. Rhode Island's crew valiantly tried to rescue their fellow seamen from the ironclad. Only four of the U.S.S. Monitor's officers and twelve of her enlisted men were lost. Image Size: 13.5 x 15.75 in. Overall Size: 20.5 x 21.75 in. Unframed. (B09950)

Keith Reynolds (American, B. 1929) "Golden Hinde" Signed lower right. Original Oil painting on Canvas Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. On December 13, 1577, in a boat less than the size of a small modern tug, Francis Drake set sail from England on a daring three-year odyssey that would take him into oceans hitherto explored only by the Spanish. Drake and about 160 men ventured forth in five vessels: the Pelican (which he later renamed the Golden Hinde), the Elizabeth, the Marigold, and the supply ships Swan and Benedict. Of the five, only the Golden Hinde, with a crew of about 50, completed the voyage. After passing safely through violent storms in the Strait of Magellan, Drake raided Spanish settlements along the west coast of South America. Drake captured two vessels with cargoes of gold, silver and jewels that were so heavy, they caused the Golden Hinde to sail below her watermark. Continuing northward, Drake sighted what is now Canada's west coast. But bitter cold forced him to turn back, and he set a course south and westward to the Philippines and Molucca (the Spice Islands), where he negotiated a trade treaty with the local sultan. From Java to Sierra Leone on the Cape of Good Hope -- 9,700 miles -- Drake sailed without a port of call or a stop for maintenance. On his return to England in September of 1580, he was greeted as a national hero. Queen Elizabeth I came on board his ship to dub him Sir Francis Drake. His fortune and reputation as a brilliant navigator were made -- and the way was opened to England to become a global superpower. Image Size: 15 x 12.5 in. Overall Size: 16.5 x 14.5 in. Unframed. (B06810)

Keith Reynolds (American, B. 1929) "U.S.C.G. Fisheries Patrol Vessel Cape Corwin" Signed lower right. Original Oil painting on Canvas Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting is the original painting which appeared on the Republic of the Marshall Islands 14c U.S.C.G. Fisheries Patrol Vessel Cape Corwin stamp issued September 25, 1995. One of the most important peacetime duties of the United States Coast Guard is enforcing American fishing rights. Working to uphold the Fisheries Management and Conservation Act -- which governs fishing activities within the territorial jurisdiction of the United States -- the U.S. Coast Guard Fisheries Patrol Vessel Cape Corwin visited the Republic of the Marshall Islands in early 1990, just before the craft was decommissioned. Once a United Nations Trust Territory administered by the United States, the Marshalls have hosted a number of craft from this branch of America's military. Image Size: 16.5 x 24 in. Overall Size: 20 x 24 in. Unframed. (B15178)

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Another Analysis" Dated: '96. Oil on Canvas. Signed verso. Overall Size: 25 x 46 in. (369 - 1303) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Plan for Caper" Dated: '96 Oil on Paper. Signed lower right. Image Size: 13.5 x 9.75 in. Overall Size: 20 x 16 in. Unframed. (259 - 4682)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Nightscape" Dated: '71 Oil on Canvas. Signed lower right / signed and titled verso. Overall Size: 24 x 20 in. (20 - 4295)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

A Victoria South Africa Medal to 5657 Pte J. Small. 18th Hussars, with five bars - "South Africa 1902", "South Africa 1901", "Transvaal", "Orange Free State" and "Cape Colony", a Victoria South Africa medal to 3439 Pte E. Beasley. W. Yorkshire Regt., with five bars - "Laing's Nek", "Transvaal", "Relief of Ladysmith", "Orange Free State" and "Tugela Heights", Anglo Boer War medal to artillerst H. M. Wilters, and World War II Africa Service medal to 240424 M. M. Bridges

A VINTAGE CRYING DOLL, CHRISTENING GOWNS, AN EMBROIDERED CAPE, AND OTHERS.

A Queen's South Africa medal, 1173 3rd CL: Tpr: P.R. Rodgers S.A.C., with Orange Free State and Cape Colony

Five WWII medals to C277266 J.F. Sequera, including Africa Star with clasp, two medal bars with '8' clasp, a Cape Corps badge and plastic plaque, and a cloth badge

MEISSEN Putto Allegorie 'Der Winter', 1. Wahl, 20. Jhd. Nach einem Modell von Johann Joachim Kaendler, Putto mit pelzverbrämtem Umhang auf Schlittschuhen, Modell-Nr. 61061, H. ca. 13cm.| MEISSEN Putto Allegory 'The Winter', 1st choice, 20th century. After a model by Johann Joachim Kaendler, putto with fur trimmed cape on skates, model no. 61061, h. approx. 13cm.

STAMPS SOUTH AFRICA 1853 CAPE OF GOOD HOPE 4d Deep Blue, fine used with clear margins SG 2

Asien - Pakistan - Bangladesch - Indien - - (Louis Pantaléon A.) de Noé. Mémoires relatifs à l'expédition anglaise partie du Bengale en 1800 pour aller combattre en Égypte l'armée d'Orient. Mit 2 mehrfach gefalteten lithographischen Karten mit Grenzkolorit u. 19 kolorierten lithographischen Tafeln. Paris, Impr. Royale, 1826. 2 Bl., III, 288 S., 2 Bl. OHldr. mit Deckeltitel (etwas berieben). Erste Ausgabe. - Abbey, Travel 350 - Lipperheide 1584 - Gay 2168: "Noé fut au service de l'armée anglaise contre l'armée francaise; au retour des Bourbons, il fut créé Pair de France". - Die fein kolorierten und militärgeschichtlich wie ethnographisch interessanten Lithographien zeigen Uniformen, Trachten und Volksszenen meist aus Indien u. Ceylon, aus Ägypten und der Türkei. Die große Karte mit Ägypten, die kleinere mit den Routen vom Golf von Bengalen nach Afrika. - Text etwas stockfleckig, Tafeln gut u. in frischem Kolorit. Unbeschnitten. Asia - Pakistan - Bangladesh - India. - First edition. - With 2 folding lithographed maps hand-colored in outline & 19 hand-colored lithographed plates. - Original wrappers (browned and stained). - Comte de Noé (1777-1858) "was one of the French nobility who were able to escape to England during the Revolution and joined the English Army for service in India. These forces in India were then sent to Egypt to serve against Napoleon at the time of the Battle of the Nile. At the island of Socotra they joined up with a companion expedition from the Cape of Good Hope" (cf Abbey). Fine illustrations depict military uniforms and costumes from India, Ceylon, Egypt and Turkey. A large folding map shows Egypt. - Some foxing to text. Plates good. Uncut.

[Victorian Cross / Medal] A period watercolour portrait of Major Richard Raymond Willis, VC, 1st Battalion the Lancashire Fusiliers, possibly a study for a book illustration or memorial, framed and mounted under glass, 20 cm x 15 cm, 46 cm x 36 cm overall [On 25 April 1915 west of Cape Helles, Gallipoli, Turkey, three companies and the Headquarters of the 1st Battalion, Lancashire Fusiliers, when landing on W Beach, were met by a very deadly fire from hidden machine-guns which caused a large number of casualties. The survivors, however, rushed up and cut the wire entanglements notwithstanding the terrific fire from the enemy and after overcoming supreme difficulties, the cliffs were gained and the position maintained. Willis was one of the six members of the regiment awarded the VC for this action]

Ian Fleming, "You Only Live Twice", Cape, 1964, first edition, un-clipped dust jacket

Ian Fleming, "The Man With the Golden Gun", Cape, 1965, first edition, un-clipped dust jacket

Kingsley Amis, "The James Bond Dossier", Cape, 1965, first edition, dust jacket