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David & Mary Bannerman - History of the Birds of the Cape Verde Islands together with Birds of Cyprus, Birds of the Atlantic Islands Vol 2, Birds of the Atlantic Islands Vol 3, published by Oliver & Boyd, Edinburgh,first edition, 8 vo, original cloth boards and dust jackets (3)

Early 20thC Africa interest album of approximately 70 postcards to include Cape Town, South Africa, Zululand, Mozambique, Zanzibar, Aden and Tenerife

Roald Dahl Matilda illustrated by Quentin Blake, published Jonathan Cape 1988 first edition, in gilt lettered cloth and colour illustrated dust-wrapper

JOSEPH WILLMORE; a Victorian hallmarked silver snuff box of rectangular form with engine turned detail to the piano hinge lid, inscribed 'Koffy Harper from Old Friends at 5 Orange St. Cape Town 12.3.94', Birmingham 1889, 6 x 5cm, approx. 1.85ozt/58g

Five vintage handbags including a Cape Cobra leather lined handbag with gold tone chain, a cream snakeskin handbag with snake head feature to one side and includes mirror and small purse, a brown crocodile leather handbag, a brown and cream hide bag with leather detail and a basket weave handbag with silver tone metal top handle (5).Condition Report: All bags are in a good vintage condition.

Lawrence, T.E. Seven Pillars of Wisdom, a Triumph (1st trade edition, Jonathan Cape pub. London, 1935, bound in gilt-tooled brown cloth) Condition Report:Available upon request

Selection of 73 Canadian Navy Cap Talliesincluding HMCS CASPE ... HMCS MAGNIFICENT ... HMCS SWANSEA ... HMCS .. RCNAS ... ROYAL CANADIAN NAVY ... RASCC DUNDAS ... RCSCC HURON ... RCSCC IRON DUKE ... WNL SEA CADETS ... HMCS AVALON ... HMCS BUCKINGHAM ... HMCS BEACON HILL ... HMCS CAPE SCOTT.  75 items.

Six bottles of red wine, comprising The Great Bonza Shiraz Cabernet, The Porta Des Princess Merlot 2019, a The King Cabernet Sauvignon, a Castello de Epifania Rioja, Chais Du Moulin Shiraz, and a South African First Cape Shiraz. (6)

Fleming (Ian). The Man with The Golden Gun, with dust jacket, first edition, published by Cape, 1965.

A George III silver gilt R Cape decanter label, the reserve with a pierced title below an engraved crest of The Elephant and Castle, possibly for the City of Coventry, on chain suspension, Matthew Lynwood, Birmingham 1819, 0.35oz.

A VINTAGE BLACK VELVET CAPE WITH CONTRASTING RED LINING, TOGETHER WITH A VINTAGE GREEN LUREX EVENING DRESS AND TWO HARRIS TWEED JACKETS (4)

Assorted Circa 1970s and Later Costume, Quad black velvet capeLouis Feraud navy wool three piece suit, Hobbs navy checked shirt dressAnokhi patterned long sleeved drop waist dress (size 12)Liberty cream silk shirt and M Thursby pale pink long sleeve shirtJaeger full length a-line mustard velvet skirt with printed paisley designs (size 10)brown wool jacket with patch pockets (size 10)Accessories comprising three fur shoulder capes, stoles, brown suede and fur gloves, fur and faux fur hats, velvet beret etcpair of Hutton black hide covered lace up boots with fur trim, cotton rose printed theatrical dress with matching bonnet(part rail and box)

Assorted Mixed 20th Century Costume and Accessories, including day and evening wear, white cotton baby and ladies undergarments, cream baby cape, two girls dresses, blue cape, lace remnants, textiles etc (half rail, wicker hamper and two boxes)

Various Ladies Clutch Purses/Evening Bags, including Marc Jacobs; together with an embroidered silk cape, christening gown and crewel work curtains

Emilio PUCCI, Collection prêt à Porter, circa 2015. Cape-poncho.Directeur artistique: Peter Dundas. En cachemire et mohair noir et blanc rehaussé de cabochon et de perles tubulaires noires, encolure soulignée de tanuki.Taille française: 38/40Condition d'état: B+Footnotes:Emilio Pucci: a Black and White Cashmere and Mohair Cape/Ponchoc. 2015Condition Grade B+For further information on this lot please visit Bonhams.com

Christian DIOR, Collection Prêt à Porter, Automne-Hiver 2008. Boléro-cape.Directeur artistique: John Galliano. En chinchilla naturel travail horizontal.Taille française: 40Condition d'état: B+Footnotes:Christian Dior: a Natural Chinchilla Bolero/CapeAutumn/Winter 2008Condition Grade B+For further information on this lot please visit Bonhams.com

John GALLIANO, Collection Prêt à Porter, circa 2005. Robe du soir longue et cape.Directeur artistique: John Galliano. En mousseline de soie vert d'eau d'inspiration des années 30, et appliquée de paillettes or et argent, se porte sous une large cape.Taille française: 38Condition d'état: B+Footnotes:Christian Dior: a Water Green Silk Chiffon 1930s Style Evening Dress and Capec. 2005Condition Grade B+For further information on this lot please visit Bonhams.com

British Victorian Boer War Campaign Medal Royal West Kent Regiment, medal with three clasps Cape Colony, Transvaal and Wittebergen, awarded to “4314 PTE C HOLMES 2ND RL W KENT R”. Medal remains in good condition. Charles Thomas Holmes was born in Canterbury Kent, he enlisted in Maidstone. Served in India and was awarded the Indian General Service medal along with the Kings South Africa medal.

WW2 German Kriegsmarine Other Ranks Deck Cap of German Battleship Scharnhorst Interest, fine example of the blue wool other ranks deck cap often referred to as a ‘Donald Duck’ cap. This example with its original metal eagle and cockade roundel insignia to the top and metallic wire cap tally for ‘Schlachtschiff Scharnhorst’. The interior has the original brown sweatband and blue cloth lining with Kiel tailors diamond to the centre. Overall a very good example. The German battleship Scharnhorst was one of the most famous ships of the Kriegsmarine. She was involved in many of the major naval engagements of the war and was often used as a propaganda tool for the Third Reich. She was eventually sunk during the Battle of the North Cape on 26th December 1943. Of her crew of 1,968 officers and men, only 36 men survived the sinking.

Fleming (Ian), Dr No, 1958 second impression, with dancing girl cover, Jonathan Cape, Thirty Bedford Square, London

Antiquarian books - Literature - The Fortunes and Misfortunes of the Famous Moll Flanders. A New Edition with Illustrations and Decorations By John Austen and an Introduction By W. H. Davies, published by John Lane, The Bodley Head, London, 1929; Seven Pillars of Wisdom, T. E. Lawrence, Jonathan Cape, London, 1935; Oscar Wilde, Arthur Conan Doyle, John Steinbeck, etc, (qty).

SOUTH AFRICAN CAMPAIGN; a framed display of medals to include Defence, War and 1914-15 Star, cap badges and silver rifle competition awards, all presented to F. E. H. Robertson with three plaques stating rank at the time, Staff Sergeant P.W.O.R. Cape Peninsular Rifles, Gunner Garrison Artillery and C. Serg Major of the South African Service Corps, mention in dispatches MID award, in box frame 25 x 25, also four print-outs of information found regarding Robertson, to include record details, London Gazette, correspondence card, etc.

Vintage Italian Canali suede leather hooded cape, all size. 

Charlie Bears pair of teddy bears: (1) Impish teddy bear, CB215278O, 2021, designed by Alison Mills and Charlie, deep red plush, wearing a red satin devil cape, with swing label, 8.5"/22cm; (2) Little Wing panda bear, CB215277O, 2021, designed by Alison Mills and Charlie, black and grey plush, wearing black satin bat cape, with swing label, 9.5"/24cm; Near Mint to Mint, both with Good boxes; (2).

First World War Pair comprising War and Victory medals named to 1751 PTE. I. Peterson. 1 - Cape C. L. R.

Late Victorian Martini-Enfield .303 cavalry carbine with South African Cape Government and Cape Rifle Volunteers regimental marks - sold with de-activation certificate dated August 2022

Hemingway (Ernest). The Old Man & The Sea, 1st UK edition, London: Jonathan Cape, 1952, occasional light spotting, ownership inscription to front free endpaper, original blue pictorial cloth, backstrip fade, lightly rubbed, 8vo, together with:Waugh (Evelyn). Put Out More Flags, 1st edition, London: Chapman & Hall, 1942, bookplate to front free endpaper, lightly spotted, original oatmeal cloth, lightly marked & rubbed, 8vo, withGallico (Paul). Coronation, 1st UK edition, London: Heinemann, 1962, spotted, gift inscription to front free endpaper, original blue buckram, backstrip faded, 8vo, with 6 shelves of other 20th-century cloth bound volumes, mostly literature, G, 8vo/4toQTY: (6 shelves)

Douglas (Norman). Looking Back, an autobiographical excursion, 2 volumes, London: Chatto & Windus, 1933, signed by the author to the limitation page of volume 1, some minor marginal spotting, top edges gilt, original uniform cloth in dust jackets, covers slightly toned, marked & rubbed with small tears to head & foot, 8vo, together with:Wheatley (Dennis), 1749-1949, The Seven Ages of Justerini's, London: Riddle Books, 1949, signed by the author to the half-title, some toning throughout, original boards, slightly toned, marked & rubbed to head & foot, 8vo, plusSmith (Zadie), Swing Time, 1st edition, London: Hamish Hamilton, 2016, signed by the author to the half-title, original cloth in dust jacket, 8vo, and Murakami (Haruki), Colorless Tsukuru Tazaki and His Years of Pilgrimage, 1st edition, London: Harvill Secker, 2014, original stickers attached to the front endpaper, original cloth in dust jacket, plus other miscellaneous literature & modern fiction, including The Curious Incident of teh Dog in the Night-Time, by Mark Haddon, 1st edition, London: Jonathan Cape, 2003, signed by the author, 8vo, The Shepherd, by Frederick Forsyth, 1st edition, London: Hutchinson, 1975, signed & inscribed by the author, 8vo, mostly original cloth, some in dust jackets, G/VG, 8vo/4toQTY: (3 shelves)

Capell Brooke (Arthur de). Travels through Sweden, Norway, and Finmark, to The North Cape, 2nd edition, London: J. Rodwell, 1831, 22 lithographs, 11 vignettes, occasional light spotting, contemporary calf, rebacked with original spine laid down (endpapers renewed), rubbed, 4to, together with:Hooker (William Jackson). Journal of a Tour in Iceland, in the Summer of 1809, London: Longman, Hurst, Rees, Orme, and Brown, 1813, half-title to volume 1, frontispieces to each (folding map to volume 2), 6 plates to rear volume 1, lightly spotted, original green cloth, some wear, 8vo, withMetcalfe (Frederick). The Oxonian in Norway; or, notes of excursions in that country in 1854-1855, 2 volumes, 1st edition, London: Hurst and Blackett, 1856, frontispiece to each, publisher's advertisements to rear of volume 1, library stamps to titles, lightly spotted, original brown blindstamped cloth gilt, library shelf numbers & stickers to spine bases, rubbed with some wear, 8vo, with 9 other travel volumes, including a 1st edition of Whymper's A Guide to Chamonix and the range of Mont Blanc in the original pictorial wrappers (1896)QTY: (13)

Fleming (Ian). Goldfinger, 1st edition, 2nd impression, London: Jonathan Cape, 1959, a few light spots, contemporary owner inscription to front endpaper, original cloth, dust jacket, small nicks and tears at spine ends and folds, light toning to rear panel, 8vo, together with John Gardner's Death is Forever, 1992, William Boyd's Solo, 2013, and 5 paperback Pan Books editions: Live and Let Die, 6th printing, 1961, Moonraker, 4th printing, 1960, Diamonds are Forever, 3rd printing, 1959, Dr. No, 2nd printing, 1960, and For Your Eyes Only, 3rd printing, 1962QTY: (8)

Folio Society, publisher. Paradise Lost, a poem in twelve books, by John Milton, London, 2003, colour illustrations by William Blake, original green quarter morocco in slipcase, folio, plus 38 further volumes of Folio Society publications, together with:Lawrence (T. E.), Seven Pillars of Wisdom, a triumph, 1st trade edition, London: Jonathan Cape, 1935, monochrome illustrations & maps, some light spotting & minor toning, original gilt decorated brown cloth, spine & boards slightly faded, 4to, plusBelloc (Hilaire), Mrs. Markhams's New History of England..., Kensington: The Cayme Press, 1926, monochrome woodcuts by Hester Sainsbury, some light marginal toning, original boards with front board & spine labels, slightly rubbed & marked, spine slightly faded & loss to the label, 8vo, and other early 20th-century & modern literature & literary reference, mostly original cloth, G/VG, 8vo/folioQTY: (6 shelves)

Mandelslo (Jean-Albert de & Abraham de Wicquefort). Voyages, Celebres & Remarquables, faits de Perse aux Indes Orientales, 2 volumes in 1, Amsterdam: Michel Charles Le Ce'ne, 1727, engraved portrait frontispiece, 42 engraved plates (of 44, many folding), further engraved plates to text, woodcut initials, head & tailpieces, titles to each part (printed in red & black), half-title to part 2 only, second title a duplicate of first, lightly spotted, a few small closed marginal tears, small ink stamp to title of part 1 & preliminaries, contemporary cat's paw calf gilt, morocco spine labels, rear joint cracked to base, some wear, 4toQTY: (1)NOTE:Brunet IV, 178; Hill 1073; Howgego I M38."Together Mandelslo and Olearius were sent by the Duke on an embassy [1633-4] to the Russian Czar and to the Shah of Persia [for the purpose of initiating trade relations with Russia, Tartary and Persia]. Mandelslo was authorized to leave the embassy in Persia and to continue his travels to the Far East. He went to Surat, Agra, and Goa in India, where he received great kindness from the English merchants, and he also visited Ceylon. He gives long accounts of the other parts of the Far East, which he did not visit personally. His return was made to England by sea via the Cape of Good Hope, which he visited in 1639" (Hill).

Blyton (Enid). The Mountain of Adventure,1st edition, London: Macmillan & Co., 1949, lacking front endpaperThe Ship of Adventure, 1st edition, 1950, price-clipped dust jacketGood Old Secret Seven, 1st edition, Leicester: Brockhampton Press, 1960, price-clipped dust jacketFun for the Secret Seven, 1st edition, 1963, period inscription to the head of the title page & front dust jacket flap, all with monochrome illustrations, some light marginal toning & spotting, all original cloth in dust jackets, covers slightly rubbed with some minor loss to head & foot, 8vo, together with:Lofting (Hugh), The Story of Doctor Dolittle, reprint, London: Jonathan Cape, 1925, original cloth in dust jacket, covers slightly rubbed & marked Doctor Dolittle in the Moon, 1st edition, 1929, original clothThe Twilight of Magic, 1st edition, 1930, period inscription to the front endpaper, original clothDoctor Dolittle and the Secret Lake, 1st edition, 1949, original cloth in dust jacket, covers slightly rubbed & marked with some loss the head of the spine, all with colour & monochrome illustrations, 8vo, plusArdizzone (Edward, illustrator), The Eleanor Farjeon Book, a tribute to her life and work 1881-1965, 1st edition, London: Hamish Hamilton, 1966, bookplate to the front pastedownCharles Dickens Birthday Book, by Enid Dickens Hawksley, 1st edition, London: Faber and Faber, 1958, period inscription to the front endpaper, both with monochrome illustrations, both volumes with some light toning to the endpapers, both original cloth in dust jackets, covers slightly rubbed with some minor to head & foot, 8vo, and other 20th-century juvenile & illustrated literature & annuals, mostly original cloth/boards, some with dust jackets, G/VG, 8voQTY: (6 shelves)

A very interesting collection of Second World War Cable and Wireless telegrams, together with a collection of censored airmail letters, from Soldier 1176761 Allan Law to his wife, together with a collection of censored letters from Officer Law stationed at L Flight 31 Course 3 Squadron 48 Air School East London Cape Province South Africa??, also a collection of undated letters from the same person, and 2 Gift Certificates, 1 to the value of £12 and the other for 8 shillings and 9 pence

NIPON BOUTIQUE; A VINTAGE FULL LENGTH COAT with detachable cape collar (1)

A CREAM KNITTED CAPE EDGED WITH FUR together with one other black cape (2)

A vintage 1950s/60s small white fur cape. Satin lined approx. 38cm across the shoulder, the hem 53cm

Attributed to Nathaniel Hone RA (Irish, 1718-1784)Portrait of a lady, half-length, in a red cape, fur stole and white lace bonnetoil on canvas, feigned oval56 x 48cmCondition ReportFramed: 76.5 x 64cm.The painting is executed in oil on a linen canvas support which has been lined. The canvas tension is good and the picture is in plane. The paint layers have developed a network of age cracks with some prominent, circular impact cracks – notably to the left of the sitter’s face. The paint layer is in a good, stable condition overall. There are a few areas of overpaint, mainly in the background, but also covering cracks in the sitter’s face. The varnish layer is thick and glossy, it has yellowed with age and there are a few drip marks across the surface. The varnish is slightly smeary and opaque in some areas.

Continental School, mid-18th centuryPortrait of a nobleman, half-length, in a blue vest with red cape and regaliaminiature on ivory, oval5.3 x 4cmProvenance: With D S Lavender Antiques.IMPORTANT NOTEThis lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.This item has been registered as exempt from the UK Ivory Act 2018. Ivory declaration submission reference: 1W2PTSBRCondition ReportIn good condition overall, in a custommade leatherbound box.

Gilt-copper medals (5) from Mudie’s National Series: Battle of the First of June, 1794, by W. Wyon, 41mm (BHM 387); Battle of Cape St Vincent, 1797, by G. Mills & N. Brenet, 41mm (BHM 438); Defence of Acre, 1799, by G. Mills & N. Brenet, 41mm (BHM 476); Sir Thomas Picton, 1812, by G. Mills, 41mm (BHM 730); The English Re-Enter Hanover, 1814, by T. Webb & J.-J. Barre, 41mm (BHM 777) [5]. Good very fine or better £100-£150

Copper medals (15) from Mudie’s National Series, each 41mm: Battle of the First of June, 1794, by W.Wyon (BHM 387); Battle of Camperdown, 1797, by T. Webb & W. Wyon (BHM 432); Battle of Cape St Vincent, 1797, by G. Mills & N. Brenet (BHM 438); Defence of Acre, 1799, by G. Mills & N. Brenet (BHM 476); Sir Ralph Abercromby, 1801, by T. Webb (BHM 504); Major General Hutchinson, 1801, by T. Webb & A. Dupré (BHM 509); French Fleet Repulsed, 1804, by J.-P. Droz & G. Mils (BHM 567); Lord Nelson, 1805, by T. Webb & J.-P. Droz (BHM 595); Battle of Vimiera, 1808, by J.-J. Barre & G. Mills (BHM 637); Death of Sir John Moore, 1809, by G. Mills & J. Couriguer (BHM 666); Battle of Albuera, 1811, by T. Webb & N. Brenet (BHM 718); Battle of Almaraz, 1812, by G. Mills & R. Gayrard (BHM 727); Sir Thomas Picton, 1812, by G. Mills (BHM 730); Battle of San Sebastian, 1813, by T. Webb & G. Mills (BHM 761); Presentation of Colours, 1813, by T. Webb & N. Brenet (BHM 769) [15]. Mostly extremely fine or better £300-£400

SOUTH AFRICA, Rand Refinery, a small gold medal, struck in 1921 or 1930 from the first refined gold, head of Springbok with legend rand refinery ltd, south africa, rev. plain. Extremely fine, rare [slabbed SANGS AU 58] £200-£300 --- Provenance: Day’s Postal Auction (Cape Town), 30 November 1968, lot 266 (sold with original catalogue and vendor’s registered envelope) 160 were officially made into cufflinks

South Africa, CAPE PROVINCE, Cape Town, Cape Town Tramways, celluloid Halfpennies (50), various types (cf. Hern pp.49-51) [50]. Varied state £80-£100

19th century English school, portrait of a young girl wearing a red hooded cape and holding a bowl, unsigned, oil on canvas, 75cm x 62cmSet within a contemporary gilt frame. The painting lined, with some signs of associated restoration. The frame with some losses and repairs. Some overpainting to the gilding.

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Watcher" Dated: '95 Oil on Canvas. Signed lower right and verso. Size: 13 x 13 in. (199 - 4669) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Female Head" Dated: '71 Oil on Paper. Signed lower middle. Image Size: 12.25 x 9 in. Overall Size: 20.75 x 16.75 in. Framed behind glass. (83 - 4664) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Triple Beam" Dated: '90 Oil on Canvas. Signed and titled verso. Size: 61.5 x 49.25 in. (122 - 4340) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France

Chris Calle (American, B. 1961) "Gus Grissom - Second U.S. Manned Space Flight" Signed lower right. Mixed Media on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day Cover of the Niue 25th Anniversary of the Moon Landing stamps issued July 20, 1994. On February 21, 1961, NASA announced that, of the seven astronaut-trainees of Project Mercury, three had been chosen to prepare for flight into space. Among them was 33-year-old military test pilot Captain Virgil "Gus" Grissom. So intent was Grissom on making the flight that he gave up water-skiing and became acutely observant of traffic laws to assure that nothing happened to make him ineligible. Finally, on July 21, 1961, only a few weeks after Alan Shepard's 15-minute suborbital flight in Freedom 7, it was Grissom's turn. He had named his Mercury 4 spacecraft Liberty Bell 7 because of its shape, even going so far as to paint a large crack on the vessel similar to the crack in the real Liberty Bell. At 8:20 a.m. Eastern Daylight Time, a Redstone rocket blasted Mercury 4 off from Cape Canaveral. Grissom slightly exceeded the distance and speed of Shepard's earlier flight, traveling to an altitude of 118 miles at over 5,000 miles per hour. After splashdown, the spacecraft's escape hatch blew off prematurely. While Grissom escaped unharmed, Liberty Bell 7 sank permanently to the ocean floor. Jokingly, Grissom named his next spacecraft "Molly Brown" after the popular Broadway musical The Unsinkable Molly Brown. Reluctant NASA officials agreed to the name after hearing Grissom's back-up choice: "Titanic." Image Size: 7 x 6.25 in. Overall Size: 11.5 x 10.5 in. Unframed. (B14795)

Don Balke (North Carolina, B. 1933) "Seashore Scene" Signed lower left. Original Watercolor painting on Illustration Board. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting was originally published on the Fleetwood First Day of Issue Postal Card for the U.S. 15c America the Beautiful, The Seashore, issue of June 17, 1989. At the seashore, water meets land in a marvelous collision of dynamic profusion. A good deal of the wonder and awe inspired by the seashore lies in the very fact that it is never static, always changing. Some elements of a beach may seem to remain the same. Fogs roll in, wrapping the shore in their misty blankets. Seagulls soar overhead, crying their rasping cries. And diminutive beach creatures scuttle to and fro, leaving tiny trails to be lapped up by the waves. But even these things vary, and each visit confronts the visitor with new discoveries, perhaps even unfamiliar terrains. Fickle tide pools come and go, sheltering strange sea creatures for a moment, then leaving with the next wave without even a goodbye. Winds play tag with the ever-shifting dunes, chasing them into closely huddled mounds, or hiding them under gently rolling slopes. Tides artfully sculpt the shoreline, adding sand to make the beach wider here, washing sand away to make it narrower there. All these changes make the seashore an intriguing place to visit, day after day, week after week, and year after year. Because each trip to the shore, be it the first or the fiftieth, can be experienced just once. To celebrate the wonders of the seashore, this postal card was issued at Cape Hatteras, North Carolina, the United States' first National Seashore. Image Size: 15 x 12.75 in. Overall Size: 20 x 21.75 in. Unframed. (B11930)

A Queens South Africa Medal to 2604.Sejt C.R.Jones W.Riding Reg with Cape Colony Paardeberg clasp, WW1 pair to Lieut.C.R.Jones War & Victory Medals and Miniatures along with Duke of Wellington Vesta Case

A Queens South Africa Medal with four clasps, South Africa 1901, Belfast, Orange Free State and Cape Colony to 2427 BOMB.WHLR.J.W.TURDOFF.RFA along with a WW1 Medal Trio, 1914-15 Star to 1494 SJT.J.W.TORDOFF.RFA, War Medal Medal and Victory Medal to 1494 R.Q.M.SJT.J.W.TORDOFF.RA

Depicts a man dressed in 18th century clothing, standing gracefully with one arm raised and cape over his other arm. Dimensions: 10.5" L x 8.5" W x 20" HCondition: Age related wear, with chipping and hairline crack to base.

Cape mounted rifelmans sword 1827-1870 in leather holdal

ROBERT CRUMB LOT (8 in Lot) - Includes R. CRUMB SKETCH BOOK 1974 to 1978 (Hardcover 1978 - Zweitausendeins) + THE BOOK OF GENESIS (Hardcover 2009 - Jonathan Cape) + THE COMPLETE RECORD COVER COLLECTION (Hardcover in Slipcase 2011 - Norton) + DRAWN TOGETHER (Hardcover 2012 - Knockabout) + ODDS & ENDS (Hardcover 2001 - Bloomsbury) + THE COMPLETE DIRTY LAUNDRY COMICS (2003 - Last Gasp) + CARLOAD O'COMICS (1976 - Belier Press) + THE APEX TREASURY OF UNDERGROUND COMICS (1974 - Links Books)

An early 20th century mourning cloak / cape with beaded decoration together with similar mourning clothing.

Apollo 12 three unsigned first day covers each with identical silver 'Yankee Clipper To The Moon' cards affixed to the left hand side. One is date cancelled Cape Canaveral Nov 14 1969 (launch date) and the other two are both date cancelled Cape Canaveral Nov 19 1969 (moon landing date) but each of them has different postage stamps and printed scripts to the right hand sideAll autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

STAMPS SOUTH AFRICA CAPE OF GOOD HOPE 1864 4d Deep Blue fine used with clear margins, SG 19a

A 'English Lady' wool cape/coat with belt and an Ormdale 3/4 length ladies camel coatCONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports.  Please contact us to if you require further information or images. *  Please consider shipping costs before bidding as this may affect your decision to bid *  Please familiarise yourself with our payment methods.  Our preferred method of payment is by bank transfer.  We do not take cash or card payments.

On Her Majesty's Secret Service by Ian Fleming published by Jonathan Cape, London, 1963, First Edition hardback, approx 13cm x 19. 5cm, 288 pages, no dust wrapper. This rare first edition book shows some signs of age, wear particularly at top of spine and centre bottom of front cover (see photographs) otherwise it is in good, fair condition a rare book but has no dust wrapper and is not in stunning condition (£300 to £500 plus in really nice condition). Good condition. All autographed items come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

The Man with the Golden Gun, Ian Fleming, 1st Edition 1965, pub. Jonathan Cape, dustwrapper very good condition with 18s. price flap