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Stefan Kürten 1963 Düsseldorf - lebt und arbeitet in Düsseldorf und New YorkLong time now. 2002.Öl auf Leinwand. Links unten signiert und datiert. Verso nochmals signiert und datiert sowie betitelt. 145 x 190 cm (57 x 74,8 in). [SM]. PROVENIENZ: Simon Lee Gallery, London.Privatsammlung (vom Vorgenannten 2005 erworben). AUSSTELLUNG: Perfect Day, Alexander and Bonin, New York 2002.Gesamtkunstwerk: New Art from Germany, Saatchi Gallery London, 2011/12 (mit Abb. S. 103). LITERATUR: J. Cape, Germania: New Art from Germany, London 2008 (mit Abb. S. 21). Mit Stefan Kürten kommt im Jahr 1963 in Düsseldorf einer der interessantesten Vertreter der gegenwärtigen figurativen Kunst zur Welt. An der Heinrich Heine Universität in seiner Geburtsstadt nimmt Stefan Kürten 19-jährig sein Studium auf. Er schreibt sich zunächst für Philosophie ein (1982/83), entscheidet sich aber bald, an die Kunstakademie zu wechseln. 1989 macht Stefan Kürten, Student in der Klasse von Michael Buthe, seinen Abschluss, um danach für ein Jahr am Art Institute in San Francisco zu studieren. Hier nimmt Stefan Kürten 1992 auch einen Lehrauftrag an (bis 1994). Von Michael Buthe, dem Lehrmeister, kann Kürten die Wirkmacht flirrender Ornamentalität erlernen. Doch setzt der Schüler dabei nicht auf überbordende, ja barocke Opulenz, sondern auf einen hochgradig artifiziellen `Klassizismus`. Stefan Kürtens Werke, Malereien und Arbeiten auf Papier, nehmen den Ausgang bei seinen eigenen Fotografien, oder aber auch Reproduktionen aus Zeitschriften und Buchpublikationen. Besonders Ansichten von Gärten und Architekturen bilden die Grundlage seiner Kompositionen, die diese Gegebenheiten in künstlerischer Überhöhung in verträumte und verzauberte, auch beklemmende und surreal anmutende Welten verwandeln. Es entstehen Arbeiten von großem Wiedererkennungswert, tiefer Anziehungskraft und hoher ästhetischer Verfeinerung. Dieses Oeuvre begründet den Ruhm von Stefan Kürten, der sich zudem durch zahlreiche Lehraufträge hervortut. Nach einer Dozentur an der Hochschule für Künste in Bremen (2002/03) unterrichtet er 2006 am Art Institute in San Francisco und 2010 am Weimarer Bauhaus. Unter zahlreichen internationalen Einzelausstellungen seiner Werke ist die Schau der Arbeiten auf Papier im Kunstmuseum in Mülheim an der Ruhr (2012/13) oder 2007 die Ausstellung `Shadowtime` im Museum Haus Esters in Krefeld sowie der Royal Hibernian Academy in Dublin hervorzuheben. Stefan Kürten lebt und arbeitet in Düsseldorf.Stefan Kürten ist u.a vetreten in:Sammlung Museum of Modern Art, NYSammlung San Franciso of Modern ArtSammlung Kunstmuseum KrefeldSammlung Lehmbruck Museum, DuisburhSammlung RheingoldKunsthalle EmdenMontreal Museum of ArtIrish Museum of Modern ArtKunstpalast Düsseldorf ca. 18.18 h +/- 20 Min.ENGLISH VERSIONStefan Kürten 1963 Düsseldorf - lebt und arbeitet in Düsseldorf und New YorkLong time now. 2002.Oil on canvas. Signed and dated lower left. Verso once more signed and dated as well as titled. 145 x 190 cm (57 x 74,8 in). [SM]. PROVENANCE: Simon Lee Gallery, London.Private collection (acquired from previousl ymentioned in 2005). EXHIBITION: Perfect Day, Alexander and Bonin, New York 2002.Gesamtkunstwerk: New Art from Germany, Saatchi Gallery London, 2011/12 (with illu. on p. 103). LITERATURE: J. Cape, Germania: New Art from Germany, London 2008 (with illu. on p. 21). Stefan Kürten is represented at, among others:Cosar HMT, DüsseldorfGalerie Ute Parduhn, DüsseldorfAlexander and Bonin, New YorkSaatchi Gallery LondonHosfelt Gallery, San FranciscoGalerie der Stadt Backnang ca. 18.18 h +/- 20 min.

Pablo Picasso 1881 Malaga - 1973 MouginsFaune et vieux roi ( Le vieux Bouffon). 1963.Farblinolschnitt. Baer 1338, 2. Platte, II B wohl b (von b). Bloch 1152 (dort mit dem Titel `Le vieux Roi`). Signiert und gewidmet. In der Platte datiert. Exemplar außerhalb der Auflage von 50 nummerierten Exemplaren. Auf Velin von Arches (mit dem Wasserzeichen). 64 x 53 cm (25,1 x 20,8 in). Papier: 75,3 x 62,3 cm (29,6 x 24,5 in).Herausgegeben von der Galerie Louise Leiris, Paris 1963. [CB].Während des Entstehungsprozesses des überaus komplexen Farblinolschnittes `Le vieux Bouffon` durchläuft die Komposition verschiedene Variationen und Veränderungen. In zahlreichen Zwischenstufen druckt Picasso die einzelnen Farbplatten, teils in anderen Farben und kombiniert mit anderen Elementen, so dass ganz neue und eigenständige Motive entstehen. Mit der gelben Platte kreiert Picasso das Motiv ?Homme au bâton?, mit der blauen, um 180 Grad gedrehten Platte die Darstellung ?Baigneuse debout avec une cape?. Die hier angebotene Variante beinhaltet die Elemente der rosafarbenen Platte, die jedoch in schwarz gedruckt sind und unter anderem mit dem Gesicht eines Fauns in der linken unteren Ecke ergänzt werden. Dieser Alleindruck der zweiten Platte ist mit dem Titel ?Faune et vieux roi? eine vollgültige Komposition, die in einer gesonderten Auflage erscheint. ca. 17.05 h +/- 20 Min.ENGLISH VERSIONPablo Picasso 1881 Malaga - 1973 MouginsLe vieux Buffon. 1963.Linocut in colors. Baer 1338, 2nd plate, II B presumably b (of b). Bloch 1152 (there with title `Le vieux Roi`). Signed and dedicated. Inscribed in plate. Copy aside from the edition of 50 numbered copies. On wove paper by Arches (with watermark). 64 x 53 cm (25,1 x 20,8 in). Sheet: 75,3 x 62,3 cm (29,6 x 24,5 in).Published by Galerie Louise Leiris, Paris 1963. [CB].ca. 17.05 h +/- 20 min.

A Queen's South Africa medal, re-inscribed to W. F. Dumpleton, with Transvaal and Cape Colony clasps, together with a group of three First World War medals to the same recipient CONDITION REPORT: South African medal with later inscription, typical wear overall

A quantity of Knight's Templar and Masonic regalia including a tunic, cape, cap and Mantle Badge stitched with a key, and aprons and cuffs for a West Yorkshire Lodge.

A Boer war medal awarded to Corporal H Truscott, 13th Coy Imp Yeo, with five bars, for South Africa 1901, South Africa 1902, Transvaal, Orange Free State and Cape Colony.

A QUEEN`S SOUTH AFRICA MEDAL TO PRIVATE W.E. TACK, MIDDLESEX REGIMENT third type reverse, with one clasp Cape Colony (995 Pte W.E. Tack. Middlesex Regt), officially impressed, unmounted (name impression slightly off-set).

A VINTAGE BROWN VELVET HOODED OPERA CAPE, fully lined with contrasting red sateen fabric, tie fastening, together with a vintage blue woollen cape (2) Cost of shipping to UK address £36.95 inc.vat.

TWO VINTAGE FUR CAPES, comprising one mink cape and one coney fur cape, together with a dyed skunk fur stole, the mink cape by `Benton Furs - Los Angeles` Cost of shipping to UK address £27.95 inc.VAT

A VINTAGE PALOMINO MINK FUR CAPE / STOLE, fully lined, label reads `Canadian Fur Co.` single button fastening Cost of shipping to UK address £27.95 inc.VAT

A HEAVILY EMBROIDERED REVERSIBLE ORIENTAL ROBE, black ground with extensive floral and figurative embellishment, together with a vintage blue velvet cape, beadwork decoration to collar, ribbon fastening, and a matching evening bag (3) Cost of shipping to UK address £23.95 inc.vat.

QUEEN'S SOUTH AFRICA MEDAL (2nd type reverse) with 'Cape Colony', 'Wittebergen' and 'South Africa 1901' clasps, named to '1976 Pte.J.Graham, 1st Highland Lt Infy', with original ribbon

Lladro porcelain model of a young girl in nightgown and another similar wearing cape, carrying basket together with a Lladro model of a cat and a Nao model of a young girl (4)

A QUEEN`S SOUTH AFRICA MEDAL TO PRIVATE W.E. TACK, MIDDLESEX REGIMENT third type reverse, with one clasp Cape Colony (995 Pte W.E. Tack. Middlesex Regt), officially impressed, unmounted (name impression slightly off-set).

A Boer war medal awarded to Corporal H Truscott, 13th Coy Imp Yeo, with five bars, for South Africa 1901, South Africa 1902, Transvaal, Orange Free State and Cape Colony.

A quantity of Knight's Templar and Masonic regalia including a tunic, cape, cap and Mantle Badge stitched with a key, and aprons and cuffs for a West Yorkshire Lodge.

South Africa Johannesburg, Orange Free State, Cape Colony, Long Service, Egypt and Egypt The Nile 1884-85 medals and two National Rifle Association dishs

A Vintage Sea Green Velvet Cape. Very Heavy flowing cape with large hood shawl and a pretty platinum clasp at the neck, Arm holes beneath the shawl, lined in a white sateen. (1)

A fur cape, two 1940's feux fur coats/jackets and a further tweed collarless jacket. (4)

A 1970's Red Cape Coat. Wool with brass buttons. (small mark). A brown suede coat. Size 10

[MISCELLANEOUS] Fleming, Ian. Thunderball, first edition, Cape, London, 1961, black boards, octavo (ex library; lacking dustjacket); Christie, Agatha. A Pocket Full of Rye, first edition, Collins Crime Club, London, 1953, red cloth, octavo (spine faded; base of joints split; remains of jacket taped to front pastedown); and assorted other works, including four further titles by Christie, and five by P.G. Wodehouse, all without dustjackets, (13).

A ladies' cheetah style fur short cape. Condition Report: Doesn't smell musty; mostly of old perfume. Generally good condition but not quite as supple as it used to be in some areas.

A Victorian Staffordshire figure of Albert, he stands uniformed with ermine trimmed cape, the base named 'Albert' in black lettering. Height 26cm. Condition Report: There are paint chips to the hair of the figure, the body has the usual crazing and there are small chips to the left and right hand sides on the foot of the base. These cannot really be seen unless the figure is turned over.

Dark Chocolate Brown Full Length Luxurious Mink Coat, glossy and supple, with an unusual sleeve detail; self lined collar with revers, fitted top with gentle flare from the waist, elbow length cape sleeves over detachable half straight sleeves, (the upper part of the sleeves, beneath the cape, being sateen), for both evening and day wear, slit pockets, button and loop fastening, dark brown jacquard sateen lining with hidden inside pocket; exceptional in style and quality

Ladies Light Brown Mink Short Sleeved Cape, Fully lined. Horizontal pelts.

[MISCELLANEOUS] Fleming, Ian. Thunderball, first edition, Cape, London, 1961, black boards, octavo (ex library; lacking dustjacket); Christie, Agatha. A Pocket Full of Rye, first edition, Collins Crime Club, London, 1953, red cloth, octavo (spine faded; base of joints split; remains of jacket taped to front pastedown); and assorted other works, including four further titles by Christie, and five by P.G. Wodehouse, all without dustjackets, (13).

Vera Mont evening dress, navy blue dress, evening floral dress and green wool cape, retailed by Selfridges

A 1930s silver fox cape, by Jonell

A 1930s brown fox fur cape together with a vintage 1940s blonde musquash three quarter length fur coat

A Derby Porcelain figure of an actor or singer, possibly a representation of David Garrick, circa 1800, with cape, standing by a rock, 23cm high

World Banknotes - South Africa - Orange Free State - Post Note Set - 1s 6d to 15/- [7]Various issue dates, 1898-1921, Post Office, post notes issue; each ink signed by postmaster, to various payees; perforated at left for separation from counterfoil. 1s and 6d. Obv: red, black values and number, arms; serial number A/1 02252; issued Ficksburg, 3rd November 1898, cashed Port Elizabeth, 8th November 1898. Rev: blank, Cape of Good Hope 1d red postage stamp tied with Port Elizabeth cds; 2s and 6d. Obv: brown, black values and number, arms (with perforation through); serial number A/1 02802; issued Patouriesburg, 7th July 1899, cashed Cape Town, 14th July 1899. Rev: blank, Cape of Good Hope 1d red postage stamp tied with Cape Town cds; 5s. Obv: orange, black values and number, arms; serial number A/1 01422; issued Harrismith, 4th July 1898, cashed Point, Natal, 8th (corrected in ink from 11th) July 1898. Rev: blank, Natal 1d red postage stamp tied with Point, Natal cds. 7s and 6d. Obv: green, black values and number, arms; serial number A/1 00254; issued Ladybrand, 9th July 1898, cashed Cape Town, 17th July 1898. Rev: blank, Cape of Good Hope horizontal pair 1d red postage stamps tied with Cape Town cds. 10s. Obv: purple, black values and number, arms (with perforation through); serial number A/1 06356; issued Bothaville, July 1921, cashed Cape Town, 21st July 1921. Rev: blank, Cape of Good Hope vertical pair 1d red postage stamps tied with Cape Town cds. 12s and 6d. Obv: red, black values and number, arms; serial number A/1 00141; issued Bosh, 8th July 1898, cashed Kimberley, 11th July 1898. Rev: blank, Cape of Good Hope horizontal triple 1d red postage stamps affixed with Kimberley cds. 15s. Obv: yellow, black values and number, arms (with perforation through); serial number A/1 01247; issued Bothaville, 19th June 1899, cashed Cape Town, 17th June 1899. Rev: blank, Cape of Good Hope vertical triple 1d red postage stamps tied with Cape Town cds. Pick - (the 1s & 6d value not listed)/Pick S682/Pick S683/Pick S684/Pick S685/Pick S686/Pick S687. 183 x 98mm each. The 1 shilling and 6 pence value is not listed (but a 1 shilling value is given); all are good examples with generally clear issue and encashment stamps. [7]Generally very fine; a few with folds, most bearing various additional Post Office and other ink stamps. Scarce.

Five c.1950's dolls, one a crying doll, one a boy doll and also an Edwardian child's dress and cape.

Victorian penwork wooden snuff box, decorated with a rent collector, 8cm, also a Victorian painted papier mache snuff box, the cover decorated with a portrait of a young lady in a black cap and orange cape, 8.5cm (2)

A late 19th/early 20thC Armand Marseille 390HDRGM 246/1 A8 bisque headed doll, with sleep eyes, open mouth showing teeth, painted features, original hair, bonnet, dress and cape in blue, with an articulated composite body, impressed marks verso, 66cm high.

An early 20thC W Germany Hancocks bisque headed doll, with brown wig, fixed glass eyes and open mouth showing teeth, with leather body and articulated composite limbs, in an early 20thC dress wearing red cape and white undergarments with leather shoes, impressed marks verso, 43cm high.

A late 19th/early 20thC bisque headed doll, number 9 of large size, blue sleep eyes, open mouth showing teeth and real blonde hair wig, with an articulated composite body, with early long white cotton gown and cream wool cape with bonnet and hat, impressed marks verso, probably Armand Marseille,73cm high.

A First Edition "Casino Royale" by Ian Fleming, published by Jonathan Cape, Thirty Bedford Square, London, 1953, original cloth, no dust wrapper.

A Garroulds of London Nurses Cape with large quantity of Military Badges, three Military Uniforms, RAF, Guards etc and a pair of Breeches

A cream lace tamboured Cape, 19th Century and a flounce of white Lace

A Janice Wainwright black Cocktail Skirt and lace trimmed top, Angela Gore multicoloured velvet 1970’s maxi dress, a fox cape and an ermine tippet

A black lace and georgette Dress with diagonal lace insertions, cape sleeves and fagot stitching to bodice. 1920’s. A dark green full length dress with velvet belt, 1930’s and a deep rose silk 1950’s dress and jacket (3)

A child’s cream coney Coat, a white fur evening Cape, a 1930’s brown fur Cape, a brown Cape, a brown mink/musquash Jacket and a faux astrakhan Coat with a cream fur collarª

A composition shoulder headed Welsh costumed Doll. Modelled as an elderly woman with painted eyes, open closed mouth and original spectacles. Original costume of Welsh woollen skirt, print apron, red flannel hooded cape and black velour tall hat. Circa 1900, 12in H

Commonwealth mint and used selection early to QE11 including Bermuda, Swaziland, Pitcairn, Cape of Good Hope, Ceylon. 200 + stamps.

Commonwealth mint and used selection early to QE11 including Bermuda, Swaziland, Pitcairn, Cape of Good Hope, Ceylon. 200 + stamps.

LAWRENCE, T.E. The Mint… by 352087 A/c Ross. London: Jonathan Cape, 1955. First edition, 4to (247 x 185mm). Original cloth, dust-jacket (soiled). - And seventeen others by or on Lawrence (18). Provenance: The Library Collection of the Late W. Leslie Weller MBE, DL, FSA.

Collection of British, Colonial, European and World Stamps collected in the 1940?s and early 1950?s. Housed in four collecting albums. Including a number of Victorian and later English stamps plus examples from Gibraltar, Irish Free State, Malta, British North Borneo, Ceylon, Cyprus, Hong Kong, India, Indian native states, British Possessions Straits Settlements, Cape of Good Hope, Gambia, Gold Coast, Kenya and Uganda, Mauritius, Natal, Nigeria, Northern Nigeria, Nyasaland Protectorate, Orange River Colony, Rhodesia, Southern and Northern Rhodesia, St Helena, Sierra Leone, Sudan, Tanganyika, Transvaal, Union of South Africa, Zanzibar, Bahamas, Barbados, Bermuda, British Guiana, Canada, Dominica, Jamaica, Leeward Islands, Newfoundland, St Vincent, Trinidad and Tobago, Argentina, Bolivia, Brazil, Chilli, Cuba, Guatemala, Hayti, Mexico, France, French Colonies, Germany, Belgium, Belgium Colonies, Spain, Spanish Colonies, Peru, Austria, Yugoslavia, Russia, United States of America, Persia, Australian commonwealth, New South Wales, New Zealand, Queensland, Tasmania, Victoria, Western Australia, Japan, Siam, China, Palestine, Sarawak, Switzerland, German States, Portugal, Poland, Italy, Monaco, plus many more. Some stamps are loose. (Viewing strongly recommended)

A Queens South Africa medal with Cape Colony, Orange Free State and South African 1902 clasps, uninscribed.

William Lionel Wyllie, RA, RBA, RE, RI, NEAC (1851-1931) "CAPE TRAFALGAR" signed and inscribed watercolour 19.5 x 40.5cms; 7 5/8 x 16in. See Illustration.

Vintage black Persian lamb evening cape, to/w a shadowed fur fur evening stole with tail embellishments (2)

Fox fur evening cape, to/w a tri-colour musquash deep fur stole retailed by Louis Silverblatt, London and a black fur collar (3)

1970's Janice Wainwright 'A Forty Seven Poland St.' black chiffon dress with cape sleeves embroidered with autumnal leaves, size 14, a 1970's black silk chiffon evening dress with gold/silver sequins, Elinor Simmons for Malcolm Starr (size 14) (20 cm tear to front) and a 1970's cotton magenta tunic/coat embroidered with gold beads and sequins by Naseem Creations (Cont. Size 36) (3)

P & O Australia via the Cape 1923 advertisement. { 49cm H X 36cm W }.

A 19TH CENTURY CARD MOUNTED PHOTOGRAPH of Cecil Rhodes, 17cm high together with an Order of Service for the funeral of The Right Honourable Cecil John Rhodes, April 1902, an invitation card related, a photograph of Dr. Jameson seated in a wicker chair with a lion cup at his feet, a photograph of J.X. Merriman, an invitation to luncheon by the Administrator and Executive Committe of the Provence of The Cape of Good Hope dated 1st May 1925 and a small quantity of stamps

A 19TH CENTURY CARD MOUNTED PHOTOGRAPH of Cecil Rhodes, 17cm high together with an Order of Service for the funeral of The Right Honourable Cecil John Rhodes, April 1902, an invitation card related, a photograph of Dr. Jameson seated in a wicker chair with a lion cup at his feet, a photograph of J.X. Merriman, an invitation to luncheon by the Administrator and Executive Committe of the Provence of The Cape of Good Hope dated 1st May 1925 and a small quantity of stamps

A WWII US Army nurse's cape dated 1945

A Complete Chart of the Coast of France from Ostend to Cape Finesterra, including the opposite Coast of the British Channel Gentleman`s Magazine 1758.

A WWII US Army nurse's cape dated 1945

A silver and gemstone pendant and chain by Juliano, Cape Town

Fleming (Ian), The Spy Who Loved Me, 1962, Jonathan Cape, first edition, dust wrapper (priced 15s.), Goldfinger, 1959, Jonathan Cape, first edition, later dust wrapper (priced 18s. (overprinted); with four others (6)

Two fox fur stoles, Ross Furriers fur jacket, another and a fur cape and stole combined (5)