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Lot 38

Vintage clothing: A fur cape by Julius Garfinckel and Co. of Washington and some fur collars

Lot 163

ROYAL AIR FORCE FLYING OVERALLS BELONGING TO FLIGHT LIEUTENANT DR ARTHUR EDWARDS, NURSES CAPE BEARING VARIOUS INSIGNIA, PLUS GLIDERS PILOT REGIMENT FLAG WHICH FLEW OVER KOREA IN 1950-1953. FLAG WAS GIVEN TO VENDOR BY CAPTAIN PETE WILSON

Lot 4

From The Estate Of Bob Baker - Artwork - 'Cape Cornwall' - Mixed media painting of a Cornish scene. Signed by Baker and dated 1994, titled 'Cape Cornwall' in his hand. Framed and glazed. Total size; 40cm x 51cm.Robert ‘Bob’ Baker (1939 to 2021) was a British television and film writer. He was best known for working on the original series of Doctor Who – during which he co-created the now iconic character of K9, and for being a co-writer of the Wallace and Gromit films The Wrong Trousers, A Close Shave, Wallace & Gromit: The Curse of the Were-Rabbit and A Matter of Loaf and Death (in which the character Baker Bob is named after him). Baker’s work with Aardman Animations earned him a share of two Academy Awards, and two BAFTAs. Baker was born in St George, Bristol. Each lot from his estate is accompanied by a specially made certificate of authenticity confirming it to have come from his own personal collection.

Lot 352

Rogers (Capt. Woodes) A Cruising Voyage Round the World: First to the South-Sea, thence to the East-Indies, and homewards by the Cape of Good Hope, second edition, engraved folding map frontispiece and 4 folding maps, bookplate of Frederick E. Ellis, his ownership inscription to front free endpaper, frontispiece trimmed at head along ruled border and with tiny hole to horizontal fold, one or two neat and expert repairs to other maps, occasional light foxing, the odd small stain but overall a crisp copy, contemporary panelled calf, rebacked, preserving rather worn backstrip, worn at corners, elsewhere rubbed, [Sabin 72754], 8vo, Printed for Andrew Bell & Bernard Lintot, 1718.⁂ Famous account of privateering in the South Seas. Rogers set out from Bristol with William Dampier as his pilot, travelling along the coasts of Chile and Peru to seek out Spanish prizes. He landed on the Juan Fernandez islands in order to shelter from a storm, and there rescued the marooned Alexander Selkirk, the inspiration for Defoe's Robinson Crusoe.

Lot 525

Hemingway (Ernest) In Our Time, first English edition, light browning to endpapers, original cloth, dust-jacket, very light toning to spine, slight fraying to head of spine, short closed tear to head of upper panel, a crisp and excellent example, [Hanneman A32], 8vo, Jonathan Cape, 1926.⁂ Hemingway's first short story collection.

Lot 310

Cook (Capt. James).- Sparrman (Anders) A Voyage to the Cape of Good Hope, Towards the Antarctic Polar Circle, and Round the World, 2 vol., second edition, engraved frontispiece and 9 plates, 1 folding engraved map neatly mounted on stub, bookplate of Henry Telfer Low, later ink ownership inscription to front free endpapers, contemporary ink ownership inscription to head of titles, map with small tear at central fold but no loss, plates lightly offset, some scattered foxing, contemporary marbled calf, rebacked, corners repaired, covers rubbed, [Hill 1616], 4to, Printed for G.G.J. and J. Robinson, 1786.⁂ Includes an account of Sparrman's role as assistant naturalist on Cook's second voyage.

Lot 424

Astronomy.- Herschel (Sir John F. W.) Results of Astronomical Observations made during the years 1834, 5, 6, 7, 8, at the Cape of Good Hope, first edition, half-title, lithograph frontispiece, 17 engraved or lithographed plates, 4 folding, 2pp. publisher's advertisements at end, without errata slip, original cloth, rebacked retaining original backstrip, bumping to corners and spine extremities, [Norman 1056], 4to, 1847.⁂ A detailed survey of the southern sky, and Herschel's most important astronomical work.

Lot 544

Orwell (George) Animal Farm. A Fairy Story, first edition, ownership blind-stamp to front free endpaper, original cloth, very light fading to spine light sunning to spine tips, dust-jacket, Searchlight advertisement printed in red on verso, spine slightly darkened, spine ends and corners a little chipped, 2 closed tears with creasing to head of lower panel, joints rubbed, a very good, sharp copy, [Fenwick A10a], 8vo, 1945.⁂ An attractive copy of Orwell's classic satirical allegory. Increasingly scarce in good condition. Orwell struggled to find a willing publisher, eventually Secker and Warburg obliged after it was rejected by Gollancz (Orwell's usual publisher) as well as Faber and Faber and Jonathan Cape.

Lot 435

Quantity of military buttons incl. Machine Gun Corps, Scottish, Light Infantry, Cape Colonies Railway, New Zealand Forces

Lot 287

Stamp collection across numerous albums and loose to include predominantly 20th century used material, many sorted into packets or tins by country to include BAHAMAS, BRAZIL, FRANCE, CANADA, UNITED STATES OF AMERICA, ALGERIA, BERMUDA, BHOPAL, INDIA, INDOCHINA, HONG KONG, CAPE OF GOOD HOPE, CHINA, etc.

Lot 719

Two publications The Voyages of Alfred Wallis. Peter Everett. Published 1999 by Jonathan Cape. Hardback.Alfred Wallis: Tate St Ives, Summer 2009. Billy Childish. Published 2009 by Tate Publishing. Paperback.

Lot 647

Ges WILSON (1954) Cape, Brissons, May Oil on canvas, signed and inscried to verso, 61 x 76cm.

Lot 188

Karl WESCHKE (1925-2005) Cape Cornwall Seascape, circa 1966  Oil on board, 244.5 x 122cm.Provenance - Given to Donald Payne, in lieu of rent for Karl's studio at Nanpean Farm, Cape Cornwall.This oil is in original, unrestored, ex-studio condition. There are peripheral paint losses and some other damage to paint surface. It would benefit from a clean and light restoration.

Lot 772

The Art of Zandra Rhodes Zandra Rhodes and Anne Knight Published 1984 by Jonathan Cape. Hardback. Signed.There is some foxing present throughout the book (please see additional images), along with some bumping to the top right hand corner. The book is signed by the artist.

Lot 85

Dahl (Roald) 'The BFG', 1982, first edition, Jonathan Cape, signed by Roald Dahl and illustrator Quentin Blake, with dust wrapper

Lot 85a

Dahl (Roald) 'Revolting Rhymes', 1982 reprinted edition, Jonathan Cape, signed by Roald Dahl and illustrator Quentin Blake and dated Dec 1982

Lot 246

Early 19th Century SchoolPortrait miniature of a Gentleman (possibly James Currie M.D) , black cape, fur lined collar oval, 9cm long, ebony and gilt metal framed, label verso with information regarding:  James Currie M.D., F.R.SCITES LICENCE/ This item has been registered for sale under Section 10 of the APHA Ivory ActSubmission reference: 5XD78CH8

Lot 354

A Cape Buffalo skull and horns mounted on an oak shield. H.73 W.60cm

Lot 164

FLEMING (IAN)Casino Royale, FIRST EDITION, publisher's black cloth with red heart on upper cover and lettering on spine, light diagonal scratch to bottom cover, dust-jacket (with price 10s 6p on front flap, light age-toning and some spotting mostly internally and to back cover, minor wear to head of spine, short tear (c. 1cm) to top of front cover, no loss) [Gilbert A1a(1.1)], 8vo, Jonathan Cape, [1953]Footnotes:A FINE FIRST EDITION TO CELEBRATE 70 YEARS OF 007.First published April 13th 1953, Casino Royale, the first of the eleven James Bond novels, introduced the world to the legendary British Secret Service agent who is now a household name. The cover was devised by the author himself and the book received critical acclaim, Hugh Fausset in the Manchester Guardian describing it as 'a first-rate thriller...with a breathtaking plot.' The book was adapted for the screen as early as 1954 (for U.S. television).This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 169

FLEMING (IAN)Goldfinger, FIRST EDITION, light spotting to edges of text block, publisher's gilt-stamped cloth, dust-jacket (light soiling, spine darkened with spine ends frayed not touching text, folds rubbed with small loss at corners) [Gilbert A7a(1.2)], 8vo, Jonathan Cape, [1959]This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 166

FLEMING (IAN)From Russia, With Love, FIRST EDITION, light spotting and old pencil notes to front free endpaper, publisher's black cloth with gun and rose design in gilt and red on upper cover, slightly rubbed at extremity of spine, dust-jacket (spine slightly darkened, frayed at spine extremities and corners, some spotting/toning to lower cover) [Gilbert A5a(1.1)], 8vo, Jonathan Cape, [1957]This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 200

ORWELL (GEORGE)Burmese Days, FIRST EDITION, SIGNED BY THE AUTHOR ('George Orwell') on the reverse of the half-title, title printed in green and black, publisher's orange cloth printed in black, light soiling, spine faded [Fenwick A.2a], 8vo, New York, Harper & Bros., 1934Footnotes:RARE SIGNED COPY OF ORWELL'S SECOND PUBLISHED BOOK, HIS FIRST NOVEL. Having been rejected by Gollancz, Heinemann and Cape, Burmese Days was published on 25 October 1934 by Harper's in New York in an edition of 2,000 copies. 'In his literary notebooks, Orwell described this as 'the true first edition', as opposed to the first British edition [published by Gollancz in June 1935] which he considered 'a garbled version and should NOT be followed'...' (Fenwick, George Orwell. A Bibliography, 1998, p.21).Provenance: Estate of Ian Angus (1926-2022). Angus co-edited, with Sonia Orwell Collected Journalism, Essays and Letters of George Orwell, 1968, and assisted Peter Davison in editing the 20-volume The Complete Works of George Orwell. He was also instrumental in establishing the Orwell Archive at the University of London.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 168

FLEMING (IAN)Dr. No, FIRST EDITION, FIRST IMPRESSION, light spotting and old pencil note to endpapers, bookseller's label on front paste-down, publisher's cloth with 'silhouette' design (second state), dust-jacket (frayed at extremities, abrasions and slight loss to fold of lower flap, toned) [Gilbert A6a(1.3)], 8vo, Jonathan Cape, [1958]This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 170

FLEMING (IAN)Thunderball, slightly rubbed at spine ends, jacket price-clipped, toned, slightly frayed at horizontal margins, small loss at fold of front flap [Gilbert A9a(1.1)], [1961]; On Her Majesty's Secret Service, cloth slightly faded at spine ends, jacket spine soiled, small losses at corners [A11a(1.1)], [1963]; You Only Live Twice, ownership inscription dated March 1963 on half-title, cloth extremities very slightly bumped, jacket price-clipped, spine and folds toned and rubbed with small losses, biro mark 'Q.80' added at lower flap [Gilbert A12a(1.1)], [1964]; The Man with the Golden Gun, jacket price-clipped, slightly frayed at corners and spine ends, very short tear to lower margin of upper cover [Gilbert A12(1.2)], [1965]; Octopussy and the Living Daylights, jacket price-clipped [Gilbert A14(1.2)], [1966], FIRST EDITIONS, publisher's cloth, dust-jackets, 8vo, Jonathan Cape (5)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 114

ENGLISH PILOTThe English Pilot for the Southern Navigation [First Part]: Describing the Sea-coasts, Capes, Headlands... on the Coasts of England, Scotland, Ireland, Holland... and off the Canary, Madeira, Cape de Verde and Western Islands, large woodcut device on title, 22 double-page or folding engraved maps, 2 engraved maps and numerous woodcut coastal profiles and diagrams in the text, off-setting to maps, twentieth century half calf over marbled boards, t.e.g., rubbed [National Maritime Museum Catalogue 3, 423 (note); this edition not in Phillips or ESTC], folio (472 x 290mm.), J. Mount, T.Page, etc., 1779This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 167

FLEMING (IAN)Dr. No, FIRST EDITION, FIRST IMPRESSION, FIRST STATE, with the plain black publisher's cloth binding, spine lettered in silver, FINE IN A NEAR MINT PROOF DUST-JACKET, slightly taller than the book and with wider flaps [cf. Gilbert A6a(1.1 or 1.2)], 8vo, Jonathan Cape, 1958Footnotes:A FINE COPY IN A PROOF DUST-JACKET ORIGINATING FROM THE ESTATE OF THE DESIGNER PAT MARRIOTT.The proof dust-jacket corresponds to Gilbert's description of the first impression jacket, but differs slightly in so far as it is some 2mm. taller (196mm.), and has much wider inner flaps which have not been clipped, so that the price appears nearer to the centre of the front flap. A comparison alongside a published jacket also shows that the design and colours appear an exact match except for one small detail, the 'Greek urn' circular device on the spine being bright white as opposed to off-white as described by Gilbert.The design for Dr. No 'shows in a beautifully understated but provocative way, Honeychile Rider nude on the beach... Marriott's initial idea for Dr No was not to Fleming's liking and so she produced an entirely different idea and the result was the jacket that we know and love... This is the most extraordinary jacket for its time not least because Fleming's name, by being printed in black, is barely visible. And then the subdued colours, and indistinct figure and background are contrary to any designs of the period. In its own way, it would have stood out as much as any Chopping cover' (Graham Thomas, 'Pat Marriott - Bond illustrator', on Mid-Century Bond website, 2019).Provenance: Pat Marriott (Patricia Marriott, 1920-2002), designer of the dust-jackets of the first editions of Diamonds Are Forever and Dr. No, and the 1957 'playing card' edition of Casino Royale. Marriott was known as an illustrator of children's books and in 1954 had married Fleming's literary advisor and a director at Cape, Michael Howard, who drew the author's attention to her work; by descent until purchased by the present owner.This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 165

FLEMING (IAN)Diamonds Are Forever, FIRST EDITION, publisher's black cloth stamped in silver-gilt, dust-jacket (slightly frayed at extremities of spine and corners, wear at folds) [Gilbert A4a(1.1)], 8vo, Jonathan Cape, [1956]This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 80

Y A DUTCH EAST INDIES EBONY AND JACKWOOD CHEST OR COFFERPOSSIBLY CAPE, EARLY 18TH CENTURY78cm high, 154cm wide, 62.5cm deepProvenance: Private Collection, West Sussex

Lot 153

A COLLECTION OF UNBOXED AND PLAYWORN FIRST TWENTY ONE 1977-1979 STAR WARS FIGURES, to include 3 R2-D2 (1977), Ben Kenobi with Light Sabre (1977), 2 Chewbacca with 1 gun included (1977), 2 Darth Vader with Light Sabres (1977), Death Squad Commander with gun (1977), Large Head Hans Solo with gun (1977), 2 Jawas one with gun (1977), Luke Skywalker no Light Sabre (1977), Princess Leia Organa no cape and no gun (1977), 2 Sand People one with weapon , both with capes (1977), C-3PO (1977), 5 Stormtroopers 1 gun in black, possibly later one in blue (1977), Hammerhead no gun (1978), 1 Greedo with a gun (1978), Walrus Man no gun mark unable to be identified for year, Snaggletooth with gun, Luke Skywalker X-Wing Pilot no gun (1978), R5-D4 (1978), Death Star Droid (1078), Power Droid (1978), Boba Fett no gun (1979). All models are in play worn condition with some loss of colour, we've aimed to match weapons to models but a lot do share same pieces and can't categorically say the weapon were originally purchased with the figures, for example Boba Fett's weapon the same shape and design as Death Squad Commander and Hammerhead etc

Lot 131

A BOXED KENNER STAR WARS 'THE EMPIRE STRIKES BACK' BOBA FETT ACTION FIGURE, no. 39140, included in the box is the figure standing at approximately 35cm with its stickers still intact on its chest, cape, gun and other accessories, inside the box is housed his jet pack and rocket, untested, the box in a worn condition, with many panels featuring creases and worn edges, some tears to the top and base, plastic screen still complete but has a red mark to the top edge

Lot 151

A SELLECTION OF UNBOXED STAR WARS FIGURES, to include a worn GMFGI R2-D2 (1977), GMFGI Ben (Obi-Wan) Kenobi (1977) with blue lightsaber and cape, GMFGI Darth Vader (1977) with red lightsaber and cape, small head GMFGI Han Solo (1977) with gun, CPG Boba Fett (1979) without gun, LFL Imperial Tie Fighter Pilot (1982) without gun, and an additional gun for a Chewbacca, also included in the lot are two opened blister backs, the first a Palitoy 'Return Of The Jedi' General Madine (1983), 65 back, without its staff, and a Palitoy 'Return Of The Jedi' AT-AT Commander (1983), 45 back, gun present

Lot 449

Fleming, Ian, two James Bond hardback cloth bound first edition books, published by Jonathan Cape, with original illustrated dust jackets; 'The Man with the Golden Gun', 1965 and 'You Only Live Twice', 1964. (2) (B.P. 21% + VAT) Generally good condition for age. Some very minor wear to dust jackets, some creasing to dust jacket at top of spine of man with the golden gun.  Additional images added.

Lot 1236

A LIFE SIZE THREE DIMENSIONAL STUDY OF THE HUMAN BODY BY DAVID PELHAM PUBLISHED BY JONATHAN CAPE LTD

Lot 18

Edward Hodges Bailey (British, 1788-1867)Nelson receiving the Spanish surrender after the Battle of St Vincent circa 1826 A white marble relief frieze panel in two sections 146cm high x 376cm overall length the larger section 46cm at maximum depth, the smaller 35cm Edward Hodges Baily RA FRS was a prolific English sculptor responsible for numerous public monuments, portrait busts, statues and exhibition pieces as well as works in silver. He carved friezes for both the Marble Arch and Buckingham Palace in London. His numerous statues of public figures include that of Horatio Nelson on top of Nelson's Column and Charles Grey, 2nd Earl Grey on Grey's Monument in Newcastle upon Tyne. Throughout his career Baily was responsible for creating a number of monuments and memorials for British churches and cathedrals, including several in St Paul's Cathedral.The scene depicts the Spanish Admiral Don Francisco Xavier Winthuysen, who lies dying on a gun carriage of the deck of the San Josef. He weakly hands his sword to Nelson while supported by Ovo sailors, watched by other sailors and British officers.The Battle of Saint Vincent took place on 14 February 1797 and established Nelson as a hero, both for his independence of command and his personal bravery. It was also a turning point for the British Navy who had previously been driven out of the Mediterranean following French successes in Italy.The English fleet under Admiral Sir John Jervis, with only fifteen ships, drove a line through the larger and superior Spanish navy which was lying off Cape St.Vincent, Portugal. Before Jervis could turn to attack the larger group, Nelson broke line in the Captain, anticipating his commander's signal, and accompanied by other British frigates, took four Spanish 'prizes' from the rear, himself personally boarding the San Nicolas and San Josef. The British victory demonstrated the ineptitude of the Spanish navy, and Nelson was made a Knight of the Bath for his exploits, while Jervis was created Earl St Vincent.A similar scene was recorded in a more dramatic and romantic manner in a painting of 1806 by Richard Westall but on the San Nicolas (National Maritime Museum, Greenwich). Interestingly, in the Nash/Flaxman model in the Victoria and Albert Museum (south side, not shown) Flaxman's composition is the other way round with Nelson standing on the left to receive the sword with his right hand. It must be assumed that because his right arm was amputated later in 1797 (at the battle of Santa Cruz de Tenerife) Baily reversed the action, to disguise the missing limb. Thus the hero receives the sword with his left hand which disjoints the action of the full scheme of the frieze. (Westall had to find a similar solution in his painting).Baily's composition makes interesting comparison with Westmacott's melée in the Napoleon frieze. Here we have classical purity, the figures starkly arranged in a Grecian style frieze and in noble profile. Then to focus attention on the action of surrender, Baily breaks up the powerful verticals of sailors and officers by tilting up the gun carriage, on which the dying Spanish commander lies, and using the device of a coil of rope to support one kneeling sailor. The action is thus cleverly foreshortened and succeeds in instilling a certain pathos into the scene of a row of almost emotionless faces. This is accentuated by the austerity of composition and refreshing use of empty space in the background.This historic frieze in two sections is already professionally packed in two bespoke wooden crates ready for shipping. Provenance: Private collection, The Manor of Littleton, Shepperton, MiddlesexSothebys 12th May 1995, Lot 181Removed from an office redevelopment in Central London in 2022   Sculpture

Lot 172

JAMES CLARKE HOOK (BRITISH, 1819-1907)The Ship Boy's Lettersigned with initials, hook symbol and dated 'JC 1863' (lower left)oil on canvas82 x 62cmProvenanceThomas Agnew & Sons, Old Bond Street, London;Morgan & Brown Fine Art Dealers, Collingwood St. Newcastle upon Tyne;Private collection, UKAlthough painted six years after Reading the Ship Boy's Letter (sold in these rooms, 11th October 2022, lot 400), it is possible to speculate the present work is closely related.  In particular is the matching heading 'Off Cape...' written in a strikingly similar hand. There is something touching about the situation, with the ship boy stealing a moment to write to his family, kneeling on deck with his ink well hanging, while a much older crew member observes sails on the horizon.Original canvas.  The paint surface is in good clean condition; one small abrasion, lower right.  Ultraviolet reveals retouching to a fleck of paint loss, lower right.

Lot 328

An early-mid 19th century portrait miniature of a lady, with shoulder-length curled brown hair, wearing white dress with red cape, 3¼” x 2½”, in rectangular glazed frame.

Lot 1285

A vintage black fur shoulder cape to/w a gold brocade jacket featuring small floral sprigs, with mandarin type collar and button down front (2)

Lot 1114

Fleming, Ian, The Man with the Golden Gun, first, London: Jonathan Cape 1965, d/w 8vo Good clean copy

Lot 1115

Fleming, Ian, Thunderball, first, London: Jonathan Cape 1961, reprinted d/w 8vo

Lot 1113

Fleming, Ian, You Only Live Twice, second impression 1964, On Her Majesty's Secret Service, seventh impression 1964 and Goldfinger, fifth reprint 1965, London: Jonathan Cape - all with d/w 8vo (3) Good clean copies

Lot 827

Philip Erskine (1933-2013) - 'Cape Vultures', crayon and wash, signed and inscribed, 33 x 47 cm

Lot 1288

Assorted textiles including pair of embroidered slippers/shoes, silk embroidered fan with bone guards, pale blue feathered cape, doilies, table linens, a box of infant's shoes, Christening gown, night gowns etc

Lot 1116

Fleming, Ian, From Russia, with Love, Book Club 1st, London: Jonathan Cape 1957, reprinted d/w 8vo Good clean copy

Lot 1159

Four Austrian porcelain figures, including one of OthelloOthello- measures 25cm high. Top of the sword is off and missing. Feels like there is a tiny chip to the top part of his handkerchief. The gilt part of his cape on the back feels rough to touch. Desdimono- lost all the tips of her right hand, otherwise good.Two figures on bench- Numerous nicks to the base (bench feet). Tip of his hat has gilding worn and possibly tiny chips. Flowers in his hand are also chipped. Two figures dancing- Chips to the floral decoration around base. Random green stains, possibly paint, to her dress, otherwise appears to be in good condition.

Lot 1785

Ian Fleming: 'Moonraker', London, Jonathan Cape, 1958 re-issue, (3rd impression overall), with dust jacket

Lot 1795

Collection of Arthur Ransome books, published Jonathan Cape, mostly modern issues, together with collection of Malcolm Saville novels

Lot 2114

1832 Georgian Carriage dress maroon silk with double cape collar trimmed with braid, padded and gathered skirt.This dress is in very good condition, the exterior shows a little fade/ colour change in places, no damage or repair.The interior silk is damaged behind the neck and at the train hem. Braid a little loose on cuffs.Additional photographs now online.

Lot 2117

1845 Victorian wedding dress in cream silk folded pleats on boned bodice with pointed waistline, two-tier sleeves, detachable large bow to be worn at the waist, matching short cape, silk cape trimmed with limerick lace. Also longer cape with fringing and deep brim cream bonnet.The wedding dress is in good condition, small mark on one sleeve, the hem has worn where it would have swept along the floor. The long line cape has damage on both sides, the short cape has damage on hem, the large bow is good, The bonnet is in good condition except the interior lace is damaged. Additional photographs now online.

Lot 2127

Edwardian cream wool cape with cream embroidery, black feather hat embellishment, set of ten domed enamelled buttons, beaded dress details, geometeric black and white woven tape, frilled net lace dress front and pair of cuffs, other lace items, pair of brown leather baby shoes, black and cream umbrella other umbrella and walking sticks etc.

Lot 162

Vintage Policeman's cape with Buttons for the Bristol Constabulary

Lot 394

A 'English Lady' wool cape/coat with belt and an Ormdale 3/4 length ladies camel coatCONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports.  Please contact us to if you require further information or images. *  Please consider shipping costs before bidding as this may affect your decision to bid *  Please familiarise yourself with our payment methods.  Our preferred method of payment is by bank transfer.  We do not take cash or card payments.

Lot 395

A 1950s/60s ladies tartan cape made by Buchanan's of Dunkeld, Scotland, and a Sidwall of London ladies tartan style wool coat, with matching scarfCONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports.  Please contact us to if you require further information or images. *  Please consider shipping costs before bidding as this may affect your decision to bid *  Please familiarise yourself with our payment methods.  Our preferred method of payment is by bank transfer.  We do not take cash or card payments.

Lot 391

Maribou 1930s black cape t/w 1930's sequinned on net black shawl- both in good used condition

Lot 240

1920's/30's Brown Velvet long cape with silk lining and ruched sleeves. In good used condition

Lot 364

Green silk 1920s cape shawl with heavy fringing in good condition

Lot 205

Edwardian silk embroidered, fringed, short cape. In good used condition

Lot 430

Cappa Parva Ecclesiastical mink and fur cape.

Lot 455

A WWII Second World War Third Reich Nazi German Allgemeine SS skull and cross bone (Totenkopf) cape badge. The skull being a jawless example. Unmarked to the reverse.Note; from a large private collection of militaria. Due to the nature of the items, buyers are reminded for the need to satisfy themselves as to condition / originality / authenticity prior to bidding. All lots remains sold strictly 'as is' irrespective of any description. 

Lot 1174A

After Edward Hopper (American, 1882 - 1967) "Cape Cod Morning", "Automat", "Soir Bleu", "Nighthawks", "Chop Suey" and "Lighthouse Hill", six uniformly framed prints, card mounted in moulded metallic frames under glass, 48 cm x 38 cm largest overall [Hopper was regarded as the most important realist painter of 20th Century America, studied at the New York School of Art and exhibited at the Museum of Modern Art.]

Lot 2269

Old time lot in two stuck down albums, Lincoln Albums(2) Imperial Album Great Britain 1840 1d Black used and used on cover, British Empire, Case with loose stamps and covers, France, Egypt, North Borneo, Cape of Good Hope, Hong Kong(box and case)

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