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Lot 188
Francis Chesham (1749-1806): The French squadron under the Command of Mons.r De la Clue, defeated off Cape Lagos by Admiral Lagos on 18 August 1759. Circa 1770. Copper engraving and John Eastgate (London:fl. 1799-1811): and "The Success" wedged on a rock, being at the same time between the fire of the Spanish Fort at Umata and a ship in the harbour "L'Isola di Bass In Scozia". Copper engraving published by Alexander Hogg in 1795 (2)
Lot 147
AFRICAN ISLANDS ANTIQUE CHARTS in the Mediterraneanas also in the Atlantic and Ethiopic Oceans, particular drafts, an accurate chart of the Cape Verdi Islands, St Helena, Malta and Gozo, Teneriffe, Saldanha Cape of Good Hope, the Fort, Maderia, correct maps of the islands by Eman Bowen, accurate charts being an improvement by Capt. Roberts drafts. Framed and glazed. Overall size 22" x 22"
Lot 150
NO RESERVE Bruant (Aristide) Chansons et Monologues, 3 vol., illustrations by Steinlen and others, musical notation, contemporary roan-backed boards, original pictorial wrappers bound in, a little rubbed, 4to, Paris, H.Geffroy, [c.1900].⁂ Aristide Bruant (18 -1925) was a French comedian and cabaret singer, now known mainly for his appearances in the posters of Henri de Toulouse-Lautrec. His style of large floppy hat, red scarf and cape is supposed to have influenced that of Tom Baker's costume as the Doctor in Doctor Who.
Lot 237
British Medal Group awarded to 1503 Sergeant R.G. Sherbut of the Royal Engineers, comprising of Queens South Africa Medal with Transvaal Orange Free State and Cape Colony clasp, Kings South Africa Medal with South Africa 1901 and South Africa 1902 clasps, First World War War Medal and Long Service and Good Conduct Medal, all on ribbon
Lot 171
A collection of 12 hardback books, mainly first editions, to include: Auster, Paul, 'Leviathan', London: Faber & Faber, 1992, signed by the author; McCabe, Patrick, 'Breakfast on Pluto', London: Picador, 1998; Amis, Kingsley, 'Ending Up', London: Jonathan Cape, 1974; Strindberg, August, 'By the Open Sea', London: Secker & Warburg, 1985; Sagan, Francoise, 'Wonderful Clouds', London: John Murray, 1961; Van der Post, Laurens, 'A Story Like the Wind', London: The Hogarth Press, 1972; Nash, Ogden, 'The Private Dining Room and other New Verses', London: J.M Dent & Sons ltd, 1953; Amis, Martin, 'Einstein's Monsters', London: Jonathan Cape Ltd, 1987; Bedford, Sybille, 'As it was, Pleasures, Landscapes and Justice', London: Sinclair-Stevenson Limited, 1990; Nash, Ogden, 'There's Always Another Windmill', London: Andre Deutsch, 1969; Pritchett, V.S, 'The Complete Short Stories', London: Chatto & Windus ltd, 1990; Theroux, Paul, 'Sunrise with Seamonsters', London: Hamish Hamilton, 1985
Lot 133
20th century South African flag on pole, possibly circa 1940s, screen print manufacture of orange, white and blue with three flags in centre representing former British Colonies of Cape Colony Natal with the Union flag on the left, followed by flags of former Boer Republics of Orange Free State and the South African Republic on the right (a/f), pole snapped in half (a/f)
Lot 7
4th Bn Lancashire Fusiliers Mounted Infantry Queen’s South Africa Medal, 5 clasps.Awarded to “7034 PTE W COCKRAN LANC FUS”. Bearing five clasps “Cape Colony”, “Orange Free State”, “Transvaal”, “South Africa 1901”, “South Africa 1902”. Suspension slightly slack.Shown on the medal roll of the 4th Bn Lancashire Fusiliers, 20th Bn Mounted Infantry.
Lot 104
South Africa. 5 Rifles cap badges.Border Mounted Rifles cap badge circa 1902-13 in white metal ... another in brass (Owen 484) ... Cape Peninsula Rifles OR’s head-dress badge circa 1904-14 on loops ... another on slider ... Natal Mounted Rifles die-stamped white metal with replacement loops. (5 items)
Lot 14
Boer War 25th (West Somerset) Coy Imperial Yeomanry Queen’s South Africa Medal.Awarded to “7715 SGT C.H. LANCE 25TH COY 7 IMP YEO”. Bearing the four clasps “Cape Colony”, “Orange Free State”, “Johannesburg”, “Diamond Hill”. The medal is contained in a special leather glazed velvet lined case. Ribbon damage.
Lot 379
A collection of original 10 x 8 inch cinema lobby cards, mainly from the 1990s, including 'Men in Black' starring Will Smith, 'The Devil's Own' starring Harrison Ford and Brad Pitt, 'Cape Fear' starring Robert De Niro and Jessica Lange, 'The Quick and the Dead' starring Sharon Stone and Leonardo DiCaprio, 'Money Train' starring Wesley Snipes and Jennifer Lopez, 'Desperado' starring Antonio Banderas and Salma Hayek, 'Born on the Fourth of July' starring Tom Cruise, 'Batman Forever' starring Val Kilmer and Nicole Kidman, 'The Net' starring Sandra Bullock, 'Blue Steel' starring Jamie Lee Curtis, 'Tombstone' starring Kurt Russell and Ridley Scott's 'Black Rain' starring Michael Douglas, all complete sets, some unopened (178). CONDITION REPORT Excellent condition.
Lot 164
12th-15th century AD. A ceramic footed bowl with irregular pie-crust rim, carinated profile, cream glaze with splashed amber and green, sgraffito band to the outer face with hatching, band to the inner face with annulets and central advancing male figure in knee-length cape with leggings and boots. 448 grams, 14.5cm (5 3/4"). Ex central London gallery since 2012; formerly with Bonhams, New Bond Street, 29 April 2009, lot 273 [part]; accompanied by copies of the relevant catalogue pages. Fine condition.
Lot 43
South Seas.- Shillibeer (Lt. John) A Narrative of the Briton's Voyage, to Pitcairn's Island; including an Interesting Sketch of the Present State of the Brazils and of Spanish South America, second edition, 12 etched portraits and plates, 2 folding, one printed in sanguine, heavily foxed, one folding plate stained, a few other stains, correction in pencil and ink to p.71, a few leaves becoming loose, contemporary half calf, spine gilt with red roan label, rubbed, 1817 § Brodie (William) Pitcairn's Island and the Islanders in 1850, ?first edition, 2 lithographed portraits and one plate, payment slip tipped in at front, list of subscribers, very light spotting to title and final leaf, original cloth, slightly rubbed, spine faded, paper label chipped, 1851, [Ferguson 697 & 7444; Hill 1563 & 186; Sabin 80484 & 8181], 8vo (2)⁂ Two works on the Pitcairn Islands and their famous inhabitants. The Briton set sail from England on New Year's Eve 1813, visiting Rio de Janeiro, St. Helena and the Cape of Good Hope before arriving at Pitcairn in September 1814. "A very interesting narrative including some curious details regarding the mutiny of the Bounty, and the meeting with the last survivor, John Adams..." (Hill). There is also a portrait of "Friday Fletcher October Christian", the son of Fletcher Christian and the first child born on the island to the mutineers, and views of Rio, Pitcairn and the island of Juan Fernandez. This second edition was issued the same year as the first which was published in Taunton.
Lot 297
Gladiator adversary armor from Ridley Scott's Academy Award-winning historical drama Gladiator. Gladiators portrayed the legionnaires of Scipio Africanus during a reenactment of the Battle of Zama at the Colosseum.This lot consists of a dark goldtone padded foam cuirass with shiny golden piping along the edges, leather straps, a leather and synthetic fur cheetah print cape secured with leather ties, and "5A Ricardo" marked on the interior for stunt performer Ricardo Cruz, as well as a second, loose matching cape. The lot is in good overall condition with visible wear from handling and age, including discoloration and some deterioration to the foam.Estimate: $1,500 - 2,500
Lot 449
Clark Kent's (Dean Cain) Superman costume from the superhero television comedy Lois & Clark: The New Adventures of Superman. An alien from the planet Krypton who lived under a secret identity, Kent explored his romantic relationship with fellow reporter Lois Lane (Teri Hatcher), both as himself and as his costumed alter ego, Superman. This costume consists of a crimson nylon blend cape with a large embroidered yellow "S" symbol on the back, a royal blue Spandex unitard with an embroidered red and yellow "S" symbol affixed to the chest, a pair of crimson Spandex padded briefs, a yellow Spandex and elastic belt with Velcro buckle and a pair of crimson leather boots with zippers and Velcro in the back. The cape is affixed by the neck and shoulders with Velcro, shoulder pads and a pair of snaps and is marked "94-95," indicating years, while the briefs are marked as "95-96" and the suit and boots are marked in the interior as "96-97."This costume is in excellent overall condition with some minor signs of wear from production including some fraying of the fabric on the cape and unitard, and some tape remnants on the interior of the belt buckle.Estimate: $10,000 - 15,000
Lot 480
Skeletor's (Frank Langella) gold armor from Gary Goddard's fantasy adventure Masters of the Universe. After taking control of Castle Grayskull and absorbing the powers of the universe, Skeletor (Frank Langella) transforms himself into a god-like figure, clad in golden armor. This fiberglass armor with snap-button closures consists of an ornately detailed chest piece with leather shoulder straps, shoulder plates, and a belt, all padded with gold cloth-wrapped foam and painted gold with a gloss finish. The lot also includes a sparkling gold lame blend shoulder cape with a high collar, goldtone gloves with skull-shaped fingertips sewn on, matching pteruges on the belt, and a tag marked "Frank Langella as Gold Skeletor #1". The lot is in good overall condition with some signs of wear from production and age, including a lot of wrinkling in the pteruges and paint chipping throughout.Estimate: $5,000 - 7,000
Lot 506
Rick Dalton's (Leonardo DiCaprio) yellow Cadillac Coupe De Ville from Quentin Tarantino's Academy Award-winning comedy Once Upon a Time...in Hollywood. Fading Hollywood star Dalton's loyal stuntman and gopher, Cliff Booth (Brad Pitt),drove his boss through the streets of Los Angeles in Dalton's personal yellow Cadillac. Co-star Michael Madsen drove the same type of vehicle in Tarantino's Reservoir Dogs as Mr. Blonde.This car, a 1966 Cadillac Coupe De Ville seen throughout the film, comes from the production with the VIN number J6216694, and a newly installed LS 6.0 crate engine with GM Turbo 400 transmission. In addition to its distinctive "Cape Ivory" yellow color and sharp tailfins, this vehicle's amenities include new brakes, fuel lines, upholstery, and other components outfitted for the ease of the actors.The Cadillac exhibits minor signs of use from production and storage, but it remains in excellent and operable overall condition. As this is a functioning vehicle, legal transfer of title will need to take place before delivery can be arranged. Transportation and shipping quotes, including fluid drainage for international shipping, should be arranged with Prop Store prior to bidding. Dimensions: 224" x 80" x 55" (569 cm x 203.5 cm x 140 cm)Contains electronics; see electronics notice in the Buyer's GuideContains mechanical components; see notice in the Buyer's GuideSpecial shipping required; see notice in the Buyer's GuideEstimate: $45,000 - 55,000
Lot 522
Will Turner's (Orlando Bloom) cape from Gore Verbinski's action-adventure film Pirates of the Caribbean: The Curse of The Black Pearl. Will wore his cape when he rescued Captain Jack Sparrow (Johnny Depp) from hanging. The rust-colored linen cape features a cord sewn to the collar for fastening. A strip of Velcro is secured underneath the back collar of the cape, likely for securing the costume during the many stunts in the film's finale. A wardrobe tag from production reading "Will" accompanies the cape. The lot shows some signs of production-made distressing and discoloration to depict the era, but the cape remains in good overall condition.Estimate: $2,500 - 3,500
Lot 7
A Spartan costume from Zack Snyder's historical action epic 300. King Leonidas (Gerard Butler) led his greatly outnumbered army of elite Spartan warriors against the invading forces of King Xerxes of Persia (Rodrigo Santoro).This lot includes a helmet, gauntlets, greaves, sandals, briefs, a cape, a shield, and a spear. The helmet is made of rubber with foam padding, painted to look like weathered bronze, and includes the name of stunt performer Mike Dopud handwritten inside. The matching gauntlets and greaves are made of urethane with foam padding and leather straps; and have the names of stunt performers Cody Laudan and Ryan Watson, respectively, written inside. The sandals, briefs, and the arm straps for the cape are made of brown leather, while the cape's buckle is bronzetone fiberglass and the cape is red-dyed canvas. The bronzetone, vacuum-formed plastic shield is weathered with simulated blood spatter and battle damage; while the rear of the shield features a brown canvas backing, leather and nylon straps, and a leather-bound handgrip. The spear is made of leather-wrapped wood, production-weathered, with a urethane head and resin rear, both painted gray to appear like dark metal. The lot is in good overall condition with some wear from production and age, including tearing in the back of the helmet, the front and back of the shield loosening from each other, the buckle loosening from the cape, and scuffing throughout.Special shipping required; see notice in the Buyer's GuideEstimate: $6,000 - 8,000
Lot 778
A Superman (Christopher Reeve) effects miniature from Richard Donner's 1978 comic-book adventure Superman. Superman used his Kryptonian super powers, including super strength and X-ray vision, to defeat evil genius Lex Luthor (Gene Hackman). This miniature was designed for special effects shots of Superman flying. The piece is constructed of cast resin painted with Superman's signature blue bodysuit with red briefs, a yellow belt, brown boots, and a red and yellow "S" logo on the chest. It also includes a red jersey fabric cape secured to the miniature with Velcro® and a black wood and metal display stand. An opening for mechanicals is present beneath the cape, although no components are present. This miniature is in good overall condition with some discoloration and scuffing. Dimensions (on stand): 4" x 6 1/2" x 8 1/2" (10.25 cm x 16.5 cm x 21.75 cm)Estimate: $6,000 - 8,000 Δ
Lot 841
A stunt V costume from James McTeigue's dystopian drama the comic book thriller V For Vendetta. V (Hugo Weaving) wore his signature costume throughout the film while working to bring down Britain's oppressive government, including during his fatal final confrontation with Creedy (Tim Pigott-Smith).This costume consists of a wide-brimmed black felt hat marked stunt, an air-brushed white, black, and pink fiberglass Guy Fawkes mask with mesh eye holes and a fabric strap, a black synthetic wig, a black woolen mesh zip-front tunic with a Studio Babelsberg tag marked "David", a black woolen cape marked "FC VI", a pair of black leather gloves, a black leather belt with a silvertone metal buckle, black fabric blend pants marked "James Purefoy SFX 'V'", and a pair of black leather boots marked "V Double Victoria Station Boots". Six black and silvertone rubber stunt knives are permanently attached to the belt. The fiberglass V mask is distinctly different to the vacuformed V masks worn by extras in the crowd scenes at the end of the film. The costume includes a certificate of authenticity from Warner Bros.This ensemble is in excellent overall condition with minimal wear from production, including lightly scuffed fiberglass.Estimate: $30,000 - 50,000
Lot 11
Queen's South Africa 1899-1902,five bars, Cape Colony, Orange Free State, Transvaal, S.A.01, S.A.02 (8452 Cpl C.Strowbridge. RL. Engineers). Royal Navy Long Service and Good Conduct, V.R. (George Strowbridge. Boatman H.M.Coast Guard). (2)For further information on this lot please visit Bonhams.com
Lot 207
Ten to Lieutenant Colonel C.H.Villiers, County of London Yeomanry, late Royal Horse Guards,Central Africa 1891-98, ring suspension, engraved (Capt C.H.Villiers. R.H.Gds.); Queen's South Africa 1899-1902, three bars, Cape Colony, Tugela Heights, Relief of Ladysmith ( Capt C.H.Villiers. R.H.Gds:); 1914-15 Star (Lt Col:C.H.Villiers. C.Of Lond: Yeo:); British War and Victory Medal (Lt.Col.G.H.Villiers.); Coronation 1911; Jubilee 1935; Coronation 1937; Territorial Decoration; Zanzibar, Order of The Brilliant Star, Knight's breast badge. Court mounted as worn, with corresponding miniatures which include a Royal Victorian Order. The last with light enamel damage otherwise toned very fine. (Lot)Footnotes:C.V.O. London Gazette 1.1.1941.M.I.D. London Gazette 16.4.1901.Lieutenant Colonel Charles Hyde Villiers was born on the 21st September 1862, he went to school at Chatham and then R.M.A. Sandhurst. He was commissioned on the 23rd November 1887. He was promoted to Lieutenant in 1889. In 1892 he was seconded into the Unyoro Campaign in support of the Sultan of Zanzibar whose lands and protectorates stretched as far as Lake Rudolph in East Africa, a vast area which at that time was in some turmoil from German and other influences and interventions. With the success of the campaign and a short period of 'ciivil' administration he was honoured with the Bright Star of Zanzibar. He returned to the Regiment in 1894 and was promoted to Captain on the 22nd December 1894. He was seconded for a second time, just three months later, but now into a situation that might have been disastrous for his career; part of the duties of an officer on overseas secondment, particularly in areas of interest would be to discover 'the lie of the land', and perhaps 'to get involved'. His secondment was to the Chartered British South Africa Company, founded and run by Cecil Rhodes. This was the ideal place and time to achieve those two aspects of military intelligence that would be much needed in the event of the threatening war with the Boers. Villiers ultimate involvement in the Jameson Raid, although not recorded in the Regimental history, is not a matter of conjecture, being noted by Elizabeth Longford in her history 'Jameson's Raid', and confirmed by a photograph of Villiers with Jameson and his surviving officers during the enforced journey on board ship back to Great Britain for the judicial sentencing that the Boers demanded after their capture and imprisonment, and eventual release to the British Government. He was received back into the Royal Horse Guards with the rank of Brevet Major, being confirmed Major in 1897. With the outbreak of the Boer War in 1899, he found himself on the way to South Africa for the third and final time, principally to help form the South African Light Horse, one of two yeomanry cavalry regiments being formed from refugee Uitlanders (British subjects forced out of the Transvaal and other territories) each of about 2,000 men.General Buller, on landing in South Africa to take command of the British Forces, enquiring how these regiments were progressing, was plainly 'disappointed' that his staff officer, who had preceded him Lt Col Charles a Court had already appointed Villiers as Lt Col of the South African Light Horse, as he was aware that Villiers 'had ridden with Jameson in the Raid'. Villiers is however recorded as Major as well as second in command of the South African Light Horse, but also as 'employer' of that Regiment, signifying some governmental acceptance of his position and a back handed compliment against Bullers' slight. It is noticeable that Villiers' other responsibility was that of Intelligence Officer. His service in South Africa was distinguished, being mentioned in despatches, fighting along the Tugela and into the Relief of Ladysmith, where, rather ironically, some of his fellow officers of the raid were 'holed-up' attending to their new commercial interests in South Africa. He returned to Great Britian in 1901 to marry Lady Victoria Alexandrina Innes-Kerr, a daughter of the Duke of Roxburghe. He retired from the Royal Horse Guards on the 13th May 1903 and became an Honorary Lieutenant Colonel of the City of London Yeomanry (Rough Riders) later the same year. He became a Gentleman-at-Arms in 1907. He remains with the Yeomanry for WW1 and his MIC notes that he serves in the Dardenelles from the 12th April 1915. He died on the 23rd May 1947.For further information on this lot please visit Bonhams.com
Lot 208
Four to Sergeant G.W.Axtell, Army Service Corps, late 12th Lancers,Queen's South Africa 1899-1902, three bars, Cape Colony, Johannesburg, Wittebergen (4587 Pte W.G.Axtell, 12: R: Lancers); King's South Africa, two bars, S.A.01, S.A.02 (4587 Pte W.Axtell 12th Lancers); British War and Victory Medal (M-280207 Sjt.G.W.Axtell. A.S.C.). With a 1914-15 Star and Victory Medal (SS-8778 Pte.H.Wood, A.S.C.) and some minor badges etc. The QSA with resoldered suspension which does not swivel, otherwise very fine. (Lot)For further information on this lot please visit Bonhams.com
Lot 211
Pair to Private G.Povey, South African Infantry,British War and South African Victory Medal (Pte.G.Povey. 1st S.A.I.); Memorial Plaque (George Povey). Extremely fine. (3)Footnotes:Private George Povey was killed in action on the 18th October 1916, aged 19. He is commemorated on the Thiepval Memorial. He was the brother of Miss P.Povey of 24 Geard Street, Port Elizabeth, Cape Province, South Africa.For further information on this lot please visit Bonhams.com
Lot 615
Victorian and later medal trio, comprising Cape of Good Hope medal, with one clasp, Bechuansland named to 336. PTE. A.W. Richards. C.POL. together with Queens South Africa medal with two clasps Transvaal and Defence of Mafeking named to 336 Corpl. A.W. Richards. Cape Police and Kings South Africa medal with two clasps South Africa 1901 and South Africa 1902 named to 336 CPL A.W. Richards. Cape Police Dist. II. (mounted on bar) in tooled leather fitted case with naming to A.W. Richards on lid.
Lot 292
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Passage" Dated: '94 Oil on Canvas. Signed and dated verso. Overall Size: 54 x 54 in. (168 - 4272)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
Lot 293
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Blue Riff" Dated: '89 Oil on Paper laid on Canvas. Signed lower right. Overall Size: 22.5 x 17 in. (109 - 4315) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
Lot 294
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Sky Over Mud" Dated: '75 Oil on Paper. Signed lower right. Image Size: 13 x 17 in. Overall Size: 19.25 x 22.75 in. Framed behind glass. (4667)In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
Lot 295
Thomas Koether (New York, Florida, Europe, Australia, b. 1940) Abstract Painting. Titled: "Virtual Interior / Mirror Matrix" Dated: '93 Oil on Board. Signed and dated verso. Overall Size: 15.25 x 23.25 in. (149 - 4323) In 1960, Koether was accepted to the school of the Art Institute of Chicago at age 20. In 1963 Koether Moved to New York City and started going to the Art Students League. In June of 1966 he graduated with honors from N.Y.U. and was accepted to the N.Y.U. graduate school of Communications Arts in Cinematography under Haig Manoogian. In 1970, he moved to Paris to take a studio space at the American Center on Boulevard Raspail. In July of ’71 Koether went to Italy and did a lot of drawing and watercolors. In Florence he met Italian art restorers and learned a lot about restoration from them. That same year, he participated in a group show at the American Center and sold several pieces – one to director Henry Pillsbury. The work from Ibiza and Paris dealt with attempts to delineate abstraction as a form with his own experience of his own abstractness – landscapes and still-lives of his own psychic and emotional space. This work has a post-psychedelic aspect. In 1974 Koether moved back to New York and worked in N.Y.C. as an art restorer with Roger Ricco Associates. That year, he had a one man show at Ajanta Gallery on East 9th Street. In 1976, Koether moved to Australia and established an art conservation business and worked on the 5 major collections of Oceanic art in Australia. ONE PERSON SHOWS2001 SRQ ON MAIN, Sarasota, Florida1996 TAMPA ELECTRIC CO., TECO PLAZA, Tampa, July 1 – July 31, Marilyn Mars, Curator1995 KOETHER – NEW OILS, Nations Bank Executive Headquarters, Sarasota, Florida1993 MATRIX, Renegade Gallery, East Hampton, New York1992 KOETHER, A NEW EDGE, Renegade Gallery, East Hampton, New York1989 AUSTRALIAN ROCK AND WATER, Gochenhaur Gallery, Delray Beach, Florida1987 TOM KOETHER, EXPATRIATE PAINTINGS, Curator: Nick Pearson, Ashawagh Hall, East Hampton, NY1988 KOETHER, Recent work from New York, Cape Gallery, Byron Bay, N.S.W., Australia1986 TOM KOETHER, RECENT PAINTINGS, AUSTRALIAN EXPERIENCE, Ashawagh Hall, East Hampton NY1985 PAINTINGS FROM EAST HAMPTON, Curators: Dane Dixon and Steve Loschen, Ashawagh Hall, NY1983 KOETHER, Outback Australian Gallery, Curator: Gate Fynn, 382 W. Broadway, New York, NY1974 AJANTA GALLERY, New York, New York1973 St. Croix, Virgin Islands1972 St. Croix, Virgin Islands1971 Ars Bar, Ibiza, Spain1970 Ars Bar, Ibiza, Spain1969 Ars Bar, Ibiza, Spain1969 KOETHER, DRAWINGS, Mahogany Inn, St. Croix, Virgin IslandsSELECTED GROUP AND JURIED SHOWS2002 TOM KOETHER, STEVE LOSCHEN RECENT PAINTINGS, Ashawagh Hall, East Hampton, NY1996 Represented by KLABAL GALLERY, 363 12th Avenue South, Naples, Florida1995 ART FOR LIFE, Juried Voice Auction, Jurors Marilyn Mars, Arts Impact, and Emily Kass, Exec Director, Tampa Museum1994 SARASOTA VISUAL ARTS CENTER, Autumn Annual, Juror Tiffani Szilage, St. Petersburg Center for the Arts, Exhibition Coordinator, St. Petersburg, Florida1994 GREATER TAMPA CHAMBER OF COMMERCE, Executive Exhibition, Juror Marilyn Mars, Arts Impact, Tampa, Florida1994 KOETHER, ASHAWAGH ’94, Loschen, Najdzionek, Strong/Cuevas, Grove, and Briscoe, East Hampton, NY1992 SOUTH COBB ART ALLIANCE 7TH NATIONAL JURIED ART EXHIB., Juror: Larry Walker, Prof. of Art at Georgia-State University1991 KOETHER, GOCHENOUR, Ashawagh Hall, East Hampton, New York1990 KOETHER, LOSCHEN, Ashawagh Hall, East Hampton, New York1990 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 FICKERA, KOETHER, LAWRENCE, Ashawagh Hall, East Hampton, New York1989 M. CAIN SCULPTURE TOM KOETHER, STEVE LOSCHEN, PAINTINGS, Ashawagh Hall, East Hampton, New York1989 DRAWING THE LINE, Curator: Kay Jeffed, Tweed River Regional Art Gallery, Murwilumbha, Australia1989 BLOSSOMS, The Gallery at Bryant Library, Roslyn, New York1988 HUNTINGTON TOWN ART LEAGUE ANNUAL, Huntington, New York1988 BEYOND STATUS QUO, The Gallery at Bryant Library, Roslyn, New York1988 WATER, WATER EVERYWHERE, The Gallery at Bryant Library, Roslyn, New York1988 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1987 EGBERT, KOETHER, LOSCHEN, LAWRENCE, Ashawagh Hall, East Hampton, New York1986 PLASTO GALLERY, Mullumbimby, N.S.W., Australia1986 SOUTHPORT ART SHOW, Southport, Queensland, Australia1986 GOLD COAST CITY ART INVITATIONAL, Gold Coast City Art Prize, purchase, Gold Coast, Queensland, Australia1985 ST. ALBANS COLLEGE EXHIBITION, Honorable mention, Southport, Australia1985 N.P.U. QUEENSLAND EXHIBITION, purchase price, Cape Gallery, Bryon Bay, N.S.W., Australia1971 LE CENTER AMERICAN, Paris, France
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