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Ian Fleming: 'Diamonds are Forever', London, Jonathan Cape, 1956, 1st edition, original black cloth, spine lettered in silver, silver diamond motif to front cover, (internally clean no names/inscriptions, cloth VGC), dust wrapper (minimal wear at corners and head/foot of spine, centre and lower edge of spine, else generally a VG example with 12s 6d price intact). First edition, first printing of the fourth Bond novel, adapted into a film starring Sean Connery in 1971

Ian Fleming: 'Casino Royale', London, Jonathan Cape, 1959, 5th printing, original black cloth, spine lettered in red and with heart motif in red to front cover, (internally leaves clean, no names/inscriptions, book with slight spine lean, else boards/cloth VG), in the Pat Marriott designed 'Playing Card' dust wrapper (v slightly edge worn, else a generally VG example with 13s 6d price intact and credited as designed by Marriott). A presentable and affordable early printing of Ian Fleming's first novel, the first James Bond book

Ian Fleming: 'Moonraker', London, Jonathan Cape, 1955, 1st edition, with the word ''shoot'' on page 10 correctly printed, original black cloth, spine and front cover lettered in silver (boards v slightly bumped at corners, front hinge slightly tender, else generally VGC), flame design dust wrapper (with correct 10s 6d prices intact to front and rear flaps, usual fading of red flames to spine, some restoration at tips of folds). First edition, first impression of the third book in the James Bond series, adapted into a film of the same name in 1979, starring Roger Moore. The entire first impression containing both ''shoot'' and ''shoo'' states was issued on 7 April 1955NB dust wrapper with some restoration at tips of folds

Ian Fleming: 'Thunderball', London, Jonathan Cape, 1961, 1st edition, original cloth gilt, (internally leaves clean/VGC, no names/signatures, boards/cloth generally VGC), dust wrapper (slightly edgeworn, 15s price intact); 'The Spy Who Loved Me', London, Jonathan Cape, 1962, 1st edition, original cloth silvered (internally leaves clean/VGC, no names/signatures, boards/cloth slightly bumped at corners, else VGC), dust wrapper (slightly edge worn, couple small nicks, 15s price intact); 'On Her Majesty's Secret Service', London, Jonathan Cape, 1963, 1st edition, original cloth gilt (internally leaves clean/VGC, no names/signatures, boards/cloth slightly bumped head & foot of spine, else VGC), dust wrapper (generally VGC, 16s price intact); 'You Only Live Twice', London, Jonathan Cape, 1964, 1st edition, original cloth gilt & silvered (internally leaves clean/VGC, no names/signatures, boards/cloth bumped at lower corner, else VGC), dust wrapper (VGC, 16s price intact); 'The Man with the Golden Gun', London, Jonathan Cape, 1965, 1st edition, original cloth gilt (internally leaves clean/VGC, no names/signatures, boards/cloth generally VGC), dust wrapper (couple small closed tears, else crisp/VGC, 18s price intact); 'Octopussy and The Living Daylights', London, Jonathan Cape, 1966, 1st edition, original cloth gilt (internally no names/signatures, leaves clean VGC, boards/cloth VGC), dust wrapper (price clipped, else VGC), all titles with dust wrappers designed by Richard Chopping (6)

Ian Fleming: 'Octopussy and The Living Daylights', London, Jonathan Cape, 1966, 1st edition, original cloth gilt (internally no names/signatures, leaves clean VGC, boards/cloth VGC), Richard Chopping designed dust wrapper (VGC, 10s 6d price intact)

Ian Fleming: 'Moonraker', London, Jonathan Cape, 1958 re-issue, (3rd impression overall), original black cloth lettered in silver, (leaves clean/VGC, internally no names/signatures, boards/cloth VGC), dust wrapper (slight fading to spine and some light edgewear, else VGC, 13s 6d price intact). A presentable and affordable early printing copy of a scarce title

Ian Fleming: 'Octopussy and The Living Daylights', London, Jonathan Cape, 1966, 1st edition, original cloth gilt (internally no names/signatures, leaves clean VGC, boards/cloth VGC), Richard Chopping designed dust wrapper (price clipped, else VGC); together with Kingsley Amis: 'The James Bond Dossier', London, Jonathan Cape, 1965, 1st edition, original cloth gilt, dust wrapper (VGC/price clipped else VGC) (2)

Ian Fleming: 'On Her Majesty's Secret Service', London, Cape, 1963, 1st edition, original cloth gilt, new front and rear pastedowns, dust wrapper (16s price intact)

Earl St. Vincent: a creamware jug the bellied body printed in black and decorated in colours with a named portrait oval and on the reverse a compass the centre inscribed ‘J Johnson, Liverpool’, circa 1797, 136mm, restoration to top rim and small star crack near compass* Knighted in 1782 for action off Gibraltar Jervis was raised to the Peerage on 23rd August 1797 as Baron Jervis of Meaford and Earl St Vincent in recognition of his triumph at Cape St. Vincent. See Drakard, plates 312 and 473.# commemorative, commemorate, naval, military, war

English School, c.1730Portrait of a lady, possibly a member of the Attlesea family, half length, in a red dress and green capeindistinctly inscribed on torn label verso, oil on canvas, painted oval76 x 63cm, unframedCondition report: The painting is executed in oil on a linen canvas support which has been lined. The lining canvas is old and brittle with tears forming around the tacking edges. There is a hole above the sitter’s head and a tear to the right hand side. The paint layer is stable overall. The portrait has an old, degraded varnish which appears to have been partially cleaned but leaving dark residues in the paint texture, leading to a mottled surface

AN ARDMORE LEOPARD DISH AND COVER, 2010 The finely painted circular dish raised on three leopard-paw feet and applied with three leopard-head handles, the cover similarly decorated, minor chip to foot 13cm high *NOTE: This lot is located at our Cape Town branch

A PAIR OF FRAMED SEVRES PORCELAIN WALL PLAQUES, LATE 19TH/EARLY 20TH CENTURY Oval, each centrally painted with a courting couple reserved on a celeste bleu ground with gilt foliate scrollwork, in conforming moulded frame, wear to gilding and minor losses to frame 33,5cm long (2) *NOTE:This lot is located at our Cape Town branch

A PAIR OF SEVRES-STYLE PORCELAIN AND GILT-METAL CANDLESTICKS, LATE 19TH CENTURY The celeste bleu porcelain knop reserved to one side with a portrait of a lady, the reverse with a floral bouquet, surmounted by a single gilt-metal socle in the form of a flowering rose, all raised on square gilt-metal base 22,8cm high (2) *NOTE: This lot is located at our Cape Town branch

A PAIR OF FRENCH IVORY FIGURES OF A CAVALIER AND A LADY, POSSIBLY DIEPPE, LATE 19TH CENTURY Each finely carved in typical attire and raised on a carved and shaped ebonised base, condition good 33cm high including base (2) NOT SUITABLE FOR EXPORT *NOTE: This lot is located at our Cape Town branch

A FABIAN LINDQVIST 'BLOMGLAS' VASE FOR ALSTERFORS, 1962 22,8cm high; And Two Lindshammar Hooped Vases *NOTE: This lot is located at our Cape Town branch

AN INDIAN BRASS ROSEWATER DROPPER IN THE FORM OF NANDI Suspended on a link chain 16,5cm long excluding chain *NOTE: This lot is located at our Cape Town branch

A JAPANESE IMARI 'FLOWER BASKET' CHARGER, MEIJI PERIOD, 1868 - 1912 Painted to the centre with a flower basket filled with peonies on a terrace, the wide rim painted with Shi-Shi lions playing with a brocade ball amongst peonies on an iron-red ground, age wear, gilt loss 45cm diameter *NOTE: This lot is located at our Cape Town branch

Leila Fanner (South African 1970 - ): GYPSY DANCER oil and collage on wood panel  signed; signed, dated 2018 and inscribed with the title on the reverse 76 by 76cm excluding frame; 78 by 78cm including frame PROVENANCE Acquired directly from the artist, 2018 *NOTE: This lot is located at our Cape Town branch

Kim Mobey (South African 1985 - ): RARE AS A BLUE ROSE signed; signed, artist's fingerprint, dated 2020 and inscribed with the title on the reverse oil on canvas  90 by 70cm, unframed PROVENANCE Acquired directly from the artist *NOTE: This lot is located at our Cape Town branch

Kevin Stanley (South African 1954 - ): FIGURES ON THE BEACH signed oil on board 42 by 61cm, unframed PROVENANCE Acquired directly from the artist *NOTE: This lot is located at our Cape Town branch

Michael Albertyn (South African 1938 -): SEASCAPE oil on canvas  signed  59 by 89,5cm excluding frame; 60 by 120,5 by 2cm including frame *NOTE: This lot is located at our Cape Town branch

Carlos Sdoya (South African 1914 - 1996): VIEW FROM DISTRICT SIX signed oil on board 59,5 by 74,5cm excluding frame; 79 by 94,5 by 4cm including frame *NOTE: This lot is located at our Cape Town branch

Tinus de Jongh (South African 1885 - 1942): TABLE MOUNTAIN DOCKS CAPE signed and inscribed with the title in pencil in the margin etching sheet size: 23 by 27cm; 40,5 by 45 by 1,5cm including frame

Tinus de Jongh (South African 1885 - 1942): STELLENBERG KENILWORTH signed, embossed with the artist's chopmark and titled in pencil in the margin  etching  sheet size: 24 by 28cm; 34 by 39 by 3,5cm including frame PROVENANCE Ferreira Art Gallery label affixed to the reverse *NOTE: This lot is located at our Cape Town branch

Tinus de Jongh (South African 1885 - 1942): THE MANOR HOUSE, TOKAI signed, embossed with the artist's chopmark and titled in pencil in the margin  sheet size: 24 by 28cm; 34 by 39 by 3,5cm including frame *NOTE: This lot is located at our Cape Town branch

Marguerite Kaufmann (South Africa 1930 - ): THE NEWLYWEDS oil on canvas  signed  77 by 77cm; 77,5 by 77,5 by 4cm including framing PROVENANCE  Acquired directly from the artist *NOTE: This lot is located at our Cape Town branch

Marguerite Kaufmann (South African 1930 - ): POPPIES oil on board signed 55 by 49cm excluding frame; 62 by 59 by 2cm including frame PROVENANCE  Acquired directly from the artist *NOTE: This lot is located at our Cape Town branch

Gian-Piero Garizio (South African 1931 - ): STILL LIFE WITH FLOWERS signed oil on board 59,5 by 74,5cm excluding frame; 79 by 94,5 by 5,5cm including frame *NOTE: This lot is located at our Cape Town branch

Tinus de Jongh (South African 1885 - 1942): CAPE TOWN CASTLE ENTRANCE signed, embossed with the artist's chopmark and titled in pencil in the margin  etching sheet size: 31 by 21,5cm; 42 by 31,5 by 3,5cm including frame *NOTE: This lot is located at our Cape Town branch

Reginald Green (British 1884 - 1971): MERCERYLANE, CANTERBURY signed and inscribed with the title in pencil in the margin  etching sheet size: 20,5 by 13,5cm; 48 by 33 by 2,5cm including frame *NOTE: This lot is located at our Cape Town branch

Kenneth Baker (South African 1931 - 1995): UCT BREMNER BUILDING oil on board signed and dated 65 59 by 87cm excluding frame; 91 by 109 by 3cm including frame *NOTE: This lot is located at our Cape Town branch

Pauline Augusta Wilhelmina (Nita) Spilhaus (South African 1878 - 1967): WASSERBURG charcoal, pastel and watercolour on paper signed with artist's initials; inscribed 'Wasserburg, 9 June, Nita Spilhaus' on the reverse 24 by 31cm; 52 by 72 by 2cm including framing PROVENANCE Lot 681, Ashbey's Galleries, Cape Town, November 2020 *NOTE: This lot is located at our Cape Town branch

Hendrik Christiaan Niemann Snr (South African 1941 - ): LANDSCAPE WITH FLOWERS oil on board  signed and dated 84 23 by 36,5cm including frame; 27,5 by 40,5 by 2cm including frame *NOTE: This lot is located at our Cape Town branch

Kenneth Baker (South African 1931 - 1995): DISTRICT 6 oil on board signed 48 by 30cm; 70 by 52,5 by 1,5cm including frame *NOTE: This lot is located at our Cape Town branch

Donald James Madge (South African 1920 - 1997): DISTRICT 6 AT NIGHT oil on board signed 49 by 74cm including frame; 61 by 86 by 1,5cm including frame *NOTE: This lot is located at our Cape Town branch

William Joseph Kentridge (South African 1955 - ): YOU WILL BE DREAMT BY A JACKAL; WHY SHOULD I HESITATE (SCULPTURE AND PUTTING DRAWINGS TO WORK) The print: stamped with the artist's signature, silkscreen on found paper, 23,5 by 14,5cm excluding frame; 33 by 24 by 2,5cm including frame The set of books: William Kentridge (2019) Why Should I Hesitate: Sculpture, and Putting Drawings to Work, a set of two books published to accompany the artist's exhibitions at Norval Foundation and Zeitz MOCAA, Cape Town, 24 August 2019 to 23 March 2020, illustrated in full colour, between linen covered boards, in a printed slip case. Each book signed by the artist

Bambo Sibiya (South African 1986 - ) MEMORIES OF A SWENKA lithograph and screenprint  signed, dated 2014, titled and numbered 9/15 in pencil in the margin, with Atelier Le Grand Village chopmark sheet size: 63 by 84cm excluding frame; 14,5 by 71,5 by 3,5cm including frame PROVENANCE Acquired directly from the artist *NOTE: This lot is located at our Cape Town branch

Richard Scott (South African 1968 - ): OUR GOLD TREE signed; inscribed with the artist's name, title and dated 2018 in ink on the reverse mixed media on canvas 50 by 50cm, unframed PROVENANCE Acquired directly from the artist *NOTE: This lot is located at our Cape Town branch

Edoardo Villa (Italian/South African 1915 - 2011): OWL 1 bronze with green patina signed, dated 1996 and numbered 4/6 height: 55cm, excluding base LITERATURE de Klerk C. and de Kamper G., Villa in Bronze, University of Pretoria, 2012, illustrated on page 113 *NOTE: This lot is located at our Cape Town branch

Frans Claerhout (South African 1919 - 2006): MAN WITH GEESE oil on board signed 50 by 60cm excluding frame; 75 by 85 by 4cm including frame *NOTE: This lot is located at our Cape Town branch

Hendrik Christiaan Niemann Snr (South African 1941 - ): FISHERWOMAN AND HER CATCH oil on board signed and dated '07 75 by 50cm excluding frame; 96,5 by 71 by 5cm including frame *NOTE: This lot is located at our Cape Town branch

A PAIR OF WESTERN CAPE NUMBER PLATES, MODERN Accompanied by registration papers 001 ONE-WP (2)

A PAIR OF WESTERN CAPE NUMBER PLATES, MODERN Accompanied by registration papers 000 001-WP (2)

A VICTORIAN STYLE MAHOGANY DINING ROOM TABLE, PIERRE CRONJE, CAPE TOWN, MODERN The rectangular top with rounded corners on turned tapering legs. 74cm high, 280cm long, 147cm wide

A CAPE YELLOWWOOD AND STINKWOOD PEG-TOPPED TABLE 19TH CENTURY The shaped rectangular top with moulded edge above a frieze drawer on tapering square-section chamfered legs. 78,5cm high, 117cm long

A WALNUT AND INLAID CABINET, EARLY 20TH CENTURY The rectangular outswept cornice above a glazed door flanked by paneled doors above a wave-carved apron centred by a shell, on cabriole legs, on claw-and-ball feet CAPE TOWN OFFICE 170,5cm high, 187,5cm wide, 48cm deep

A MERANTI TABLE, 20TH CENTURY The circular top above a plain apron, on squre-section fluted legs, joined by an X-stretcher, centred by a circular shelf 72cm high, 92cm diameter CAPE TOWN OFFICE

A CAPE PINE RIEMPIE BENCH, LATE 19TH CENTURY With double cross bars united by shaped square section splats, down scrolled arms, riempie seat, on square-section tapering legs 128cm long

A CAPE STINKWOOD CENTRE TABLE, 19TH CENTURY The rectangular top with shaped moulded edge above linenfold frieze, on cabriole legs with claw-and-ball feet 77cm high, 90cm wide, 62cm deep

A GROUP OF DESIGNER GENTLEMAN'S TIES Comprising of: three Christian Dior ties; three YSL silk ties; two Paco Rabanne ties; one Givenchy and one Mulberry tie *NOTE: This lot is located at our Cape Town branch

A GROUP OF THREE YVES SAINT LAURENT TIES And a Ermenegildo Zegna tie *NOTE: This lot is located at our Cape Town branch

A GROUP OF THREE CHRISTIAN DIOR GENTLEMAN'S TIES And two Yves Saint Laurent ties *NOTE: This lot is located at our Cape Town branch

A GROUP OF THREE GENTLEMAN'S YVES SAINT LAURENT TIES And a Givenchy tie *NOTE: This lot is located at our Cape Town branch

A GROUP OF THREE GIORGIO ARMANI GENTLEMAN'S TIES And a Lanvin tie *NOTE: This lot is located at our Cape Town branch

A GROUP OF THREE YVES SAINT LAURENT TIES And a Giorgio Armani; and a Christian Dior tie *NOTE: This lot is located at our Cape Town branch

A PAIR OF PAULE KA LEATHER STRAPPY HEELS Black leather with a leather wrap-around ankle strap  Size: UK39 1/2 *NOTE: This lot is located at our Cape Town branch

A GERMAN SILVER DESSERT DISH  Wilkens, 800 standard, the circular bowl with moulded rim and engraved in the centre with a presentation inscription to the Cape Industry at its 100th anniversary from the Atlanta-Scipio Group, Bremen-Hamburg, February 1922, on pedestal base, 605g, 22,3cm diameter

Two Queen's South Africa Medals awarded to 8480 Sapper S. Vergette, RL Engrs, with three bars Transvaal, Orange Free State and Cape Colony (1901 & 1902), and 10482 Pte. H. Vergette 57th Coy. Imp. Yeo, (1901) with three bars Wittebergen, Transvaal and Cape Colony. (2)

Early 20th century black ostrich feather ladies cape with tasseled cord fastener and black rayon lining.

A vintage silk/bib front shirt,a lace fichu , lace and silk christening gown with petticoats, other baby dresses,  a small lace square etc and a child's white rabbit cape (1 box)Condition Report.