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A navy military cape

BRITISH RED CROSS CAPE: An original vintage (1940's / 1950's ) British Red Cross Nurse's uniform cape. With embroidered Red Cross emblem to one side and patch to the other.

A Boer War Officers Shaving Kit believed to belong to Lt Colonel Fane. Comprising a lozenge shaped Copper set of twin mirrors having easel backs and leather straps. Also a leather pouch with cut throat razor. Both scratch marked Fane. ( unable to verify ownership, vendor believed to belong to the following ) FANE, CECIL, Lieutenant, was born at Biarritz, South of France, 10 September 1876, son of Captain F A Fane, Rifle Brigade. He was educated at Rugby, and was gazette! to the 12th (Prince of Wales's Royal) Lancers 9 June, 1897, and was promoted to Lieutenant 21 March 1902. From 1899 to 1902 he served in the South African War, taking part in the advance on Kimberley, including action at Magersfontein; at the Relief of Kimberley; took part in the operations in the Orange Free State, February to May 1900, including those at Paardeberg; actions at Poplar Grove, Driefontein, Houtnek (Thoba Mountain) and Zand River; in the Transvaal in May and June, 1900, including actions near Johannesburg and Diamond Hill; in the Transvaal, west of Pretoria, July to 29 November 1900; in the Orange River Colony, May to 29 November 1900, including actions at Lindley, Bethlehem and Witterbergen; served as Adjutant, 12th Lancers, June 1901 to 31 May 1902; again served during operations in the Transvaal 30 November 1900 to July 1901; also in Cape Colony, July 1901 to 31 May 1902 (Despatches [London Gazette, 8 February and 10 September 1901]; Queen's Medal with six clasps and King's Medal with two clasps). He was created a Companion of the Distinguished Service Order [London Gazette, 27 September 1901]: "

FLEMING (Ian) Memorial Service Address booklet, September 15th 1964, with accompanying letter hand signed from Michael Howard from Jonathan Cape

A Lady's Brown Mink Short Cape.

A brown wool tailored jacket by Daniel Hechter; with a soft green collarless zip-up leather jacket by Haute Hoodie, a Gushlow & Cole charcoal grey sheepskin body-warmer, a Zoe Couture black cashmere cape and two other wool garments, UK sizes 10 to 12 approximately, (6).

A 19th century two-piece costume of black and white striped silk trimmed with mauve ribbon and a rosette decoration on the belt; a Victorian black wool cape with embroidered and appliqué decoration; a 19th century black and mauve taffeta fringed shawl with braid decoration; a mauve skirt; and a white blouse, (5).

Two French antique wooden boxes, containing a large panel of black lace, a lace cap, a black lace shoulder cape, a 1930s cream lace modesty front, lengths of lace, edgings, trimmings, silk braid, a length of cream silk ribbon flowers, collars and a large quantity of smaller lace and crochet pieces, (qty).

A black velvet and cotton layered evening dress trimmed with feathers; an ermine fur stole; a 19th century black velvet cape; an early 20th century black and cream blouse trimmed with crochet lace; a late 20th century ivory silk jacket embellished with black beading and embroidery; a Galliano 1980s low waisted black cotton dress with 3/4 length sleeves trimmed with black lace; a Le Signe black sleeveless cocktail dress; a 1980s Monsoon sleeveless black cotton cocktail dress; a black pleated skirt; a black taffeta and lace jacket; a 1980s black velour tube dress by Jungle, Paris; together with a quantity of other garments, (qty).

A Edwardian cream linen coat, a black early 20th century costume with lace and stitched detail, an Edwardian pale beige embroidered cape (relined), a circa 1915 Debenham & Freebody black silk blouse with a crochet waistband, a white lawn blouse, a cream skirt, and an early 20th century white lawn dress, (7).

A 19th century Paisley riding jacket edged with brown chenille, a black wool full-length opera cape, maker's label reads 'Thos. Pratt & Sons Ltd, Tailors and Robe makers, London'; a pair of brown leather riding boots with stretchers by Falconer L. Wallace Esq. Peal & Co. Makers, an American Persian lamb stole; a pale mink muff and two further items, (7).

A black lace Victorian shoulder cape embellished with small beads and sequins; a 19th century black skirt with a design of small pink flowers; a Victorian two-piece black brocade costume; a pink floral blouse; and a plain pink skirt, (5).

A collection of ladies designer knitwear, including: two chunky sweaters by Zoran, a grey cashmere Harrods jumper, a Margaret Howell V-neck sweater, a Fenn Wright Manson jumper, an Agnona chunky black wool cape with fur trim and six other garments, (12).

A blue Arctic fox fur jacket, with a 1940s fox fur cape, a 1950s brown fur coat, a black and white 1970s coney jacket, one other fur jacket and a fur collar, (6).

Fifteen items of designer clothing, comprising: a Morgane Le Fay short grey silk skirt with a frilled hem, a blue animal print elasticated dress, a Gabrielle Strenesse black long sleeved shift dress, a Brunello Cucinelli blue and brown striped skirt, an Amanda Wakeley sheer black dress, a Morgane Le Fay blue wool dress, a Donna Karan grey cashmere cape, pale blue silk pyjamas and seven further garments, (15).

A group of vintage fur items, including: two 1940s fox fur capes, a mink jacket, a musquash coat, a fur-lined raincoat, a beaver lamb cape and four other garments, (10).

A late 19th century brown silk taffeta two-piece costume; a Victorian black silk blouse with pin-tucks and embroidered decoration; a 19th century black cape edged with lace; a black satin evening blouse; and a black silk frilled skirt, (5).

A mink trimmed claret and gold patterned silk velvet evening coat; with a red iridescent silk velvet evening cape lined with burgundy velvet, an Akris black velvet jacket, a Mary Jane silk velvet evening coat, a Caroline Charles velvet jacket edged with gold appliqué fabric decoration, and three other garments, (8).

A late 19th century dark green two-piece costume with appliqué detail; a cream Victorian silk and velvet coat trimmed with lace and embellished with appliqué leaves and flowers; a child's black velvet cape edged with an embroidered trailing design of roses; a 19th century brown and cream striped cotton skirt; and a cream silk and lace blouse, (5).

A 1920s black and hammered silver Assuit Egyptian shawl; with a French gold coloured bead and sequin evening cape; and a fine black net evening scarf decorated with sequins, (3).

A 19th century black satin and grosgrain shoulder cape, edged with black lace to the front and shoulders, a heavy glass beaded border and high collar; together with a black skirt panel embellished with sequins and beads punctuated with small cream lace details, (2).

An Emanuel Ungaro layered floral and Paisley chiffon skirt; with a patchwork style geometric patterned waistcoat, a Catherine Bacon pleated black skirt, a brown and gold satin and velvet evening cape, a black and green velvet skirt with gold stencilled decoration, a brown top with ruched detail to the hem and collar, with five other garments, UK sizes 10 to 14 approximately, (11).

A 19th century brown and cream checked day dress with a lace collar and velvet covered buttons; a Victorian black cape embellished with black beaded decoration; a black lined blouse with glass buttons and lace trimmed collar; a white petticoat/bloomer combination; and a black velvet bodice, (5).

A collection of textiles, costume and collectables, including: two Edwardian fur bags; a White Star liner hat box; a 19th century black fan; a child's Greek costume circa 1930s; a quantity of drawn threadwork mats, linens, hatpins; a pair of gold plated lorgnette; a Derry & Toms fur cape; a 1940s fox fur cape; and a quantity of other items, (qty).

A 19th century grey boucle shoulder cape with black frogging; a Victorian blue and white finely striped silk taffeta skirt; a James Shewan of Elgin grey two-piece costume trimmed with silver coloured bead decoration to the front, collar and cuffs; a late 19th century black wool coat; and a white blouse, (5).

A black velvet coat, midi length, black buttons to front, sleeveless body with cape overlay, Cresta label to inside, and a 1970s hand printed green velvet dress, midi length, collar, full length cuffed sleeves, Kate Beaver label to inside (2)

A lilac Enzo Russo slip dress with sheer outer dress and cape, the full length dress with collar and full length sleeves, and the cape with full length sleeves, with Enzo Russo Roma label to neck

An early 1920s Arts and Crafts movement green silk dress with water lily embroidered detail to front, sleeves and hem, with cape detail to back, three quarter length sleeves and plaited silk band to waist

Three shoulder capes, comprising a Victorian example, with velvet ribbon detail and pleated trim, a further example, with scalloped beaded decoration and bow to neck, and a black sequined cape, of floral and foliate design (3)

A 1920s royal blue and black velvet lined cape with open front, opening to sleeves with velvet bow detail, with Modele Molyneux label to inside, together with royal blue velvet scarf

Queen's South Africa Medal and King's South Africa. QSA with three clasps including: Transvaal, Orange Free State and Cape Colony, KSA with 1901 and 1902 clasps. Both named to 4721 PTE S. Spalding Worcester Regiment. (QSA Broached)

Queens South Africa Medal with two bars 'South Africa 1902' and 'Cape Colony' to 6312 PTE A. Long Worcestershire Regiment. With paperwork.

SELECTION OF HARDBACK NOVELS IAN FLEMING 007 WITH DUST JACKETS BY J CAPE REPRINTS AND REISSUES 14 HARD AND 2 PAPERBACKS

An Arch Bishop's dress cape

P. BLAISOT, PORTRAIT MINIATURE OF A LADY IN PERIOD PRESS, in jewelled bodice with corsage and fur-lined cape, rectangular, 12cm x 9cm, in gilt metal frame

P. BLAIN, PORTRAIT MINIATURE OF A LADY IN PERIOD PRESS, in fur-lined cape and holding a garland of flowers, rectangular, 12cm x 9cm, in gilt metal frame

VINTAGE JACKETS - a fox fur shoulder cape, a Musquash fur bolero, a Nina ribbon jacket, a Jaeger mohair wool jacket, a Moorlands pig skin 3/4 ladies coat and a man's crombie Camel coat.

A Victorian/Edward VI African Service group of four to Sergent D.McKenzie Cameron Highlanders, comprising Sudan, QSA with 1901 Witterbeng, Diamond Hill, Johannasberg and Cape Colony clasps, LSGC and Kahedive's Sudan medal with cartoume and the Atbara clasps

A woven kashmir style cape, French, circa 1850-60, finely woven with foliate traceries on an ivory wool ground, with buttons woven to shape, coloured fringes; together with an 1830s red wool shawl probably Norwich, folded with tacked down collar to form a cape (2) CONDITION REPORT: Red cape - a few small moth holes and odd small spot stains, overall generally good. Ivory cape - exterior is good, colours are fresh, pink silk lining is worn at neck and silk has discoloured/faded in places.

A gold needlerun lace cape, 1920s, together with a tambour-worked organdy over-skirt, 1860s (2) CONDITION REPORT: Cape is good condition, no problems, very lustrous and fresh. Skirt in good condition.

A Gucci brown suede cape, circa 1970, labelled G.Gucci, with quilted Gucci damask lining, beaver lamb collar

A group of couture, late 50s-60s, comprising: Balenciaga purple silk shift dress, no 52823; Givenchy printed silk; Hardy Amies slubbed yellow silk gown; Lanvin tartan mohair cape; and a blue and white Capucci Boutique slubbed silk mini, average bust size 92cm, 36in (5) CONDITION REPORT: · All in need of cleaning but good condition · Lanvin cape - right shoulder seam needs re-stitching approx. 4cm (minor). · Givenchy - scattering of pin marks to front neckline, seam has been re-stitched 1cm at right underarm and approx. 10cm needs re-stitching at left hip seam, hem is faintly soiled at edge. All minor, colour is good. Bust 42in, waist 38in, hips 42in · Yellow Hardy Amies - very faint soiling at back of left cuff (hard to see), otherwise good. Bust 36in, waist 28in, hips 38in · Purple Balenciaga - fresh and colour is vibrant, extremely faint small brown stain to back bodice (very hard to see). Gentle fading at right hem, again very hard to see. Perspiration stains at underarms to lining only. Seam needs re-stitching approx. 2cm at right underarm. Zipper needs re-stitching approx. 6cm. All very minor. Bust 42in, waist 32in, hips 42in · Capucci - good condition, faint perspiration stains to lining only, not visible to exterior, hem has been altered. Bust 36in, waist 34in, hips 38in

1950s evening gowns, including John Cavanagh magenta taffeta ball gown with over-bodice, cummerbund and matching coat; black taffeta couture gown with pink gauze sash and matching paper taffeta cape; Dior London grey tulle ball gown trimmed with rosebuds; gold Indonesian brocade dress, orange organdy dress and a stole (qty) CONDITION REPORT: · Mixed condition, would benefit from cleaning. Black taffeta with pink scarf panel - good condition, back seam needs re-stitching approx. 3cm rear hem · Black taffeta cape - good condition · Cavanagh ensemble - lovely colour and shape but poor condition. All pieces have fading and are scattered with worm holes. Dress: hem is soiled and faded. 2 metal bones within bodice corset are snapped. Bodice: lacking one button, taffeta is wrinkled at inner elbows and scuffed at underarms. Faded at cuffs. Sash: colour is good, scattered with multiple worm holes. Coat: badly faded. · Satin stole - good condition · Orange dress - skirt has faint brown stains generally and pinholes to bodice · Indonesian brocaded dress - metallic threads are tarnished and rubbed in places. Faded in stripes along skirt. · Dior grey tulle - poor condition, in need of restoration. Tear to rayon inner corset, slight perspiration stains at underarms. Top layer of skirt tulle to front and sides is badly torn but back area of tulle is ok. Needs the top skirt layer of tulle replaced or restored.

An Yves Saint Laurent dark green tweed burnouse style cape, circa 1976, labelled Rive Gauche, edged in black braid and trimmed with black tassels and frogging; together with a Paisley printed fine wool blouse, skirt and matching stole/sash, size 36 (4)

A Liberty gold brocaded black satin opera cape, mid 1920s, large woven Liberty London label with MR (Mary Regina) intials, woven with large cabbage roses and scattered poppies, lined in gold satin, black fur collar CONDITION REPORT: Exterior is fresh and good, lame is good. Gold sateen lining is generally good in the main part of the cape but is badly stained and worn mainly around the hem area. There is an L shaped tear in the fur collar at the back but this is easily repairable.

An Yves Saint Laurent Rive Gauche tan wool cape, 1970s, labelled, button front with inner long-line waistcoat and pockets, bust approx 96cm, 38in CONDITION REPORT: good condition

An Yves Saint Laurent Rive Gauche black wool cape, 1970s, labelled, with singular toggle fastening and edged in leather CONDITION REPORT: good condition

A Madame Gres couture black taffeta evening cape with velvet collar, mid 1950s, labelled, lined in wool; together with a Pedro Rodriquez black satin evening cape lined in lilac silk (2) CONDITION REPORT: Mme Gres cape needs cleaning there is a white mark on the rear skirt (bird droppings?). Velvet facing inside the lapel needs tacking down inside (minor). Rodriquez - lining is faded in places and soiled inside neck edge, otherwise good.

A beaded and embroidered couture ivory chiffon bridal or presentation tunic-dress, circa 1928, adorned with couched love knots, rhinestones, floss silk and bugle beaded bands, bust approx 92cm, 36in; together with an ivory chiffon and silver lace edged trained with large pearl and silver beaded bow; and a quantity of lingerie c.1900-20 (qty) CONDITION REPORT: Dress: faint champagne stain to back right neck-bodice area, dress would have been worn with a silk underslip which is missing, embroidery and beading are good, slight tarnishing to love-knots on shoulders. Train: it is non-matching with the dress, though similar colours and dress has pres-studs to attach. Gold lace and pearl bead embroidery is generally good but numerous scattered small holes and 8x6cm L-shaped tear. Lingerie: fair/poor condition, silk nightie has tear at left underarm, matching knickers have a rip rear waist centre back, monogrammed split drawers have a few holes and repairs, lace trim has been removed from neck edge of bed cape.

A Sasha doll, wearing tartan cape, 16in.

JOHN HILL (1770-1850) American, After GEORGE WEBSTER (1797-1864) British Christiansborg, A Danish Settlement on the Gold Coast, Africa; St. George D'Elmina, A Dutch Settlement on the Gold Coast, Africa; Dix Cove, A British Settlement on the Gold Coast, Africa; and Cape Coast Castle, A British Settlement on the Gold Coast, Africa Coloured engravings Published by J. Barrow, St. Pancreas & G. Webster, Pentonville 60 x 46 cm, framed and glazed, (a set of four) (4) CONDITION REPORTS: All generally in good condition, expected wear, some slight fading/staining.

A Queen's and a King's South Africa medal, to 27972 Sapr. W. Grant R.E., with Transvaal, Driefontein, Paardeberg and Cape Colony bars, and South Africa 1901 and 1902 bars

Ladies Vintage Real Fur Cape with hook & eye fastening

A Knights Templar complete Masonic regalia consisting of Smock, Hooded Cape, Sash, Sword (made by AR Fabb Bros Ltd) with scabbard, Belt and five Jewels including the Red Cross of Constantine and a Past Perceptors breast Jewel

A 1920s style bead work flapper dress, a fur cape, a similar fur cape, fans and other textiles (qty) Condition report Report by NG Dress only: Armpit to armpit - max. 48 cm. Several areas of missing bead/sequin work, notably to base of v-neck front. Some of lost beads and sequins attached to bottom of dress. Some other pulling and loss to top of each split front and back. Some holes forming below drop waistband at top of skirt where weight of beads pulling down. Losses to beads and sequins to both arm holes and some fraying. Poppers to back sewing together and presumably lining/backing cloth replaced.

A 1970s black watch plaid cape with metal zip and faux fur collar, a 'Chelsea Girl' dark brown velvet coat (early 1970s) two large buttons, a camel heavily fringed jacket with covered buttons (1970s) country western effect

A Victorian silk and lace black mourning cape

An early 20th Century Armand Marseille bisque head doll, wearing original cream silk and caribou edged bonnet, cape and dress, with stockings and shoes, blonde curly wig, blue glass sleeping eyes, open mouth showing teeth, mould no. 390 A.4.M, fully jointed composition and wooden body, height 49.5 cm approx

A musquash 1950s fur cape with a silver fox jacket made by Saga (late 1970s) (2)

One full length brown fur coat, together with a brown fur cape and musquash collar (3)